List of compositions by Franz Liszt

This is a list of compositions by Franz Liszt, based on the working catalogue by Michael Short and Leslie Howard,[upper-alpha 1] and other references.

Franz Liszt

Legend

The columns in this list of works are as follows:

S. — Numbering (grouped, non-chronological) originated by Humphrey Searle in Grove's Dictionary,[upper-alpha 2] revised by him several times,[upper-alpha 3][upper-alpha 4][upper-alpha 5] later revised by Sharon Winklhofer,[upper-alpha 6] and thoroughly revised, updated, and expanded by Michael Short and Leslie Howard.[upper-alpha 1]

LW — A recent alternate lesser-known numbering (grouped, non-chronological) by Mária Eckhardt and Rena Charnin Mueller[upper-alpha 7] used in Grove Music Online.

Title — Normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources, including Liszt's manuscripts.

Forces — The instrumentation used; see Abbreviations for Instruments.

Key — The principal key of the work.

Date — The year or year-range of composition or arrangement.

Genre — Works are grouped in genre categories under a header, which is listed here for each work.

Notes — Liszt's works often exist in multiple versions or arrangements; the version number or instrumentation of arrangement are indicated here with a cross-reference by S number to all other versions and arrangements. Liszt arranged many works by other composers as well; details of the original composition with links to the title and composer are given here.

Deprecated S numbers: An asterisk (*) before the S number signifies that it is no longer in use and the entry has been renumbered; the new number is given in parentheses – refer to the new number's separate entry. For cross-referencing, the new number's entry also includes the old number (preceded by an asterisk) in parentheses. Many of the renumbered works are previously lost compositions that have been discovered. Works definitely determined as spurious in later updates of the Searle catalogue are included here with details on the true composer.

Older R. numbers for Peter Raabe's catalogue[upper-alpha 8], now largely out of date and superseded by the Searle catalogue, though still in common use, are not included in this list.

Index

Quick jump INDEX by Searle number and Category
1–350	Original works				[contd.]		Piano solo			[contd.]		Piano solo
1		Stage works			168–174			Pieces from the Weimar period		233c–254			Works on national themes
2–94		Choral works			175–181			Large-scale works		233c–235				Austrian,Czech,English
2–66			Sacred		182–208			Later character pieces		236–240				French,German
67–94			Secular		208a–233b			Works in dance forms		241–246				Hungarian
95–119		Orchestra			208a–216b				Waltzes,Ländler,Carousel	247–249b				Italian,Polish
95–107			Symphonic poems		217				Polkas	249c–254				Russian,Spanish
108–119			Other orchestra works		218–220				Galops	255–256a		Piano four-hands
120–126a		Piano and orchestra			221–222				Mazurkas	257–258		Two pianos
126b–135		Chamber music			223				Polonaises	259–268a		Organ or Harmonium
136–254		Piano solo			224–225				Csárdás	269–340a		Songs
136–146			Etudes		226–233b				Marches	341–344		Songs with organ
147–155			Early works							345		Songs with orchestra
155a–163			Pieces from the years of travel							345a		Songs with band
163a–167t			Album-leaves							346–350		Recitations
351–686	Arrangements				[contd.]		Piano solo			577a–634b		Piano four-hands
351–364		Orchestra			[contd.]			Paraphrases, fantasies		577a				Field
351–353				Bülow,Cornelius,Erkel	439–450				Wagner	578–626				Liszt
353a–362a				Liszt	451–455				Weber	627–628				Bellini,Berlioz
363–364				Schubert,Zarębski	456–460				Zichy,Unknown	628a–628c				Donizetti,Erkel
365–367a		Piano and orchestra			461–577			Transcriptions, reductions		629–630				Glinka,Meyerbeer
365–365a				Liszt	461–461a				Allegri	631–632				Raff,Schubert
365b–367a				Bellini,Schubert,Weber	462–463				Bach	633–634				Allegri,Beethoven
368–377		Songs with orchestra			463a–469				Beethoven	634a–634b				Mozart,Wagner
368				Korbay	470–475				Berlioz	635–657a		Two pianos
369–374				Liszt	476–477a				Bertin	635–652a				Liszt
375–377				Schubert,Zichy	478–479				Bulakhov,Bülow	653–656				Schubert,Bellini,Mozart
377a–383		Chamber music			480–482				Chopin,Conradi,Cui	657–657a				Beethoven
377a–383				Liszt	483–484				Dargomyzhsky,David	657b		Piano eight-hands
383a–577		Piano solo			485–485a				Dessauer,Draeseke	657b				Liszt
383a–460			Paraphrases, fantasies		485b–486				Ernst,Erkel	658–676		Organ or Harmonium
383a–384a				Ábrányi,Vielgorsky,Pal	487–489				Festetics,Franz	658–659				Allegri,Dietsch
385–387				Auber	490–491				Goldschmidt,Gounod	660–661				Bach
388–389a				Beethoven	492–493				Herbeck,Hummel	662–663				Chopin,Lassus
390–394				Bellini	494–497				Lassen	663a–674c				Liszt
395–396				Berlioz	498				Lessmann	674d–675a				Mozart,Nicolai,Ritter
397–402				Donizetti	498a–546a				Liszt	675b–676				Schumann,Verdi,Wagner
403–405				DonizettiJ,Ernst,Erkel	547–549				Mendelssohn,Meyerbeer	677–679		Chamber with organ
405a–406				Festetics,Glinka	550–551a				Mozart,Pezzini,Raff	677–678				Liszt
407–409				Gounod	552–553				Rossini	679				Rossini
409a				Halévy	554–554a				Rubinstein	680–682		Songs with organ
410–411				Mendelssohn,Mercadante	555–555a				Saint-Saëns	680–681a				Liszt
412–416				Meyerbeer	556–565b				Schubert	682				Rossini
417–418				Mosonyi,Mozart	566–570				Schumann	683–685		Songs
419–421				Pacini,Paganini,Raff	570a–571a				Smetana,Spohr,Tausig	683–683a				Constantine,Korbay
421a–424				Rossini	572–573				Szabadi,Széchényi	684–685				Pantaleoni,Pavlovna
425–427				Schubert	573a				Tirindelli	686		Recitations
428–430				Soriano,Tchaikovsky,Végh	574–576a				Weber	686				Draeseke
431–438				Verdi	576b–577				Vielgorsky
687–701v	Unfinished works or sketches				692a		Chamber music			701m–701v		Sketchbook 2
687		Stage works			692b–700e		Piano solo			701m			Chamber music
688–689a		Choral works			700f–701l		Sketchbook 1			701n			Organ or Harmonium
688–688a			Sacred		700f–701			Vocal works		701o–701v			Piano solo
689–689a			Secular		701a			Orchestra
690–690e		Orchestra			701b			Chamber music
691–692		Concertante works			701c–701l			Piano solo
702–768	Doubtful or lost works				[contd.]		Piano solo			755–755b		Piano four-hands
702–708		Choral works			739–754			Arrangements		756–757		Two pianos
702–707			Sacred		739–741				Beethoven,Berlioz	758–760		Organ or Harmonium
708			Secular		742				Donizetti	761–761b		Chamber with organ
709–712		Orchestra			743–744				Gounod,Halévy,Kullak	761c–766		Songs
713–716		Piano and orchestra			745–747				Liszt	767		Songs with organ
717–723b		Chamber music			748–749				Mozart,Radovsky	768		Recitations
723c–754		Piano solo			750–752				Rossini,Rubinstein
723c–738			Original works		753–754				Schubert,Tirindelli

