List of paintings by Paul Cézanne
This list of paintings by the French painter Paul Cézanne is incomplete.
The artistic career of Cézanne spanned more than forty years, from roughly 1860 to 1906. A prolific artist, he produced more than 900 oil paintings and 400 watercolours,[1] including many incomplete works. This list is a selection of Cézanne's better-known paintings, or includes those for which images are available.
Paintings
Image | Title | Year | Dimensions | Museum | Country |
---|---|---|---|---|---|
Judgment of Paris | 1862–1864 | 15 × 21 cm | Private collection[2] | ||
Scipio, the Negro | 1865 | 107 × 103 cm | São Paulo Museum of Art, São Paulo | Brazil | |
The Painter's Father, Louis-Auguste Cézanne | 1865 | 167 × 114 cm | National Gallery, London | United Kingdom. | |
The Stove in the Studio | c.1865 | 41 x 30 cm | National Gallery, London | United Kingdom | |
The Artist's Father, Reading "L'Événement" | 1866 | 199 × 119 cm | National Gallery of Art, Washington, D.C. | United States | |
Portrait of Uncle Dominique | 1866 | 80 × 64 cm | Metropolitan Museum of Art, New York City | United States | |
Portrait of Uncle Dominique as a Monk | 1866 | 65 × 54 cm | Metropolitan Museum of Art, New York City | United States | |
Head of an Old Man (Père Rouvel at Bennecourt) | 1866 | 51 × 48 cm | Musée d'Orsay, Paris | France | |
Portrait of a Man | 1866 | 82 × 66 cm | Private collection | ||
Achille Emperaire | 1867–1868 | 200 × 120 cm | Musée d'Orsay, Paris | France | |
Christ in Limbo | 1867 | 170 × 97 cm | Musée d'Orsay, Paris | France | |
The Kidnapping | 1867 | 90,5 × 117 cm | Fitzwilliam Museum, Cambridge, England | United Kingdom | |
The Temptation of St. Antonius | 1867–1869 | 52 × 73 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
The Orgy | 1867–1870 | 130 × 81 cm | Private collection | ||
Preparation for the Funeral (The Autopsy) | 1867–1869 | 49 × 80 cm | Private collection | ||
The Overture to Tannhauser: The Artist's Mother and Sister | 1868 | 57 × 92 cm | Hermitage Museum, Saint Petersburg | Russia | |
The Magdalen, or Sorrow (La Madeleine) | 1869 | 165 × 124 cm | Musée d'Orsay, París | France | |
The Black Marble Clock | 1869–1871 | 54 × 73 cm | Private collection | ||
Paul Alexis Reading to Émile Zola | 1869–1870 | 130 × 160 cm | São Paulo Museum of Art, São Paulo | Brazil | |
Paul Alexis Reading at Zolas House | 1869–1870 | 52 × 56 cm | Private collection | ||
Portrait of Antony Valabrègue | 1866–1870 | 60 × 50 cm | J. Paul Getty Museum, Los Angeles | United States | |
The Railway Cutting | 1870 | 80 × 129 cm | Neue Pinakothek, Munich | Germany | |
Pastoral (Pastorale) | 1870 | 65 × 81 cm | Musée d’Orsay, Paris | France | |
Bathers | 1870 | 33 × 40 cm | Private collection | ||
Man with a Straw Hat (Portrait of Boyer) | 1870–1871 | 55 × 39 cm | Metropolitan Museum of Art, New York City | United States | |
L'Estaque, Melting Snow[3] | 1871 | 73 × 92 cm | Foundation E.G. Bührle, Zurich | Switzerland | |
Route de village, Auvers | 1872–1873 | 46 x 55.3 cm | Musée d’Orsay, París | France | |
The Hanged Man's House (La Maison du Pendu, Auvers-sur-Oise) | 1872–1873 | 55 × 66 cm | Musée d'Orsay, Paris | France | |
The House of Doctor Gachet in Auvers (La Maison du Docteur Gachet à Auvers) | 1872–1873 | 41 × 27 cm | Musée d’Orsay, París | France | |
