List of paintings by Hans Holbein the Younger

Hans Holbein the Younger (c. 1497–1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[1] He also made a significant contribution to the history of book design, and produced religious art, satire, and Reformation propaganda.

Self-portrait, c. 1542–43. Coloured c of the artist's best-known paintings, as well as a few copiePaul Ganz, by Roy Strong, and by John Rowlands; the catalogue of Holbein's Basel years by Christian Müller, Stephan Kemperdick, Maryan W. Ainsworth et al; and Susan Foister's catalogue of the Holbein in England exhibition of 2006 (all listed in References section).

Born in Augsburg, Holbein worked mainly in Basel as a young artist, painting murals and religious works and drawing designs for stained glass and printed books. He produced the occasional portrait, and made his international mark with portraits of the famous humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein produced works for reformist clients while continuing to serve traditional religious patrons. His late-Gothic style was influenced by artistic trends in Italy, France and the Netherlands, as well as by Renaissance humanism, resulting in a combined aesthetic that was uniquely his own.

Holbein travelled to England in 1526 in search of work, armed with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he soon built a high reputation. After returning to Basel for four years, in 1532 he resumed his career in England, where he worked for Anne Boleyn and Thomas Cromwell, and was appointed King's Painter to Henry VIII. In this role, he produced designs for jewellery, plate, and other precious objects, as well as for festive decorations. His portraits of the king and his family and courtiers provide a vivid record of a brilliant court, during a momentous period when Henry was assuming power as the Supreme Head of the English church.

Paintings
Work Description Date Medium Size Location
Head of a Female Saint, attributed to Holbein[2] c. 1515–16 Oil and tempera on spruce wood 23.5 × 21.5 cm Kunstmuseum Basel
Head of a Male Saint, attributed to Holbein[2] c. 1515–16 Oil and tempera on spruce wood 23.5 × 21.5 cm Kunstmuseum Basel
Portrait of Jakob Meyer zum Hasen[3] 1516 Oil and tempera on limewood 38.5 × 31 cm Kunstmuseum Basel
Portrait of Dorothea Meyer, wife of Jakob Meyer zum Hasen[4] 1516 Oil and tempera on limewood 38.5 × 31 cm Kunstmuseum Basel
Signboard for the Schoolmaster Oswald Myconius (with Ambrosius Holbein)[5] 1516 Oil and tempera on pine panel 55.5 × 65.5 cm Kunstmuseum Basel
Adam and Eve[6] 1517 Oil and tempera on paper mounted on pine 30.2 × 35.7 cm Kunstmuseum Basel
Portrait of Benedikt von Hertenstein[7] 1517 Oil and tempera on paper mounted on wood 52.4 × 38.1 cm Metropolitan Museum of Art, New York
Portrait of Bonifacius Amerbach[8] 1519 Oil and tempera on pine 28.5 × 27.4 cm Kunstmuseum Basel
Oberried Altarpiece, The Adoration of the Magi, left panel[9] c 1520 Oil and tempera on pine 230 × 109 cm University Chapel of the Cathedral, Freiburg im Breisgau
Oberried Altarpiece, The Birth of Christ, right panel[9] c 1520 Oil and tempera on pine 230 × 109 cm University Chapel of the Cathedral, Freiburg im Breisgau