Catalogue of works

S.	LW	Title	Forces	Key	Date	Notes
1–350	Original works					[INDEX↑]
1	Stage works					[INDEX↑]
1	O1	Don Sanche (Le château de l'amour)	vv ch orch		1824–25	opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished
2–94	Choral works					[INDEX↑]
2–66	Sacred					[INDEX↑]
2	I4	Die Legende von der Heiligen Elisabeth	sop alt 3bar 2bass ch org orch		1857–62	extracts arr for pf as S.498a, S.693a, for pf4h as S.578; introduction arr for org as S.663a
3	I7	Christus	sop alt ten bar bass ch org orch		1866–72	No.6 based on S.25; No.7 based on S.29; No.8 based on S.36, S.261, S.766; Nos.1a, 1b, and 2 arr for pf as S.498c; Nos.4 and 5 arr for pf as S.498b, for pf4h as S.579; No.8 arr for org as S.664i
4i	I8a	Cantico di San Francesco	bar pf org/harm (+mch)	F major	1862	arr for bar mch org orch as S.4ii; Alleluja arr for pf as S.182a, for org (+tbn) as S.677
4ii	I8b	Cantico del sol di Francesco d'Assisi	bar mch org orch	F major	1879–82	arr of S.4i; arr for pf as S.499, for org as S.760; Prelude arr for pf as S.498d, for org as S.665
5i	I1a	Sainte Cécile (Die heilige Cäcilia)	mez orch (?)		1845	1st version of S.5ii; lost
5ii	I1b	Sainte Cécile (Die heilige Cäcilia) (Legende)	mez orch (+ch)		1874	2nd version of S.5i; arr for mez hp/pf/harm (+ch) as S.5ii/a
5ii/a	I1b	Sainte Cécile (Die heilige Cäcilia) (Legende)	mez hp/pf/harm (+ch)		1874	arr of S.5ii
6	L15	Die Glocken des Strassburger Münsters	2vv ch org orch		1874–75	oratorio; prelude arr for pf4h as S.580, for pf as S.500, for org (+ch) as S.666, for v org as S.767
7	I10	Cantantibus organis (Antiphona in festo Santa Caeciliae)	alt ch orch	G major–G minor	1879	arr for alt ch hp/pf harm/org as S.7a
7a	I10	Cantantibus organis (Antiphona in festo Santa Caeciliae)	alt ch hp/pf harm/org	G major–G minor	1879	arr of S.7
8i	J5a	Missa quattuor vocum ad aequales	mch org		1846–47	1st version of S.8ii
8ii	J5b	Missa quattuor vocum ad aequales (Szekszárd Mass)	mch org		1869	2nd version of S.8i; themes used in S.264
9i	I2	Missa solennis zur Einweihung der Basilika in Gran (Graner Mass)	sop alt ten bass ch orch		1855	1st version of S.9ii [lower-alpha 1]
9ii (*9)	I2	Missa solennis zur Einweihung der Basilika in Gran (Graner Mass)	sop alt ten bass ch orch		1857–58	2nd version of S.9i; Agnus Dei arr for pf as S.167c [lower-alpha 2]
10	J18	Missa Choralis	ch org		1859–65
11	I9	Ungarische Krönungsmesse (Hungarian Coronation Mass)	4vv ch orch		1866–69	Nos.5 and 7 arr for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr for org as S.667; No.6 arr for mch pf as S.15a/i, for ch pf as S.15a/ii; No.7 arr for vn orch as S.362
12	J22	Requiem (Messe des morts)	4vv mch org (+br perc)		1867–71	includes S.45 as No.6; adapted for org as S.266; No.6 arr for mch org as S.45
13i	I3a	Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)	4vv ch orch		1855–56	1st version of S.13ii
13ii	I3b	Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)	ten ch orch		1859–63	2nd version of S.13i; arr for ten ch org as S.13ii/a
13ii/a	I3b	Psalm 13 (Herr, wie lange willst du meiner so gar vergessen)	ten ch org		1866	arr of S.13ii
14i	I5a	Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)	mch orch (+org)		1860	arr for mch org as S.14ii, for mch ww br as S.14i/a, for org as S.667a
14i/a	I5a	Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)	mch ww br		1860	arr of S.14i; 1st version of S.14ii/a
14ii	I5b	Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)	mch org		1870	arr of S.14i; arr for mch ww br as S.14ii/a
14ii/a	I5b	Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)	mch ww br		1870	arr of S.14ii; 2nd version of S.14i/a
15i (*15i/a)	J10a	Psalm 23 (Mein Gott, der ist mein Hirt)	sop/ten mch hp/pf org/harm		1859–61?	1st version of S.15i/a, S.15ii, S.15ii/a; arr for ch orch as S.15iii [lower-alpha 2]
15i/a (*15i/b)	K1	Psalm 23 (Mein Gott, der ist mein Hirt)	sop/ten hp/pf org/harm		1859–62	2nd version of S.15i, S.15ii, S.15ii/a [lower-alpha 2]
15ii (*15ii/a)	J10b	Psalm 23 (Mein Gott, der ist mein Hirt)	sop/ten mch hp/pf		1859–62	3rd version of S.15i, S.15i/a, S.15ii/a [lower-alpha 2]
15ii/a (*15ii/b)	I1b	Psalm 23 (Mein Gott, der ist mein Hirt)	sop/ten hp/pf		1859–62	4th version of S.15i, S.15i/a, S.15ii [lower-alpha 2]
15iii (*15bis)	S53	Psalm 23 (Mein Gott, der ist mein Hirt)	ch orch		1862	arr of S.15i; lost [lower-alpha 3]
15a/i	J6	Psalm 116 (Laudate Dominum)	mch pf		1869–74	arr of S.11/6
15a/ii	J6	Psalm 116 (Laudate Dominum)	ch pf		1869–74	arr of S.11/6
16i	K6	Psalm 129 (De profundis)	bar mch org		1880–81	originally written for S.688; uses themes from S.173/4; 1st version of S.16ii
16ii	J45	Psalm 129 (De profundis)	alt pf/org		1883	2nd version of S.16i
17i	K2	Psalm 137 (An den Wassern zu Babylon)	alt vn hp/pf org/harm		1859	1st version of S.17ii
17ii	J11	Psalm 137 (An den Wassern zu Babylon)	sop fch vn hp/pf org/harm		1859–62	2nd version of S.17i; arr for ch orch as S.17iii
17iii	S54	Psalm 137 (An den Wassern zu Babylon)	ch orch		1862	arr of S.17ii; lost
18	J4	(5) Choruses with French texts:	ch		1846?
18/1	J4/5	Qui m'a donné la naissance	ch		1846?	incomplete; unpublished
18/2	J4/1	L'Eternel est son nom	ch		1846?	published 1989
18/3	J4/2	Chantons, chantons l'auteur de la lumière	ch		1846?	unpublished
18/4	J4/3	(Allegretto, moderato con grazia)	ch	A major	1846?	incomplete, no text; possibly the same as S.762; unpublished
18/5	J4/4	Combien j'ai douce souvenance	ch		1846?	based on an Auverge folksong; unpublished
19i	J2/1	Hymne de l'enfant à son réveil (O père qu'adore mon père)	fch pf/harm (+hp)		1840–44?	arr (setting) of S.171c to text by Lamartine; 1st version of S.19ii, S.19iii, S.19iv; lost
19ii	J2/2	Hymne de l'enfant à son réveil (O père qu'adore mon père)	ch pf/harm		1860–62?	2nd version of S.19i, S.19iii, S.19iv; text in French and Italian
19iii	J2/3	Hymne de l'enfant à son réveil (O père qu'adore mon père)	ch pf/harm		1865	3rd version of S.19i, S.19ii, S.19iv; text in French and Italian
19iv	J2/4	Hymne de l'enfant à son réveil (O père qu'adore mon père)	fch pf/harm (+hp)		1874	4th version of S.19i, S.19ii, S.19iii; text in French, German and Hungarian
20i	J1/1	Ave Maria I	ch (+org)	B♭ major	1842	1st version of S.20ii; arr for pf as S.172a/12, for org as S.667b/i
20ii	J1/2	Ave Maria I	ch org	A major	1852	2nd version of S.20i; arr for org as S.667b/ii
21i	J3/1	Pater noster I	mch		1846	1st version of S.21ii; arr for pf as S.172a/6
21ii	J3/2	Pater noster I	mch		1852	2nd version of S.21i [1]
22	J52	Pater noster IV	ch org	C major	1850?
23	J8	Domine salvum fac regem (Psalm 20)	ten mch org		1853
24	J7	Te Deum I	mch org		1853?	[2]
25	J9	Die Seligkeiten (Les béatitudes)	bar ch (+org)		1859	rev as S.3/6
26	M33	Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau'n und bestellen das edelste Feld)	mch (+org)		1858
27	J12	Te Deum II	mch org (+br perc)		1867	[2]
28	J13	An den heiligen Franziskus von Paula (Gebet)	2ten 2bass mch org/harm (+3 tbn timp)		1860–74?	based on S.175/2
29	J14	Pater noster II (Das Vater unser)	ch org	A♭ major	1860	rev as S.3/7 [1]
30	J20	Responsorien und Antiphonen (Répons et Antiennes)	ch (+org)		1860
31i	J15a/1	Christus ist geboren I (Weihnachtslied I)	ch org		1863	1st version of S.31ii
31ii	J15a/2	Christus ist geboren I (Weihnachtslied I)	mch org		1863	2nd version of S.31i
32i	J15b/1	Christus ist geboren II (Weihnachtslied II)	ch org/harm		1863	1st version of S.32ii, S.32iii; arr for pf as S.502
32ii	J15b/2	Christus ist geboren II (Weihnachtslied II)	mch (+org)		1863	2nd version of S.32i, S.32iii
32iii	J15c	Christus ist geboren II (Weihnachtslied II)	fch		1863	3rd version of S.32i, S.32ii
33i (*33)	J16	Slavimo slavno, Slaveni!	mch org		1863	1st version of S.33ii; arr for pf as S.503, for org as S.668 [lower-alpha 2]
33ii	J16	Slavimo slavno, Slaveni!	mch org		1866	2nd version of S.33i [lower-alpha 1]
34i	J19/1	Ave maris stella	ch org	G major	1865–66	1st version of S.34ii
34ii	J19/2	Ave maris stella	mch org	B♭ major	1868	2nd version of S.34i; arr for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b
35i	J17a	Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)	mch		1865	1st version of S.35ii
35ii	J17b	Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)	fch/cch pf		1865	2nd version of S.35i
36	J21	Dall' alma Roma	2vv (+org)		1867–68	arr of S.766; based on S.261; rev as S.3/8
37	J23	Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François)	mch org		1868
38	J24	Ave Maria II	ch org	D major	1869	arr for pf as S.504i, for harm as S.667c, for v org/harm as S.681
39i	J25a	Inno a Maria Vergine	ch hp org		1869	1st version of S.39ii
39ii	J25b	Inno a Maria Vergine	ch hp pf4h org/harm		1869	2nd version of S.39i
40	J28	O salutaris hostia I	fch org		1869
41i	J26/1	Pater noster III	ch pf/org	F major	1869	1st version of S.41ii
41ii	J26/2	Pater noster III	mch pf/org/harm	B♭ major	1869	2nd version of S.41i
42i	J27/1	Tantum ergo	fch org		1869	uses material from S.702; 1st version of S.42ii, S.42iii
42ii	J27/2	Tantum ergo	mch org		1869	2nd version of S.42i, S.42iii; arr for pf as S.729
42iii	J27/1	Tantum ergo	fch org		1882	3rd version of S.42i, S.42ii [lower-alpha 4][lower-alpha 5]
43	J29	O salutaris hostia II	ch (+org)	E major	1870
44	J31	Ave verum corpus	ch (+org)		1871
45	J30	Libera me	mch org		1871	arr of S.12/6
46i	J32/1	Anima Christi sanctifica me	mch org		1874	1st version of S.46ii
46ii	J32/2	Anima Christi sanctifica me	mch org		1874	2nd version of S.46i
47	J41	Sankt Christoph (Legend)	fch pf harm (+hp)		1881	unpublished
*48 (92/2)	—	Der Herr bewahret die Seelen seiner Heiligen
49	J42	O heilige Nacht (Weihnachtslied)	ten fch org/harm		1881	based on S.186/2
49a	—	Adeste fidelis	fch		?	incomplete
50	A286b	(12) Alte deutsche geistliche Weisen:	ch kbd		1878–79	probably misattributed to Liszt, who arr the pieces as S.504b and S.669a
50/1	A286b/8	Es segne uns Gott	ch kbd		1878–79	arr for pf as S.504b/3a, for ch org as S.669a/1
50/2	A286b/4	Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)	ch kbd		1878–79	arr for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51
50/3	A286b/3	Nun ruhen alle Wälder	ch kbd		1878–79	arr for pf as S.504b/5, for v org as S.669a/3
50/4	A286b/5	O Haupt voll Blut und Wunden	ch kbd		1878–79	arr for pf as S.504b/6, for v org as S.669a/4
50/5	A286b/6	O Lamm Gottes!	ch kbd		1878–79	arr for pf as S.504b/7, for v pf/org as S.669a/5
50/6	A286b/1	Was Gott tut, das ist wohlgetan	ch kbd		1878–79	arr for pf as S.504b/10, for v org as S.669a/6
50/7	A286b/7	Wer nur den lieben Gott läßt walten	ch kbd		1878–79	arr for pf as S.504b/11, for v org as S.669a/7
50/8	A286b/9	Vexilla Regis	ch kbd		1878–79	arr for pf as S.504b/9
50/9	A286b/10	Crux ave benedicta	ch kbd		1878–79	arr for pf as S.504b/1
50/10	A286b/2	O Traurigkeit	ch kbd		1878–79	arr for pf as S.504b/8
50/11	A286b/12	Nun danket alle Gott!	ch kbd		1878–79	arr for pf as S.504b/4
50/12	A286b/11	Jesu Christe (Die fünf Wunden)	ch kbd		1878–79	arr for pf as S.504b/2
51	J34	Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)	ch org		1878	arr of S.50/2
52	J35	Septem sacramenta	mez bar ch org/harm		1878–84
53	J33	Via crucis (Les 14 stations de la croix)	vv ch pf/org/harm		1876–79	arr for org as S.669b, for pf4h as S.583, for pf as S.504
54	J36	O Roma nobilis	ch org		1878–79	based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; arr for org as S.669c, for pf as S.506b
55	J38	Ossa arida	ch org4h		1879
56	J37	Rosario:	ch org/harm (+bar)		1879
56/1	J37/1	Mysteria gaudiosa	ch org/harm		1879	arr for org/harm as S.670/1
56/2	J37/2	Mysteria dolorosa	ch org/harm		1879	arr for org/harm as S.670/2
56/3	J37/3	Mysteria gloriosa	ch org/harm		1879	arr for org/harm as S.670/3
56/4	J37/4	Pater noster	bar/mch org/harm		1879	[3]
57	J46	In domum Domini ibimus	ch br perc org		1884	arr for pf as S.505, for org as S.671
58	J40	O sacrum convivium	alt fch org/harm		1880–85	arr for org/harm as S.674a
59	J39	Pro Papa:	ch org		1880
59/1	J39/1	Tu es Petrus	mch org		1880
59/2	J39/2	Dominus conservet eum	ch org		1880
60	J44	'Sposalizio' (Trauung) nach dem gleichnamigen Bilde Raphaels (Ave Maria III) (Geistliche Vermählungsmusik: Geist der Liebe, segne uns!)	alt fch org/harm		1883	arr (setting) of S.161/1 to Ave Maria Latin or German text; arr for org/harm as S.671a, for v 2pf as S.700g
61	J43	Nun danket alle Gott	ch/mch 2tpt 3tbn timp org		1883	arr for org as S.674c
62	J47	Mariengarten	ch org (+alt ten)		1884?
63	J48	Qui seminant in lacrimis (Psalm 125)	ch org		1883
64	J49	Pax vobiscum!	mch (+org)		1885
65	J50	Qui Mariam absolvisti	bar ch org/harm		1885
66	J51	Salve Regina	ch		1885
67–94	Secular					[INDEX↑]
67	L1	Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge) (Beethoven Cantata No.1)	6vv orch		1845	arr for pf4h as S.584; beginning and end of the 1st mvt arr for pf as S.507
68	L12	Zur Säkularfeier Beethovens (Beethoven Cantata No.2)	4vv ch orch		1869–70
69i	L8/1	Chöre zu Herders Entfesseltem Prometheus	sop alt 2ten 2bass ch orch		1850	1st version of S.69ii, S.69iii; Overture 1st version of S.99; 1st perf this version 24 Aug 1850 Weimar cond Liszt; No.4 arr for pf as S.507a; No.5 arr for pf as S.692e
69ii	L8/2	Chöre zu Herders Entfesseltem Prometheus	sop alt 2ten 2bass 2ch orch		1855–59	2nd version of S.69i, S.69iii; No.4 arr for pf as S.508, for pf4h as S.585
69iii	—	Chöre zu Herders Entfesseltem Prometheus	sop alt 2ten 2bass 2ch orch		1877?	3rd version of S.69i, S.69ii
70i	L9/1	An die Künstler	4vv mch ww br		1853	instrumentation by Joachim Raff; 1st version of S.70ii, S.70iii
70ii	L9/2	An die Künstler	4vv mch orch		1853–54	2nd version of S.70i, S.70iii
70iii	L9/3	An die Künstler	4vv mch org orch		1856–57	3rd version of S.70i, S.70ii; themes used in S.114
71	L11	Gaudeamus igitur (Humoreske, Zur Feier des hundertjährigen Jubiläums der Akademischen Konzerte zu Jena 1870)	vv (+mch/ch) orch		1869–70	arr for pf as S.509, for pf4h as S.586
72	M2–5	(4) Vierstimmige Männergesänge:	mch pf		1841–42	[4]
72/1	M2/1	Rheinweinlied (Wo solch ein Feuer)	mch pf		1841	1st version of S.72/1a
72/1a	M2/2	Rheinweinlied (Wo solch ein Feuer)	mch pf		1884	2nd version of S.72/1
72/2	M3/1	Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)	mch		1841–42	1st version of S.72/2a
72/2a	M3/2	Studentenlied aus Goethe's Faust (Es lebt' eine Ratt im Kellernest)	mch		before 1857	2nd version of S.72/2 [lower-alpha 4][lower-alpha 5]
72/3	M4	Reiterlied I (Die bange Nacht ist nun herum)	mch	B♭ major	1841–42	1st (alternative) setting of S.72/4
72/4	M5	Reiterlied II (Die bange Nacht ist nun herum)	mch	C major	1841–42	2nd (alternative) setting of S.72/3
73	M19	Es war einmal ein König (Flohlied)	bar/bass mch pf		1844–45
74i	M1	Das deutsche Vaterland I (Was ist das deutsche Vaterland?)	4vv mch pf	D major	1841	1st version of S.74ii
74ii	M27	Das deutsche Vaterland II (Was ist das deutsche Vaterland?)	mch	C major	1848	2nd version of S.74i
75i	M12/1	Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)	4mch		1842	1st version of S.75ii, S.75iii; arr v pf as S.306i [5]
75ii	M12/2	Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)	4mch		1849	2nd version of S.75i, S.75iii [6]
75iii	M12/3	Über allen Gipfeln ist Ruh' (Wanderers Nachtlied)	4mch 2hn		1856	3rd version of S.75i, S.75ii [lower-alpha 4][lower-alpha 5]
76	M11	Das düstre Meer umrauscht mich	4mch pf		1842	[5]
76a	M15	Heil! Unsrer Glocke heil	mch pf		1843
77	M26	Die lustige Legion	mch (+pf)		1846?
78	M6–9, 17–18	6 Männerchöre:	ten mch pf/(hp?) (+tpt timp)		1841–49
78/1	M17	Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!)	mch pf		1843–44
78/2	M9/1	Die alten Sagen kunden	4mch pf	B♭ major	1841–45?	1st version of S.90/8
78/3	M8/1	Saatengrün	mch (+pf/hp?)		c1843	1st version of S.90/9
78/4	M6/1	Der Gang um Mitternacht (Ich schreite mit dem Geist)	4mch		1841–43?	1st version of S.90/10
78/5	M18/1	Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)	4mch (+tpt timp)		1844	1st version of S.90/7
78/6	M7/2	Ständchen (Hüttelein, still und klein)	ten mch	A major	late 1840s	2nd version of S.90/2a, S.90/2
79i	M14/2	Titan (Auf des Athos blauen Felsenspitzen)	bar mch pf		1842	2nd version of S.79ii, S.79iii, S.700j [lower-alpha 5]
79ii	M14/2	Titan (Auf des Athos blauen Felsenspitzen)	bar mch pf		1845	3rd version of S.79i, S.79iii, S.700j [lower-alpha 5]
79iii	M14/2	Titan (Auf des Athos blauen Felsenspitzen)	bar mch pf		1847	4th version of S.79i, S.79ii, S.700j; arr for bar mch orch by Liszt and August Conradi as S.79a [lower-alpha 2]
79a (*79)	L4	Titan (Auf des Athos blauen Felsenspitzen)	bar mch orch		1848	arr of S.79iii by Liszt and August Conradi; unpublished [lower-alpha 2]
80	M20	Les quatre élémens:	mch pf/pf4h		1844–45	arr for mch orch by Liszt and August Conradi as S.80a
80/1	M20/1	La terre	mch pf		1844–45	arr for mch orch by Liszt and August Conradi as S.80a/1
80/2	M20/2	Les aquilons	mch pf4h		1844	arr for mch orch by Liszt and August Conradi as S.80a/2
80/3	M20/3	Les flots	mch pf		1845	arr for mch orch by Liszt and August Conradi as S.80a/3
80/4	M20/4	Les astres	mch pf		c1845	arr for mch orch by Liszt and August Conradi as S.80a/4
80a (*80)	L2	Les quatre élémens:	mch orch		1844–48	arr of S.80 by Liszt and August Conradi; unpublished; see also overture S.97i [lower-alpha 2]
80a/1	L2/1	La terre	mch orch		1844–48	arr of S.80/1 by Liszt and August Conradi
80a/2	L2/2	Les aquilons	mch orch		1844–48	arr of S.80/2 by Liszt and August Conradi
80a/3	L2/3	Les flots	mch orch		1845–48	arr of S.80/3 by Liszt and August Conradi
80a/4	L2/4	Les astres	mch orch		1845–48	arr of S.80/4 by Liszt and August Conradi
81	M21	Le forgeron (Le fer est dur, frappons, frappons)	ten bass mch pf		1845	arr for 2vv mch orch by Liszt and August Conradi as S.81a
81a (*81)	L3	Le forgeron (Le fer est dur, frappons, frappons)	ten bass mch orch		1845–48	arr of S.81 by Liszt and August Conradi; unpublished [lower-alpha 2]
81b (*81a)	M25	A patakhoz (A patakcsa) (To the Brook)	mch		1846	[lower-alpha 2]
82	M16	Arbeiterchor (Herbei, herbei, den Spath' und Schaufel ziert)	bar mch pf		1843–48?	arr for pf as S.510, for pf4h as S.587
83	L5	Hungaria 1848 (Aus Osten aus der Sonne Tor) (Ungaria-Kantate)	vv mch pf		1848	arr for vv mch orch by Liszt and August Conradi as S.83a
83a (*83)	L5	Hungaria 1848 (Aus Osten aus der Sonne Tor) (Ungaria-Kantate)	vv mch orch		1848	arr of S.83 by Liszt and August Conradi [lower-alpha 2]
84i	M28/1	Licht, mehr Licht	mch 3tbn tba		1849	1st version of S.84ii [6]
84ii	M28/2	Licht, mehr Licht	mch 2tpt 3tbn		1856	2nd version of S.84i
85i	M29a	Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)	mch pf		1849	1st version of S.85ii, S.85iii
