Low-frequency oscillation

Low-frequency oscillation (LFO) is an electronic frequency which is usually below 20 Hz and creates a rhythmic pulse or sweep. This pulse or sweep is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato, tremolo and phasing.[1]

LFO section of a modern synthesizer

History

Low-frequency oscillation as a concept was first introduced in the modular synths of the 1960s and 1970s. Often the LFO effect was accidental, as there were myriad configurations that could be "patched" by the synth operator. LFOs have since appeared in some form on almost every synthesizer. More recently other electronic musical instruments, such as samplers and software synthesizers, have included LFOs to increase their sound alteration capabilities.

Overview

The primary oscillator circuits of a synthesizer are used to create the audio signals. An LFO is a secondary oscillator that operates at a significantly lower frequency (hence its name), typically below 20 Hz. This lower frequency or control signal is used to modulate another component's value, changing the sound without introducing another source. Like a standard oscillator, this usually takes the form of a periodic waveform, such as a sine, sawtooth, triangle or square wave. Also like a standard oscillator, LFOs can incorporate any number of waveform types, including user-defined wavetables, rectified waves and random signals.

Using a low-frequency oscillation signal as a means of modulating another signal introduces complexities into the resulting sound, such that a variety of effects can be achieved. The specifics vary greatly depending on the type of modulation, the relative frequencies of the LFO signal and the signal being modulated, et cetera.

Uses

An LFO can be routed to control, for example, the frequency of the audio oscillator, its phase, stereo panning, filter frequency, or amplification. When routed to control pitch, an LFO creates vibrato. When an LFO modulates amplitude (volume), it creates tremolo. On most synthesizers and sound modules, LFOs feature several controllable parameters, which often include a variety of different waveforms, a rate control, routing options (as described above), a tempo sync feature, and an option to control how much the LFO will modulate the audio signal. LFOs can also be summed and set to different frequencies to create continuously changing slow moving waveforms, and when linked to multiple parameters of a sound, can give the impression that the sound is "alive".

Electronic musicians use LFO for a variety of applications. They may be used to add simple vibrato or tremolo to a melody, or for more complex applications such as triggering gate envelopes, or controlling the rate of arpeggiation.

Differences between LFO rates also account for a number of commonly heard effects in modern music. A very low rate can be used to modulate a filter's cutoff frequency, thereby providing the characteristic gradual sensation of the sound becoming clearer or closer to the listener. Alternatively, a high rate can be used for bizarre 'rippling' sound effects (indeed, another important use of LFO is for various sound effects used in films). Dubstep and drum and bass are forms of electronic music that employ frequent use of LFOs, often synchronized to the tempo of the track, for bass sounds that have a "wobble" effect. For example, by modulating the cutoff frequency of a low-pass filter to create a distinctive opening-and-closing effect. Due to the popularization of these genres, the LFO wobble is now being found in other forms of electronic dance music such as house music. LFO is commonly used in future bass music to enhance synthesisers, along with side-chain.

The British electronic music group LFO take their name directly from the low-frequency oscillator.[2]

See also

References
  1. Stolet, Jeffrey (2009). "31. Low-frequency Oscillators". Electronic Music Interactive, 2nd edition. University of Oregon. Retrieved 13 Jul 2013.
  2. "LFO biography". Allmusic. Retrieved 2011-07-27. Taking their name from the foundational component of the synthesizers -- the low frequency oscillator (kind of like calling a rock group 'Power Chord')
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