The Body of the Dead Christ in the Tomb[10] 1521–22 Oil and tempera on limewood 30.6 × 200 cm Kunstmuseum Basel
The Solothurn Madonna[11] 1522 Oil and tempera on limewood 140.5 × 102 cm Kunstmuseum Solothurn
Portrait of Johannes Froben[12] c 1522–23 Oil on panel 48.8 × 32.4 cm Royal Collection
Portrait of Erasmus of Rotterdam writing[13] 1523 Oil and tempera on paper mounted on pine 36.8 × 30.5 cm Kunstmuseum Basel
Portrait of Erasmus of Rotterdam writing[14] 1523 Oil and tempera on wood 43 × 33 cm Louvre, Paris
Portrait of Erasmus of Rotterdam[15] 1523 Oil and tempera on wood 76 × 51 cm National Gallery, London, on loan from Longford Castle
Printer's Device of Johannes Froben[16] c 1523 Tempera on canvas, heightened with gold 44 × 31 cm Kunstmuseum Basel
Allegory of the Old and New Law[17] Unknown date between 1524 and 1535 Oil and tempera on oak 49 × 60 cm National Gallery of Scotland, Edinburgh
The Passion altarpiece, the two left panels[18] c. 1524–25 Oil and tempera on limewood 136 × 31 cm and 149.5 × 31 cm Kunstmuseum Basel
The Passion altarpiece, the two right panels[18] 1524–25 Oil and tempera on limewood 149.5 × 31 cm and 136 × 31 cm Kunstmuseum Basel
The Last Supper[19] c 1524–25 Oil and tempera on limewood 115.5 × 97.3 cm Kunstmuseum Basel
Venus and Amor[20] c. 1524–25 Oil and tempera on limewood 34.6 × 26.2 cm Kunstmuseum Basel
Lais of Corinth[20] 1526 Oil and tempera on limewood 34.6 × 26.8 cm Kunstmuseum Basel
The Darmstadt Madonna (the Madonna of Jakob Meyer zum Hasen)[21] 1526 and 1528–30 Oil and tempera on limewood 146.5 × 102 cm Johanniterkirche, Schwäbisch Hall
Noli me Tangere[22] Unknown date, perhaps 1526 to 1528 Oil and tempera on oak 76.8 × 94.9 cm Royal Collection
Portrait of Sir Thomas More[23] 1527 Oil and tempera on oak 74.2 × 59 cm Frick Collection, New York
Portrait of William Warham, Archbishop of Canterbury[24] 1527 Oil and tempera on oak 82 × 67 cm Louvre, Paris
Portrait of Sir Henry Guildford[25] 1527 Oil and tempera on oak 82.6 × 66.4 cm Royal Collection, Windsor Castle
Portrait of Mary, Lady Guildford[26] 1527 Oil and tempera on oak 87 × 70.5 cm Saint Louis Art Museum, Saint Louis, Missouri
Portrait of a Lady with a Squirrel and a Starling'[27] c. 1527–28 Oil and tempera on oak 54 × 38.7 cm National Gallery, London
Portrait of Thomas Godsalve and his son John[28] 1528 Oil and tempera on oak 35 × 36 cm Gemäldegalerie Alte Meister, Dresden
Portrait of Nikolaus Kratzer[29] 1528 Oil and tempera on oak 83 × 67 cm Louvre, Paris
The Artist's Family[30] c. 1528 Oil and tempera on paper, cut out and mounted on wood 76.8 × 64 cm Kunstmuseum Basel
Rehoboam, fragment of wall painting[31] 1530 Painting on plaster 28 × 41.5 cm Kunstmuseum Basel
Miniature Portrait of Erasmus of Rotterdam[32] c. 1532 Oil and tempera on limewood 10 cm diameter Kunstmuseum Basel
Portrait of Hermann von Wedigh[33] 1532 Oil and tempera on wood 42.2 × 32.4 cm Metropolitan Museum of Art, New York
Portrait of the Merchant Georg Gisze[34] 1532 Oil and tempera on oak 90.3 × 85.7 cm Berlin State Museums
Portrait of Thomas Cromwell[35] c. 1532–33 Oil and tempera on oak 76 × 61 cm Frick Collection, New York