85ii	M29b	Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)	fch hp pf/harm		1849	2nd version of S.85i, S.85iii
85iii (*85)	M29c	Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)	ch hp/pf		1849	3rd version of S.85i, S.85ii; arr for ch orch by Liszt and August Conradi as S.85a [6]
85a	L7	Chor der Engel aus Goethe's Faust (pt 2) (Rosen, ihr blendenden)	ch orch		1849	arr of S.85iii by Liszt and August Conradi; unpublished [lower-alpha 4][lower-alpha 2]
86	M30	Festchor zur Enthüllung des Herder-Denkmals in Weimar	mch pf		1850	arr for mch br by Liszt and Joachim Raff as S.86a
86a (*86)	M30	Festchor zur Enthüllung des Herder-Denkmals in Weimar	mch br		1850	arr of S.86 by Liszt and Joachim Raff [lower-alpha 2]
87i	L10/1, M32a	Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1857)	mch (ww br perc)/pf	E major	1857	arr of S.313; 1st version of S.87i/a
87i/a	L10/1, M32a	Weimars Volkslied (Von der Wartburg) (Zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1875)	mch (ww br perc)/pf	E major	before 1875?	2nd version of S.87i; see also S.92 [lower-alpha 4][lower-alpha 5]
87ii	M32b	Weimars Volkslied (Von der Wartburg)	mch (+pf)	F major	1873?	arr of S.313
87iii	M32c	Weimars Volkslied (Von der Wartburg)	4mch	E major	1860?	arr of S.313; 1st version of S.87iii/a
87iii/a	M32c	Weimars Volkslied (Von der Wartburg)	4mch	E major	1875?	2nd version of S.87iii; unpublished [lower-alpha 4][lower-alpha 5]
87iv	M32d	Weimars Volkslied (Von der Wartburg)	mch org	F major	1875	arr of S.313; unpublished
87v	M32e	Weimars Volkslied (Von der Wartburg)	ch (+pf)	E major	1875?	arr of S.313 by Bernhard Sulze
87vi	M32f	Weimars Volkslied (Von der Wartburg)	3eq	E major	1870s?	arr of S.313
87vii	M32g	Weimars Volkslied (Von der Wartburg)	3cch	F major	1870s?	arr of S.313
87viii	L10/2	Weimars Volkslied (Von der Wartburg)	uch br/pf	C major	1857	arr of S.313 [lower-alpha 4][lower-alpha 5]
88	M34b	Morgenlied (Die Sterne sind erblicken)	fch		1859	2nd version of S.89 with different lyrics
89	M34a	Mit klingendem Spiel (Morgenlied)	cch		1859	1st version of S.88 with different lyrics
89a	M10, 13, 22–24	(5) Für Männergesang:	mch pf		1842–45	[7]
89a/1 (*90/3a)	M10/1	Wir sind nicht Mummien (We are not mummies)	mch pf		1842	1st version of S.90/3 [5]
89a/2 (*90/12a)	M13/1	Gottes ist der Orient	4mch	B major	1842	1st version of S.90/12 [5]
89a/3–5	M22–24	3 Vierstimmige Männerchöre:	mch pf		1845	1st version of S.90/4–6; arr for pf as S.510a [8]
89a/3	M22/1	No.1: Trost I (Consolation)	4mch pf	E♭ major	1845	1st setting of S.89a/4; 1st version of S.90/4; arr for pf as S.510a/1
89a/4	M24/1	No.2: Trost II (Consolation)	mch pf	C major	1845	2nd setting of S.89a/3; 1st version of S.90/6; arr for pf as S.510a/3
89a/5	M23/1	No.3: Nicht gezagt! (No hesitation!)	mch pf	A♭ major	1845	1st version of S.90/5; arr for pf as S.510a/2
90	M6–10,13,18, 22–24,31,35	(12) Für Männergesang:	ten bar 4vv mch pf (+tpt timp)		1857–61	[9] #3-6,12 (s89a) publ earlier, rev here. 4 publ earlier (unpublished?) rev here (s78? #7-10?). 3 new for this set (earlier verss? unpublished) (#1-2,11?).
90/1	M31/3	Vereins-Lied (Frisch auf, zu neuem Leben)	mch		1860	3rd version of S.90/1a, S.90/1b
90/1a	M31/1	Vereins-Lied (Frisch auf, zu neuem Leben)	mch		1855	1st version of S.90/1b, S.90/1c; unpublished
90/1b	M31/2	Vereins-Lied (Frisch auf, zu neuem Leben)	mch		1857	2nd version of S.90/1a, S.90/1c; unpublished
90/2	M7/3	Ständchen (Hüttelein, still und klein)	ten mch	G major	1857–60	3rd version of S.90/2a, S.78/6
90/2a	M7/1	Ständchen (Hüttelein, still und klein)	ten mch	A major	1841–43?	1st version of S.90/2b, S.90/2c; unpublished
90/3	M10/2	Wir sind nicht Mummien (We are not mummies)	mch pf		1860–61	2nd version of S.89a/1
90/4–6	M22–24	(3) Geharnischte Lieder (Songs in Amour):	mch pf		1860	2nd version of S.89a/3–5; arr for pf as S.511 [10]
90/4	M22/2	No.1: Vor der Schlacht (Es rufet Gott uns mahnend) (Before the Battle)	4mch	E♭ major	1860	1st setting of S.90/6; 2nd version of S.89a/3; arr for pf as S.511/1
90/5	M23/2	No.2: Nicht gezagt! (No hesitation!)	5mch pf	G major	1860	2nd version of S.89a/5; arr for pf as S.511/2
90/6	M24/2	No.3: Es rufet Gott uns mahnend (God Calls and Warns Us)	mch		1860	2nd setting of S.90/4; 2nd version of S.89a/4; arr for pf as S.511/3
90/7	M18/2	Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen)	4mch (+tpt timp)		1860–61	2nd version of S.78/5
90/8	M9/2	Die alten Sagen kunden	4vv mch	A minor	1860–61	2nd version of S.78/2
90/9	M8/2	Saatengrün	mch	A major	1860–61	2nd version of S.78/3
90/10	M6/2	Der Gang um Mitternacht (Ich schreite mit dem Geist)	ten mch		1860	2nd version of S.78/4
90/11	M35/2	Festlied zu Schillers Jubelfeier 10 November 1859	bar mch		1860	2nd version of S.90/11a
90/11a	M35/1	Festlied zu Schillers Jubelfeier 10 November 1859	bar mch		1859	1st version of S.90/11b [11]
90/12	M13/2	Gottes ist der Orient	4mch	A major	1860–61	2nd version of S.89a/2
91i	M36/1	Das Lied der Begeisterung (A lelkesedés dala)	mch		1871	1st version of S.91ii; German and Hungarian text
91ii	M36/2	Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut)	mch org		1874	2nd version of S.91i; German text only
92	A268a, I6	Zwei Festgesänge zur Enthüllung des Carl August Denkmals in Weimar am 3. September 1875:	ch br timp org		1875	see also S.87i/a [lower-alpha 1]
92/1 (*92)	A268a	Carl August weilt mit uns (Fanfare)	mch br timp (+org)		1875	arr for pf as S.542b [lower-alpha 2]
92/2 (*48)	I6	Der Herr bewahret die Seelen seiner Heiligen (Psalm 97: 10–11)	ch br timp org		1875	[lower-alpha 2]
93i	L17/1	Magyar király-dal (Ungarisches Königslied)	mch		1883	arr of S.340
93ii	L17/2	Magyar király-dal (Ungarisches Königslied)	ch		1883	arr of S.340
93iii	L17/3	Magyar király-dal (Ungarisches Königslied)	mch pf		1883	arr of S.340
93iv	L17/4	Magyar király-dal (Ungarisches Königslied)	ch pf		1883	arr of S.340
93v	L17/5	Magyar király-dal (Ungarisches Königslied)	mch orch		1883	arr of S.340
93vi	L17/5	Magyar király-dal (Ungarisches Königslied)	ch orch		1883	arr of S.340
93vii	L17/6	Magyar király-dal (Ungarisches Königslied)	cch		1883	arr of S.340
94	M38	Gruss (Glück auf)	mch		1885
95–119	Orchestra					[INDEX↑]
95–107	Symphonic poems					[INDEX↑]
95i	G1	Ce qu'on entend sur la montagne	orch		1847–49	1st version of S.95ii, S.95iii, S.95iv; unpublished
95ii	G1	Ce qu'on entend sur la montagne	orch		1849–50	2nd version of S.95i, S.95iii, S.95iv; 1st perf this version 1850 Weimar, unpublished
95iii (*95)	G1	Ce qu'on entend sur la montagne	orch		1850–54	3rd version of S.95i, S.95ii, S.95iv; unpublished
95iv	G1	Ce qu'on entend sur la montagne (Méditation symphonie d'après Hugo) (Bergsymphonie) (Symphonic Poem No.1)	orch		1854–56	4th version of S.95i, S.95ii, S.95iii; 1st perf this version 7 January 1857 Weimar, published 1857; arr for pf4h as S.589, for 2pf as S.635; mvt IV arr for org as S.261a
96i	G2	Ouverture de Tasso von Goethe	orch		1847–49	uses theme from S.159/1; 1st version of S.96ii, S.96iii, S.96iv; 1st perf this version as an Overture to a performance of Johann Wolfgang von Goethe's drama Torquato Tasso 28 Aug 1849 Weimar cond Liszt, unpublished
96ii	G2	Tasso: lamento e trionfo	orch		1849–51	2nd version of S.96i, S.96iii, S.96iv; unpublished
96iii (*96)	G2	Tasso: lamento e trionfo	orch		1851–54	3rd version of S.96i, S.96ii, S.96iv; 1st perf this version 19 April 1854 Weimar cond Liszt, unpublished
96iv	G2	Tasso: lamento e trionfo (Symphonic Poem No.2) (after Goethe and Byron)	orch		1854–56	4th version of S.96i, S.96ii, S.96iii; published 1856; arr for pf4h as S.590, for 2pf as S.636, for pf as S.692l; see also epilogue S.112/3
97i	G3	Ouverture des Quatre élémens	orch		1849–50	Overture to S.80a; 1st version of S.97ii, S.97iii, S.97iv; unpublished
97ii	G3	Ouverture	orch		1850–52	2nd version of S.97i, S.97iii, S.97iv; unpublished
97iii	G3	Les préludes (d'après A. de Lamartine)	orch		1853–54	3rd version of S.97i, S.97ii, S.97iv; 1st perf this version 23 Feb 1854 Weimar cond Liszt, unpublished
97iv (*97)	G3	Les préludes (d'après A. de Lamartine) (Symphonic Poem No.3)	orch		1854–55	4th version of S.97i, S.97ii, S.97iii; published 1856; arr for pf as S.511a, for pf4h as S.591, for 2pf as S.637,
98	G9	Orpheus (Symphonic Poem No.4)	orch		1853–54	1st perf as the "Overture" to a performance of Christoph Willibald Gluck's opera Orfeo ed Euridice 16 Feb 1854 Weimar cond Liszt; 1st perf as "Orpheus" symphonic poem 10 Nov 1854 Weimar; arr for pf as S.511b, for pf4h as S.592, for 2pf as S.638, for org/harm as S.672a, for chamber-ensemble as S.723a; extract arr for pf as S.167d
99	G6	Prometheus (Symphonic Poem No.5)	orch		1850–55	2nd version of Overture from S.69i; 1st perf this version 18 Oct 1855 Brunswick cond Liszt; arr for pf4h as S.593, for 2pf as S.639
100i	G7	Mazeppa	orch		1845–51	arr of S.138; 1st version of S.100ii; unpublished [lower-alpha 1]
100ii (*100)	G7	Mazeppa (Symphonic Poem No.6) (after V. Hugo)	orch		1851–54	2nd version of S.100i; 1st perf this version 16 April 1854 Weimar cond Liszt, published 1856; arr for pf as S.511c, for pf4h as S.594, for 2pf as S.640 [lower-alpha 2]
101i	G10	Festklänge	orch		1853–54	1st version of S.101ii; 1st perf this version as Introduction to a performance of Friedrich Schiller's play Die Huldigung der Künste 9 Nov 1854 Weimar cond Liszt, published 1856; arr for 2pf as S.641
101ii (*101)	G10	Festklänge (Symphonic Poem No.7)	orch		1854–61	2nd version of S.101i; published 1861; arr for pf as S.511d, for pf4h as S.595
102	G4	Héroïde funèbre (Symphonic Poem No.8)	orch		1854–56	2nd version of 1st mvt of S.690; arr for pf4h as S.596a, for 2pf as S.642
103	G13	Hungaria (Symphonic Poem No.9)	orch		1854	based on S.358a; 1st perf 8 Sept 1856 Pest cond Liszt; arr for pf as S.511e, for pf4h as S.596, for 2pf as S.643
104i	G22	Hamlet	orch		1858	1st version of S.104ii; 1st perf as an introduction to a private performance of Shakespeare's play Hamlet 25 June 1858 Weimar cond Liszt, unpublished
104ii (*104)	G22	Hamlet (Symphonic Poem No.10)	orch		1858	2nd version of S.104i; 1st perf this version 2 July 1876 Sondershausen cond Max Erdmannsdörfer, published 1861; arr for pf4h as S.597, for 2pf as S.644
105	G17	Hunnenschlacht (Symphonic Poem No.11) (after paintings by W. von Kaulbach)	orch		1855–57	1st perf 29 Dec 1857 Weimar cond Liszt; arr for pf4h as S.596b, for 2pf as S.645
106	G15	Die Ideale (Symphonic Poem No.12) (after Schiller)	orch		1856–57	1st perf 5 Sept 1857 Weimar cond Liszt; arr for pf4h as S.596c, for 2pf as S.646; extract arr for pf as S.167e; 2nd theme used in S.114
107	G38	Von der Wiege bis zum Grabe (Du berceau jusqu'à la tombe) (Symphonic Poem No.13) (after an engraving by Mihály Zichy):	orch		1881–82	arr of S.598; arr for pf as S.512ii
107/1	G38/1	Die Wiege (Le berceau)	orch		1881–82	extract arr for 4vn as S.133
107/2	G38/2	Der Kampf um's Dasein (Le combat pour la vie)	orch		1881–82
107/3	G38/3	Zum Grabe: die Wiege des zukünftigen Lebens (À la tombe: Berceau de la vie future)	orch		1881–82
108–119	Other orchestra works					[INDEX↑]
108i	G12	Eine Faust-Symphonie:	small-orch		1854–57	1st version of S.108ii, S.108iii; sketched late 1830s to 1840s, 1st complete draft 1854, complete score finished 1857, 1st perf this version 5 Sept 1857 Weimar cond. Liszt, unpublished; arr for 2pf as S.647
108i/1	G12	Faust	small-orch		1854–57
108i/2	G12	Gretchen	small-orch		1854–57
108i/3	G12	Mephistopheles	small-orch		1854–57
108ii	G12	Eine Faust-Symphonie (in drei Charakterbildern (nach Goethe)):	orch (+ten mch)		1857–61	2nd version of S.108i, S.108iii; optional choral section (mvt 3b) added 1857, rescored for full orch (including added brass and organ/harmonium) and further small revisions 1857–61, 1st performance this version 1861 cond. Hans von Bülow, published 1861 [12]
108ii/1	G12	Faust	orch		1857–61
108ii/2	G12	Gretchen	orch		1857–61	arr for pf as S.513, for vn va vc hp pf harm by Leopold Alexander Zellner with corrections and additional material by Liszt as S.377b
108ii/3a	G12	Mephistopheles	orch		1857–61
108ii/3b	G12	Schlußchor (Andante mistico) ("Alles Vergängliche ist nur ein Gleichniss")	orch ten mch		1857–61
108iii	G12	Eine Faust-Symphonie (in drei Charakterbildern (nach Goethe)):	orch (+ten mch)		1880	3rd version of S.108i, S.108ii; 2nd mvt revised (10 additional bars) [lower-alpha 1]
108iii/1	G12	Faust	orch		1880
108iii/2	G12	Gretchen	orch		1880
108iii/3a	G12	Mephistopheles	orch		1880
108iii/3b	G12	Schlußchor (Andante mistico)	orch ten mch		1880
109	G14	Dante Symphony (Eine Symphonie zu Dantes Divina Commedia):	orch		1839–57	arr for 2pf as S.648; extracts arr for org/harm as S.672b; themes used in S.182a; some material basis of S.167f
109/1	G14	Inferno	orch		1839–57
109/2a	G14	Purgatorio	orch		1839–57
109/2b	G14	Magnificat	orch		1839–57
109a	—	New Grand Overture	orch		by 1825	premiered in London in 1825; possibly same as Overture to S.1
110	G16	2 Episoden aus Lenaus Faust:	orch		1857–61
110/1	G16/1	Der nächtliche Zug	orch		1857–61	arr for pf as S.513a, for pf4h as S.599/1
110/2	G16/2	Der Tanz in der Dorfschenke (Mephisto Walzer)	orch		1857–61	arr of S.514; 1st version of S.110/2a, with original Presto coda (grand ending, matches piano solo version)
110/2a	—	Der Tanz in der Dorfschenke (Mephisto Walzer)	orch		1857–61	2nd version of S.110/2, with alternate Allegro molto coda (quiet ending); arr for pf4h as S.599/2 [lower-alpha 6][lower-alpha 5]
111	G37	Mephisto Waltz No.2 (Zweiter Mephisto-Walzer)	orch		1880–81	arr of S.515
112	G25	(3) Odes funèbres:	orch		1860–66
112/1	G25/1	Les morts	orch (+mch)		1860	arr for pf as S.516, for pf4h as S.601, for org as S.268/2
112/2	G25/2	La notte	orch		1863–64	uses themes from S.161/2; arr for pf as S.516a, for pf4h as S.602, for vn pf as S.377a
112/3	G25/3	Le triomphe funèbre du Tasse	orch		1866	epilogue to S.96iv; arr for pf as S.517, for pf4h as S.602/3, for 2pf as S.757
113i (*709)	G28/1	Boze coś Polskę	orch		1863	based on an old Polish song; 1st version of S.113ii; arr for pf4h as S.604i
113ii	G28/2	Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)	orch		1884	interlude to S.688; 2nd version of S.113i; arr for pf as S.518, for pf4h as S.604ii
113a (*354)	G27	2 Légendes:	orch		1863	arr of S.175
113a/1 (*354/1)	G27/1	St François d'Assise: la prédication aux oiseaux	orch		1863	arr of S.175/1
113a/2 (*354/2)	G27/2	St François de Paule: marchant sur les flots	orch		1863	arr of S.175/2
114	G20	Künstler-Festzug zur Schiller-Feier 1859	orch		1857	uses themes from S.70iii, Trio section theme from S.106; arr for pf as S.520i, for pf4h as S.605
115i	—	Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar	orch		1849	arr of S.227 by Liszt and August Conradi; 1st version of S.115ii, S.115iii; 1st perf 28 August 1849 Weimar; unpublished
115ii	G5/1	Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar	orch		1849	arr of S.227 by Liszt and Joachim Raff; 2nd version of S.115i, S.115iii; rejected by Liszt in favor of the Conradi version S.115i; unpublished
115iii	G5/2	Fest-Marsch zur Göthe Jubiläum-Feier	orch		1857	3rd version of S.115i, S.115ii; arr for pf4h as S.606 [13]
116	G23	Festmarsch nach Motiven von E.H.z.S.-C.-G.	orch		1858–59	based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arr for pf as S.522, for pf4h as S.607
117	G29	Rákóczi-Marsch	orch		1863–67	arr of S.244/15; arr for pf as S.244a, for pf4h as S.608, for 2pf as S.652a
118	G33	Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867	orch		1870	arr for pf as S.523, for pf4h as S.609
119	G35	Ungarischer Sturmmarsch (Hungarian Battle March)	orch		1875	arr of S.232; 2nd version of S.358b; arr for pf4h as S.610
120–126a	Piano and orchestra					[INDEX↑]
120	H2	Grande fantaisie symphonique (über Themen aus Hector Berlioz' Lélio)	pf orch		1834	based on themes from Lélio, ou le retour à la vie, Op.14bis/H.55 by Hector Berlioz; score and parts corrected from manuscript sources by Leslie Howard
121	H1	Concerto in E minor for piano and strings "Malédiction"	pf str	E minor	c1833
121a (*691)	H3	De profundis (Psaume instrumental pour orchestre et piano principal)	pf orch		1834–35	unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and completion of the work (final 6 bars) by Leslie Howard
122i	H9	Fantasie über Motiven aus Beethovens Ruinen von Athen	pf orch		c1837	arr of S.388b; 1st version of S.122ii, S.122iii
122ii (*122)	H9	Fantasie über Motiven aus Beethovens Ruinen von Athen	pf orch		1848–52	based on the "March and Chorus" (No.6), the "Dervishes' Chorus" (No.3), and the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; 2nd version of S.122i, S.122iii, incorporating S.388; arr for pf as S.389, for 2pf as S.649
122iii	H9	Fantasie über Motiven aus Beethovens Ruinen von Athen	pf orch		1855	3rd version of S.122i, S.122ii
123	H12	Fantasie über ungarische Volksmelodien	pf orch		c1852–55	based on S.244/14
124	H4	Piano Concerto No.1 in E-flat major	pf orch	E♭ major	1830s, 1849, 1853, 1856	opening and main motive notated in 1832, 6 drafts, 2 versions (1849, 1856); arr for 2pf as S.650
125	H6	Piano Concerto No.2 in A major	pf orch	A major	1839, 1849, 1853, 1857, 1861	based on S.524a; 2 versions (1839, 1849); arr for 2pf as S.651
125a	Q6	Piano Concerto in E-flat [No.3]	pf orch	E♭ major	c1836–39	uses themes from S.148, S.151, S.152; unfinished; score prepared from manuscript sources by Jay Rosenblatt, further preparation and performing version of solo part by Leslie Howard
126i	H8	Totentanz (Phantasie für Pianoforte und Orchester "De profundis version")	pf orch		1849	1st version of S.126ii; score prepared from manuscript sources by Ferruccio Busoni in 1919 [14]
126ii	H8	Totentanz (Paraphrase über Dies irae)	pf orch		1852–59	2nd version of S.126i; arr for pf as S.525, for 2pf as S.652
*126a (714)	W14	Concerto in the Hungarian Style
126b–135	Chamber music					[INDEX↑]
126b	D1	2 Walzer:	vn pf		1823	Nos.4 and 5 of the collection Sieben Walzer für Violin und Pianoforte von M. Pamer, H. Payer und F. List
126b/1	D1/1	Waltz	vn pf	A major	1823
126b/2	D1/2	Waltz aus dem Ballett "Die Amazonen"	vn pf	A major	1823	based on a theme from the ballet Die Amazonen by Count Wenzel Robert von Gallenberg; arr for pf as S.208a
126c (*717)	D2	Trio	vn vc pf	D♭ major	1825	3 mvts; vn part lost, vc part discovered in 1997, pf part in 1998
127	D3	Duo (sur des thèmes polonais)	vn pf	C♯ minor	1835	based on No.2 of the Mazurkas, Op.6 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.249/2, S.249a) [15]
128i	—	Grand Duo concertant (pour piano et violon sur la Romance de M. [Charles-Philippe] Lafont "Le départ du jeune marin")	vn pf		1835	based on the song by Charles Philippe Lafont, who collaborated with Liszt on this composition; 1st version of S.128ii
