Victor Feldman
Victor Stanley Feldman (7 April 1934 – 12 May 1987) was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers.
Victor Feldman | |
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Feldman in San Francisco, 1976 | |
Background information | |
Birth name | Victor Stanley Feldman |
Born | Edgware, London, England | 7 April 1934
Died | 12 May 1987 53) Woodland Hills, California, United States | (aged
Genres | Jazz |
Occupation(s) | Musician |
Instruments | Vibraphone Drums Percussion Piano |
Associated acts | Miles Davis Lighthouse All-Stars Steely Dan |
Early life
Feldman was born in Edgware on 7 April 1934.[1] He caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons.[2] Feldman performed from a young age: "from 1941 to 1947 he played drums in a trio with his brothers; when he was nine he took up piano and when he was 14 started playing vibraphone".[1] He featured in the films King Arthur Was a Gentleman (1942) and Theatre Royal (1943). In 1944, he was featured at a concert with Glenn Miller's AAAF band, as "Kid Krupa" (in reference to drummer Gene Krupa).[3] He also "took a prominent role in the musical Piccadilly Hayride" (1946–48).[1]
Professional life and Career
His drums teacher Carlo Krahmer encouraged Feldman to play the vibraphone which he did first in the Ralph Sharon Sextet and later in the Roy Fox band. Feldman played with Vic Lewis and Ted Heath.[1] Feldman played with Sharon from late 1949 to 1951, including for performances in Switzerland.[1] There were further overseas trips with Ronnie Scott (to Paris in 1952), and Harry Parry (to India).[1] He also played with Parry in the UK from October 1953 to January 1954.[1] From 1954, when he recorded with Jimmy Deuchar, and played again with Scott, "he was working mainly as a pianist and vibraphonist; his early vibraphone playing showed the influence of Milt Jackson".[1]
He was a notable percussionist, but it was as a pianist and vibraphone player that he became best known.[4]
Before leaving the UK to work in the US, Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw. It was Scott who recommended that Feldman emigrate to the US, which he did in 1955.[5] Once there, his first steady work was with the Woody Herman Herd.[5] He had frequent return trips to the UK over the following years.[5] His 8-week visit in 1956–57 included studio recording sessions and club appearances.[5] After Herman he joined Buddy DeFranco for a short time.[1] In 1958, he had his own working band on the west coast, which included the innovative bassist Scott LaFaro. His 1958 album The Arrival of Victor Feldman includes LaFaro and Stan Levey on drums. He recorded with many jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition. Davis invited Feldman to join his group full-time, but Feldman declined, preferring the stability of studio work to the career of a touring musician.[6] The 5-CD Shelly Manne Black Hawk set, originally released on LP in September 1959, is a good representation of Feldman's unmistakable driving "comping" behind the soloists, helping to define the session as a valuable hard bop genre element.
In 1957, Feldman settled in Los Angeles permanently and then specialised in lucrative session work for the US film and recording industry. He also branched out to work with a variety of musicians outside of jazz, recording with artists such as Frank Zappa in 1967, Steely Dan and Joni Mitchell in the 1970s and Tom Waits and Joe Walsh in the 1980s. It is Feldman's percussion work on Steely Dan's song "Do It Again" that gives the song its Latin groove. Feldman appears on all seven Steely Dan albums released in the 70s and 1980 in the band's first incarnation.