Portrait of a Man, possibly Hans of Antwerp[36] c. 1532–33 Oil and tempera on oak 61 × 46.8 cm National Portrait Gallery, London
Portrait of a Woman in a White Coif[37] c. 1532–34 Oil and tempera on oak 23.4 × 18.8 cm Detroit Institute of Arts
Portrait of William Reskimer[38] c. 1532–34 Oil and tempera on oak 46.4 × 33.7 cm Royal Collection, Windsor Castle
Miniature Portrait of Philipp Melanchthon[39] c. 1530–1535 Oil and tempera on oak 9 cm diameter Lower Saxony State Museum, Hanover
Miniature Portrait of a Man in a Red Cap[40] c. 1532–35 Oil and tempera on wood 9.5 cm diameter Metropolitan Museum of Art, New York
Miniature Portrait of George Nevill, 5th Baron Bergavenny[41] c. 1532–35 Duke of Buccleuch collection
Portrait of Derich Born[42] 1533 Oil and tempera on oak 60.3 × 45 cm Royal Collection, Windsor Castle
Portrait of Robert Cheseman[43] 1533 Oil and tempera on oak 59 × 62.5 cm Mauritshuis, The Hague
Portrait of a Member of the Von Wedigh Family (Called Hermann Hillebrandt von Wedigh)[44] 1533 Oil and tempera on oak 39 × 30 cm Berlin State Museums
Portrait of Dirk Tybis[45] 1533 Oil and tempera on oak 48 × 35 cm Kunsthistorisches Museum, Vienna
Portrait of Cyriacus Kale[46] 1533 Oil and tempera on oak 60 × 44 cm Herzog Anton Ulrich Museum, Braunschweig
Double Portrait of Jean de Dinteville and Georges de Selve ("The Ambassadors")[47] 1533 Oil and tempera on oak 207 × 209 cm National Gallery, London
Portrait Miniature of a Young Man with a Pink[48][49] 1533 Oil on oak 12.4 × 12.1 cm Upton House, Bearsted Collection
Portrait of Sir Brian Tuke[50] c. 1533–35 Oil and tempera on oak 49.1 × 38.5 cm National Gallery of Art, Washington, D. C.
E Cosi Desio me Mena, Allegory of Love[51] c. 1533–36 Oil on oak in lozenge format 45 × 45 cm J. Paul Getty Museum, Los Angeles
Miniature Portrait of a Court Official[52] 1534 Oil and tempera on limewood 12 cm diameter Kunsthistorisches Museum, Vienna
Miniature Portrait of a Court Official's Wife[52] 1534 Oil and tempera on limewood 12 cm diameter Kunsthistorisches Museum, Vienna
Portrait of Charles de Solier, Sieur de Morette[53] 1534–35 Oil and tempera on oak 92.5 × 75.4 cm Gemäldegalerie Alte Meister, Dresden
Portrait of a Man with a Lute[54] c. 1533–36 Oil and tempera on oak 43.5 × 43.5 cm Berlin State Museums
Solomon and the Queen of Sheba[55] c. 1534–35 Pen and brush in bistre and grey wash, heightened in white, gold, and oxidised silver with red and green watercolour over black chalk on vellum 22.9 × 18.2 cm Royal Library, Windsor
Portrait of Simon George[56] c. 1534–37 Oil and tempera on oak Diameter 31 cm Städelsches Kunstinstitut, Frankfurt
Portrait of an Unknown English Lady[57] 1535 Tempera on Oak 32 × 25  cm Oskar Reinhart Collection 'Am Römerholz', Winterthur
Portrait of Derich Berck[58] 1536 Oil and tempera transferred to canvas 53.3 × 42.6 cm Metropolitan Museum of Art, New York
Portrait Miniature of William Roper[59] c. 1536 Bodycolour on vellum mounted on card 4.5 cm diameter Metropolitan Museum of Art, New York
Portrait Miniature of Margaret Roper[59] c. 1536 Bodycolour on vellum mounted on card 4.5 cm diameter Metropolitan Museum of Art, New York