128ii (*128)	D4	Grand Duo concertant (sur la romance de M. Lafont, "Le marin")	vn pf		1849	2nd version of S.128i
129	D12	Epithalam (zu Eduard Reményis Vermählungsfeier)	vn pf		1872	arr for pf as S.526, for pf4h as S.611
129a/i	—	Duo in G	vc pf	G major	1875	collaborative composition with an unknown musician; unpublished [16]; alternate version for vn pf as S.129a/ii [lower-alpha 7][lower-alpha 5]
129a/ii	—	Duo in G	vn pf	G major	1875	collaborative composition with an unknown musician; unpublished [16]; alternate version for vc pf as S.129a/i [lower-alpha 7][lower-alpha 5]
130i (*130)	D13a	Première Élégie (Elegy No.1)	vc hp pf harm		1874	arr of S.196; alternate version for vc pf as S.130ii, for vn pf (+harm) as S.130iii; arr for small-orch as S.710a [lower-alpha 2]
130ii (*130bis)	D13b	Première Élégie (Elegy No.1)	vc pf		1874	arr of S.196; alternate version for vc hp pf harm as S.130i, for vn pf (+harm) as S.130iii [lower-alpha 2]
130iii (*130ter)	D13c	Première Élégie (Elegy No.1)	vn pf (+harm)		1874	arr of S.196; alternate version for vc hp pf harm as S.130i, for vc pf as S.130ii [lower-alpha 2]
131i (*131)	D14	Zweite Elegie (Elegy No.2)	vc pf		1877	arr of S.197; alternate version of S.131ii [lower-alpha 2]
131ii (*131bis)	D14	Zweite Elegie (Elegy No.2)	vn pf		1877	arr of S.197; alternate version of S.131i [lower-alpha 2]
132i (*132)	D16a	Romance oubliée	va pf		1880	arr of S.527; alternate version of S.132ii, S.132iii [lower-alpha 2]
132ii (*132bis)	D16c	Romance oubliée	vc pf		1880	arr of S.527; alternate version of S.132i, S.132iii [lower-alpha 2]
132iii (*132ter)	D16b	Romance oubliée	vn pf		1880	arr of S.527; alternate version of S.132i, S.132ii [lower-alpha 2]
133	S61	Die Wiege (The Cradle)	4vn		1881?	arr of extract from S.107/1; 1st perf 22 Oct 1881 Rome for str qt; unpublished (in private collection); Schnapp.84
134i (*134)	D19/2	La lugubre gondola	vc pf		c1883	arr of S.200ii; alternate version of S.134ii [lower-alpha 2]
134ii (*134bis)	D19/1	La lugubre gondola	vn pf		c1883	arr of S.200ii; alternate version of S.134i; 1st version of S.134a [lower-alpha 2]
134a	—	La lugubre gondola	vn pf		1885	2nd version of S.134ii, with longer coda [lower-alpha 5]
135	D20	Am Grabe Richard Wagners	2vn va vc (+hp)		1883	using theme from the Prelude of S.6; arr for pf as S.202, for org as S.267
136–254	Piano solo					[INDEX↑]
136–146	Etudes/Studies					[INDEX↑]
136	A8	Étude en douze (12) exercices:	pf		1826	published as Op.6; originally intended as 1st series of 48 exercises; 1st version of S.137, S.139
136/1	A8/1	(Allegro con fuoco)	pf	C major	1826	1st version of S.137/1, S.139/1
136/2	A8/2	(Allegro non molto)	pf	A minor	1826	1st version of S.137/2, S.139/2
136/3	A8/3	(Allegro sempre legato)	pf	F major	1826	1st version of S.137/3, S.139/3
136/4	A8/4	(Allegretto)	pf	D minor	1826	1st version of S.137/4, S.138, S.139/4
136/5	A8/5	(Moderato)	pf	B♭ major	1826	1st version of S.137/5, S.139/5
136/6	A8/6	(Molto agitato)	pf	G minor	1826	1st version of S.137/6, S.139/6
136/7	A8/7	(Allegretto con molto espressione)	pf	E♭ major	1826	1st version of S.137/11, S.139/11
136/8	A8/8	(Allegro con spirito)	pf	C minor	1826	1st version of S.137/8, S.139/8
136/9	A8/9	(Allegro grazioso)	pf	A♭ major	1826	1st version of S.137/9, S.139/9
136/10	A8/10	(Moderato)	pf	F minor	1826	1st version of S.137/10, S.139/10
136/11	A8/11	(Allegro grazioso)	pf	D♭ major	1826
136/12	A8/12	(Allegro non troppo)	pf	B♭ minor	1826	1st version of S.137/12, S.139/12
*136a (692c)	—	Preludio (Allegro maestoso)		G♭ major or F♯ major	1826?	intended for 2nd series of 48 exercises (with S.136 as the 1st series)
137	A39	(12) Grandes études:	pf		1837	2nd version of S.136, S.139
137/1	A39/1	(Presto)	pf	C major	1837	2nd version of S.136/1, S.139/1
137/2	A39/2	(Molto vivace)	pf	A minor	1837	2nd version of S.136/2, S.139/2
137/3	A39/3	(Poco adagio)	pf	F major	1837	2nd version of S.136/3, S.139/3
137/4	A39/4	(Allegro patetico)	pf	D minor	1837	2nd version of S.136/4, S.138, S.139/4
137/5	A39/5	(Egualmente)	pf	B♭ major	1837	2nd version of S.136/5, S.139/5
137/6	A39/6	(Largo patetico)	pf	G minor	1837	2nd version of S.136/6, S.139/6
137/7	A39/7	(Allegro deciso)	pf	E♭ major	1837	introduction uses intro from S.150; 1st version of S.139/7
137/8	A39/8	(Presto strepitoso)	pf	C minor	1837	2nd version of S.136/8, S.139/8
137/9	A39/9	(Andantino)	pf	A♭ major	1837	2nd version of S.136/9, S.139/9
137/10	A39/10	(Presto molto agitato)	pf	F minor	1837	2nd version of S.136/10, S.139/10
137/11	A39/11	(Lento assai)	pf	D♭ major	1837	2nd version of S.136/7, S.139/11
137/12	A39/12	(Andantino)	pf	B♭ minor	1837	2nd version of S.136/12, S.139/12
138	A172/4	Mazeppa	pf	D minor	1840	3rd version of S.136/4, S.137/4, S.139/4; arr for orch as S.100i
139	A172	(12) Études d'exécution transcendante (12 Transcendental Etudes):	pf		1851	3rd version of S.136, S.137
139/1	A172/1	Preludio	pf	C major	1851	3rd version of S.136/1, S.137/1
139/2	A172/2	[Fusées] (Molto vivace)	pf	A minor	1851	3rd version of S.136/2, S.137/2
139/3	A172/3	Paysage	pf	F major	1851	3rd version of S.136/3, S.137/3
139/4	A172/4	Mazeppa	pf	D minor	1851	4th version of S.136/4, S.137/4, S.138
139/5	A172/5	Feux-follets (Irrlichter)	pf	B♭ major	1851	3rd version of S.136/5, S.137/5
139/6	A172/6	Vision	pf	G minor	1851	3rd version of S.136/6, S.137/6
139/7	A172/7	Eroica	pf	E♭ major	1851	2nd version of S.137/7
139/8	A172/8	Wilde Jagd	pf	C minor	1851	3rd version of S.136/8, S.137/8
139/9	A172/9	Ricordanza	pf	A♭ major	1851	3rd version of S.136/9, S.137/9
139/10	A172/10	[Appassionata] (Allegro agitato molto)	pf	F minor	1851	3rd version of S.136/10, S.137/10
139/11	A172/11	Harmonies du soir	pf	D♭ major	1851	3rd version of S.136/7, S.137/11; themes used in S.166o
139/12	A172/12	Chasse-neige	pf	B♭ minor	1851	3rd version of S.136/12, S.137/12
140	A52	Études d'exécution transcendante d'après Paganini:	pf		1838	1st version of S.141
140/1	A52/1	Tremolo (Preludio. Andante – Etude I. Non troppo lento)	pf	G minor	1838	preludio based on No.5 (transposed from A minor) and the etude based on No.6 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/1a, S.141/1
140/1a	A52/1	Tremolo (Preludio. Andante)	pf	G minor	1838	2nd version of S.140/1, S.141/1, incorporating No.2 of 6 Concert Etudes after Paganini Caprices, Op.10 by Robert Schumann;
140/2	A52/2	Octave (Andante)	pf	E♭ major	1838	based on No.17 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.141/2
140/3	A52/3	Campanella (Allegro moderato)	pf	A♭ minor	1838	based on last mvt (Rondo) of the Violin Concerto No.2 in B minor, Op.7 and last mvt (Rondo) of the Violin Concerto No.1 in D major, Op.6 by Niccolò Paganini; 1st version of S.141/3
140/4a	A52/4a	Arpeggio (Andante quasi allegretto)	pf	E major	1838	based on No.1 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/4b, S.141/4; the original published edition included both S.140/4a and 4b versions
140/4b	A52/4b	Arpeggio (Andante quasi allegretto)	pf	E major	1838	2nd (difficult) version of S.140/4a, S.141/4; the original published edition included both S.140/4a and 4b versions
140/5	A52/5	La chasse (Allegretto)	pf	E major	1838	based on No.9 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.140/5a, S.141/5
140/5a	A52/5	La chasse (Allegretto)	pf	E major	1838	2nd version of S.140/5, S.141/5
140/6	A52/6	Tema con Variazioni (Tema. Quasi presto, a Capriccio – Var I a XI)	pf	A minor	1838	based on No.24 of 24 Caprices for Solo Violin, Op.1 by Niccolò Paganini; 1st version of S.141/6
141	A173	Grandes Études de Paganini:	pf		1851	2nd version of S.140
141/1	A173/1	Tremolo (Preludio. Andante – Etude. Non troppo lento)	pf	G minor	1851	3rd version of S.140/1, S.140/1a
141/2	A173/2	Octave (Andante)	pf	E♭ major	1851	2nd version of S.140/2
141/3	A173/3	La Campanella (Allegretto)	pf	G♯ minor	1851	2nd version of S.140/3, based on Paganini's 2nd Violin Concerto only and not the 1st and 2nd together as in S.140/3
141/4	A173/4	Arpeggio (Vivo)	pf	E major	1851	3rd version of S.140/4a, S.140/4b
141/5	A173/5	La chasse (Allegretto)	pf	E major	1851	3rd version of S.140/5, S.140/5a
141/6	A173/6	Theme and variations (Quasi presto)	pf	A minor	1851	2nd version of S.140/6
141/6a (*141/6bis)	—	Album-Leaf ("Introduction to the Grande Étude de Paganini No.6")	pf		1884
142	A63a	Morceau de salon (Étude de perfectionnement)	pf	E minor	1840	1st version of S.143
143	A63b	Ab irato (Étude de perfectionnement)	pf	E minor	1852	2nd version of S.142
144	A118	3 Études de concert:	pf		1845–49
144/1	A118/1	Il lamento	pf	A♭ major	1845–49
144/2	A118/2	La leggierezza	pf	F minor	1845–49
144/3	A118/3	Un sospiro	pf	D♭ major	1845–49
144/3a (*144/3bis)	A118/3	Two additional cadenzas to Un Sospiro	pf	D♭ major	1848?
145	A218	2 Konzertetüden (2 Concert-Studies):	pf		1862
145/1	A218/1	Waldesrauschen (Forest Murmurs)	pf	D♭ major	1862
145/2	A218/2	Gnomenreigen (Gnomes' Round Dance)	pf	F♯ minor–F♯ major	1862
146	A242	Technische Studien (Technical Studies)	pf		1868–71	68 studies in 12 volumes; No.62 Sprünge mit der Tremolo-Begleitung (Leaps with tremolo accompaniment) (written c1868) (from Vol.XII) also published separately
147–155	Early works					[INDEX↑]
147	A1	Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli)	pf	C minor	1822	contribution to the album Vaterländischer Künstlerverein
*147a (747a)	—	Variationen über Romanze aus Joseph von Méhul
148	A3	(8) Variations	pf	A♭ major	1824	the original Theme of these Variations was used in S.125a; published as Op.1
149	A4	(7) Variations brillantes sur un thème de Rossini	pf		1824	published as Op.2; the Theme of these Variations is 'Ah, come nascondere la fiamma' from the opera Ermione by Gioachino Rossini
150	A5	Impromptu brillant sur des thèmes de Rossini et Spontini	pf		1824	published as Op.3; based on themes from Armida and La donna del lago by Gioachino Rossini, and from Fernand Cortez and Olimpie by Gaspare Spontini; introduction used as introduction in S.139/7
151	A6	Allegro di bravura	pf	E♭ minor	1824–25	theme used in S.125a; published as Op.4/1; arr for orch as S.700a
151a	—	Adagio non troppo	pf		1824?
152	A7	Rondo di bravura	pf	E minor	1824–25	theme used in S.125a; published as Op.4/2
152a	—	Klavierstück	pf	A♭ major	1824–27?	unpublished?; same as S.189a?
153	A9	Scherzo (Allegro molto quasi presto)	pf	G minor	1827
*153a (226a)	—	Marche funèbre			1827
153b (*754a)	Q3	Grand solo caractéristique d'apropos une chansonette de Panséron	pf	C minor / E major	1830–32	based on a popular song by Auguste Mathieu Panseron; one section used as main theme for S.156/5; unpublished [17]
154i	A18	Harmonies poétiques et religieuses	pf		1833	1st version of S.154ii, S.172a/8, S.173/4
154ii	A18	Harmonies poétiques et religieuses	pf		1834	2nd version of S.154i, S.172a/8, S.173/4; later intended to be No.1 for S.171d
155	A19	Apparitions:	pf		1834
155/1	A19/1	(Senza lentezza quasi Allegretto)	pf	F♯ major	1834
155/2	A19/2	(Vivamanete)	pf	A minor	1834
155/3	A19/3	Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)	pf		1834	based on No.33 of 36 Originaltänze, Op.9/D.365 by Franz Schubert
155a–163	Pieces from the years of travel					[INDEX↑]
*155a (156/10–12)	A27a	Trois Airs Suisses				same as S.156/10–12
156/1–6 (*156/1–7)	A40a	Album d'un voyageur Vol.I: Impressions et poésies:	pf		1834-36	published 1841 by Richault (Paris) as "Album d'un voyageur: Prèmiere année (Suisse)"
156/1	A40a/1	Lyon ("Vivre en travaillant ou mourir en combattant")	pf	C major	1834	the quotation is a workers' slogan
156/2a (*156/2)	A40a/2a	Le lac de Wallenstadt ("Thy contrasted lake ... warns me, with its stillness, to for sake / Earth's troubled waters for a purer spring")	pf	A♭ major	1835–36	the quotation is from Childe Harold by Lord Byron; 1st version of S.160/2; 1st part of S.156/2b (the two parts are one piece)
156/2b (*156/3)	A40a/2b	Au bord d'une source	pf	A♭ major	1835–36	prefaced by a quotation from a poem by Friedrich Schiller; 1st version of S.160/4, S.160/4a; 2nd part of S.156/2a (the two parts are one piece)
156/3 (*156/4)	A40a/3	Les cloches de G*****	pf	B major	1835–36	G is the city Genève, the asterisks are in Liszt's original title; 1st version of S.160/9
156/4 (*156/5)	A40a/4	Vallée d'Obermann	pf	E minor	1835–36	prefaced by a quotation from the novel Obermann by Étienne Pivert de Senancour; 1st version of S.160/6
156/5 (*156/6)	A40a/5	La chapelle de Guillaume Tell	pf	C major	1835–36	main theme from S.153b; 1st version of S.160/1
156/6 (*156/7)	A40a/6	Psaume – de l'église à Génève ("Comme un cerf brame après des eaux courantes ..." – Psaume 42)	pf	F major	1835–36	based on a melody by Louis Bourgeois
156/7–9 (*156/8–16)	A40b	Album d'un voyageur Vol.II: Fleurs mélodiques des Alpes:	pf	C major	1835–36	based on folk melodies and popular art songs; published 1840 by Latte (Paris) as "Album d'un voyageur: 2me année (Suisse)"
156/7a (*156/8)	A40b/1	(Allegro)	pf	C major	1835–36	1st part of S.156/7b, S.156/7c (the three parts are one piece)
156/7b (*156/9)	A40b/2	(Lento)	pf	E minor–G major	1835–36	based on various unidentified folk/popular melodies; 2nd part of S.156/7a, S.156/7c (the three parts are one piece); themes used in S.160/8
156/7c (*156/10)	A40b/3	(Allegro pastorale)	pf	G major	1835–36	1st version of S.160/3; 3rd part of S.156/7a, S.156/7b (the three parts are one piece)
156/8a (*156/11)	A40b/4	(Andante con sentimento)	pf	G major	1835–36	based on a folk horn call and an unidentified Hungarian march; 1st part of S.156/8b, S.156/8c (the three parts are one piece)
156/8b (*156/12)	A40b/5	(Andante molto espressivo)	pf	G minor	1835–36	based on a melody by Ferdinand Huber; 2nd part of S.156/8a, S.156/8c (the three parts are one piece)
156/8c (*156/13)	A40b/6	(Allegro moderato)	pf	E major	1835–36	based on various unidentified folk songs including a (Polish) polonaise; 3rd part of S.156/8a, S.156/8b (the three parts are one piece)
156/9a (*156/14)	A40b/7	(Allegretto)	pf	A♭ major	1835–36	1st part of S.156/9b, S.156/9c (the three parts are one piece)
156/9b (*156/15)	A40b/8	(Allegretto)	pf	D♭ major	1835–36	based on a melody by Ferdinand Huber and on a folk horn call; 2nd part of S.156/9a, S.156/9c (the three parts are one piece)
156/9c (*156/16)	A40b/9	(Andantino con molto sentimento)	pf	G major	1835–36	based on an unidentified Hungarian folk/popular theme; 3rd part of S.156/9a, S.156/9b (the three parts are one piece)
156/10–12 (*156/17–19) (*155a)	A40c (A27a)	Album d'un voyageur Vol.III: Paraphrases:	pf		1835–36	1st version of S.156a; originally published 1836 by Knop (Basle) as "Schweizerische Alpenklänge", Op.10 [18]; republished 1842 by Haslinger (Vienna) as "Album d'un voyageur: Book III"
156/10 (*156/17) (*155a/1)	A40c/1 (A27a/1)	Ranz de vaches [de F. Huber] (Montée aux Alpes – Improvisata)	pf	G major	1835–36	based on a Swiss art song by Ferdinand Huber; 1st version of S.156a/1; published Knop 1836 as "Improvisata sur le ranz de vaches: Départ pour les Alpes (Aufzug auf die Alp) de Ferd Huber"
156/11 (*156/18) (*155a/2)	A40c/2 (A27a/2)	Un soir dans les montagnes [de Knop] (Nocturne pastorale)	pf	C major	1835–36	based on a Swiss art song by Ernest Knop; 1st version of S.156a/2; published Knop 1836 as "Nocturne sur le Chant montagnard (Bergliedchen) d'Ernest Knop"
156/12 (*156/19) (*155a/3)	A40c/3 (A27a/3)	Ranz de chèvres de F. Huber (Allegro finale)	pf		1835–36	based on a Swiss art song by Ferdinand Huber; 1st version of S.156a/3; published Knop 1836 as "Rondeau sur le Ranz de chèvre (Giessreihen) de Ferd Huber"
156a	A27b	(3) Morceaux suisses:	pf		1876	2nd version of S.156/10–12
156a/1	A27b/1	Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)	pf		1876	2nd version of S.156/10
156a/2	A27b/2	Un soir dans la montagne (Mélodie d'Ernest Knop – Nocturne)	pf		1876	2nd version of S.156/11
156a/3	A27b/3	Ranz de chèvres (Mélodie de Ferdinand Huber – Rondeau)	pf		1876	2nd version of S.156/12
157	A21	Fantaisie romantique sur deux mélodies suisses	pf		1835–36	second theme used in S.160/8; published as Op.5 No.2
157a	A55/1	Sposalizio	pf		1838–39	1st version of S.161/1
157b	A55/2	Il penseroso	pf		1839	1st version of S.161/2
157c	A55/3	Canzonetta del Salvator Rosa	pf		1838–39	1st version of S.161/3
157d	A101	Quasi Mazurka	pf		1843
158	A102	(3) Sonetti di Petrarca:	pf		c1839?	arr of S.270i
158/1	A102/2	Sonetto CIV ("Pace non trovo")	pf		c1839?	arr of S.270i/1; 1st version of S.161/5
158/2	A102/1	Sonetto XLVII ("Benedetto sia il giorno")	pf		c1839?	arr of S.270i/2; 1st version of S.161/4; later intended to be No.11 for S.171d
158/3	A102/3	Sonetto CXXIII ("I' vidi in terra")	pf		c1839?	arr of S.270i/3; 1st version of S.161/6
158a	A55/7	Paralipomènes à la Divina Commedia (Fantaisie symphonique)	pf		1839	opening from S.701e; 1st version of S.158b, S.158c, S.161/7
158b	A55/7	Prolégomènes à la Divina Commedia (Fantaisie symphonique)	pf		c1840	2nd version of S.158a, S.158c, S.161/7
158c	A55/7	Après une lecture du Dante (Fantasia quasi Sonata)	pf		1840	3rd version of S.158a, S.158b, S.161/7
158d (*158c)	—	Adagio (Dante Sonata Album-leaf)	pf	C major	1841	fragment (2nd subject) from S.158c; published 1988
159	A53	Venezia e Napoli:	pf		c1840	1st version of S.162
159/1	A53/1	(Lento) Chant du gondolier	pf	C minor	1840	theme used in S.96i
159/2	A53/2	(Allegro)	pf	C major	1840	based on two unidentified folk themes
159/3	A53/3	(Andante placido)	pf	F♯ major	1840	based on the popular song La biondina in gondoletta by Giovanni Battista Peruchini; 1st version of S.162/1
159/4	A53/4	Tarantelles napolitaines	pf	G minor	1840	based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3
160	A159	Années de pèlerinage Vol.I: Première année: Suisse:	pf		1836–55
160/1	A159/1	Chapelle de Guillaume Tell	pf	C major	1848–54	2nd version of S.156/5
160/2	A159/2	Au lac de Wallenstadt	pf	A♭ major	1848–54	2nd version of S.156/2a
160/3	A159/3	Pastorale	pf	E major	1848–54	2nd version of S.156/7c
160/4	A159/4	Au bord d'une source	pf	A♭ major	1848–54	2nd version of S.156/2b, S.160/4a
160/4a (*160/4bis)	A159/4	Au bord d'une source	pf	A♭ major?	1863	3rd version of S.156/2b, S.160/4
160/5	A159/5	Orage	pf	C minor	1855
160/6	A159/6	Vallée d'Obermann	pf	E minor	1848–54	2nd version of S.156/4; arr for vn vc pf by Eduard Lassen and Liszt as S.378a
160/7	A159/7	Eglogue	pf	A♭ major	1836
160/8	A159/8	Le mal du pays (Heimweh)	pf	E minor	1848–54	uses themes from S.156/7b, S.157
160/9	A159/9	Les cloches de Genève (Nocturne)	pf	B major	1848–54	2nd version of S.156/3
161	A55	Années de pèlerinage Vol.II: Deuxième année: Italie:	pf		1846–49
161/1	A55/1	Sposalizio	pf		1849	2nd version of S.157a; arr alt fch org/harm as S.60