Bouquet in a Delft Vase (Bouquet au petit Delft) | 1873 | 41 × 27 cm | Musée d'Orsay, Paris | France | |
View of Auvers | 1873 | 65 × 80 cm | Art Institute of Chicago, Chicago | United States | |
A Modern Olympia (Une moderne Olympia) | 1873–1874 | 46 × 55 cm | Musée d’Orsay, París | France | |
The Buffet | 1873–1877 | 65 × 81 cm | Museum of Fine Arts, Budapest | Hungary | |
Self-Portrait in a Casquette | 1873–75 | 55 × 38 cm | Hermitage Museum, Saint Petersburg | Russia | |
The Avenue at the Jas de Bouffan | 1874–1875 | 38 × 46 cm | National Gallery, London (on loan from Tate Gallery) | United Kingdom | |
Bathers | 1874–1875 | 38 × 46 cm | Metropolitan Museum of Art, New York City ] | United States | |
Afternoon In Naples With A Black Servant | 1875 | 37 × 45 cm | National Gallery of Australia, Canberra | Australia | |
Bacchanal (The Love Battle) | 1875–1876 | 38 × 46 cm | Private collection | United States | |
Saint Anthony the Abbott (La Tentation de Saint Antoine) | 1877 | 47 × 56 cm | Musée d’Orsay, París | France | |
Interior with Two Women and a Child | 1875–1877 | 91 x 72 cm | Pushkin Museum, Moscow | Russia | |
Road in Pontoise | 1875–1877 | 58 x 71 cm | Pushkin Museum, Moscow | Russia | |
Self-portrait (Portrait de l'artiste) | 1875 | 64 × 53 cm | Musée d'Orsay, París | France | |
Self-Portrait with Pink Background (Portrait de l'artiste au fond rose) | 1875 | 66 × 55 cm | Musée d’Orsay, París | France | |
Self-Portrait | 1875–1877 | 55 × 47 cm | Neue Pinakothek, Munich | Germany | |
Jas de Bouffan, The Pool | 1876 | 46 × 56 cm | Hermitage Museum, Saint Petersburg | Russia | |
The Sea at L'Estaque | 1876 | 42 × 59 cm | National Gallery, London | United Kingdom | |
Bathers | 1876–1877 | 14 × 19 cm | Private collection | ||
Bathers at Rest | 1876–1877 | 82.2 x 101.2 | Barnes Foundation, Merion, Pennsylvania | United States | |
Four Bathers | 1877–1878 | 38 × 46 cm | Private collection | ||
Five Bathers | 1877–1878 | 40.6 x 42.9 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Bather from the Back | 1877–1878 | 24 × 19 cm | Private collection | ||
Portrait of Victor Chocquet | 1876–1877 | 46 × 36 cm | Private collection | ||
Madame Cézanne in a Red Armchair | 1877 | 73 × 56 cm | Museum of Fine Arts, Boston | United States | |
Portrait Of Victor Chocquet Seated | 1877 | 46 × 38 cm | Columbus Museum of Art, Columbus, Ohio | United States | |
Still Life With Soup Tureen | 1877 | 65 × 83 cm | Musée d'Orsay, París | France | |
Still Life with Open Drawer | 1877–1879 | 33 × 41 cm | Musée d'Orsay, París | France | |
The Eternal Feminine | 1877 | 43 × 53 cm | J. Paul Getty Museum, Los Angeles | United States | |
Self-Portrait | 1877–1880 | Musée d'Orsay, París | France | ||
Maincy Bridge (Pont de Maincy) | 1879 | 60 × 73 cm | Musée d'Orsay, París | France | |
Farmyard (Cour d'une ferme) | 1879 | 63 × 52 cm | Musée d'Orsay, París | France | |
View of Auvers-sur-Oise (Paysage d'Auvers-sur-Oise) | 1879–80 | 46 x 55 cm | Ashmolean Museum, Oxford (stolen painting) | Current whereabouts unknown | |
L'Estaque | 1879-1873 | 80.3 x 99.4 cm | Museum of Modern Art, New York City | United States | |
Poplars (Les Peupliers) | 1879–1880 | 65 × 80 cm | Musée d'Orsay, París | France | |