Portrait of Sir Richard Southwell[60] 1536 Oil and tempera on oak 47.5 × 38 cm Uffizi, Florence
Portrait of Sir Thomas Lestrange[61] 1536 Oil and tempera on wood 39.4 × 26.7 cm Kimbell Art Museum, Fort Worth, Texas
Portrait of Sir Henry Wyatt[62] c. 1537 Oil and tempera on oak 39 × 31 cm Louvre, Paris
Portrait of Henry VIII[63] c. 1536–37 Oil and tempera on oak 28 × 20 cm Fundación Colección, Thyssen-Bornemisza Museum, Madrid
Portrait of Jane Seymour[64] 1537 Oil and tempera on oak 65 × 40 cm Kunsthistorisches Museum, Vienna
Mural of Henry VIII, Jane Seymour, Henry VII, and Elizabeth of York 1536–1537 Destroyed in Whitehall Palace fire, 1698
Portrait of a Young Man[65] c. 1535–1540 Watercolour on vellum mounted on playing card 3.8 cm diameter Royal Collections, The Hague
Portrait of Christina of Denmark[66] 1538 Oil and tempera on oak 179 × 82.5 cm National Gallery, London
Hanseatic Merchant[67] 1538 Oil on oak panel 49.6 x 39 cm Yale University Art Gallery, New Haven CT
Portrait Miniature of Elizabeth, Lady Audley[68] c. 1538 Watercolour on vellum mounted on playing card 5.6 cm diameter Royal Collection, Windsor castle
Portrait of Thomas Howard, 3rd Duke of Norfolk[69] c. 1539 Oil and tempera on oak 80.3 × 61.6 cm Royal Collection, Windsor Castle
Portrait of Edward, Prince of Wales[70] c. 1539 Oil and tempera on oak 57 × 44 cm National gallery of Art, Washington, D. C.
Portrait of Anne of Cleves[71] c. 1539 Oil and tempera on parchment mounted on canvas 65 × 48 cm Louvre, Paris
Portrait Miniature of Anne of Cleves[72] c. 1539 Watercolour and gum on vellum in ivory case 4.6 cm diameter Victoria and Albert Museum, London
Portrait Miniature of an Unknown Lady, possibly Queen Catherine Howard[73] c. 1540 Bodycolour on vellum mounted on playing card 6.4 cm diameter Royal Collection, Windsor Castle
Portrait Miniature of Katherine Howard[74] c. 1540 Watercolour on vellum 5.3 cm diameter Buccleuch collection, Strawberry Hill House
Portrait of a Lady, probably a Member of the Cromwell Family[75] c. 1540 Oil and tempera on oak 74 × 48 cm Toledo Museum of Art
Portrait Miniature of Jane Small, also called "Jane Pemberton"[76] c. 1540 Bodycolour on vellum 5.3 cm diameter Victoria and Albert Museum, London
Portrait of an Unknown Man, Holding his Gloves and a Letter[77] c. 1540 Oil and tempera on oak 56 × 48 cm Private collection
Portrait of an Unknown Man[78] c. 1540–43 Oil and tempera on oak 44.4 × 34.2 cm English Heritage, Audley End House
Portrait Miniature of Henry Brandon[79] 1541 Bodycolour on vellum mounted on playing card 5.7 cm diameter Royal Collection, Windsor Castle
Portrait Miniature of Charles Brandon[79] 1541 Bodycolour on vellum mounted on playing card 5.7 cm diameter Royal Collection, Windsor Castle
Portrait Miniature of Catherine Willoughby[80] 1541 Grimsthorpe Castle, collection of the Baroness Willoughby de Eresby
Portrait of an Unknown Man at his Desk[81] 1541 Oil and tempera on oak 46.5 × 34.8 cm Kunsthistorisches Museum, Vienna
Portrait Miniature of a Young Woman with a White Coif[82] 1541 Oil and tempera on panel 11.11 cm diameter Los Angeles County Museum of Art