161/2	A55/2	Il penseroso	pf	C♯ minor	1846–49	2nd version of S.157b; themes used in S.112/2
161/3	A55/3	Canzonetta del Salvator Rosa	pf	A major	1846	2nd version of S.157c
161/4	A55/4	Sonetto 47 del Petrarca	pf		1846	2nd version of S.158/2
161/5	A55/5	Sonetto 104 del Petrarca	pf		1846	2nd version of S.158/1
161/6	A55/6	Sonetto 123 del Petrarca	pf		1846	2nd version of S.158/3
161/7	A55/7	Après une lecture du Dante (Fantasia quasi Sonata).	pf		1849	4th version of S.158a, S.158b, S.158c
162	A197	Années de pèlerinage Vol.II: Deuxième année: Italie Supplément: Venezia e Napoli:	pf		1859	2nd version of S.159
162/1	A197/1	Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")	pf		1859	based on La biondina in gondoletta by Giovanni Battista Peruchini; 2nd version of S.159/3
162/2	A197/2	Canzone ('Nessun maggior dolore")	pf	E♭ minor	1859	based on the theme of the Gondolier's song from Act III of Otello by Gioachino Rossini
162/3	A197/3	Tarantella da Guillaume Louis Cottrau	pf	G minor	1859	based on a tarantella by Guillaume Louis Cottrau; 2nd version of S.159/4
162a/i	—	Den Schutz-Engeln (Angelus)	pf		1877	1st version (1st sketch) of S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
162a/ii (*162a/1)	A283/1	Den Schutz-Engeln "Angelus!"	pf		1877/9/27	2nd version (1st draft) of S.162a/i, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
162a/iii (*162a/i-bis)	—	Aux anges gardiens "Den Schutz-Engeln"	pf		1877/10/2	3rd version (2nd draft) of S.162a/i, S.162a/ii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1, S.672c
162a/iv (*162a/2)	A283/1	Angelus!	pf/harm		1877/10/15	4th version (3rd draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/v, S.162a/vi, S.163/1, S.672c
162a/v (*162a/3)	A283/1	Angelus! Prière à l'ange gardien	pf/harm		1880/9/22	5th version (4th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/vi, S.163/1, S.672c
162a/vi (*162a/4)	A283/1	Angelus! Prière à l'ange gardien	pf/harm		1882/2	6th version (5th draft) of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.163/1, S.672c
162b	A283/3	Den Cypressen der Villa d'Este (Thrénodie)	pf		c1872	1st version of S.163/3
162c/i (*162c)	A283/5	Sunt lacrymae rerum	pf		1872	1st version of S.162c/ii, S.163/5
162c/ii (*162d)	A283/5	Sunt lacrymae rerum (in ungarischer Weise)	pf		1877	2nd version of S.162c/i, S.163/5
162d (*162e)	A283/6	En mémoire de Maximilian I (Marche funèbre)	pf		1867	1st version of S.163/6; see also S.704
162e (*162f)	A283/7	Postludium (Nachtspiel) (Sursum corda!)	pf		1877	1st version of S.163/7
163	A283	Années de pèlerinage Vol.III: Troisième année:	pf		1877–82
163/1	A283/1	Angelus! Prière aux anges gardiens	pf	E major	1882	8th (final) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.672c; arr for 2vn va vc as S.378i, for 2vn va vc db as S.378ii
163/2	A283/2	Aux cyprès de la Villa d'Este (Thrénodie I)	pf		1877
163/3	A283/3	Aux cyprès de la Villa d'Este (Thrénodie II)	pf	E minor	1877	2nd version of S.162b
163/4	A283/4	Les jeux d'eaux à la Villa d'Este	pf	F♯ major	1877
163/5	A283/5	Sunt lacrymae rerum, en mode hongrois	pf		1882	3rd version of S.162c/i, S.162c/ii
163/6	A283/6	Marche funèbre	pf		1867	2nd version of S.162d; see also S.704
163/7	A283/7	Sursum corda (Erhebet eure Herzen)	pf	E major	1877	2nd version of S.162e
163a–167t	Album-leaves					[INDEX↑]
163a	—	2 Album-Leaves from 1828:	pf		1828
163a/1	—	Album-Leaf (Allegro vivace quasi presto)	pf	F♯ minor	1828	earliest-known sketch for S.125
163a/2 (*163a)	—	Album-leaf ("Andantino pour Emile et Charlotte Loudon")	pf	E♭ major	1828
163b	—	Album-Leaf ("Ah! vous dirai-je, Maman")	pf	A♭ major	1833
163c	—	Album-Leaf ("Pressburg")	pf	C minor	1839
163d/i (*163d)	—	Album-Leaf ("Leipzig")	pf	E major	1840	1st version of S.163d/ii
163d/ii	—	Album-Leaf ("Andantino in E major") ("Valse mélancolique")	pf	E major	c1840	2nd version of S.163d/i
163e	—	Album-Leaf ("Quasti Mazurek in C major")	pf	C major	1843
164	A66	Albumblatt (Feuille d'album No.1)	pf	E major	1840	based on S.210
164a	—	Album-Leaf ("Vienna")	pf	E major	1840
164b	—	Album-Leaf ("Leipzig")	pf	E♭ major	1840
164c	—	Album-Leaf ("Exeter Preludio")	pf		1840
164d	—	Album-Leaf ("Detmold")	pf	E major	1841
164e	—	3 Album Leaves ("Magyar"):	pf		1840–41
164e/1 (*164e)	—	Album-Leaf ("Magyar")	pf		1840	themes used in S.242/10
164e/2	—	Album-Leaf ("Magyar")	pf	B♭ minor	1840	themes used in S.242/11, S.244/3; written for Ignaz Moscheles
164e/3	—	Album-Leaf ("Magyar")	pf	D♭ major	1841	themes used in S.244/6
164f	—	Album-Leaf ("Rákóczi-Marsch")	pf	A minor	1841	2nd version of S.242a (based on)
164g	—	Album-Leaf ("Berlin Preludio")	pf	C major	1842
164h	—	Album-Leaf	pf	D major	1840–45?
164j	—	Album-Leaf ("Preludio")	pf		1842
164k	—	Album-Leaf ("Moderato in D♭ major") ("La sonnambula")	pf	D♭ major	1842
164l	—	Album-Leaf ("Adagio — religioso in C major")	pf	C major	1825
165	A104	Feuilles d'album	pf	A♭ major	1844
166	A83	Albumblatt in Walzerform	pf	A major	1842
166a	—	Album-Leaf	pf	E major	1843
166b	—	Album-Leaf ("Portugal")	pf	A♭ major	1845
166c	—	Album-Leaf	pf	A♭ major	1845
166d	—	Album-Leaf ("Lyon Prélude")	pf		1844
166e (*727)	—	Album-Leaf ("Prélude Omnitonique")	pf		1844
166f	—	Album-Leaf ("Braunschweig Prélude")	pf	F♯ major?	1844
166g	—	Album-Leaf ("Serenade")	pf	A minor	1840
166h	—	Album-Leaf ("Andante religioso in G major")	pf	G major	1846	1st version of S.166j
166j	—	Album-Leaf ("Andante religiosamente in G major")	pf	G major	1846	2nd version of S.166h
166k	—	Album-Leaf ("Friska")	pf	A major	1845–49?
166l	R3	2 Album-Leaves from the 1840s:	pf		1840s?
166l/1 (*166l)	R3	Album-Leaf	pf	A♭ major	c1840s
166l/2	—	Album-Leaf	pf	G minor	1840s?
166m	A135	Albumblätter für Prinzessin Marie von Sayn-Wittgenstein:	pf		1847	based on Polish themes [19]; see also S.249
166m/1	A135/1	Lilie (Andantino)	pf	C major	1847
166m/2	A135/2	Hryc	pf		1847
166m/3	A135/3	Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)	pf	A major	1847
166m/4	A135/4	Krakowiak	pf	F major	1847
166n	A134	Album-Leaf ("Freudvoll und leidvoll")	pf		1847	partial arr of S.280 [20]
166o	—	Album-Leaf ("Langsam in C♯ minor")	pf	C♯ minor	1876	uses themes from S.139/11
166p	—	Album-Leaf ("Andantino in A♭ major")	pf	A♭ major	1847
166q	—	Album-Leaf	pf	G major	1847
166r	—	2 Album Leaves ("Purgatorio"):	pf		1857?
166r/1	—	Album-Leaf ("Purgatorio")	pf	B minor	1857
166r/2	—	Album-Leaf ("Aus dem Purgatorio des Dante Sinfonie")	pf	B minor	1857?
166s	—	Album-Leaf	pf	A major	1870
166t (*166/2a)	—	Album-Leaf ("B.A.C.H Fragment")	pf		?	arr of opening bars of S.260i or S.260ii; sketch for S.529i or S.529ii
*167 (534ii/a)	—	Feuille d'album No.2
*167a (571a)	—	Album-Leaf ("Ruhig") (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)
167b	A75	Miniatur Lieder	pf		1840–49	unpublished; score inaccessible (in private collection?)
167c (*747)	W3	Album-Leaf ("Poco adagio aus der Graner Messe")	pf		1860s?	arr of the Agnus Dei from S.9ii
167d	—	Album-Leaf ("Orpheus")	pf		1860	arr of extract from S.98
167e	—	Album-Leaf ("Die Ideale")	pf		1861	arr of extract from S.106
167f	—	Album-Leaf ("Dante Symphony progression")	pf	G major	1860?	based on material from S.109
167g	—	Album-Leaf ("Vivace ma non troppo in D♭ major")	pf	D♭ major	1835
167h	—	Album-Leaf	pf		1860–69?
167j	—	Album-Leaf ("Fugue Chromatique – Allegro in G minor")	pf	G minor	1844
167k	—	Album-Leaf	pf	E♭ major	1840	based on S.219 and S.219a
167l	—	Album-Leaf ("Agitato in G major")	pf	G major	1849	based on S.576b, S.577i, S.577i/a, S.577ii
167m	—	Album-Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke")	pf		1859 or later	possibly intended for S.216, S.216b, S.514, or S.515?
167n	—	Album-Leaf ("Allegretto in A major")	pf	A major	1842
167o	—	Album-Leaf ("Tempo di marcia in E♭ major")	pf	E♭ major	1845	themes used in S.227
167p	—	Album-Leaf ("Larghetto in D♭ major")	pf	D♭ major	1883	on a Henselt Concerto
167q	—	Album-Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major")	pf	D♭ major	1883
167r	—	Album-Leaf ("Andante in E♭ major")	pf	E♭ major	1850s
167s	—	Album-Leaf ("Lyon")	pf	C major	1839
167t	—	Album-Leaf	pf	E major	1853	based on S.173/10
168–174	Pieces from the Weimar period					[INDEX↑]
168i	A94	Élégie sur des motifs du Prince Louis Ferdinand de Prusse	pf	A♭ major	1842	1st version of S.168ii; later intended to be No.4 for S.171d
168ii	A94	Élégie sur des motifs du Prince Louis Ferdinand de Prusse	pf	A♭ major	1851	2nd version of S.168i
168a	A145	Andante amoroso	pf		1847?	from S.395?
168b	—	Pensées (Nocturne)	pf	A major	1845
169	A148	Romance "O pourquoi donc"	pf	E minor	1848	based on S.301a; rev as S.526a
170	A117	Ballade No.1 "Le chant du croisé" (Première Ballade)	pf	D♭ major	1845–48	uses themes from S.189b; 2nd version of S.171d/4
170a	A181	Ballade No.2	pf	B minor	c1853	1st (draft) version of S.171
171	A181	Ballade No.2 (Deuxième Ballade)	pf	B minor	1853	2nd version of S.170a
171a	A111a	Consolations (Madrigal):	pf		1844–48	1st version of S.172
171a/1	A111a/1	(Andante con moto)	pf	E major	1844–48	1st version of S.172/1
171a/2	A111a/2	(Un poco più mosso)	pf	E major	1844–48	1st version of S.172/2
171a/3	A111a/3	(Lento, quasi recitativo)	pf	E major	1844–48	theme used in S.242/23
171a/4	A111a/4	(Quasi adagio; cantabile con devozione)	pf	D♭ major	1844–48	1st version of S.172/4
171a/5	A111a/5	(Andantino)	pf	E major	1844–48	1st version of S.172/5
171a/6	A111a/6	(Allegretto)	pf	E major	1844–48	1st version of S.172/6
171b	—	Album-Leaf (Consolation No.1)	pf		1849–50	originally intended for S.172
171c	—	Prière d'un enfant à son réveil	pf		1840	1st version of S.172a/7, S.173/6; arr (set) for fch pf/harm (+hp) as S.19i; later intended to be No.9 for S.171d
171d	—	(8) Harmonies poétiques et religieuses ("Préludes et Harmonies poétiques et religieuses"):	pf		1845–46	1st version of S.172a, S.173 [21]; for pieces intended to be included and their order in the final proposed set, see notes under individual titles and see S.158/2, S.168i, S.171c, S.473i
171d/1 (*171/d)	—	Nancy (Prélude)	pf	E♭ major	1845/11/16	1st version of S.172a/11 and S.173/3; intended to be No.2 for S.171d
171d/2	—	Langueur?	pf	C minor	1845/11/20	intended to be No.3 for S.171d
171d/3	—	(Appassionato)	pf	E major	1845/12/4
171d/4	—	— Dernière illusion (?) (Disjecti membra poetae)	pf	D♭ major	1845 (and later?)	[22] uses themes from S.189b; 2nd theme used in S.172/6; 1st version of S.170; unfinished, final cadence by Leslie Howard; intended to be No.8 for S.171d
171d/5	—	[untitled]	pf	G♭ major	1845/12/6	intended to be No.10 for S.171d
171d/6	—	Attente	pf	A major	1845–46	unfinished, coda by Leslie Howard
171d/7	—	Alternative	pf	E major	1845–46	possibly intended as an "alternative" for No.6
171d/8	—	M. K. (Andante)	pf	D♭ major	1845–46	the title is the initials for Marie Kalergis; 1st version of S.540a, S.541/2; incomplete sketch, completed by Leslie Howard; intended to be No.6 for S.171d
171e (*695a)	A61/4	Litanies de Marie	pf	E major	1846–47	1st version of S.172a/4
172	A111b	(6) Consolations (Pensées poétiques):	pf		1849–50	2nd version of S.171a
172/1	A111b/1	(Andante con moto)	pf	E major	1849–50	2nd version of S.171a/1; arr for vc pf/org/harm by Liszt and Jules Deswert as S.382a/1
172/2	A111b/2	(Un poco più mosso)	pf	E major	1849–50	2nd version of S.171a/2
172/3	A111b/3	(Lento placido)	pf	D♭ major	1849–50	arr for org/harm as S.672d/1
172/4	A111b/4	(Quasi Adagio)	pf	D♭ major	1849–50	2nd version of S.171a/4; arr for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/2, for vc pf/org/harm by Liszt and Jules Deswert as S.382a/2
172/5	A111b/5	(Andantino)	pf	E major	1849–50	2nd version of S.171a/5; arr for org/harm by Liszt and Alexander Wilhelm Gottschalg as S.672d/3
172/6	A111b/6	(Allegretto sempre cantabile)	pf	E major	1849–50	new coda uses theme from S.171d/4; 2nd version of S.171a/6; arr for org/harm as S.672d/4
172a	A61	(12) Harmonies poétiques et religieuses:	pf		1847–48	2nd version of S.171d, S.173 [23]
172a/1 (*172c) (*173b)	A61/1	Élevez-vous, voix de mon âme (Invocation)	pf	E major	1847	1st version of S.173/1
172a/2 (*173a/1)	A61/2	Hymne de la nuit	pf	E major	1847
172a/3 (*173a/2)	A61/3	Hymne du matin	pf	B major	1847
172a/4	A61/4	Litanies de Marie	pf	E major	1847	2nd version of S.171e
172a/5	A61/5	Miserere	pf	E minor	1847	1st version of S.173/8
172a/6	A61/6	Pater noster, d'après la Psalmodie de l'Église	pf	C major	1847	arr of S.21i; 1st version of S.173/5
172a/7	A61/7	Hymne de l'enfant à son réveil	pf	A♭ major	1847	2nd version of S.171c, S.173/6
172a/8	A61/8	Prose des morts (De profundis)	pf		1847	3rd version of S.154i, S.154ii, S.173/4
172a/9	A61/9	La lampe du temple	pf	G minor	1847	1st version of S.173/9
172a/10	A61/10	(Hymne)	pf	E♭ major	1847
172a/11	A61/11	(Bénédiction) (Prélude)	pf	E♭ major	1847	2nd version of S.171d/1 and S.173/3
172a/12	A61/12	Ave Maria	pf		1847	arr of 20i; 1st version of S.173/2; lost
*172b (552c)	—	Stabat mater
*172c (172a/1)	—	Invocation
173	A158	(10) Harmonies poétiques et religieuses:	pf		1840–52	3rd version of S.171d, S.172a
173/1	A158/1	Invocation	pf	E major	1840–52	2nd version of S.172a/1
173/2	A158/2	Ave Maria	pf	B♭ major	1840	2nd version of S.172a/12
173/3	A158/3	Bénédiction de Dieu dans la solitude	pf	F♯ major	1851	3rd version of S.171d/1 and S.172a/11
173/4	A158/4	Pensée des morts	pf		1851	4th version of S.154i, S.154ii, S.172a/8; themes used in S.16i
173/5	A158/5	Pater noster	pf	C major	1847	2nd version of S.172a/6
173/6	A158/6	Hymne de l'enfant à son réveil	pf	A♭ major	1847	3rd version of S.171c, S.172a/7
173/7	A158/7	Funérailles (Octobre 1849)	pf	F minor	1849	2nd version of S.226a
173/8	A158/8	Miserere d'après Palestrina	pf	E minor	1851	2nd version of S.172a/5
173/9	A158/9	Andante lagrimoso	pf	G♯ minor	1851	2nd version of S.172a/9
173/10	A158/10	Cantique d'amour	pf	E major	1847
173a (172a/2–3)	A61/2–3	2 Hymnes:
*173a/1 (172a/2)	A61/2	Hymne de la nuit
*173a/2 (172a/3)	A61/3	Hymne du matin
*173b (172a/1)	—	Invocation
174i (*174)	A186	Berceuse	pf	D♭ major	1854	1st version of S.174ii
174ii	A186	Berceuse	pf	D♭ major	1863	2nd version of S.174i
175–181	Large-scale works					[INDEX↑]
175	A219	2 Légendes:	pf		1863
175/1	A219/1	St François d'Assise: la prédication aux oiseaux	pf	A major	1862–63	arr for orch as S.113a/1
175/2	A219/2	St François de Paule: marchant sur les flots	pf	E major	1862–63	simplified version as S.175/2a; arr for orch as S.113a/2, for 2ten 2bass mch org/harm (+3 tbn timp) as S.28
175/2a (*175/2bis)	A219/2	St François de Paule, marchant sur les flots	pf	E major?	1863	simplified version of S.175/2
175a	A167	Grand solo de concert	pf	E minor?	1850	1st version of S.176; unpublished
176	A167	Grosses Konzertsolo	pf	E minor	1849–50	2nd version of S.175a; arr for 2pf as S.258i, for pf orch as S.365
176a	—	Wilde Jagd – Scherzo	pf	D minor/B♭ major	1851	1st version of S.177
177	A174	Scherzo und Marsch	pf	D minor and B♭ major	1851	2nd version of S.176a
178	A179	Piano Sonata	pf	B minor	1852–53
179	A198	Weinen, Klagen, Sorgen, Zagen (Präludium nach Joh. Seb. Bach)	pf	F minor	1859	based on the basso continuo of the 1st mvt (Sinfonia) of the cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; theme (the Bach b.c.) and some fragments used in S.180
180	A214	Variationen über das Motiv von Bach (basso continuo des erster Satzes seiner Kantate Weinen, Klagen, Sorgen, Zagen und des Crucifixus der h-Moll Messe)	pf	F minor	1862	uses same theme and some fragments from S.179; the Theme of the Variations is the basso continuo of the 1st mvt ("Sinfonia") of the Cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann Sebastian Bach; the "Choral" at the end of the Variations is an adaptation of the 1st section of the 2nd mvt ("1st chorus") of the same Cantata [24]; arr for org as S.673, for orch as S.354a
181	A290	Sarabande und Chaconne aus dem Singspiel Almira	pf	G minor	1879	after extracts from the Singspiel Almira by George Frideric Handel
182–208	Later character pieces					[INDEX↑]
182	A215	Ave Maria (Die Glocken von Rom)	pf	E major	1862	also known as Ave Maria für die große Klavierschule von Lebert und Stark
182a	—	Magnificat	pf	F major	1862	arr of Alleluja from S.4i; also uses themes from S.109; 1st version of S.183/1; unpublished
183	A216	Alleluja et Ave Maria:	pf	F major	1862
183/1	A216/1	Alleluja	pf	F major	1862	2nd version of S.182a
183/2	A216/2	Ave Maria (d'Arcadelt)	pf	F major	1862	based on Pierre-Louis Dietsch's adaptation of a madrigal by Jacques Arcadelt; arr for org/harm as S.659
184	A229	Urbi et Orbi (Bénédiction papale)	pf	C♯ minor	1864
185	A226	Vexilla regis prodeunt (Kreuzes Hymne)	pf		1864	arr for orch as S.355
185a	A267	Weihnachtsbaum:	pf		1873–74	1st version ("Paris manuscripts") of S.186; arr for pf4h as S.612a
185a/1	A267/1	Psallite (Altes Weihnachten)	pf	F major	1873–74	1st version of S.186/1; arr for pf4h as S.612a/1
185a/2	A267/2	O heilige Nacht!	pf	D minor	1873–74	1st version of S.186/2; arr for pf4h as S.612a/2
185a/3	A267/3	Die Hirten an der Krippe ("In dulci jubilo")	pf	D♭ major	1873–74	1st version of S.186/3; arr for pf4h as S.612a/3
185a/4	A267/4	Adeste fideles (gleichsam als Marsch der heiligen drei Konige)	pf	A major	1873–74	1st version of S.186/4; arr for pf4h as S.612a/4
185a/5	A267/5	Scherzoso	pf	F major	1873–74	1st version of S.186/5; arr for pf4h as S.612a/5
185a/6	A267/6	Reveille-Matin (Wecker)	pf		1873–74	1st version of S.186/6; arr for pf4h as S.612a/6
185a/7	A267/7	Schlummerlied	pf	F♯ major	1873–74	1st version of S.186/7, S.186/7a; arr for pf4h as S.612a/7
185a/8	A267/8	(Alt-provenzalisches Noel)	pf	B minor	1873–74	1st version of S.186/8; arr for pf4h as S.612a/8
185a/9	A267/9	(Abendglocken)	pf		1873–74	1st version of S.186/9; arr for pf4h as S.612a/9
185a/10	A267/10	(Ehemals)	pf	F minor	1873–74	1st version of S.186/10; arr for pf4h as S.612a/10
185a/11	A267/11	Ungarisch	pf	F minor	1873–74	1st version of S.186/11; arr for pf4h as S.612a/11
185a/12	A267/12	Polnisch	pf	B♭ minor	1873–74	1st version of S.186/12; arr for pf4h as S.612a/12
186	A267	Weihnachtsbaum:	pf		1874–76	2nd version of S.185a; arr for pf4h as S.613
186/1	A267/1	Altes Weihnachtslied (Psalite)	pf	F major	1874–76	2nd version of S.185a/1; arr for pf4h as S.613/1
186/2	A267/2	O heilige Nacht!	pf	D minor	1874–76	2nd version of S.185a/2; arr for pf4h as S.613/2; rev for ten fch org/harm as S.49
186/3	A267/3	Die Hirten an der Krippe ("In dulci jubilo")	pf	D♭ major	1874–76	2nd version of S.185a/3; arr for pf4h as S.613/3
186/4	A267/4	Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)	pf	A major	1874–76	2nd version of S.185a/4; arr for pf4h as S.613/4
186/5	A267/5	Scherzoso (Man zündet die Kerzen des Baumes an)	pf	F major	1874–76	2nd version of S.185a/5; arr for pf4h as S.613/5