Forest Interior of Fontainebleau | 1879–1882 | 64 × 80 cm | Private collection | ||
Self-Portrait | 1878–1880 | 61 × 47 cm | Phillips Memorial Gallery, Washington, D.C. | United States | |
Self-Portrait | 1879–1880 | 65 × 51 cm | Kunstmuseum, Bern | Switzerland | |
Self-Portrait | 1879–1880 | Oskar Reinhart Collection, Switzerland | Switzerland | ||
Portrait of Louis Guillaume | 1879–1880 | 56 × 47 cm | National Gallery of Art, Washington, D.C. | United States | |
Medea (after Delacroix) | 1879–1882 | 38 × 20 cm | Kunsthaus Zürich | Switzerland | |
Five Bathers | 1879–1880 | 35 × 38 cm | Detroit Institute of Arts | United States | |
Standing Bather Seen from Behind | 1879–1882 | 17 × 27 cm | Princeton University Art Museum | United States | |
Three Bathers | 1879–1882 | 52 × 55 cm | Musée du Petit Palais, Paris | France | |
Bathers | 1880 | 35 × 40 cm | Private collection | ||
The Battle of Love | 1880 | 38 × 46 cm | National Gallery of Art, Washington, D.C. | United States | |
Leda and the Swan | c.1800 | 59.7 x 74.9 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Portrait of Paul, the Artist's Son | 1880 | 15 × 17 cm | Princeton University Art Museum | United States | |
Madame Cézanne in the Garden | 1880–1882 | 63 × 80 cm | Musée de l'Orangerie, Paris | France | |
Self-Portrait with Olive-Colored Wallpaper | 1880–1881 | 34 × 26 cm | National Gallery, London | United Kingdom | |
Self-Portrait with White Turban | 1881–1882 | 56 × 46 cm | Neue Pinakothek, Munich | Germany | |
The countyside of Auvers-sur-Oise | 1881–1882 | 92 × 73 cm | Goulandris Museum of Contemporary Art, Athens | Greece | |
Portrait of Madame Cézanne with a Fan | 1881 | 81 × 66 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
Farm in Normandy | 1882 | 47 × 66 cm | Albertina, Vienna | Austria | |
L'Estaque, View Through the Pines | 1882–1883 | 73 × 90 cm | Reader's Digest Collection, New York City | United States | |
Rocks at L'Estaque | 1882–1885 | 73 × 91 cm | São Paulo Museum of Art, São Paulo | Brazil | |
Self-Portrait | 1882–1885 | 45 x 37 cm | Pushkin Museum, Moscow | Russia | |
L'Estaque with Red Roofs | 1883–1885 | 65 × 81 cm | Private collection | ||
The Bay of Marseilles seen from L'Estaque (Le golfe de Marseille vu de l’Estaque) | 1883–1885 | 65 × 54 cm | Musée d'Orsay, París | France | |
Portrait of the Artist Looking Over His Shoulder | 1883–1884 | 25 × 25 cm | Goulandris Museum of Contemporary Art, Athens | Greece | |
View of L'Estaque and the If Castle (The Sea in L'Estaque) | 1883–1885 | 71 × 58 cm | Fitzwilliam Museum, Cambridge, England | United Kingdom | |
The Bay of Marseilles, view from L'Estaque | 1885 | 80 × 100 cm | Art Institute of Chicago | United States | |
Bathers Outside a Tent | 1883–1885 | 64 × 81 cm | Staatsgalerie Stuttgart | Germany | |
Man Standing, Arms Extended | 1883 | 33 × 24 cm | Private collection | ||
Self-Portrait | 1883–1887 | 44 × 36 cm | Ny Carlsberg Glyptotek, Copenhagen | Denmark | |
Portrait of Madame Cézanne with Loosened Hair | 1883–1887 | 62 × 51 cm | Private collection | ||
Farmhouse and Chestnut Trees at Jas de Bouffan | 1884 | 92 × 74 cm | Norton Simon Museum, Pasadena, California | United States | |
Jas de Bouffan | 1885–1887 | 60 × 71 cm | National Gallery in Prague | Czech Republic | |