Portrait of a Man with a Falcon[83] 1542 Oil and tempera on oak 25 × 19 cm Mauritshuis, The Hague
Portrait of Henry Howard, Earl of Surrey[84] c. 1541–43 Oil and tempera on oak 55.5 × 44 cm São Paulo Museum of Art, Brazil
Portrait of an Unknown Lady[85] c. 1541–43 Oil and tempera on oak 19.2 × 15.3 cm Kunsthistorisches Museum, Vienna
Self-portrait c. 1542–1543 Coloured chalks and pen 32× 26 cm Uffizi, Florence
Portrait of Dr John Chambers[86] c. 1543 Oil and tempera on oak 51 × 44 cm Kunsthistorisches Museum, Vienna
Portrait of Sir William Butts[87] c. 1543 Oil and tempera, formerly on oak panel, transferred to canvas in 1941 47 × 36.8 cm Isabella Stewart Gardner Museum, Boston
Portrait of Lady Margaret Butts[87] 1543 Oil and tempera on oak 46 × 37 cm Isabella Stewart Gardner Museum, Boston
Portrait of Johann von Schwarzwaldt[88][89] 1543 Tempera on parchment 5.4 cm diameter Pushkin State Museum of Fine Arts, Moscow
Portrait of Antony the Good, Duke of Lorraine[90] c. 1543 Oil and tempera on oak 51 × 37 cm Berlin State Museums
Henry VIII and the Barber Surgeons, reworked and overpainted by other hands[91] c. 1543 Oil on oak 108.3 × 312.4 cm Worshipful Company of Barbers, London

Copies and derivative works
Work Description Date Medium Size Location
Portrait of a Woman from Southern Germany, former attribution[92] c. 1520–1525 Oil on panel 45 × 34 cm Mauritshuis, The Hague
Portrait of Nikolaus Kratzer, after Holbein[93] c. 1528 Oil on panel 81.9 × 64.8 cm National Portrait Gallery (London)
Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop[94] c. 1530 Oil and tempera on limewood 18.2 × 14.5 cm Kunstmuseum Basel
Portrait of Sir Nicholas Carew, workshop or follower of Holbein[95] Probably 1530s Oil and tempera on wood 95.3 × 112 cm Duke of Buccleuch, Drumlanrig Castle, Dumfries
Portrait of an Unidentified Gentleman, workshop or follower of Holbein[96] 1535 Oil on oak 30.5 cm diameter Metropolitan Museum of Art, New York
Portrait of Sir Nicholas Poyntz, after Holbein[97] c.1535 Oil on panel 42.5 × 29.2 cm National Portrait Gallery, London
Portrait Miniature of an Unidentified Man, possibly Hans of Antwerp, workshop of Holbein[98] c. 1535–40 Oil and tempera on oak 13 cm diameter Victoria and Albert Museum, London.
Portrait of Jane Seymour, after Holbein[99] c. 1537 Oil and tempera on oak 26.3 × 18.7 cm Mauritshuis, The Hague
Portrait Miniature of Thomas Cromwell, after Holbein[100] c. 1537 Watercolour and bodycolour on vellum 4.4 cm diameter National Portrait Gallery, London
Portrait Miniature of Thomas Cromwell, after Holbein[101] c. 1537 Watercolour and bodycolour on vellum 4.4 cm diameter National Portrait Gallery, London
Portrait of Prince Edward, after Holbein[102] 16th century, after c. 1538 Oil on panel 59 × 44.5cm Berger Collection, Denver Art Museum
Lady Lee (Margaret Wyatt), Holbein's workshop[103] c. 1540 Oil on panel 44.1 × 34 cm Metropolitan Museum of Art, New York
Portrait of Henry VIII, Holbein's workshop[104] c 1540 Oil on oak 88.2 × 75 cm Galleria Nazionale d'Arte Antica, Rome
Portrait of Elizabeth, Lady Rich, after Holbein[105] c 1540 Oil and tempera on wood (probably oak) 44.5 × 33.9 cm Metropolitan Museum of Art, New York