186/6	A267/6	Carillon	pf		1874–76	2nd version of S.185a/6; arr for pf4h as S.613/6
186/7	A267/7	Schlummerlied	pf	F♯ major	1874–76	2nd version of S.185a/7, S.186/7a; arr for pf4h as S.613/7
186/7a	A267/7	Schlummerlied	pf	F♯ major?	1882	3rd version of S.185a/7, S.186/7; version for Lachmund
186/8	A267/8	Altes provenzalisches Weihnachtslied	pf	B minor	1874–76	2nd version of S.185a/8; arr for pf4h as S.613/8
186/9	A267/9	Abendglocken	pf		1874–76	2nd version of S.185a/9; arr for pf4h as S.613/9
186/10	A267/10	Ehemals	pf	F minor	1874–76	2nd version of S.185a/10; arr for pf4h as S.613/ 10
186/11	A267/11	Ungarisch	pf	F minor	1874–76	2nd version of S.185a/11; arr for pf4h as S.613/11
186/12	A267/12	Polnisch	pf	B♭ minor	1874–76	2nd version of S.185a/12; arr for pf4h as S.613/12
187	A278	Sancta Dorothea	pf	E major	1877
187a/i (*187a) (*263)	E28	Resignazione	pf/org	E major	c1877	1st version of S.187ii
187a/ii (*187b)	E28	Resignazione (Ergebung)	pf/org	E major	1877	2nd version of S.187i
188	A300	In festo transfigurationis Domini nostri Jesu Christi	pf	C major	1880
189	A234	Album-leaf ("Sans mesure") [Klavierstück in A-flat major (No.1)]	pf	A♭ major	1865	manuscript dated May 1865; published Dec 1935
189a	A116	Album-leaf ("Ballade No.1 in A-flat") [Klavierstück in A-flat major No.2]	pf	A♭ major	1845 or earlier?	1st version of S.189b; same as S.152a?
189b	A116	Album-leaf ("Ballade No.1") [Klavierstück (No.2) in D-flat major]	pf	D♭ major	1845 or later?	2nd version of S.189a; themes used in S.170, S.171d/4
190	A241	Un portrait en musique de la Marquise de Blocqueville:	pf		1869
190/1	A241/1	(Tempo rubato)	pf		1835	by Henri Herz, composed 1835
190/2	A241/2	(Lento e religioso)	pf		1868	by Francis Planté, composed 1868
190/3	A241/3	(Même mouvement mais avec incertitude)	pf		1869	by Liszt, composed 1869 based on the first two pieces
191	A256	Impromptu	pf	F♯ major	1872
192	A233	(5) Klavierstücke (Album-Leaves for Olga von Meyendorff):	pf		1865–79
192/1	A233/1	(Sehr langsam)	pf	E major	1865
192/2	A233/2	(Lento assai)	pf	A♭ major	1865	uses theme from S.541/2
192/3	A233/3	(Sehr langsam)	pf	F♯ major	1873
192/4	A233/4	(Andantino)	pf	F♯ major	1876
192/5 (*728)	A233/5	Sospiri! (Andante)	pf		1879
*192a (540a)	—	Gestorben war ich
193	—	Klavierstück	pf	F♯ major	1854
194	A249	Mosonyis Grabgeleit (Mosonyi gyázmenete)	pf		1870	re-used as S.205/7; arr for 2pf as S.756
195 (*730)	A279	Dem Andenken Petöfis	pf		1877	based on S.349; re-used as S.205/6, S.205a/6; arr for pf4h as S.614
195a	A266	Schlummerlied im Grabe	pf		1874	1st version of S.196
196	A266	Première élégie (Elegy No.1)	pf		1874	2nd version of S.195a; arr for pf4h as S.612, for vc hp pf harm as S.130i, for vc pf as S.130ii, for vn pf (+harm) as S.130iii
196a	A277	Entwurf der Ramann-Elegie	pf		1877	1st (draft) version of S.197; fragments of sketches (reconstructed by Liszt's pupil August Göllerich); composed for Liszt's biographer Lina Ramann
197	A277	Zweite Elegie (Elegy No.2)	pf		1877	2nd version of S.196a; arr for vc pf as S.131i, for vn pf as S.131ii
197a	A295	Toccata	pf	C major	1879?
197b	A272	Kaiser Wilhelm!	pf		1876
*197c (389a)	—	Cadenza for the first movement of Beethoven's C minor piano concerto				[lower-alpha 7]
198	A303	Wiegenlied (Chant du berceau)	pf		1881
199	A305	Trübe Wolken (Nuages gris)	pf		1881
199a/i (*199a)	A319	Die Trauer-Gondel (La Lugubre Gondola)	pf		1882	in 4/4, written Dec.1882, published 2002; 1st version of S.199a/ii, S.200i, S.200ii; incomplete sketch as S.701k
199a/ii	A319	Die Trauer-Gondel (La Lugubre Gondola)	pf		1883	in 4/4, written Jan.1883, published 2002; 2nd version of S.199a/i, S.200i, S.200ii; incomplete sketch as S.701k
200i	A319a	La lugubre gondola	pf		c1884–85	in 6/8, published 1927 as "La lugubre gondola I"; 4th version of S.199a/i, S.199a/ii, S.200ii
200ii	A319b	La Lugubre Gondola	pf		1883	in 4/4, written Jan.1883, published 1885, published 1927 as "La lugubre gondola II"; 3rd version of S.199a/i, S.199a/ii, S.200i; arr for vc pf as S.134i, for vn pf as S.134ii
201	A320	R.W. – Venezia	pf		1883
202	A321	Am Grabe Richard Wagners	pf		1883	arr of S.135
203	A322	Schlaflos! Frage und Antwort	pf		1883
204	A280	Receuillement	pf		1877
205	A335	Historische ungarische Bildnisse:	pf		1885	1st version of S.205a
205/1	A335/1	Stephan Széchenyi	pf		1885	re-used as S.205a/1
205/2	A335/4	Joseph Eötvös	pf		1885	re-used as S.205a/4
205/3	A335/5	Michael Vörösmarty	pf		1885	re-used as S.205a/5
205/4	A335/3	Ladislaus Teleki	pf		1885	re-used as S.205a/3
205/5	A335/2	Franz Deák	pf		1885	re-used as S.205a/2
205/6	A335/6	Alexander Petofi	pf		1885	re-used from S.195; re-used as S.205a/6
205/7	A335/7	Michael Mosonyi	pf		1885	re-used from S.194; 1st version of S.205a/7
205a	A335	Historische ungarische Bildnisse:	pf		1885	2nd version of S.205
205a/1	A335/1	Széchenyi István	pf		1885	re-used from S.205/1
205a/2	A335/2	Deák Ferenc	pf		1885	re-used from S.205/5
205a/3	A335/3	Teleki László	pf		1885	re-used from S.205/4
205a/4	A335/4	Eötvös József	pf		1885	re-used from S.205/2
205a/5	A335/5	Vörösmarty Mihály	pf		1885	re-used from S.205/3
205a/6	A335/6	Petofi Sándor	pf		1885	re-used from S.195, S.205/6
205a/7	A335/7	Mosonyi Mihály	pf		1885	2nd version of S.205/7
206	A334	Trauervorspiel und Trauermarsch:	pf		1885
206/1	A334/1	Preludio funebre	pf		1885
206/2	A334/2	Marcia funebre	pf		1885	based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi
207	A336	En rêve (Nocturne)	pf		1885
207a (*256)	A296	Prélude à la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé)	pf		1880	an introduction for Alexander Borodin's variation on the "Coteletten Polka" (Tati-tati) for the album Paraphrases: 24 Variations et 15 petits pièces sur le thème favori et obligé
208	A312	Unstern (Sinistre)	pf		1881
208a–233b	Works in dance forms					[INDEX↑]
208a–216b
208a	—	Waltz (Waltz aus dem Ballet Die Amazonen)	pf	A major	1823-1825	Piano arrangement of S.126b/2 (Theme from the ballet Die Amazonen by Robert von Gallenberg)
209	A32a	Grande valse di bravura (Le bal de Berne)	pf		1836	1st version of S.214/1; themes used in S.209a; arr for pf4h S.615
209a	—	Waltz	pf	E♭ major	1840	uses themes from S.209
210 (*731)	A57a	Valse mélancolique	pf	E major	1839	1st version of S.210a, S.214/2
210a	A57a	Valse mélancolique	pf	E major	c1840?	2nd version of S.210, S.214/2
210b	A28	Valse	pf	A major	1830s
211	A95	Ländler	pf	A♭ major	1843
211a (*734)	A289/1	Ländler	pf	D major	1879
212i	A84a	Petite valse favorite (Souvenir de St Pétersbourg)	pf		1842	1st version of S.212ii, S.213i, S.213ii, S.213iii
212ii (*222)	A84b	Petite valse favorite (Albumblatt an Madame Kalergis)	pf		1843	2nd (expanded) version of S.212i, S.213i, S.213ii, S.213iii [25]
212a	A82	Valse de Marie (Mariotte) (Album-leaf for Marie d'Agoult)	pf		1842	name=S212}}
213i (*213)	A84c	Valse-Impromptu	pf		1842–52	3rd version of S.212i, S.212ii, S.213ii, S.213iii [lower-alpha 2]
213ii (*213bis)	—	Valse-Impromptu	pf		1870s?	4th (édition facilitée) version of S.212i, S.212ii, S.213i, S.213iii [lower-alpha 2]
213iii (*213a)	—	Valse-Impromptu	pf		c1880	5th version of S.212i, S.212ii, S.213i, S.213ii, with additions for Liszt's pupils [lower-alpha 2]
214	A32b, 57b, 88b	(3) Caprices-Valses:	pf		1850–52
214/1	A32b	Valse de bravoure	pf	B♭ major	1850–52	2nd version of S.209
214/2	A57b	Valse mélancolique	pf	E major	1850	3rd version of S.210, S.210a
214/3	A88b	Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti	pf	A major	1850–52	2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti
214a	A271	Carrousel de Madame Pelet-Narbonne	pf		1879?
215	A311	(4) Valses oubliées:	pf		1881–84
215/1	A311/1	Valse oubliée No.1	pf	F♯ major	1881
215/2	A311/2	Valse oubliée No.2	pf	A♭ major	1883
215/3	A311/3	Valse oubliée No.3	pf		1883	1st version of S.215/3a
215/3a	A311/3	Valse oubliée No.3	pf		1883?	2nd version of S.215/3
215/4 (*732)	A311/4	Valse oubliée No.4	pf		1884
215a	A325	Mephisto Waltz No.3	pf		1883	1st (draft) version of S.216
216	A325	Mephisto Waltz No.3	pf		1883	2nd version of S.215a; arr for pf4h as S.615a
216a	A338	Bagatelle sans tonalité	pf		c1885	manuscript entitled "4th Mephisto Waltz", but no relation to S.216b or S.696
216b	A337	Mephisto Waltz No.4	pf		1885	1st (complete) version of S.696
217	Polkas					[INDEX↑]
217i (*217)	A317	Mephisto Polka	pf		1883	ossia version as S.217ii
217ii	A317	Mephisto Polka	pf		1883	ossia version of S.217i
218–220	Galops					[INDEX↑]
218	A119	Galop	pf	A minor	1846
219	A43	Grand galop chromatique	pf	E♭ major	1838	1st version of S.219a; arr for pf4h as S.616
219a (*219bis)	A43	Grand galop chromatique	pf	E major	1840?	2nd (simplified) version of S.219; theme used in S.220 [26]
220	A64	Galop de bal	pf		1840
221–222	Mazurkas					[INDEX↑]
221	A168	Mazurka brillante	pf		1850
221a	A221	Mazurka	pf	F minor	1863	now believed to be spurious
*222 (212ii)	—	Albumblatt an Madame Kalergis
223	Polonaises					[INDEX↑]
223	A171	(2) Polonaises:	pf		1850–51
223/1	A171/1	Polonaise mélancolique	pf	C minor	1850–51
223/2	A171/2	Polonaise	pf	E major	1850–51
224–225	Csárdás					[INDEX↑]
224	A313	Csárdás macabre	pf		1881–82	arr for pf4h as S.617
225	A333	2 Csárdás:	pf		1884
225/1	A333/1	Csárdás	pf		1884
225/2	A333/2	Csárdás obstinée (Hartnäckiger Csardas)	pf		1884	arr for pf4h as S.618
226–233b	Marches					[INDEX↑]
226	A188	Festvorspiel (Preludio pomposo)	pf		1856	arr for orch as S.356
226a (*153a) (*745)	A10	Marche funèbre	pf	G minor	1827	1st version of S.173/7
227	A164a	Fest-marsch zur Säcular-feier von Goethe's Geburtstag am 28t Aug 1849 in Weimar (Festmarsch zur Säkularfeier von Goethes Geburtstag) (Goethe-Festmarsch)	pf	E♭ major	1849	uses themes from S.167o; 1st version of S.521i, S.521ii; arr for orch by Liszt and August Conradi as S.115i, for orch by Liszt and Joachim Raff as S.115ii
228i (*227a)	A182	Huldigungsmarsch	pf	C major	1853	1st version of S.228ii; arr for orch by Liszt and Joachim Raff as S.357i
228ii (*228)	A182	Huldigungsmarsch	pf	C major	1853–58	2nd version of S.228i; Trio section uses theme of S.313
229	A184	Vom Fels zum Meer! (Deutscher Siegesmarsch)	pf	E♭ major	1853–56	arr for pf4h as S.618a, for orch as S.368
229a	—	Ungarischer Marsch	pf	B♭ major	1859	unpublished
230	A326	Bülow-Marsch	pf		1883	arr for pf4h as S.619, for 2pf 8-hands as S.657b
230a (*528)	A274	Festpolonaise	pf		1876	arr for pf4h as S.619a
231	A65	Heroischer Marsch in ungarischem Styl (Marche héroïque dans le genre hongrois) [Première marche hongroise]	pf	A minor	1840	arr for orch as S.358a, for pf orch as S.713f
232	A112/1	Seconde marche hongroise (Ungarischer Sturmmarsch)	pf		1843	1st version of S.524; arr for orch as S.358b
233	A252	Ungarischer Geschwindmarsch (Magyar Gyors induló)	pf		1870–71	possibly 1st version of S.460
233a	A332	Siegesmarsch (Marche triomphale)	pf	E♭ major	1884
233b (*733)	A105	Marche hongroise	pf	E♭ minor	1844
233c–254	Works on national themes					[INDEX↑]
233c	Austrian					[INDEX↑]
233c (*385a)	A12b	Tyrolean Melody	pf	G major	1826?	based on the same folk song as used by Daniel Auber in his opera La fiancée and arr by Liszt in his Fantaisie on that opera S.385i
234	Czech					[INDEX↑]
234	A67	Hussitenlied (Aus dem 15. Jahrhundert)	pf		1840	based on the song Těšme se blahou nadějć by Josef Theodor Krov [27]; arr for pf4h as S.620
235	English					[INDEX↑]
235	A76	God Save the Queen (Paraphrase de concert)	pf		1841	based on S.694
236–239	French					[INDEX↑]
236	A106–7	Faribolo Pastour et la Chanson du Béarn	pf		1844
236/1	A106	Faribolo Pastour (Chanson tirée du Poème de Françonnetto de Jasmin)	pf		1844	based on the song taken from the poem Françouneto by Jacques Jasmin
236/2	A107	Pastorale du Béarn (Chanson du Béarn)	pf		1844	based on the Béarnaise folksong La haût sus las mountagnes by René de Galard de Béarn, Marquis de Brassac
237	A236	La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle)	pf		1866–72	after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle
238	A169	La cloche sonne	pf	C minor	1850?	based on an old French song
239	A262	Vive Henri IV	pf		1879–80	based on the French anthem Marche de Henri IV by Jehan Tabourot
240	German					[INDEX↑]
240i (*240)	A96	Gaudeamus igitur (Chanson des étudiants) (Paraphrase)	pf		1843	based on a traditional student song; 1st version of S.240ii
240ii	A96	Gaudeamus igitur (Chanson des étudiants) (Paraphrase)	pf		1853	2nd version of S.240i
241–246	Hungarian					[INDEX↑]
241	A11	Zum Andenken ((2) Ungarische Werbungstänze) (2 Hungarian Recruiting Dances):	pf		1828
241/1	A11/1	Kiniszi notája	pf		1828	based on a dance by László Fáy
241/2	A11/2	Lassú magyar	pf		1828	based on a dance by János Bihari
241a	A180	(18) Ungarischer Romanzero (Hungarian Romances) (Hungarian Songbook):	pf		1853	based on popular Hungarian songs; by Liszt and Eduard Remenyi
241a/1	A180/1	Ungarischer Romanzero No.1	pf	F minor	1853	composed by Eduard Remenyi
241a/2	A180/2	Ungarischer Romanzero No.2	pf	A minor	1853
241a/3	A180/3	Ungarischer Romanzero No.3	pf	A minor	1853
241a/4	A180/4	Ungarischer Romanzero No.4	pf	A minor	1853	composed by Eduard Remenyi
241a/5	A180/5	Ungarischer Romanzero No.5	pf	D minor	1853
241a/6	A180/6	Ungarischer Romanzero No.6	pf	A major	1853
241a/7	A180/7	Ungarischer Romanzero No.7	pf	A major	1853
241a/8	A180/8	Ungarischer Romanzero No.8	pf	D minor	1853
241a/9	A180/9	Ungarischer Romanzero No.9	pf	A major	1853
241a/10	A180/10	Ungarischer Romanzero No.10	pf	G minor	1853
241a/11	A180/11	Ungarischer Romanzero No.11	pf	F major	1853
241a/12	A180/12	Ungarischer Romanzero No.12	pf	C major	1853	composed by Eduard Remenyi
241a/13	A180/13	Ungarischer Romanzero No.13	pf	F♯ minor	1853	composed by Eduard Remenyi
241a/14	A180/14	Ungarischer Romanzero No.14	pf	D major	1853	composed by Eduard Remenyi
241a/15	A180/15	Ungarischer Romanzero No.15	pf	D major	1853	composed by Eduard Remenyi
241a/16	A180/16	Ungarischer Romanzero No.16	pf	C major	1853	composed by Eduard Remenyi
241a/17	A180/17	Ungarischer Romanzero No.17	pf	A major	1853	composed by Eduard Remenyi
241a/18	A180/18	Ungarischer Romanzero No.18	pf	A major	1853	composed by Eduard Remenyi
241b	—	Magyar Tempo	pf		1840	sketches only; 2nd version of S.242/5, S.243/1, S.243/1a
242/1–7	A60a	Magyar Dalok (Ungarische Nationalmelodien; Mélodies hongroises):	pf		1839–40	originally published in 1840 as Vol.I (Nos.1–6), Vol.II (No.7)
242/1	A60a/1	(Lento)	pf	C minor	1839–40
242/2	A60a/2	(Andantino)	pf	C major	1839–40
242/3	A60a/3	(Sehr langsam)	pf	D♭ major	1839–40
242/4	A60a/4	(Animato)	pf	C♯ major	1839–40	1st version of S.243/2, S.243/2a; themes used in S.244/6
242/5	A60a/5	(Tempo giusto)	pf	D♭ major	1839–40	1st version of S.243/1, S.243/1a, S.241b; themes used in S.244/6
242/6	A60a/6	(Lento)	pf	G minor	1839–40	arr for orch as S.690e; themes used in S.242/12, S.244/5
242/7	A60a/7	(Andante cantabile quasi Adagio)	pf	E♭ major	1839–40	1st version of S.244/4
242/8–11	A60a	Magyar Dalok (Ungarische Nationalmelodien; Mélodies hongroises):	pf		1839–43	originally published in 1843 as Vol.III (Nos.8–9), Vol.IV (Nos.10–11)
242/8	A60a/8	(Lento)	pf	F minor	1839–43
242/9	A60a/9	(Lento)	pf	A minor	1839–43
242/10	A60a/10	(Adagio sostenuto a capriccio)	pf	D major	1839–43	uses theme from S.164e/1; themes used in S.123, S.242/13, S.242a, S.244/14, S.244/15
242/11	A60a/11	(Andante sostenuto)	pf	B♭ major	1839–43	1st version of S.243/3, S.243/3a; uses theme from S.164e/2; themes used in S.243a, S.244/3, S.244/6
242/12–17	A60b	Magyar Rapszódiák (Ungarische Rhapsodien; Rapsodies hongroises):	pf		1846–47	originally published by 1847 as Vol.V (No.12), Vol.VI (No.13), Vol.VII (No.14), Vol.VIII (No.15), Vol.IX (No.16), Vol.X (No.17); No.13a published separately
242/12	A60b/12	Héroïde élégiaque	pf	E minor	1846–47	partly based on S.242/6. themes used in S.244/5
242/13	A60b/13	Rákóczi-Marsch	pf	A minor	1846–47	3rd version of S.242a (based on); partly based on S.242/10; simplified version as S.242/13a; see also 4th & 5th versions S.244/15 & S.244c
242/13a (*242/13bis)	A60b/13	Ungarische National-Melodie (Rákóczi-Marsch)	pf	A minor	1846?	simplified version of S.242/13
242/14	A60b/14	(Lento a capriccio)	pf	A minor	1846–47	themes used in S.244/11
242/15	A60b/15	(Lento: Tempo e Stilo Zingarese)	pf	D minor	1846–47	themes used in S.244/7
242/16	A60b/16	Preludio	pf	E major	1846–47	themes used in S.244/10, S.244/10a
242/17	A60b/17	(Andante sostenuto)	pf	A minor	1846–47	themes used in S.244/13
242/18–21	A60c	Ungarische Rhapsodien:	pf		1846–47	Nos.18–21 originally scheduled for publication in jan.1847 but never published
242/18	A60c/18	(Introduction – Adagio)	pf	C♯ minor	1846–47	themes used in S.244/12; published 1973
242/19	A60c/19	(Lento patetico)	pf	F♯ minor	1846–47	themes used in S.244/8; published 1973
242/20	A60c/20	Hermannstädter und Walachische Melodie ["Rumänische Rhapsodie"] [Rumanian Rhapsody]	pf	G minor	1846–47	themes used in S.244/6, S.244/12; published 1936 as Rumänische Rhapsodie
242/21	A60c/21	Koltoi csárdás	pf	E minor	1846–47	themes used in S.123, S.244/14; published 1973
242/22–23	A60e	Magyar Rapszódiák:	pf		by 1847	No.22 originally published separately in 1847, No.23 originally unpublished
242/22	A60e	Pester Karneval	pf	E♭ major	by 1847	themes used in S.244/9, S.244/14; arr for vn vc pf as S.379
242/23 (*243b)	—	Rêves et fantaisies	pf	C♯ minor	by 1847	opening based on S.171a/3; 1st version of S.244/1
242a	A59	Rákóczi-Marsch	pf	A minor	1839–40	based on the Hungarian national anthem of the time, the Rákóczi March; 1st version of S.164f, S.242/10, S.242/13, S.242/13a, S.244/15, S.244/15a, S.244a, S.244b, S.244c, S.692d, S.723c [28]; arr for orch as S.117, for pf4h as S.608, for 2pf as S.652a
243	A60d	(3) Ungarische Nationalmelodien:	pf		c1840
243/1	A60d/1	(Tempo giusto)	pf	D major	c1840	3rd version of S.241b, S.242/5, S.243/1a; themes used in S.244/6
243/1a (*243bis/1)	A60d/1	(Tempo giusto) (Im leichten Stile bearbeitet)	pf	D major	c1843	4th (lighter) version of S.241b, S.242/5, S.243/1
243/2	A60d/2	(Animato)	pf	C♯ major	c1840	2nd version of S.242/4, S.243/2a; themes used in S.244/6
243/2a (*243bis/2)	A60d/2	(Animato) (Im leichten Stile bearbeitet)	pf	C major	c1843	3rd (lighter) version of S.242/4, S.243/2
243/3	A60d/3	Prélude (Allegretto)	pf	B♭ major	c1840	2nd version of S.242/11, S.243/3a; themes used in S.244/6
243/3a (*243bis/3)	A60d/3	Prélude (Allegretto) (Im leichten Stile bearbeitet)	pf	B♭ major	c1843	3rd (lighter) version of S.242/11, S.243/3
243a	—	Célèbre mélodie hongroise	pf		1866 or later	uses themes from S.242/11, S.244/6; written for Francis Planté
*243b (242/23)	—	Rêves et fantaisies			1844–46?