Horse Chestnut Trees of Jas de Bouffan | 1885 | 65 × 81 cm | Kunstmuseum Winterthur | Switzerland | |
Provençal Manor | 1885 | 48 × 33 cm | Princeton University Art Museum | United States | |
Chestnut Trees at Jas de Bouffan | 1885–1887 | 73 × 92 cm | Minneapolis Institute of Arts, Minnesota | United States | |
Chestnut Trees and Farm at Jas de Bouffan | 1885–1887 | 66 × 81 cm | Private collection | ||
The Neighborhood of Jas de Bouffan | 1885–1887 | 65 × 81 cm | Solomon R. Guggenheim Museum, New York City | United States | |
Trees in the Park, Jas de Bouffan | 1885–1887 | 73 x 91 cm | Pushkin Museum, Moscow | Russia | |
Madame Cézanne | 1885–1887 | 56 × 46 cm | Solomon R. Guggenheim Museum, New York City | United States | |
Tall Trees at the Jas de Bouffan | 1885–1887 | 65 × 81 cm | Courtauld Institute of Art, London | United Kingdom | |
High Trees In Jas de Bouffan | 1885–1887 | 73 × 59 cm | Private collection | ||
The Aqueduct | 1885 | 72 × 91 cm | Pushkin Museum, Moscow | Russia | |
Plain by Mont Sainte-Victoire | 1885 | 58 × 72 cm | Pushkin Museum, Moscow | Russia | |
Mont Sainte-Victoire seen from Bellevue (Montagne Sainte-Victorie vue de Bellevue) | 1885 | 73 × 92 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Mont Sainte-Victoire and the Viaduct of the Arc River Valley | 1885–1887 | 65 × 82 cm | Metropolitan Museum of Art, New York City | United States | |
Mont Sainte-Victoire | 1885–1887 | 67 × 92 cm | Courtauld Institute of Art, London | United Kingdom | |
Mont Sainte-Victoire | 1885–1887 | 55 × 65 cm | National Gallery of Scotland, Edinburgh | Scotland | |
Landscape with Poplars | 1885–1887 | 71 x 58 cm | National Gallery, London | United Kingdom | |
Bather | 1885 | 127 × 97 cm | Museum of Modern Art, New York City | United States | |
Five Bathers | 1885–1887 | 66 × 66 cm | Kunstmuseum Basel | Switzerland | |
Portrait of Madame Cézanne | 1885 | 46 × 38 cm | Private collection | ||
Portrait of Madame Cézanne | 1885–1887 | 93 × 73 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Portrait of Madame Cézanne | 1885–1886 | 47 × 39 cm | Musée d'Orsay, Paris | France | |
Portrait of Madame Cézanne | 1885–1890 | 46.5 x 38.5 cm | Musée d'Orsay, Paris | France | |
Madame Cézanne | 1886 | 101 × 81 cm | Detroit Institute of Arts | United States | |
Gardanne | 1886 | 65 × 100 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Mont Sainte-Victoire with Large Pine | 1886–1887 | The Phillips Collection, Washington, D.C. | United States | ||
House in Provence | 1886–1890 | 65.5 × 81.3 cm | Indianapolis Museum of Art | United States | |
Boy Resting | 1887 | Hammer Museum, Los Angeles | United States | ||
Avenue at Chantilly | 1888 | 82 x 66 cm | National Gallery, London | United Kingdom | |
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress | 1888–1890 | 117 × 90 cm | The Metropolitan Museum of Art, New York City | United States | |
The Boy in the Red Vest | 1888–1890 | 80 × 64 cm | Foundation E.G. Bührle, Zurich | Switzerland | |
Boy in a Red Vest | 1888–1890 | 81 × 85 cm | Museum of Modern Art, New York City | United States | |
Boy in a Red Waistcoat | 1888–1890 | 92 × 73 cm | National Gallery of Art, Washington, D.C. | United States | |
Boy in a Red Waistcoat[4] | 1888–1890 | 66 × 55 cm | Barnes Foundation, Marion, Pennsylvania | United States | |
Boy in a Red Vest (watercolour) | 1890 | 46 × 30 cm | Private collection | ||
Portrait of his son Paul Cézanne | 1888–1890 | 65 × 54 cm | National Gallery of Art, Washington, D.C. | United States | |
Banks of the Marne | 1888–1890 | 65 × 81 cm | Hermitage Museum, Saint Petersburg | Russia | |
Banks of the Marne | 1888–1890 | 71 × 90 cm | Pushkin Museum, Moscow | Russia | |
Mount Sainte-Victoire | 1888–1890 | 65 × 81 cm | Private collection | ||
The Pool at the Jas de Bouffan (Basin and Washing Place in Jas de Bouffan) | 1888–1890 | 65 × 81 cm | Metropolitan Museum of Art, New York City | United States | |
Banks of the Oise | 1888 | 49 × 60 cm | Private collection | ||
Kitchen Table (Still Life With Basket) | 1888–1890 | 64 × 80 cm | Musée d'Orsay, Paris | France | |
Still Life with Peaches and Pears | 1888–90 | 61 × 90 cm | Pushkin Museum, Moscow | Russia | |
The Blue Vase (Le Vase bleu) | 1889–1890 | 61 × 51 cm | Musée d’Orsay, París | France | |
Pierrot and Harlequin | 1888 | 102 × 81 cm | Pushkin Museum, Moscow | Russia | |
Harlequin | 1889–1890 | 92 × 65 cm | National Gallery of Art, Washington, D.C. | United States | |
Harlequin | 1888–1890 | 91 × 65 cm | Private collection | ||
View of the Domaine Saint-Joseph | 1880s | 65.1 × 81.3 cm | Metropolitan Museum of Art, New York City | United States | |
The Card Players | 1890–1892 | 134 × 182 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
The Card Players | 1892–1893 | 65 × 81 cm | Metropolitan Museum of Art, New York City | United States | |
The Card Players | 1892–1893 | 97 × 130 cm | Royal Family of Qatar[5] | Qatar | |
The Card Players | 1892–1895 | 60 × 73 cm | Courtauld Institute of Art, London | United Kingdom | |
The Card Players | 1892–1895 | 48 × 57 cm | Musée d'Orsay, París | France | |
Man with a Pipe | 1890 | 91 × 72 cm | Hermitage Museum, Saint Petersburg | Russia | |
Man Smoking a Pipe | 1890–92 | 72 × 91 cm | Pushkin Museum, Moscow | Russia | |
Man with a Pipe | 1892 | 73 × 60 cm | Courtauld Institute of Art, London | United Kingdom | |
Hillside in Provence | 1890–1892 | 63.5 x 79.4 cm | National Gallery, London | United Kingdom | |
Bathers (Les Baigneurs) | 1890–1894 | 60 × 81 cm | Musée d'Orsay, París | France | |
Bathers | 1890–1894 | 26 × 40 cm | Hermitage Museum, Saint Petersburg | Russia | |
Forest | 1890–1892 | 72 × 92 cm | White House Collection, Washington, D.C. | United States | |
Still Life with Apples and a Pot of Primroses | 1890 | 58 × 91 cm | Metropolitan Museum of Art, New York City | United States | |
The Basket of Apples (Le Panier de pommes) | 1890–94 | 65 × 80 cm | Art Institute of Chicago, Chicago | United States | |
Still Life with Tulips and Apples | 1890–94 | 59 × 42 cm | Art Institute of Chicago, Chicago | United States | |
Self-Portrait with Palette | 1890 | 92 × 73 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
Self-Portrait in a Felt Hat | 1890–95 | 61 × 50 cm | Bridgestone Museum of Art, Tokyo | Japan | |
Portrait of Madame Cézanne | 1890 | 81 x 65 cm | Musée de l'Orangerie, Paris | France | |
Madame Cézanne in a Red Dress | 1890–1894 | 89 × 70 cm | São Paulo Museum of Art, São Paulo | Brazil | |