Portrait of Henry VIII in a Great Coat Holding a Staff, after Holbein[106] 1542 Oil and tempera on oak 92.7 × 66.7 cm Castle Howard, Yorkshire
Portrait Miniature of Hans Holbein the Younger, copy of Holbein's self-portrait, probably by Lucas Horenbout[107] 1543 Watercolour on vellum mounted on playing card 3.7 cm diameter Wallace Collection, London
Portrait of Henry VIII, after Holbein[108] After 1537, possibly c 1567 Oil on canvas 233.7 × 134.6 cm Walker Art Gallery, Liverpool
Portrait of Sir William Butts, after Holbein[109] c 1543 Oil on panel 47 × 37.5 cm National Portrait Gallery, London
Portrait of George Brooke, 9th Baron Cobham[110] After 1544 Oil on panel 32 cm diameter Private collection
Portrait Miniature of Thomas Wriothesley, 1st Earl of Southampton, after Holbein[111] Probably second half of 16th century Watercolour on vellum laid on card Oval of 5 × 3 cm Metropolitan Museum of Art, New York
The Family of Thomas More, by Rowland Lockey, after Holbein's lost painting[112] 1592 Oil on canvas Nostell Priory, West Yorkshire
Dresden Madonna, copy by Bartholomäus Sarburgh(de) of Holbein's Darmstadt Madonna[113] c. 1635–37 Oil on oak 159 × 103 cm Gemäldegalerie Alte Meister, Dresden
Portrait of Johann Froben, after Holbein[114] 16th or beginning of 17th century, after an original of 1520–26 Oil and tempera on oak 39.5 × 33.5 cm Kunstmuseum Basel
Portrait of Desiderius Erasmus of Rotterdam, Holbein's workshop, with later additions[115] c. 1523–40, background c. 1629 Oil on wood 54.7 x 32.4 cm Royal Collection, Windsor Castle
Henry VII, Elizabeth of York, Henry VIII, and Jane Seymour, copy by Remigius van Leemput of Holbein's Whitehall Mural, destroyed by fire in 1698[116] 1667 Oil on canvas 88.9 × 99.2 cm Royal Collection, Windsor Castle

References
  1. Zwingenberger, 9.
  2. Müller, Kemperdick, Ainsworth, et al, 136; Rowlands, 125; Strong, 12.
  3. Buck, 13–14; Strong, 18.
  4. Buck, 13, 15; Strong, 18.
  5. Buck, 12; Strong, 20.
  6. Buck, 18; Strong, 20.
  7. Buck, 20; Strong, 20.
  8. Buck, 24–25; Strong, 26.
  9. Strong, 28.
  10. Buck, 32–33; Strong, 28.
  11. Buck, 34; Strong, 30.
  12. "Johannes Froben (1460–1527)". Royal Collection Trust. Inventory no. 403035.
  13. Buck, 46; Strong, 34.
  14. Buck, 46–47; Strong, 34.
  15. Buck, 48–49; Strong, 34.
  16. Müller, Kemperdick, Ainsworth, et al, 295; Rowlands, 128;
  17. Foister, 134; Strong, 34.
  18. Buck, 36; Strong, 38.
  19. Buck, 38–39; Strong, 38.
  20. Buck, 42–43; Strong, 40.
  21. Buck, 78–79; Strong, 40.
  22. Foister, 127; Strong, 52.
  23. Buck, 54–55; Strong, 42.
  24. Buck, 56–57; Strong, 44.
  25. Buck, 59–60; Strong, 44.
  26. Buck, 59, 61; Strong, 46.
  27. Buck, 62–63; Strong, 40.
  28. Buck, 64–65; Strong, 46.
  29. Buck, 68–69; Strong, 46.
  30. Buck, 74–75; Strong, 48.
  31. Müller, Kemperdick, Ainsworth, et al, 412.
  32. Sander, in Müller, Kemperdick, Ainsworth, et al, 148–49. Scholars have found it difficult to establish which of the many versions of this pattern are by Holbein and which are copies; in the view of Jochen Sander, however, "There can be no doubt that this extraordinary portrait was painted by Holbein himself".
  33. Foister, 64; Strong, 50.
  34. Buck, 88–89; Strong, 50.
  35. Buck, 112; Rowlands 1985, 137–38. Some scholars view this painting as a workshop copy, but Rowlands considers that pentimenti (alterations) indicate a Holbein original.
  36. Strong, 50; Rowlands, 136–37.
  37. Rowlands, 142; Strong, 58.
  38. Foister, 42; Rowlands, 137; Strong, 56.
  39. Buck, 71; Strong, 48.
  40. Foister, 50; Rowlands, 141; Strong, 68.
  41. Button, 169
  42. Buck, 94–95; Strong,
  43. Buck, 105; Strong, 62.
  44. Buck, 92–93; Foister, 66; Strong, 58.
  45. Buck, 92–93; Strong, 58.
  46. Foister, 66; Strong, 62.
  47. Buck, 99; Strong,
  48. Foister, p. 49
  49. "A Young Man with a Pink". National Trust. Retrieved 3 February 2015.
  50. Bätschmann & Griener, 177; Foister, 131.
  51. Foister, 61; Rowlands, 238. Art historian John Rowlands rejected this painting as a Holbein: "Although its attribution is by no means a straightforward question, the stylistic grounds supporting Holbein's authorship of this panel are very slender indeed". Curator Susan Foister, however, attributed it to Holbein in the Holbein in England exhibition at the Tate in 2006, citing trademarks such as the gold arabesque design and a figure of eight mark on the reverse.
  52. Foister, 47; Rowlands, 141; Strong, 64.
  53. Buck, 102–103; Strong, 68.
  54. Rowlands 1985, 142; Strong, 68.
  55. Buck, 120–23; Foister, 136.
  56. Foister, 44; Strong, 70.
  57. "Hans Holbein the Younger, Portrait of an Unknown English Lady c. 1535". Oskar Reinhart Collection.
  58. Strong, 72.
  59. Foister, 46; Rowlands, 151.
  60. Buck, 125; Strong, 72.
  61. Edmund Pillsbury; William Jordan (1985). "Recent Painting Acquisitions – II: The Kimbell Art Museum: Supplement". The Burlington Magazine. 127 (987): 409–418. JSTOR 882120.
  62. Foister, 131; Rowlands, 134; Strong, 46.
  63. Buck, 118–19; Strong, 74.
  64. Buck, 117; Strong, 74.
  65. Royal Collections, The Hague, MI-492; Rowlands, 152, pl. 136; Fitzgerald & MacCulloch, 594.
  66. Buck, 126–27; Strong, 78.
  67. "Collection:European Art". Yale University Art Gallery. Archived from the original on 2011-12-29. Retrieved 2013-07-22.
  68. Foister, 106; Rowlands, 151; Strong, 94.
  69. Foister, 150; Strong, 80.
  70. Buck, 120–21; Strong, 78.
  71. Buck, 109–110; Strong, 80.
  72. Foister, 102; Rowlands, 151.
  73. Foister, 102; Rowlands 1985, 151; Strong, 94.
  74. "Portrait Miniature of Katherine Howard". Strawberry Hill House. Retrieved 2 February 2015.
  75. Toledo Museum of Art, ref.1926.57; Rowlands, 146; Strong, 82. The sitter was formerly called Catherine Howard; she is probably a member of Thomas Cromwell's family, perhaps his daughter-in-law Elizabeth Seymour, sister of Jane Seymour.
  76. Buck, 124; Foister, 49.
  77. Rowlands, 147; Strong, 80.
  78. Foister, 147; Rowlands, 147; Strong, 82.
  79. Strong, 94.
  80. de Lisle, p. xv; Franklin-Harkrider, p. 15
  81. Reynolds, 147; Strong, 82.
  82. "Portrait of a Young Woman with a White Coif". Los Angeles County Museum of Art. Retrieved 3 February 2015.
  83. Rowlands, 147; Strong, 86.
  84. Rowlands 1985, 147–48; Strong, 134.
  85. Reynolds, 148; Strong, 131.
  86. Buck, 130–31; Strong, 86.
  87. Rowlands, 149; Strong, 88.
  88. Fitzgerald & MacCulloch 2016, pp. 598–600.
  89. Portrait of Johann von Schwarzwaldt, The Division for Looted Art, Ministry of Culture and National Heritage, 29081
  90. Buck, 31; Strong, 90.
  91. Buck, 127–29; Rowlands 1985, 148–49.
  92. Mauritshuis:
  93. Rowlands, pp. 134–35.
  94. Müller, Kemperdick, Ainsworth, et al, 418–19. 38 or more copies of this pattern are known, this being perhaps the finest.
  95. Foister, 122; Rowlands, 233–34.
  96. Foister, 114; Rowlands, 232.
  97. Parker, 45; Rowlands, 232–33.
  98. Foister, 116; Rowlands, 137.
  99. Buck, 109; Rowlands 1985, 232; Strong, 74. Strong attributes this version to Holbein, and Buck to Holbein's workshop. Rowlands doubts it is a product of Holbein's workshop.
  100. Rowlands, 240.
  101. National Portrait Gallery: NPG 6311
  102. Buck, 120; Rowlands, 116.
  103. Metropolitan Museum of Art: Lee (Margaret Wyatt, born about 1509)
  104. Buck, 106; Hearn, 42–43.
  105. Parker, 50–51; Rowlands, 234; Strong, 82.
  106. Rowlands 1985, 236; Strong, 86.
  107. Rowlands, 239–40.
  108. Strong, 1969, 159, suggests that this painting could be by Hans Eworth, who signed a comparable full-length version of the same pattern.
  109. Rowlands, 149.
  110. Hearn, 44.
  111. Rowlands, 239.
  112. Hearn, 128.
  113. Buck, 78; Roskill & Hand, 211–221. This version was assumed to be Holbein's original until it was revealed as a copy (and probably a forgery) during the "Holbein Dispute" of 1863–71.
  114. Müller, Kemperdick, Ainsworth, et al, 296–98; Rowlands, 129
  115. Rowlands, 128
  116. Buck, 115; Hearn, 40–41.

References
  • Bätschmann, Oskar, & Pascal Griener. Hans Holbein. London: Reaktion Books, 1997. ISBN 1-86189-040-0.
  • Buck, Stephanie. Hans Holbein, Cologne: Könemann, 1999, ISBN 3-8290-2583-1.
  • Fitzgerald, Teri; MacCulloch, Diarmaid (2016). "Gregory Cromwell: two portrait miniatures by Hans Holbein the Younger". The Journal of Ecclesiastical History. 67 (3): 587–601. doi:10.1017/S0022046915003322.(subscription required)
  • Foister, Susan. Holbein in England. London: Tate: 2006. ISBN 1-85437-645-4.
  • Franklin-Harkrider, Melissa. Women, Reform and Community in Early Modern England. Boydell Press, 2008. google books preview
  • Ganz, Paul. The Paintings of Hans Holbein: First Complete Edition. London: Phaidon, 1956. OCLC 2105129.
  • Hearn, Karen. Dynasties: Painting in Tudor and Jacobean England, 1530–1630. London: Tate Publishing, 1995. ISBN 1-85437-157-6.
  • de Lisle, Leanda. The Sisters Who Would Be Queen. Random House Publishing Group, 2009. google books preview
  • Müller, Christian; Stephan Kemperdick; Maryan W. Ainsworth; et al.. Hans Holbein the Younger: The Basel Years, 1515–1532. Munich: Prestel, 2006. ISBN 3-7913-3580-4.
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