244	A132	Hungarian Rhapsodies (Ungarische Rhapsodien):	pf		1846–85
244/1	A132/1	Hungarian Rhapsody No. 1 (Lento quasi recitativo)	pf	C♯ minor	1846	2nd version of S.242/23
244/2	A132/2	Hungarian Rhapsody No. 2 (Lento a capriccio)	pf	C♯ minor	1847	arr for orch by Liszt and Franz Doppler as S.359/4, for pf4h as S.621/4; ossia and cadenzas as S.244/2a
244/2a (*244/2bis)	A132/2	Hungarian Rhapsody No. 2	pf	C♯ minor	1885	ossia and cadenzas for S.244/2
244/3	A132/3	Hungarian Rhapsody No. 3 (Andante)	pf	B♭ major	1847	uses themes from S.164e/2, S.242/11
244/4	A132/4	Hungarian Rhapsody No. 4 (Quasi adagio, altiermamente)	pf	E♭ major	1847	uses themes from S.242/7
244/5	A132/5	Hungarian Rhapsody No. 5 (Héroïde-élégiaque)	pf	E minor	1847	uses themes from S.242/6, S.242/12; arr for orch by Liszt and Franz Doppler as S.359/5, for pf4h as S.621/5
244/6	A132/6	Hungarian Rhapsody No. 6 (Tempo giusto)	pf	D♭ major	1847	uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20, S.243/1, S.243/2, S.243/3; arr for orch by Liszt and Franz Doppler as S.359/3, for pf4h as S.621/3; theme used in S.243a
244/7	A132/7	Hungarian Rhapsody No. 7 (Lento)	pf	D minor	1847	uses themes from S.242/15
244/8	A132/8	Hungarian Rhapsody No. 8 (Lento a capriccio)	pf	F♯ minor	1846	uses themes from S.242/19
244/9	A132/9	Hungarian Rhapsody No. 9 ("Pesther Carneval")	pf	E♭ major	1847	uses themes from S.242/22; arr for orch by Liszt and Franz Doppler as S.359/6, for pf4h as S.621/6
244/10	A132/10	Hungarian Rhapsody No. 10 (Preludio)	pf	E major	1847	1st version of (ossia) S.244/10a; uses themes from S.242/16
244/10a (*244/10bis)	A132/10	Hungarian Rhapsody No. 10	pf	E major	1847	2nd (easier ossia) version of S.244/10; uses themes from S.242/16
244/11	A132/11	Hungarian Rhapsody No. 11 (Lento a capriccio)	pf	A minor	1847	uses themes from S.242/14
244/12	A132/12	Hungarian Rhapsody No. 12 (Introduzione. Mesto)	pf	C♯ minor	1847	uses themes from S.242/18, S.242/20; arr for orch by Liszt and Franz Doppler as S.359/2, for pf4h as S.621/2, for vn pf as S.379a
244/13	A132/13	Hungarian Rhapsody No. 13 (Andante sostenuto)	pf	A minor	1847	uses themes from S.242/17
244/14	A132/14	Hungarian Rhapsody No. 14 (Lento, quasi marcia funebre)	pf	F minor	1847	uses themes from S.242/21, S.242/22; arr for orch by Liszt and Franz Doppler as S.359/1; themes used in S.123
244/15	A132/15	Hungarian Rhapsody No. 15 (Rákóczi-Marsch)	pf	A minor	1847	4th version of S.242a (based on S.242/10, S.242/13); simplified (easier ossia) version as S.244/15a; arr for orch as S.117
244/15a (*244/15bis)	A132/15	Hungarian Rhapsody No. 15	pf	A minor	c1847	simplified (easier ossia) version of S.244/15
244/16i	—	Magyar Rapzódia (Hungarian Rhapsody No. 16)	pf	A minor	1882	1st version of S.244/16ii
244/16ii (*244/16)	A132/16	Hungarian Rhapsody No. 16 (Allegro)	pf	A minor	1882	2nd version of S.244/16i; arr for pf4h as S.622 [lower-alpha 2]
244/17	A132/17	Hungarian Rhapsody No. 17 (Lento)	pf	D minor	1883
244/18i	—	Hungarian Rhapsody No. 18	pf	F♯ minor	c1883	1st (coda) version of S.244/18ii, S.244/18iii
244/18ii	—	Hungarian Rhapsody No. 18	pf	F♯ minor	c1883	2nd (coda) version of S.244/18i, S.244/18iii
244/18iii (*244/18)	A132/18	Hungarian Rhapsody No. 18 (Lento)	pf	F♯ minor	1885	3rd (coda) version of S.244/18i, S.244/18ii; arr for pf4h as S.623 [lower-alpha 2]
244/19	A132/19	Hungarian Rhapsody No. 19 (Lento)	pf	D minor	1885	based on the Csárdás nobles by Kornél Ábrányi; arr for pf4h as S.623a
244a	A224	Rákóczi-Marsch	pf	A minor	1863	arr of S.117; 6th pf version of S.242a; simplified version as S.244b
244b	A224	Rákóczi-Marsch	pf	A minor	1871	simplified version of S.244a
244c	A132/15a	Marche de Rákóczy (Édition populaire)	pf	A minor	1851	5th version of S.242a (based on S.242/13)
245	A263	(5) Ungarische Volkslieder (Magyar népdal):	pf		1872	based on folk songs from the collection Popular songs by József Tamássy edited by Kornél Ábrányi
245/1	A263/1	Csak titokban akartalak szeretni (Lassan)	pf	D major	1872
245/2	A263/2	Jaj beh szennyes az a maga kendője (Mérsekélve)	pf	G major	1872
245/3	A263/3	Beh szomorú ez az élet én nékem (Lassan)	pf	G major	1872
245/4	A263/4	Beh! sok falut, be! sok várost bejártam (Kissé élénken)	pf	C♯ minor	1872
245/5	A263/5	Erdó, erdó, sűrű erdó árnyában (Búsongva)	pf	F minor	1872
246	A255	Puszta-Wehmut (A puszta keserve)	pf		1871	based on a song by Lyudmilla Gizycka-Zámoyská; arr for vn pf as S.379b
247–248	Italian					[INDEX↑]
*247 (252a/i)	—	La romanesca
248i (*248)	A85	Canzone napolitana	pf		1842	1st version of S.248ii
248ii (*248a)	A85	Canzone napolitana (Notturno)	pf		1842	2nd ("arr élégant") version of S.248i
249–249b	Polish					[INDEX↑]
249	A143	(3) Glanes de Woronince (Gleanings from Woronińce):	pf		1847	[29]; see also S.166m, S.166n
249/1	A143/1	Ballade d'Ukraïne (Dumka)	pf		1847
249/2	A143/2	Mélodies polonaises	pf		1847	based on No.1 of 17 Polish songs, Op.74 by Frédéric Chopin, and on an unidentified Polish melody (also used in S.127, S.249a)
249/3	A143/3	Complainte (Dumka)	pf		1847
249a	—	Mélodie polonaise (Album-leaf)	pf		c1833?	based on an unidentified Polish melody (also used in S.127, S.249/2); short draft
249b	—	Dumka	pf		1871
249c–251	Russian					[INDEX↑]
249c (*735)	A289/2	Air cosaque	pf		1879
249d (*250a)	A86/1	Соловей [Solovei] "Le rossignol" (Air russe d'Alexander Alabieff)	pf		1842	based on a romance by Alexander Alyabyev; 1st version of S.250/1
250	A86	(2) Mélodies russes (Arabesques):	pf		1842
250/1	A86/1	Соловей [Solovei] "Le rossignol" (Romance de Alexandr Alexandrovitch Alabieff)	pf		1842	2nd version of S.249d
250/2	A86/2	Chanson bohémienne (de Piotr Petrovitch Boulakhov)	pf		1842	based on a song by Pyotr Bulakhov
251	A324	Abschied (Russisches Volkslied)	pf		1885
252–254	Spanish					[INDEX↑]
252	A33	Rondeau fantastique sur un thème espagnol (El contrabandista)	pf	B♭ major	1836	based on the aria "Yo que soy contrabandista" from the opera El poeta calculista by Manuel García; published as Op.5 No.3; arr for pf orch as S.713d
252a/i (*252a) (*247)	A14/1	La romanesca (Mélodie du 16ième siècle)	pf		c1840	1st version of S.252a/ii
252a/ii (*252b)	A14/2	La romanesca (Mélodie du 16ième siècle)	pf		c1852	2nd version of S.252a/i
252c (*738)	A114	Grosse Konzertfantasie über spanische Weisen	pf		1844	1st version of S.253; sketches as S.695c
253	A114	Grosse Konzertfantasie über spanische Weisen	pf		1845	2nd version of S.252c; one theme used in S.254; sketches as S.695c
254	A195	Rhapsodie espagnole (Folies d'espagne et Jota aragonesa)	pf		1858	uses one theme from S.253
255–256a	Piano four-hands					[INDEX↑]
*255 (619a)	—	Festpolonaise
*256 (207a)	—	Variation über das Thema von Borodin	pf4h
256a	—	Nottorno	pf4h	E minor	?	arr of S.161/5; spurious (not by Liszt)
257–258	Two pianos					[INDEX↑]
257	C1	Grosses Konzertstück über Themen aus Mendelssohns Lieder ohne Worte	2pf		1834	based on themes from Songs Without Words, Op.19b by Felix Mendelssohn
257a	—	Cadenza for Johann Peter Pixis' Variations brillantes sur un thème	2pf		?	[lower-alpha 7]
258i	C18	Concerto pathétique	2pf		1855	arr of S.176; 1st version of S.258ii
258ii	C18	Concerto pathétique	2pf		1866	2nd version of S.258i; arr for pf orch by Eduard Reuss with corrections by Liszt as S.365a
259–268a	Organ or Harmonium					[INDEX↑]
259	E1	Fantasie und Fuge über den Choral Ad nos, ad salutarem undam	org/pfped		1850	based on a theme from the opera Le prophète by Giacomo Meyerbeer; 1st version of S.259a; arr for pf as S.414/4, for pf4h as S.624; Fugue published 1852 as No.4 of Illustrations du Prophète (S.414)
259a	—	Fantasie und Fuge über den Choral Ad nos, ad salutarem undam	org/pfped		1852–55	2nd version of S.259; unpublished?, lost?
260i	E3/1	Präludium und Fuge über den Namen BACH	org		1855–56	1st version of S.260ii; arr for pf as S.529i
260ii	E3/2	Präludium und Fuge über den Namen BACH	org		1869–70	2nd version of S.260i; arr for pf as S.529ii
261	E19a	Pio IX (Der Papsthymnus)	org		1863–65	arr for pf as S.530, for pf4h as S.625, for orch as S.361; rev for v pf as S.766; rev for 2vv (+org) as S.36; rev for ch orch as S.3/8
261a	E12	Andante religioso	org		1861	arr of mvt IV of S.95iv by Alexander Wilhelm Gottschalg, with revisions by Liszt
262	E20	Ora pro nobis	org		1864
*263 (187a/i)	—	Resignazione	org		1877–81
264	E33	Missa pro organo lectarum celebrationi missarum adjumento inserviens	org		1879	based on S.8, S.265, S.504
265	E32	Gebet (Preghiera)	org		1879	rev as mvt III of S.264
266	E39	Requiem für die Orgel	org		1883	based on S.12
267	E38	Am Grabe Richard Wagners	org		1883	arr of S.135
268	E41&7	(2) Vortragsstücke:	org		1884
268/1	E41	Introitus	org		1884
268/2	E7	Trauerode (Die Todten)	org		1884?	arr of S.112/1
268a	E25	Preludio	org		1885?	version of S.666 without vv
269–340a	Songs					[INDEX↑]
269i	N1	Angiolin dal biondo crin (Englein hold im Lockengold)	v pf		1839	1st version of S.269ii, S.269iii, S.269iv, S.269v; arr for pf as S.531/6
269ii	N1	Angiolin dal biondo crin (Englein hold im Lockengold)	v pf		1849?	2nd version of S.269i, S.269iii, S.269iv, S.269v
269iii	N1	Angiolin dal biondo crin (Englein hold im Lockengold)	v pf		1859?	3rd version of S.269i, S.269ii, S.269iv, S.269v
269iv	—	Angiolin dal biondo crin (Englein hold im Lockengold)	v pf		?	4th (transposed) version of S.269i, S.269ii, S.269iii, S.269v [lower-alpha 7]
269v	—	Angiolin dal biondo crin (Englein hold im Lockengold)	v pf		?	5th version of S.269i, S.269ii, S.269iii, S.269iv [lower-alpha 7]
270i	N14	(3) Sonetti di Petrarca (Petrarca-Sonette):	v pf		1838–39	1st version of S.270ii (for tenor voice)
270i/1	N14/1	Pace non trovo (Fried' ist versagt mir)	v pf		1838–39	1st version of S.270ii/2 (for tenor voice); arr for pf as S.158/1
270i/2	N14/2	Benedetto sia'l giorno (Sei gesegnet immerdar)	v pf		1838–39	1st version of S.270ii/1 (for tenor voice); arr for pf as S.158/2
270i/3	N14/3	I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)	v pf		1838–39	1st version of S.270ii/3 (for tenor voice); arr for pf as S.158/3
270ii	N14	(3) Sonetti di Petrarca (Petrarca-Sonette):	v pf		1861	2nd version of S.270i (for low voice)
270ii/1	N14/2	Benedetto sia'l giorno (Sei gesegnet immerdar)	v pf		1861	2nd version of S.270i/2 (for low voice)
270ii/2	N14/1	Pace non trovo (Fried' ist versagt mir)	v pf		1861	2nd version of S.270i/1 (for low voice)
270ii/3	N14/3	I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)	v pf		1861	2nd version of S.270i/3 (for low voice)
271	N4	Il m'aimait tant	v pf		1840–42	arr for pf as S.533
272i	N3	Im Rhein, im schönen Ströme	v pf		1840	1st version of S.272ii; arr for pf as S.531/2
272ii	N3	Im Rhein, im schönen Ströme	v pf		1855	2nd version of S.272i
273i	N5	Die Loreley	v pf		1841	1st version of S.273ii; arr for pf as S.531/1
273ii	N5	Die Loreley	v pf		1854–56	2nd version of S.273i; arr for pf as S.532, for v orch as S.369
274i	N6	Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)	v pf		1841	1st version of S.274ii, S.301b/i, S.301b/ii; arr for pf as S.534i
274ii	N6	Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle)	v pf		1858–60	4th version of S.274i, S.301b/i, S.301b/ii; arr for pf as S.534iii, for vc pf as S.382i, for vn pf as S.382ii
275i	N8/1	Mignons Lied (Kennst du das Land)	v pf		1842	1st version of S.275ii, S.275iii; arr for pf as S.531/3
275ii	N8/2	Mignons Lied (Kennst du das Land)	v pf		1854	2nd version of S.275i, S.275iii
275iii	N8/3	Mignons Lied (Kennst du das Land)	v pf		1860	3rd version of S.275i, S.275ii; arr for v orch as S.370
276i	N12/1	Comment disaient-ils (Was tun?)	v pf		1842	1st version of S.276ii; arr for pf as S.534
276ii	N12/2	Comment disaient-ils	v pf		1849–59	2nd version of S.276i
277i	N21/1	Bist du (Mild wie ein Lufthauch)	v pf		1844	1st version of S.277ii
277ii	N21/2	Bist du (Mild wie ein Lufthauch)	v pf		1878	2nd version of S.277i
278i	N9/1	Es war ein König in Thule	v pf		1842	1st version of S.278ii; arr for pf as S.531/4
278ii	N9/2	Es war ein König in Thule	v pf		1856	2nd version of S.278i
279i	N10/1	Der du von dem Himmel bist	v pf		1842	1st version of S.279ii, S.279iii, S.279iv; arr for pf as S.531/5
279ii	N10/2	Der du von dem Himmel bist	v pf		1849	2nd version of S.279i, S.279iii, S.279iv
279iii	N10/3	Der du von dem Himmel bist	v pf		1860	3rd version of S.279i, S.279ii, S.279iv
279iv	N10/4	Der du von dem Himmel bist	v pf		1870	4th version of S.279i, S.279ii, S.279iii
279a	—	Wenn die letzten Sterne bleichen	v pf		1843	discovered 2007, published 2009 [lower-alpha 7]
280i	N23/1	Freudvoll und leidvoll I	v pf		1844	1st version of S.280ii; arr for pf as S.167a; 1st setting, for 2nd setting see S.280a
280ii	N23/2	Freudvoll und leidvoll I	v pf		1849	2nd version of S.280i; 1st setting, for 2nd setting see S.280a
280a (*280bis)	N23/3	Freudvoll und leidvoll II	v pf		1848?	2nd setting, for 1st setting see S.280
281	N22a	Die Vätergruft	v pf		1844	arr for v orch as S.371
282i	N11/1	Oh! quand je dors	v pf		1842	1st version of S.282ii; arr for pf as S.536
282ii	N11/2	Oh! quand je dors	v pf		1849	2nd version of S.282i
283i	N24/1	Enfant, si j'étais roi	v pf		1844	1st version of S.283ii; arr for pf as S.537
283ii	N24/2	Enfant, si j'étais roi	v pf		1849	2nd version of S.283i
284i	N25/1	S'il est un charmant gazon	v pf		1844	1st version of S.284ii; arr for pf as S.538
284ii	N25/2	S'il est un charmant gazon	v pf		1849–59	2nd version of S.284i
285	N26	La tombe et la rose	v pf		1844	arr for pf as S.539
286	N27	Gastibelza (Bolero)	v pf		1844	"gastibelza" is a Basque word meaning "gossip"; arr for pf as S.540
287i	N19/1	Du bist wie eine Blume	v pf		1843	1st version of S.287ii, S.287iii, S.287iv, S.287v, S.287vi
287ii	N19/2	Du bist wie eine Blume	v pf		1849	2nd version of S.287i, S.287iii, S.287iv, S.287v, S.287vi
287iii	—	Du bist wie eine Blume	v pf		?	3rd version of S.287i, S.287ii, S.287iv, S.287v, S.287vi [lower-alpha 7]
287iv	—	Du bist wie eine Blume	v pf		?	4th version of S.287i, S.287ii, S.287iii, S.287v, S.287vi [lower-alpha 7]
287v	—	Du bist wie eine Blume	v pf		?	5th version of S.287i, S.287ii, S.287iii, S.287iv, S.287vi [lower-alpha 7]
287vi	—	Du bist wie eine Blume	v pf		?	6th version of S.287i, S.287ii, S.287iii, S.287iv, S.287v [lower-alpha 7]
288i	N7/1	Was Liebe sei	v pf		1842	1st setting, for 2nd and 3rd settings see S.288ii, S.288iii
288ii	N7/2	Was Liebe sei	v pf		1854–55	2nd setting, for 1st and 3rd setting see S.288i, S.288iii
288iii	N7/3	Was Liebe sei	v pf		1878–79	3rd setting, for 1st and 2nd setting see S.288i, S.288ii
289i	N29/1	Vergiftet sind meine Lieder	v pf		1843	1st version of S.289ii
289ii	N29/2	Vergiftet sind meine Lieder	v pf		1859	2nd version of S.289i
290i	N16/1	Morgens steh ich auf und frage	v pf		1843	1st version of S.290ii
290ii	N16/2	Morgens steh ich auf und frage	v pf		1849–59	2nd version of S.290i
291i	N17/1	Die tote Nachtigall	v pf		1843	1st version of S.291ii
291ii	N17/2	Die tote Nachtigall	v pf		1870–79	2nd version of S.291i
292i	N32/1	(3) Lieder aus Schiller's Wilhelm Tell:	v pf		1845	1st version of S.292ii
292i/1	N32/1/1	Der Fischerknabe (Es lächelt der See)	v pf		1845	1st version of S.292ii/1
292i/2	N32/1/2	Der Hirt (Ihr Matten lebt wohl)	v pf		1845	1st version of S.292ii/2
292i/3	N32/1/3	Der Alpenjäger (Es donnern die Höh'n)	v pf		1845	1st version of S.292ii/3
292ii	N32/2	(3) Lieder aus Schiller's Wilhelm Tell:	v pf		1855?	2nd version of S.292i; arr for v orch as S.372
292ii/1	N32/2/1	Der Fischerknabe (Es lächelt der See)	v pf		1855?	2nd version of S.292i/1; arr for v orch as S.372/1
292ii/2	N32/2/2	Der Hirt (Ihr Matten lebt wohl)	v pf		1855?	2nd version of S.292i/2; arr for v orch as S.372/2
292ii/3	N32/2/3	Der Alpenjäger (Es donnern die Höh'n)	v pf		1855?	2nd version of S.292i/3; arr for v orch as S.372/3
293i	N37/1	Jeanne d'Arc au bûcher (Scène dramatique)	v pf		1845	1st version of S.293ii; arr for v orch as S.373i
293ii	N37/2	Jeanne d'Arc au bûcher (Scène dramatique)	v pf		1874–75	2nd version of S.293i; arr for v org as S.681a; for v orch as S.373ii
294i	N33/1	Es rauschen die Winde	v pf		1845	1st version of S.294ii
294ii	N33/2	Es rauschen die Winde	v pf		1849?	2nd version of S.294i
295	N28	Wo weilt er?	v pf		1844
296i (*296)	N31	Ich möchte hingehn	v pf		1844?	1st version of S.296ii [lower-alpha 2]
296ii	N31	Ich möchte hingehn	v pf		1856?	2nd version of S.296i [lower-alpha 5]
297i	N34/1	Wer nie sein Brot mit Tränen aß	v pf		1845	1st version of S.297ii
297ii	N34/2	Wer nie sein Brot mit Tränen aß	v pf		1849	2nd version of S.297i
298i	N18/3/1	O lieb so lang du lieben kannst	v pf		1843	1st version of S.298ii; arr for pf as S.540b
298ii	N18/3/2	O lieb, so lang du lieben kannst	v pf		1843	2nd version of S.298i; arr for pf as S.541/3
298a	N38	Über die Aeolsharfe	v pf		1846
299i	N39/1	Isten veled	v pf		1847	1st version of S.299ii
299ii	N39/2	Isten veled	v pf		1879	2nd version of S.299i
300	N40	Le Juif errant	v pf		1847	unpublished
301i	N42/1	Kling leise, mein Lied	v pf		1848	1st version of S.301ii
301ii	N42/2	Kling leise, mein Lied	v pf		1849–60	2nd version of S.301i
301a	N30	Oh pourquoi donc	v pf		1844?	rev for pf as S.169
301b/i	N6/2/1	En ces lieux tout me parle d'elle (Élégie)	v pf		1844	2nd version of S.274i, S.274ii, S.301b/ii; arr for pf as S.534ii
301b/ii	N6/2/2	Elégie (En ces lieux)	v pf		1845	3rd version of S.274i, S.274ii, S.301b/i; arr for pf as S.534ii/a
302	N45	Die Macht der Musik	v pf		1848
303*	N43$	Weimars Toten (Dithyramb)	v pf		1848
304	N44	Le vieux vagabond (Der alte Vagabund)	v pf		1848
305i	N35/1	Schwebe, schwebe, blaues Auge	v pf		1845	1st version of S.305ii
305ii	N35/2	Schwebe, schwebe, blaues Auge	v pf		1849–60	2nd version of S.305i
306i	N46/1	Über allen Gipfeln ist Ruh	v pf		1848	arr of S.75i; 1st version of S.306ii
306ii	N46/2	Über allen Gipfeln ist Ruh	v pf		1859	2nd version of S.306i
306a	N13	Quand tu chantes bercée	v pf		1842
306b	N41	Göttliche Gedanken, selige Gefühle	v pf		1848
307	N18/1	Hohe Liebe (In Liebesarmen ruht ihr trunken)	v pf		1850	arr for pf as S.541/1
308	N18/2	Seliger tod (Gestorben war ich)	v pf		1845–46	arr for pf as S.171d/8
309	N36/1	Ein Fichtenbaum steht einsam I	v pf		1845	1st setting of S.309a
309a (*309bis)	N36/2	Ein Fichtenbaum steht einsam II	v pf		1860	2nd setting of S.309
310	N20	Nimm einen Strahl der Sonne (Ihr Auge)	v pf		1843–49
311i	N48/1	Anfangs wollt' ich fast verzagen	v pf		1849	1st version of S.311ii, S.311iii, S.311iv, S.311v
311ii	N48/2	Anfangs wollt' ich fast verzagen	v pf		1860?	2nd version of S.311i, S.311iii, S.311iv, S.311v
311iii	—	Anfangs wollt' ich fast verzagen	v pf		?	3rd version of S.311i, S.311ii, S.311iv, S.311v [lower-alpha 7]
311iv	—	Anfangs wollt' ich fast verzagen	v pf		?	4th version of S.311i, S.311ii, S.311iii, S.311v [lower-alpha 7]