Woman with a Coffeepot (La Femme à la cafetière) | 1890–95 | 130 × 97 cm | Musée d'Orsay, Paris | France | |
Madame Cézanne in the Conservatory | 1891 | 92 × 73 cm | Metropolitan Museum of Art, New York City | United States | |
Still Life with Water Jug | 1892–1893 | 53 x 71.1 cm | National Gallery, London | United Kingdom | |
The House with the Cracked Walls | 1892–1894 | 80 × 64,1 cm | Metropolitan Museum of Art, New York City | United States | |
Seated Peasant | 1892–1896 | 55 × 45.1 cm | Metropolitan Museum of Art, New York City | United States | |
Madame Cézanne in a Yellow Armchair | 1893–1895 | 81 × 85 cm | Private collection | ||
Still Life, Drapery, Pitcher, and Fruit Bowl | 1893–1894 | 59 × 72 cm | Whitney Museum of American Art, New York City | United States | |
Rideau, Cruchon et Compotier | 1893–1895 | 60 × 73 cm | Private collection | ||
Still Life with a Curtain | 1895 | 55 × 75 cm | Hermitage Museum, Saint Petersburg | Russia | |
Woman in a Green Hat (Madame Cézanne) | 1894–1895 | 100 × 81 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Maison Maria with a View of Château Noir | 1895 | 65 × 81 cm | Kimbell Art Museum, Fort Worth, Texas | United States | |
The Quarry at Bibémus | 1895 | 65 × 81 cm | Museum Folkwang, Essen | Germany | |
Large Pine and Red Earth | 1895 | 72 × 91 cm | Hermitage Museum, St. Petersburg | Russia | |
Still Life with Cherub | 1895 | 70 × 57 cm | Courtauld Institute of Art, London | United Kingdom[ | |
Still Life with Onions | 1895–1898 | 66 × 81 cm | Musée d'Orsay, París | France | |
Self-Portrait | 1895 | 55 × 46 cm | Private collection | ||
Self-Portrait (watercolour) | 1895 | 26 × 22 cm | Private collection | ||
Portrait of Gustave Geffroy | 1895 | 116 × 82 cm | Musée d'Orsay, París | France | |
Man with Crossed Arms | c.1899 | 92 × 73 cm | Solomon R. Guggenheim Museum, New York City | United States | |
An Old Woman with a Rosary | 1895–1896 | 80 × 64 cm | National Gallery, London | United Kingdom | |
The Large Bathers | 1895–1906 | 132.4 x 219.1 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Young Italian Girl Resting On Her Elbow | 1896 | 92 × 73 cm | J. Paul Getty Museum, Los Angeles | United States | |
Man in a Blue Smock | 1896–97 | 81.5 × 64.8 cm | Kimbell Art Museum, Fort Worth, Texas | United States | |
Annecy Lake | 1896 | 64 × 79 cm | Courtauld Institute of Art, London | United Kingdom | |
Mont Sainte-Victoire Seen from the Bibémus Quarry (La Montagne Sainte-Victoire vue de la carrière Bibémus) | 1897 | 65 × 81 cm | Baltimore Museum of Art, Baltimore | United States | |
Turning Road at Montgeroult | 1898 | 81 × 66 cm | Museum of Modern Art, New York City | United States | |
The Great Pine | 1898 | 85 × 92 cm | São Paulo Museum of Art, São Paulo | Brazil | |
Forest Interior | 1898–1899 | 61 × 81 cm | Fine Arts Museums of San Francisco | United States | |
Mont Sainte-Victoire[6] | 1896–1898 | 78 × 99 cm | Hermitage Museum, Saint Petersburg | Russia | |
Road at the Mont Sainte-Victoire | 1898–1902 | 81 × 99 cm | Hermitage Museum, Saint Petersburg | Russia | |
Self-Portrait with Beret | 1898–1900 | 64 × 51 cm | Museum of Fine Arts, Boston | United States | |
Portrait of Ambroise Vollard | 1899 | 100 × 81 cm | Musée du Petit Palais, Paris | France | |