Feldman's vibraphone soloing is featured extensively on the Grammy Award-winning The Music from Peter Gunn, with AllMusic writing, "There's some particularly impressive work by drummer Shelly Manne and vibes player Victor Feldman, whose cool, understated playing seems to deliberately recall that of Milt Jackson."[7]
Feldman died of a heart attack in 1987 at his home in Los Angeles, aged 53, following an asthma attack.[5]
In 2009, he was inducted in the Musicians Hall of Fame and Museum in Nashville.[8]
Discography
As leader
Year recorded | Title | Label | Personnel/Notes |
---|---|---|---|
1948–54 | The Young Vic | Esquire | With various |
1955 | Suite Sixteen | Tempo | Some quartet; some septet; some big band |
1956 | Victor Feldman in London, Vol 1 | Tempo | Some tracks quartet with Terry Shannon (piano), Pete Blannin and Lennie Bush (bass; separately), Phil Seamen (drums); one track quartet with Dizzy Reece (trumpet), Bush (bass), Seamen (drums) |
1956 | Transatlantic Alliance | Tempo | With various |
1956–57 | Victor Feldman in London, Vol 2 | Tempo | With various |
1957 | Vic Feldman on Vibes | Mode | Most tracks quartet, with Carl Perkins (piano), Leroy Vinnegar (bass), Stan Levey (drums); some tracks sextet, with Frank Rosolino (trombone), Harold Land (tenor sax) added |
1958 | The Arrival of Victor Feldman | Contemporary | Trio, with Scott LaFaro (bass), Stan Levey (drums) |
1959 | Latinsville! | Contemporary | With various |
1960–61 | Merry Olde Soul | Riverside | Most tracks trio, with Sam Jones and Andy Simpkins (bass; separately), Louis Hayes (drums); some tracks quartet, with Hank Jones (piano) added |
1962 | Stop the World I Want to Get Off | World Pacific | Trio, with Bob Whitlock (bass), Lawrence Marable (drums) |
1962 | A Taste of Honey and a Taste of Bossa Nova | Infinity | Some tracks quartet with Nino Tempo (tenor sax), Bob Whitlock (bass), Colin Bailey (drums); some tracks quartet with Buddy Collette (tenor sax, flute), Leroy Vinnegar (bass), Ron Jefferson (drums); some tracks quintet, with Clifford Scott (flute, tenor sax), Laurindo Almeida (guitar), Al McKibbon (bass), Chico Guerrero (drums) |
1962 | Soviet Jazz Themes | Äva | Some tracks sextet with Harold Land (tenor sax), Nat Adderley (cornet), Joe Zawinul (piano), Bob Whitlock (bass), Frank Butler (drums); some tracks sextet with Land (tenor sax), Carmell Jones (trumpet), Herb Ellis (guitar), Whitlock (bass), Butler (drums) |
1964 | Love Me with All Your Heart | Vee Jay | With unknown others |
1964 | It's a Wonderful World | Vee Jay | Quartet, with Bill Perkins (flute), Monty Budwig (bass), Colin Bailey (drums) |
1965 | His Own Sweet Way | Ronnie Scott's Jazz House | Trio, with Rick Laird (bass), Ronnie Stephenson (drums); in concert |
1967 | Victor Feldman Plays Everything in Sight | Pacific Jazz | Feldman plays all instruments |
1967 | The Venezuela Joropo | Pacific Jazz | Most tracks with Bill Perkins (flute, alto flute), Dorothy Remson (harp), Emil Richards (vibes, marimba), Al Hendrickson (guitar), Max Bennett (bass), Larry Bunker (timbales), Milt Holland (maracas, percussion); some tracks with Perkins (flute, alto flute), Dennis Budimir (guitar), Monty Budwig (bass), Colin Bailey (drums) |
1970? | Smooth | TBA | As Victor Feldman's Generation Band |
1973? | Your Smile | with Larance Marable, Bob Whitlock | |
1973? | Seven Steps to Heaven | Choice | Quartet, with Tom Scott (alto sax, tenor sax, flute, alto flute), Chuck Domanico (bass), John Guerin (drums) |
1977? | The Artful Dodger | Concord | With Jack Sheldon (trumpet, vocals), Monty Budwig and Chuck Domanico (bass; separately); Colin Bailey (drums) |
1977? | In My Pocket | ||
1978 | Together Again | Yupiteru | with Monty Budwig (bass), Shelly Manne (drums) |
1982 | Soft Shoulder | Palo Alto | As Generation Band; with sons Trevor Feldman (drums), Jake Feldman (bass), and Josh Feldman (management), Tom Scott and various others |
1982? | Secret of the Andes | Palo Alto | With Hubert Laws (flute), Lee Ritenour (guitar), Abraham Laboriel (electric bass), Harvey Mason (drums), Alex Acuña and Milt Holland (percussion) |
1983 | To Chopin with Love | Highlight | Trio, with John Patitucci (bass), Trevor Feldman (drums) |
1984 | Call of the Wild | TBA Records (division of Palo Alto) | As Generation Band; with sons Trevor Feldman (drums), and Josh Feldman (mixing engineer), Tom Scott, Robben Ford and various others |
1984 | Fiesta | TBA | With Chuck Mangione (flugelhorn, trumpet), Chick Corea (keyboards), Dianne Reeves (vocals) |
1985? | High Visibility | As Victor Feldman's Generation Band; with various |
Main source:[9]
As sideman
With The Youngbloods
- Elephant Mountain (RCA Victor, 1969)
With Dane Donohue
- Dane Donohue (Album) "Casablanca" (Columbia, 1978)
With Pepper Adams
- California Cookin' (Interplay, 1983 [1991])
With Cannonball Adderley
- Cannonball Adderley and the Poll Winners (Riverside, 1960)
- The Cannonball Adderley Quintet at the Lighthouse (Riverside, 1960)
- Live in Europe (Pablo, 1984) (Fantasy, 1994)
- Paris 1960 (Fantasy, 1997)
- The Cannonball Adderley Quintet Plus (Riverside, 1961)
With Leo Sayer
- Here (Chrysalis Records, 1979)
With Candi Staton
- Young Hearts Run Free (Warner Bros. Records, 1976)
- House of Love (Warner Bros. Records, 1978)
With Michael Franks
- Objects of Desire (Warner Bros. Records, 1982)
With Glenn Frey
- The Allnighter (MCA Records, 1984)
With Deniece Williams
- Song Bird (Columbia Records, 1977)
With Kim Carnes
- St. Vincent's Court (EMI, 1979)
With Dion DiMucci
- Streetheart (Warner Bros. Records, 1976)
With Gordon Lightfoot
- Shadows (Warner Bros. Records, 1982)
With Marvin Gaye
- Let's Get It On (Motown, 1973)
With Jim Messina
- Messina (Warner Bros. Records, 1981)
With Mary MacGregor
- ...In Your Eyes (Ariola Records, 1978)
With Michael Nesmith
- The Wichita Train Whistle Sings (Dot Records, 1968)
With Sam Phillips
- Dancing with Danger (Myrrh Records, 1984)
With Billy Preston
- Pressin' On (Motown, 1982)
With Maria Muldaur
- Sweet Harmony (Reprise Records, 1976)
- Open Your Eyes (Warner Bros. Records, 1979)
With Dusty Springfield
- Cameo (ABC Dunhill Records, 1973)
With Dan Hill
- If Dreams Had Wings (Epic Records, 1980)
With Willie Tee
- Anticipation (United Artists Records, 1976)
With Nat Adderley
- A Little New York Midtown Music (Galaxy, 1978)
With Patti Austin
- Patti Austin (Qwest Records, 1984)
With Livingston Taylor
- Man's Best Friend (Epic Records, 1980)
With Curtis Amy
- Way Down (Pacific Jazz, 1962)
With James Clay
- A Double Dose of Soul (Riverside, 1960)
With Yvonne Elliman
- Yvonne (RSO Records, 1979)
With Rita Coolidge
- Never Let You Go (A&M Records, 1983)
With Bob Cooper
- Coop! The Music of Bob Cooper (Contemporary, 1958)
With Stephen Bishop
- Careless (ABC Records, 1976)
With B.B. King
- L.A. Midnight (ABC Records, 1972)
- Flowing Free Forever (Epic Records, 1976)
- Lone Wolf (Epic Records, 1978)
- The Heart Never Lies (Liberty Records, 1983)
With Christopher Cross
- Christopher Cross (Columbia Records, 1979)
With Stephanie Mills
- Merciless (Casablanca Records, 1983)
With Miles Davis
- Seven Steps to Heaven (Columbia Records, 1963)
- Quiet Nights (Columbia Records, 1963)
With Kiki Dee
- Stay With Me (Rocket, 1978)
With Betty Wright
- Betty Wright (Epic Records, 1981)
With Dalbello
- Pretty Girls (Talisman, 1979)
With Dionne Warwick
- Love at First Sight (Warner Bros. Records, 1977)
- Friends in Love (Arista Records, 1982)
With Olivia Newton-John
- Totally Hot (MCA Records, 1978)
- Physical (MCA Records, 1981)
With José Feliciano
- 10 to 23 (RCA Victor, 1969)
With Melanie
- Photograph (Atlantic Records, 1976)
- Seventh Wave (Neighbourhood Records, 1983)
With Valerie Carter
- Wild Child (ARC, 1978)
With Melba Moore
- Peach Melba (Buddah Records, 1975)
With Bobby McFerrin
- Bobby McFerrin (Elektra Records, 1982)
With Amy Grant
- A Christmas Album (Myrrh Records, 1983)
With Peter Allen
- I Could Have Been a Sailor (A&M Records, 1979)
- Not the Boy Next Door (Arista Records, 1983)
With Karla Bonoff
- Wild Heart of the Young (Columbia Records, 1982)
With Cher
- I'd Rather Believe in You (Warner Bros. Records, 1976)
- Cher (Casablanca Records, 1979)
- Prisoner (Casablanca Records, 1979)
With Lulu
- Lulu (Polydor Records, 1973)
With Neil Diamond
- Heartlight (Columbia Records, 1982)
With Buddy DeFranco
- Blues Bag (Vee-Jay, 1965)
With Jackie DeShannon
- New Arrangement (Columbia Records, 1975)
With Carly Simon
- Another Passenger (Elektra Records, 1976)
With Al Jarreau
- Jarreau (Warner Bros. Records, 1983)
With The Doobie Brothers
With Liza Minnelli
- Tropical Nights (Columbia, 1977)
With The Free Movement
With Solomon Burke
- Electronic Magnetism (MGM Records, 1971)
With Thelma Houston
- I've Got the Music in Me (Sheffield Lab Records, 1975)
With Jimmy Webb
- Angel Heart (Real West Production, 1982)
With Woody Herman
- At the Monterey Jazz Festival (Atlantic, 1959)
With Paul Horn
- Impressions of Cleopatra (Columbia Records, 1963)
With Milt Jackson
- Memphis Jackson (Impulse!), 1969)
With Peggy Lee
- If You Go (Capitol, 1961)
- Norma Deloris Egstrom from Jamestown, North Dakota (Capitol, 1972)
- Mirrors (A&M, 1975)
With J. J. Johnson
- A Touch of Satin (Columbia Records, 1962)
- Concepts in Blue (Pablo, 1981)
With Plas Johnson
- This Must Be the Plas (Capitol Records, 1959)
With Brenda Russell
- Brenda Russell (Horizon Records, 1979)
With Randy Newman
- Born Again (Warner Bros. Records, 1979)
With Quincy Jones
- The Hot Rock OST (Prophesy, 1972)
- Roots (A&M Records, 1977)
With Sam Jones
- The Chant (Riverside, 1961)
With Stan Kenton
- Hair (Capitol, 1969)
With Barney Kessel
- Let's Cook! (Contemporary, 1957 [1962])
- Carmen (Contemporary, 1958)
With Minnie Riperton
- Minnie (Capitol Records, 1979)
With Kenny Rogers and Dolly Parton
- Once Upon a Christmas (RCA Records, 1984)
With John Klemmer
- Waterfalls (Impulse!, 1972)
- Intensity (Impulse!, 1973)
With Henry Mancini
- The Music from Peter Gunn (RCA Records, 1959)
With Shelly Manne
- Shelly Manne & His Men Play Peter Gunn (Contemporary, 1959)
- Son of Gunn!! (Contemporary, 1959)
- At the Black Hawk 1 (Contemporary, 1959)
- At the Black Hawk 2 (Contemporary, 1959)
- At the Black Hawk 3 (Contemporary, 1959)
- At the Black Hawk 4 (Contemporary, 1959)
- At the Black Hawk 5 (Contemporary, 1959 [1991])
- My Son the Jazz Drummer! (Contemporary, 1962)
- Daktari (Atlantic Records, 1967)
With Carmen McRae
- Can't Hide Love (Blue Note, 1976)
With Blue Mitchell
- Stablemates (Candid Records, 1977)
With Nicolette Larson
- Nicolette (Warner Bros. Records, 1978)
- In the Nick of Time (Warner Bros. Records, 1979)
With Wendy Waldman
- The Main Refrain (Warner Bros. Records, 1976)
With Oliver Nelson
With Art Pepper and Zoot Sims
- Art 'n' Zoot (Pablo, 1981 [1995])
With Sonny Rollins
- Sonny Rollins and the Contemporary Leaders (Contemporary, 1958)
With Lalo Schifrin
- Gone with the Wave (Colpix, 1964)
- The Cincinnati Kid (MGM, 1965)
With Bud Shank
- Girl in Love (World Pacific, 1966)
- Bud Shank Plays Music from Today's Movies (World Pacific, 1967)
- Magical Mystery (World Pacific, 1967)
With Rickie Lee Jones
- Rickie Lee Jones (Warner Bros. Records, 1979)
- Pirates (Warner Bros. Records, 1981)
- Girl at Her Volcano (Warner Bros. Records, 1983)
- The Magazine (Warner Bros. Records, 1984)
With Boz Scaggs
- Down Two Then Left (Columbia Records, 1977)
With Steely Dan
- Can't Buy a Thrill (ABC Records, 1972)
- Countdown to Ecstasy (ABC Records, 1973)
- Pretzel Logic (ABC Records, 1974)
- Katy Lied (ABC Records, 1975)
- The Royal Scam (ABC Records, 1976)
- Aja (ABC Records, 1977)
- Gaucho (MCA Records, 1980)
With Joni Mitchell
- The Hissing of Summer Lawns (Asylum Records, 1975)
- Hejira (A&M Records, 1976)
- Wild Things Run Fast (Geffen, 1982)
With James Taylor
- Gorilla (Warner Bros. Records, 1975)
- In the Pocket (Warner Bros. Records, 1976)
With Gino Vannelli
- Brother to Brother (A&M Records, 1978)
With Harold Vick
- Commitment (Muse, 1967 [1974])
With Leroy Vinnegar
- Leroy Walks! (Contemporary, 1958)
- Leroy Walks Again!!! (Contemporary, 1963)
With Tom Waits
- Heartattack and Vine (Asylum Records, 1980)
- Swordfishtrombones (Island Records, 1983)
With Gregg Allman Band
- Playin' Up a Storm (Capricorn Records, 1977)
With Gerald Wilson
- Feelin' Kinda Blues (Pacific Jazz, 1965)
- On Stage (Pacific Jazz, 1965)
- The Golden Sword (Pacific Jazz, 1966)
With Elton John
With Frank Zappa
- Lumpy Gravy (Capitol Records, 1968)
With Jean Luc Ponty and Frank Zappa
- King Kong (World Pacific Jazz, 1970)
With Joe Walsh
- There Goes the Neighborhood (Asylum Records, 1981)
References
- Larson, Steve; Kernfeld, Barry, Feldman, Victor (Stanley) [Vic], Grove Music Online. Oxford Music Online. Oxford University Press, doi:10.1093/gmo/9781561592630.article.J147800 (subscription required)}}
- Barbara Feldman (16 September 1995). "100 Oxford Street – Arts & Entertainment". The Independent. Retrieved 24 November 2012.
- "British-Born Jazz Prodigy Victor Feldman Dies". Los Angeles Times. 14 May 1987. ISSN 0458-3035. Retrieved 21 August 2018.
- Jazz, All About. "Victor Feldman - Part 1: The Arrival". All About Jazz. Retrieved 21 August 2018.
- Gelly 2014, p. 119.
- See Bob Belden's liner notes to the 2005 reissue of Seven Steps to Heaven. Columbia/Legacy CK 93592
- "The Music of Peter Gunn (Original Soundtrack)". AllMusic. Retrieved 27 May 2018.
- Gilbert 10/13/2009, Calvin. "Rascal Flatts Perform With Toto During Musicians Hall of Fame Induction Ceremony". CMT News. Retrieved 27 April 2019.
- "Victor Feldman Catalog". Jazzdisco.org. Retrieved 1 August 2018.
Bibliography
- Gelly, Dave (2014). An Unholy Row. Equinox.