Maggie Napaljarri Ross

Maggie Napaljarri Ross (born c. 1940) is an Aboriginal Australian artist. Her work has been collected by Artbank and the Kluge-Ruhe Museum in the United States.

Maggie Napaljarri Ross
Bornc.1935 or 1940 (1940-02-08UTC16:35)
Yuendumu, Northern Territory
NationalityAustralian
Known forPainting
AwardsOrder of Australia

Life

Maggie Ross was born east of Yuendumu, Northern Territory around 1935[1] or 1940, and worked on Coniston Station,[2] to the east of Yuendumu and north-west of Alice Springs.[3] The ambiguity around the year of birth is in part because Aboriginal Australians operate using a different conception of time, often estimating dates through comparisons with the occurrence of other events.[4]

"Napaljarri" (in Warlpiri) or "Napaltjarri" (in Western desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Aboriginal peoples. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans.[5][6] Thus "Maggie Ross" is the element of the artist's name that is specifically hers.

Art

Background

Contemporary Aboriginal art of the Western Desert began when Aboriginal men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon.[7] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Aboriginal communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983.[8] By the 1980s and 1990s, such work was being exhibited internationally.[9] The first artists, including all of the founders of the Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting.[10] However, there was also a desire among many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the Western Desert communities such as Kintore, Yuendumu, Balgo, and on the outstations, people were beginning to create art works expressly for exhibition and sale.[9]

Career

In 1996 Ross was one of the twenty-nine women and five men who collaborated to produce Karrku Jukurrpa, a work commissioned for the collection of John Kluge and exhibited in the Kluge-Ruhe Aboriginal Art Collection at the University of Virginia in the US. The painting assembles a range of mythological symbols and stories associated with the people and country around Yuendumu.[9] Ross was also a collaborator on the 1997 group work Ngapa Jukurrpa (Water Dreaming), held by the Art Gallery of New South Wales.[1] As well as being a collaborator on group works held in the Kluge-Ruhe collection and the Art Gallery of New South Wales, Ross's paintings are also held by Artbank.[2]

Collections

References
  1. "Ngapa Jukurrpa (Water Dreaming)". Aboriginal and Torres Strait Islander Art > Paintings. Art Gallery of New South Wales. 1997. Retrieved 6 January 2010.
  2. Birnberg, Margo; Kreczmanski, Janusz (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 207. ISBN 1-876622-47-4.
  3. Kleinert, Sylvia; Neale, Margot (2000). The Oxford Companion to Aboriginal art and culture. Oxford: Oxford University Press. p. 749.
  4. Birnberg, Margo; Kreczmanski, Janusz (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. pp. 10–12. ISBN 1-876622-47-4.
  5. "Kinship and skin names". People and culture. Central Land Council. Archived from the original on 11 October 2010. Retrieved 23 October 2009.
  6. De Brabander, Dallas (1994). "Sections". In David Horton (ed.). Encyclopaedia of Aboriginal Australia, Vol. 2. Canberra: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977. ISBN 978-0-85575-234-7.
  7. Bardon, Geoffrey; Bardon, James (2006). Papunya – A place made after the story: The beginnings of the Western Desert painting movement. University of Melbourne: Miegunyah Press.
  8. Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement". Aboriginal History. 30: 156–168.
  9. Morphy, Howard (1999). Aboriginal Art. London: Phaidon. pp. 261–316.
  10. Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore / Haasts Bluff Canvas Project: Dancing women to famous painters". Artlink. 26 (4).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.