Apples and Oranges (Pommes et Oranges) | 1899 | 74 × 93 cm | Musée d'Orsay, Paris | France | |
Château-Noir | 1900–1904 | 74 × 96,5 cm | National Gallery of Art, Washington, D.C. | United States | |
The Grounds of the Château-Noir | 1900–1904 | 91 × 71 cm | National Gallery, London | United Kingdom | |
Mill at the River (watercolour) | 1900–1906 | 31 × 49 cm | Private collection | ||
Cistern in the Park of Château Noir | 1900 | 61 × 74 cm | Princeton University Art Museum | United States | |
Route to Le Tholonet | 1900–1904 | 81 × 102 cm | Princeton University Art Museum | United States | |
Women Bathing | 1900 | 73 × 92 cm | Ny Carlsberg Glyptotek, Copenhagen | Denmark | |
Seven Bathers | 1900 | 38 × 46 cm | Beyeler Foundation, Riehen | Switzerland | |
Bathers | 1900–1905 | 59 × 80 cm | Art Institute of Chicago | United States | |
Bathers | 1900–1905 | 73 × 92 cm | Private collection | ||
The Three Skulls | 1900 | 34 × 60 cm | Detroit Institute of Arts, Detroit | United States | |
Pyramid of Skulls | 1901 | 37 cm × 46 cm. | Private collection | ||
Forest (Forêt) | 1902–1904 | 81 × 66 cm | National Gallery of Canada, Ottawa | Canada | |
Young Girl with a Doll | 1902 | 92 × 73 cm | Private collection | ||
Still Life with Teapot | 1902–1906 | 61.6 × 74.3 cm | National Museum Cardiff | Wales | |
Little Girl with a Doll | 1902–1904 | 73 × 60 cm | Private collection | ||
Woman in Blue | 1904 | 89 × 72 cm | Hermitage Museum, Saint Petersburg | Russia | |
Boulders near the Caves above Château-Noir | 1904 | 65 × 54 cm | Musée d'Orsay, París | France | |
Mount Sainte-Victoire | 1904 | 70 × 92 cm | Philadelphia Museum of Art, Philadelphia | United States | |
Mont Sainte-Victoire | 1904–1906 | 65 × 84 cm | Princeton University Art Museum | United States | |
Mount Sainte-Victoire | 1904–1906 | 65 × 81 cm | Philadelphia Museum of Art | United States | |
Mount Sainte-Victoire | 1904–1906 | 65 × 81 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
Mount Sainte-Victoire | 1905 | 64 × 83 cm | Kunsthaus Zürich | Switzerland | |
Mount Sainte-Victoire and Château Noir | 1904–1906 | 66 × 81 cm | Philadelphia Museum of Art | United States | |
The Gardener Vallier | 1904–1906 | 107 × 75 cm | National Gallery of Art, Washington, D.C. | United States | |
Portrait of Vallier | 1906 | 65 × 54 cm | Private collection | ||
The Bathers | 1894–1905 | 127 × 196 cm | National Gallery, London | United Kingdom | |
Young Man and Skull | 1896–1898 | 130 x 97.5 | Barnes Foundation, Merion, Pennsylvania | United States | |
The Bathers (Les grandes Baigneusess) | 1906 | 208 × 251 cm | Philadelphia Museum of Art, Philadelphia | United States | |
Pont des Trois Sautets (watercolour) | 1906 | 41 × 53 cm | Cincinnati Museum of Art, Cincinnati, Ohio | United States | |
See also
References
- Marcelin Pleynet, Cézanne, Gallimard, coll. « Folio essais », chapitre IX : « Les Peintures ».
- This is not the same painting as Le Jugement de Pâris in "Cézanne" by Joachim Gasquet 1921.
- Catalogue raisonné, FWN 53
- Catalogue raisonné, FWN 494
- Peers, Alexandra (January 2012). "Qatar Purchases Cézanne's The Card Players for More Than $250 Million, Highest Price Ever for a Work of Art". Vanityfair.com. Retrieved 3 February 2012.
External links
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