Shree ranjani

Sriranjani is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (shadava rāgam, which means "of six"). It is a derived scale (janya rāgam), as it does not have all the seven swaras (musical notes). It is also written as Shri ranjani or Shree Ranjani.

Sriranjani

Arohanam	S R₂ G₂ M₁ D₂ N₂ Ṡ
Avarohanam	Ṡ N₂ D₂ M₁ G₂ R₂ S

Structure and Lakshana

Shree ranjani scale with shadjam at C

Shree ranjani is a symmetric scale that does not contain panchamam. It is called a shadava-shadava rāgam,[1][2] in Carnatic music classification (as it has six notes in both ascending and descending scales). Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms):

• ārohaṇa : S R₂ G₂ M₁ D₂ N₂ Ṡ[lower-alpha 1]
• avarohaṇa : Ṡ N₂ D₂ M₁ G₂ R₂ S[lower-alpha 2]

This scale uses the notes shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam, chathusruthi dhaivatham and kaisiki nishadam. Shree ranjani is a janya rāgam of Kharaharapriya, the 22nd Melakarta rāgam. It has only the invariant panchamam missing from its parent scale, Kharaharapriya.

Popular compositions

Shree ranjani is a pleasing and popular rāgam.[2] This scale has been used by many composers and there are many compositions in classical music. It has been used to score film music, too. Here are some popular compositions in Sriranjani.

• Marubalka, Brochevarevare, Sari evvare, Bhuvini daasudane, and Sogasuga mrudanga talamu by Thyagaraja
• Ni sati deivamu, Balambikaya and parvata raja kumari by Muthuswami Dikshitar
• Ini oru kanam unnai, Kaana Vendamo and Gajavadana karuna by Papanasam Sivan
• Srinivasa Enna Bittu by Purandaradasa
• Nadhamennum Kovilile by M S Viswanathan rendered by Vani Jayaram
• Pagalile Oru Nilavinai Kanden by Ilayaraaja rendered by S. Janaki
• Mukshika Vahanane by Manachanallur Giridharan rendered by Harini

Film Songs

Language: Tamil

Song	Movie	Composer	Singer
Naathamenum Kovililey	Manmadha Leelai	M. S. Viswanathan	Vani Jairam
Nathavinothangal(Ragamalika pallavi anupallavi only)	Salangai Oli	Ilaiyaraaja	S. P. Balasubramanyam, S. P. Sailaja
Naatham Elunthathadi	Gopura Vasalile		K. J. Yesudas, S. Janaki
Oru Raagam	Unnai Vaazhthi Paadugiren
Oru Manthara poo	Chinna Jameen		Mano, K. S. Chitra
Saami En Thaali	Shenbagamae Shenbagamae		K. S. Chitra
Nallathor Veenai	Ore Oru Gramathiley
Vanthadhu Vanthadhu	Kilipetchu Ketkava		S. Janaki
Kathirunthen Kanava	Dharma Pathini
Pagalile Oru Nilavinai Kanden	Ninaive Oru Sangeetham
Chinnai Chiru	Endrum Anbudan		S. P. Balasubrahmanyam
Vaikasi Vellikilama	Rasa Magan
Vennilavin Perai Matrava	Ramanaa		Hariharan, Sadhana Sargam
Kannan Nee En	Ivan		Sudha Ragunathan
Oru Thulli	En Swasa Kaatre	A. R. Rahman	M. G. Sreekumar
Kadavulidam	Azhagiya Pandipuram	Bharadwaj	Prasanna, Sadhana Sargam
Alaithal Varuvale	Jaathi Malli	Maragadha Mani	S. P. Balasubrahmanyam, K. S. Chitra

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.

Scale similarities

• Ābhōgi is a rāgam which does not have the kaisiki nishadam in both ascending and descending scales in comparison to Sriranjani. Its ārohaṇa-avarohaṇa structure is S R₂ G₂ M₁ D₂ Ṡ: Ṡ D₂ M₁ G₂ R₂ S
• Ragam Jayamanohari is a ragam which is like Abhogi in ascending scale and like Sriranjani is descending scale. Its ārohaṇa-avarohaṇa structure is S R₂ G₂ M₁ D₂ Ṡ: Ṡ N₂ D₂ M₁ G₂ R₂ S[lower-alpha 3]

Notes

1. Alternate notations:
   • Hindustani: S R G̱ M D Ṉ Ṡ
   • Western: C D E♭ F A B♭ C
2. Alternate notations:
   • Hindustani: Ṡ Ṉ D M G̱ R S
   • Western: C B♭ A F E♭ D C
3. Alternate notations:
   • Hindustani: Ṡ Ṉ D M G̱ R S
   • Western: C B♭ A F E♭ D C

References

1. Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
2. Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras