Roland W-30
The Roland W-30 is a sampling workstation keyboard, released in 1989. It features an on-board 12-bit sampler, sample-based synthesizer, 16-track sequencer and 61-note keyboard.
| W-30 | |
|---|---|
 Roland W-30 | |
| Manufacturer | Roland Corporation |
| Dates | 1989–1994 |
| Price | £1599 GBP [1] |
| Technical specifications | |
| Polyphony | 16 voice |
| Timbrality | 8[2] |
| LFO | Yes (sine peak-hold (with offset)) |
| Synthesis type | Samples |
| Filter | TVF |
| Attenuator | ADSR |
| Aftertouch expression | Yes |
| Velocity expression | Yes |
| Storage memory | 15k steps, 20 songs disk: 100k steps, 64 songs |
| Effects | No |
| Input/output | |
| Keyboard | 61 keys |
| Left-hand control | Combined Pitch bend and modulation switch |
| External control | MIDI In, out, thru |
Overview
The W-30's "Workstation" title stems from its incorporation of synthesis, sampling and MIDI sequencing capabilities. Although primitive by modern standards, the W-30's onboard sequencer was a practical way to arrange music as opposed to a DAW.
Unusually, while sounds are sampled with 12-bit resolution, they are played back through a 16-bit D-A converter [3] which, in theory at least, improves the sound quality. Nonetheless, the slightly "gritty" nature of the samples could be considered one of the instrument's charms.
The W-30 is compatible with the sound library of the Roland S-50, S330 & S550 dedicated samplers, which are now in the public domain.
Expansion
The workstation's back panel features a blanking-plate labelled SCSI. This allowed the very rare "KW30 SCSI kit" upgrade to be fitted. The KW30 gave the W-30 the ability to behave as a SCSI Master device, and drive SCSI hard drives and CD-ROM players through a standard 25-pin SCSI cable. Copying samples to a SCSI hard drive (maximum usable capacity: 80Mb) dramatically reduces load time compared to the built-in 3.5" floppy disk drive.[4]
Notable users
- Erick Sermon
- Liam Howlett of The Prodigy used the W-30 as his main songwriting device until 1997's The Fat of the Land and on-stage as a master keyboard up until 2008 [5]
- Steve Hillier of Dubstar programmed the entirety of the band's first album Disgraceful on a W-30. It was retired for the band's first European tour in 1996 [6]
- Andrés Bobe of La Ley programmed the keyboards and sequences from 1990-1994, mostly for the album Doble Opuesto [7]
- DJ Paul of Three 6 Mafia created the gritty, 90s proto-trap sound by re-sampling the groups' hooks to be used across many of their releases. DJ Paul still uses the W-30 to this day. [8]
- Hiroyuki Iwatsuki used the W-30 to write the music for the SNES game Wild Guns.
- Luis Alberto Spinetta's 1991 album Pelusón of Milk was produced mostly on his W-30 at home, while "waiting for Vera", his daughter, to be born[9]
References
- "Roland W30 (MT Jul 89)". www.muzines.co.uk. Retrieved 2018-09-05.
- SynthArk, Designed by www.1234.info / Modified. "W-30". www.synthark.org. Retrieved 2018-09-05.
- http://www.dancetech.com/item.cfm?threadid=4155
- http://gamelay.usami.com/~netboy/w30/sites/w30.msoft.it/expansion.html
- http://theprodigy.info/equipment/w30.shtml
- http://www.dubstar.com%5B%5D
- http://www.musicapopular.cl/grupo/la-ley/
- https://www.youtube.com/watch?v=xDCyIKRBbz4
- Diez, Juan Carlos (2013). Martropía (Conversaciones con Spinetta). Buenos Aires: Aguilar. pp. 145–147. ISBN 9789870432449.
External links
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