311v	—	Anfangs wollt' ich fast verzagen	v pf		?	5th version of S.311i, S.311ii, S.311iii, S.311iv [lower-alpha 7]
312	N51	Wie singt die Lerche schön	v pf		1855
313	N53	Weimars Volkslied	v pf		1857	arr for various choral configurations under S.87, for orch by Liszt and Franz Doppler as S.359a, for pf as S.542i, for pf4h as S.588, for org as S.672i, for org/harm as S.672ii; theme used in S.228ii [30]
314	N49	Es muss ein Wunderbares sein	v pf		1852
315	N52	Ich liebe dich	v pf		1857	arr for pf as S.542a
316	N54	Muttergottes-Sträusslein zum Mai-Monate:	v pf		1857	see also S.765
316/1	N54/1	Das Veilchen	v pf		1857
316/2	N54/2	Das Schlüsselblumen	v pf		1857
317	N55	Lasst mich ruhen	v pf		1858
318	N56	In Liebeslust	v pf		1858
319	N58	Ich scheide	v pf		1860
320	N62/1	Die drei Zigeuner	v pf		1860	arr for vn pf as S.383, for v orch as S.374
321	N59	Die stille Wasserrose	v pf		1860
322	N60	Wieder möcht ich dir begegnen	v pf		1860
323	N61	Jugendglück	v pf		1860
324	N50	Blume und Duft	v pf		1854
325	N65	Die Fischerstochter	v pf		1871
326	N67	La perla (Die Perle)	v pf		1872
327	N68	J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben)	v pf		1872
328	N69	Ihr Glocken von Marling	v pf		1874
329	N70	Und sprich	v pf		1875–79
330	N71	Sei still	v pf		1877–79?
331	N72	Gebet	v pf		1878
332	N73	Einst	v pf		1878
333	N74	An Edlitam (Zur silbernen Hochzeit)	v pf		1878
334	N75	Der Glückliche (Wie glänzt nun die welt)	v pf		1878
335	N76	Go Not, Happy Day (Weil noch, Sonnenstrahl)	v pf		1879
336	N77	Verlassen (Mir ist die Welt so freudenleer)	v pf		1880
337	N78	Des Tages laute Stimmen schweigen	v pf		1880
338	N66	Und wir dachten der Toten	v pf		1871?
339	M37	A magyarok Istene (Ungarns Gott)	v pf (+mch)		1881	arr for pf as S.543, for pflh as S.543a, for org/harm as S.674, for pf4h as S.755a, for bar mch ww br perc as S.345a, for vn pf as S.381a
340	N81	Magyar király-dal (Ungarisches Königslied)	v pf		1883	arr for various choral configurations under S.93 [31], for pf as S.544, for pf4h as S.626
340a	N64	Do Not Reproach Me, My Friend (Не брани меня, мой друг)	v pf		1866
341–344	Songs with organ/harmonium					[INDEX↑]
341	K8	Ave Maria IV	v org/harm	G major	1881	arr for pf as S.545, for org as S.674b
342i	K9/1	Le Crucifix	v pf/harm		1879	1st version of S.342ii, S.342iii
342ii	K9/2	Le Crucifix	v pf/harm		1879	2nd version of S.342i, S.342iii
342iii	K9/3	Le Crucifix	v pf/harm		1881–83	3rd version of S.342i, S.342ii
343	K7	Sancta Caecilia	v org/harm		1880–85
344	N79	O Meer im Abendstrahl	2vv pf/harm		1881?
345	Songs with orchestra					[INDEX↑]
345	L14	(7) Wartburg-Lieder:	v ch orch/pf		1872–73
345/0	L14/0	An Frau Minne (Die Erde ist erschlossen)	ch orch/pf		1872–73
345/1	L14/1	Wolfram von Eschenbach (Als wir mit deutschen Klingen)	v ch orch/pf		1872–73
345/2	L14/2	Heinrich von Ofterdingen (Hab' ich geträumt?)	v orch/pf		1872–73
345/3	L14/3	Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)	v orch/pf		1872–73	arr for v vn pf as S.345/3a
345/3a	L14/3a	Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)	v pf (+vn)		1873	arr of S.345/3
345/4	L14/4	Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)	v orch/pf		1872–73
345/5	L14/5	Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)	v orch/pf		1872–73
345/6	L14/6	Reimar der Alte (Wo liebende Herzen sich innig vermählt)	v orch/pf		1872–73
345a	Songs with band					[INDEX↑]
345a	L16	A magyarok Istene (Ungarns Gott)	v mch ww br perc		1882	arr of S.339
346–350	Recitations					[INDEX↑]
346	P1	Lenore (Der Bräutigam)	nar pf		1857–58
347	P2	Vor hundert Jahren	nar orch		1859	unpublished
348	P3	Der traurige Mönch (In Schweden steht ein grauer Turm)	nar pf		1860
349	P5	Des toten Dichters Liebe (A holt költó szerelme)	nar pf		1874	rev for pf as S.195
350	P6	Слѣпой [Slyepoi] (The Blind Man) "Der blinde Sänger"	nar pf		1875–77	arr for pf as S.546
351–686	Arrangements					[INDEX↑]
351–364	Orchestra					[INDEX↑]
351	Bülow					[INDEX↑]
351	G32	Mazurka-Fantaisie (H. von Bülow)	orch	B minor	1865	arr of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow
352	Cornelius					[INDEX↑]
352	G36	Zweite Ouvertüre zum Barbier von Bagdad (P. Cornelius)	orch		1877–80	second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt
353	Egressy/Erkel					[INDEX↑]
353	G34	Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)	orch		1872	arr of the Hungarian patriotic songs (now the Hungarian national anthems) Szózat by Béni Egressy and Himnusz by Ferenc Erkel; arr for pf as S.486, for pf4h as S.628c
353a–362a	Liszt					[INDEX↑]
*353a (378ii)	—	Angelus! Prière aux anges gardiens
*354 (113a)	—	(2)Légendes
354a	—	Variationen über das Motiv von Bach	orch		1863 or later	arr of 180; lost [32] [lower-alpha 8]
355	G30	Vexilla regis prodeunt (Kreuzeshymne)	orch		1864	arr of S.185
356	G18	Festvorspiel	orch		1857	arr of S.226
357i	G8/1	Huldigungs-Marsch	ww br perc		1853	arr of S.228i by Liszt and Joachim Raff; 1st version of S.357ii
357ii	G8/2	Huldigungs-Marsch	orch		1857	2nd version of S.357i
358	G11	Vom Fels zum Meer! (Deutscher Siegesmarsch)	orch		1853–56?	arr of S.229
358a	—	Heroischer Marsch in ungarischem Styl [Première marche hongroise]	orch		1840	arr of S.231; basis for S.103; unpublished; written for the King of Portugal [lower-alpha 9][lower-alpha 5]
358b	—	Seconde marche hongroise (Ungarischer Sturmmarsch)	orch		1843 or later	1st version of S.119 [lower-alpha 10][lower-alpha 5]
359	G21	(6) Hungarian Rhapsodies:	orch		1857–60	arr of S.244; arr for pf4h as S.621
359/1	G21/1	Hungarian Rhapsody No. 1	orch	F minor	1857–60	arr by Liszt and Franz Doppler of S.244/14; arr for pf4h as S.621/1
359/2	G21/2	Hungarian Rhapsody No. 2	orch	D minor	1857–60	arr by Liszt and Franz Doppler of S.244/12; arr for pf4h as S.621/2
359/3	G21/3	Hungarian Rhapsody No. 3	orch	D major	1857–60	arr by Liszt and Franz Doppler of S.244/6; arr for pf4h as S.621/3
359/4	G21/4	Hungarian Rhapsody No. 4	orch	D minor	1857–60	arr by Liszt and Franz Doppler of S.244/2; arr for pf4h as S.621/4
359/5	G21/5	Hungarian Rhapsody No. 5 (Héroïde-élégiaque)	orch	E minor	1857–60	arr by Liszt and Franz Doppler of S.244/5; arr for pf4h as S.621/5
359/6	G21/6	Hungarian Rhapsody No. 6 (Pesther Carneval)	orch	D major	1857–60	arr by Liszt and Franz Doppler of S.244/9; arr for pf4h as S.621/6
359a	G19	Weimars Volkslied	orch	C major	1857	arr of S.313
360	G26	À la Chapelle Sixtine	orch		1862	arr of S.461i
361	G31	Der Papsthymnus	orch		1864	arr of S.261
362	H14	Benedictus aus der Ungarischen Krönungsmesse	vn orch		1875–77	arr of S.11/7
*362a (378ii)	—	Angelus! Priere aux anges gardiens	str/(2vn va vc)			arr of S.163/1
363–363a	Schubert					[INDEX↑]
363	G24	(4) Märsche von Franz Schubert:	orch		1859–70	arr of S.425/2c, S.426; arr for pf4h as S.632
363/1	G24/1	Grande marche	orch	B minor	1859–70	arr of S.426/2; arr for pf4h as S.632/1
363/2	G24/2	Trauermarsch	orch	E♭ minor	1859–70	arr of S.426/1; arr for pf4h as S.632/2
363/3	G24/3	Reitermarsch	orch	C major	1859–70	arr of S.426/3; arr for pf4h as S.632/3
363/4	G24/4	Ungarischer Marsch	orch	D minor	1859–70	arr of S.425/2c; arr for pf4h as S.632/4
363a	—	Erlkönig	orch		1837 or later	arr of S.558/4 [lower-alpha 11][lower-alpha 5]
364	Zarębski					[INDEX↑]
364	G39	Danses galiciennes de Zarembski	orch		1881–82	orchestration of 3 Danses galiciennes by Juliusz Zarębski
365–367a	Piano and orchestra					[INDEX↑]
365–365a	Liszt					[INDEX↑]
365	H11/1	Grand solo de concert	pf orch		c1850	arr of S.176; sketches only; score prepared from manuscript sources by Leslie Howard
365a	H11/2	Concerto pathétique	pf orch	E minor	1885–86	arr of S.258ii by Eduard Reuss with corrections by Liszt [33]
365b	Bellini					[INDEX↑]
365b	H5	Hexaméron (Morceau de concert) ("Grandes Variations de bravoure sur la marche des Puritains de Bellini, par MM Liszt, Thalberg, Pixis, Henri Herz, Czerny et Chopin")	pf orch		c1839	arr of S.392; score prepared from manuscript sources and orchestration completed by Leslie Howard [34]
366	Schubert					[INDEX↑]
366	H13	Franz Schuberts Grosse Fantasie	pf orch	C major	1851	arr of the Fantasie in C major, Op.15/D.760 by Franz Schubert; arr for 2pf as S.653
367–367a	Weber					[INDEX↑]
367	H10	Polonaise brillante (Weber)	pf orch	E major	1848–52	arr of the Polacca brillante, Op.72 by Carl Maria von Weber; arr for pf as S.455
367a	—	Konzertstück	pf orch	F minor	c1872	Konzertstück, Op.79 by Carl Maria von Weber, solo piano part revised by Liszt (orchestral part unchanged); see also S.576a for pf solo
368–377	Songs with orchestra					[INDEX↑]
368	Korbay					[INDEX↑]
368	N80	(2) Lieder von Francis Korbay:	v orch		1883	arr of songs by Francis Korbay
368/1	N80/1	Le matin	v orch		1883	arr of the song by Francis Korbay
368/2	N80/2	Gebet	v orch		1883	arr of the song by Francis Korbay; arr for v org as S.683a
369–374	Liszt					[INDEX↑]
369	N5/3	Die Loreley	v orch		1860	arr of S.273ii
370	N8/4	Mignons Lied (Kennst du das Land)	v orch		1860	arr of S.275iii
371	N22/2	Die Vätergruft	v orch		1886	arr of S.281
372	N32/3	(3) Lieder aus Schiller's Wilhelm Tell:	v orch		1855	arr of S.292ii
372/1	N32/3/1	Der Fischerknabe (Es lächelt der See)	v orch		1855	arr of S.292ii/1
372/2	N32/3/2	Der Hirt (Ihr Matten lebt wohl)	v orch		1855	arr of S.292ii/2
372/3	N32/3/3	Der Alpenjäger (Es donnern die Höh'n)	v orch		1855	arr of S.292ii/3
373i	N37/5/1	Jeanne d'Arc au bûcher	v orch		1858	arr of S.293i; 1st version of S.373ii
373ii	N37/5/2	Jeanne d'Arc au bûcher	v orch		1875	arr of S.293ii; 2nd version of S.373i
374	N62/2	Die drei Zigeuner	v orch		1871	arr of S.320
375–376	Schubert					[INDEX↑]
375	N63	(6) Lieder von Schubert:	v orch		1860	arr of songs by Franz Schubert
375/1	N63/1	Die junge Nonne	v orch		1860	arr of Die junge Nonne, D.828 by Franz Schubert
375/2	N63/2	Gretchen am Spinnrade	v orch		1860	arr of Gretchen am Spinnrade, D.118 by Franz Schubert
375/3	N63/3	Lied der Mignon (So lasst mich scheinen)	v orch		1860	arr of Lied der Mignon: So lasst mich scheinen, D.877 No. 3 by Franz Schubert
375/4	N63/4	Erlkönig	v orch		1860	arr of Erlkönig, D.328 by Franz Schubert
375/5	N63/5	Der Doppelgänger (Still ist die Nacht)	v orch		1860	arr of No.13 from Schwanengesang, D.957 by Franz Schubert
375/6	N63/6	Abschied	v orch		1860	arr of No.7 from Schwanengesang, D.957 by Franz Schubert
376	L13	Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr)	mch org/harm orch		1871	arr of Die Allmacht, D.852 by Franz Schubert
377	Zichy					[INDEX↑]
377	N82	Der Zaubersee (Bűvös tó)	ten orch		1884	arr of a ballad (now lost) by Géza Zichy
377a–383	Chamber music					[INDEX↑]
377a–383	Liszt					[INDEX↑]
377a (*722)	D9	La notte	vn pf		1864–65	arr of S.112/2
377b	—	"Gretchen"	vn va vc hp pf harm		1861 or later	arr of 2nd mvt of S.108ii by Leopold Alexander Zellner with corrections and additional material by Liszt; published 2013; arr for small-orch as S.711a [lower-alpha 12][lower-alpha 11][lower-alpha 5]
378i	D15	Angelus! Priere aux anges gardiens	2vn va vc		1882	arr of S.163/1; arr for 2vn va vc db by Walter Bache and Liszt
378ii (*362a) (*353a)	D15	Angelus! Priere aux anges gardiens	2vn va vc db		1882	arr of S.378i by Walter Bache with corrections by Liszt
378a	D18/1	Vallée d'Obermann	vn vc pf		1880	arr by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c
378b	D18/2	Vallée d'Obermann	vn vc pf		1880	2nd version of S.378a, S.378c
378c (*723)	D18/3	Tristia (Vallée d'Obermann)	vn vc pf		1880	3rd version of S.378a, S.378b
379	D6	Hungarian Rhapsody No.9	vn vc pf	E♭ major	1848	arr of S.242/22
379a	—	Rapsodie hongroise (pour violon et piano par Franç. Liszt – la partie du violon par J. Joachim) (Hungarian Rhapsody No.XII)	vn pf	C♯ minor	1850s	arr of S.244/12; by Liszt and Joseph Joachim (violin part)
379b	D17	Puszta-Wehmut	vn pf		1880	arr of S.246
380	D7	O du mein holder Abendstern	vc pf		1852	arr of S.444 by Liszt and cellist Bernhard Cossmann
381	D10	Aus der Ungarischen Krönungsmesse (Missa coronationalis):	vn pf		1869	arr of extracts from S.11
381/1	D10/1	Benedictus	vn pf		1869	arr of S.11/7
381/2	D10/2	Offertorium	vn pf		1869	arr of S.11/5
381a	—	A magyarok Istene (Ungarns Gott)	vn pf		1882	arr of S.339
382i (*382)	D21	Die Zelle in Nonnenwerth (Elegie)	vc pf		1883	arr of S.274ii; alternate version of S.382ii [lower-alpha 2]
382ii (*382bis)	D21	Die Zelle in Nonnenwerth (Elegie)	vn pf		1883	arr of S.274ii; alternate version of S.382i; published 2010 [lower-alpha 2]
382a	D11	(2) Consolations:	vc pf/org/harm		c1871	arr of Nos.1 and 4 from S.172 by Liszt and cellist Jules Deswert, with a 10-1/2 bar passage linking the two (known as the "Enchainement") written by Liszt
382a/1	D11/1	(Andante con moto)	vc pf/org/harm		c1871	arr of S.172/1 by Liszt and Jules Deswert
382a/2	D11/2	(Quasi Adagio)	vc pf/org/harm		c1871	arr of S.172/4 by Liszt and Jules Deswert
383	D8	Die drei Zigeuner (Paraphrase)	vn pf		1864	arr of S.320; written for Ede Reményi
383a–577	Piano solo					[INDEX↑]
383a–460	Paraphrases, fantasies					[INDEX↑]
383a	Ábrányi					[INDEX↑]
383a	V12	Virag Dál (Chant des Fleurs) (Ábrányi)	pf		1880	additions and corrections by Liszt to the pf piece by Kornél Ábrányi
384	Vielgorsky					[INDEX↑]
384	A93	Mazurka pour Piano, arr composée par un amateur de St. Pétersbourg	pf		1868?	arr of a pf piece by Mikhail Vielgorsky (incorrectly attributed in some sources to Alexander Alyabyev)
384a	Pal					[INDEX↑]
384a	—	Változatok "Tiszántuli szép lány" (Variations "Pretty Girl from Tiszántul")	pf		1846	Liszt's authorship doubtful, probably by Liszt's friend Feleti Pal, who copied and signed the manuscript
385–387	Auber					[INDEX↑]
385i	A12a/1	Grande fantaisie sur la tyrolienne de La fiancée	pf	A major	1829	based on a theme from the opera La fiancée by Daniel Auber; 1st version of S.385ii, S.385iii; see also S.233c
385ii	A12a/2	Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber	pf	A major	1839	2nd version of S.385i, S.385iii
385iii	A12a/3	Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber)	pf	A major	1842	"3rd version" (corrected edition of 2nd version) of S.385i, S.385ii
*385a (233c)	—	Tyrolean Melody			1829
386i	A125	Tarantelle (di bravura) d'après la Tarantelle de la 'Muette de Portici' d'Auber	pf		1846	based on a theme from the opera La Masaniello, ou La muette de Portici by Daniel Auber; 1st version of S.386ii, S.386iii; published 1995
386ii	A125	Tarantelle (di bravura) d'après la Tarantelle de la 'Muette de Portici' d'Auber	pf		by 1869	2nd version (cut of an optional variation) of S.386i, S.386iii; published 1995
386iii	—	Tarantelle di bravura d'après la Tarantelle de La Muette de Portici	pf		1869	3rd version (for Sophie Menter) of S.386i, S.386ii; published 1995
387	A144	Pieces on themes by Auber:	pf		after 1846?	unfinished [35]
387/1 (*387/1–3) (*387/1, 1a, 2)	A144	Introduction, Prière, Cavatine	pf	A♭ major – E major – E major	after 1846?	"Cavatine" based on the "Berceuse" from the opera La Masaniello, ou La muette de Portici by Daniel Auber; "Introduction" and "Prière" based on unidentified themes [lower-alpha 2]
387/2 (*387a) (*387/3)	A144/3	Klavierstück über ein fremdes Thema (Andantino)	pf	A minor	1847	based on an unidentified theme [lower-alpha 2]
388–389a	Beethoven					[INDEX↑]
388	A124	Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes)	pf		1846	based on the "Turkish March" (No.4) and the "Dervishes' Chorus" (No.3) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; "Turkish March" extracted as S.388a
388a	A124	Marche turque des Ruines d'Athènes	pf		1846	arr of the "Turkish March" (No.4) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; extract from S.388
388b	A177	Fantasie über Motiven aus Beethovens Ruinen von Athen	pf		c1837	based on the "Marsch und Chor" (March and Chorus) (No.6) from Die Ruinen von Athen, Op.113 by Ludwig van Beethoven; arr for pf orch as S.122i
389	A177	Fantasie über Motiven aus Beethovens Ruinen von Athen	pf		c1852	arr of S.122ii (combining S.388b & S.388)
389a (*197c)	C27	Cadenza to the first mvt of Piano Concerto No.3 by Beethoven	pf		1878–79	extracted from S.657a/1
390–394	Bellini					[INDEX↑]
390i	A34/1	Réminiscences des Puritains de Bellini	pf		1836	based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390ii, S.391; published as Op.7; arr for pf orch as S.713e
390ii	A34/2	Réminiscences des Puritains de Bellini	pf		c1837	2nd version of S.390i, S.391; published as Op.7
391	A74	Introduction et Polonaise de l'opéra I puritani	pf		1840	3rd (simplified) version of concluding portion extracted from S.390i, S.390ii
392	A41	Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)	pf		1837–38	collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frédéric Chopin; arr for pf orch as S.365b, for 2pf as S.654i
393i	A56/1	Fantaisie sur des motifs favoris de l'opéra La somnambula de Bellini	pf		1839	based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393ii, S.393iii
393ii	A56/2	Fantaisie sur des motifs favoris de l'opéra La somnambula de Bellini (Grand fantaisie de concert)	pf		c1839	2nd version of S.393i, S.393iii; arr for pf4h as S.627
393iii	A56	Sonnambula (de Bellini) (Grosse Concert-Fantasie)	pf		1874	3rd version of S.393i, S.393ii
394	A77	Réminiscences de Norma	pf		1841	based on themes from the opera Norma by Vincenzo Bellini; arr for 2pf as S.655
395–396	Berlioz					[INDEX↑]
395	—	L'idée fixe (Andante amoroso d'après une mélodie de Berlioz)	pf	A major	1846	a nocturne based on the main theme from the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 1st version of S.470a/1
396	A178	Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)	pf		1852–53	based on themes from the opera Benvenuto Cellini, Op.23/H.76 by Hector Berlioz; arr for pf4h as S.628
397–402	Donizetti					[INDEX↑]
397	A22	Réminiscences de Lucia di Lammermoor, Fantaisie dramatique	pf		1835–36	published as Op. 13; 1st part of Réminiscences only (for 2nd part see S.398); based on themes (mostly the closing sextet) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628a
398	A23	Marche et Cavatine de Lucia di Lammermoor	pf		1835–36	2nd part of Réminiscences S.397; based on themes (mostly the scene at the tomb) from the opera Lucia di Lammermoor by Gaetano Donizetti; arr for pf4h as S.628b
399	A44	Nuits d'été à Pausilippe ((3) Amusements sur des motifs de l'album de Donizetti):	pf		1838	based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/1	A44/1	Barcarola (Il barcajuolo)	pf		1838	based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/2	A44/2	Notturno (L'alito di Bice)	pf		1838	based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/3	A44/3	Canzone Napoletana (La torre di Biasone)	pf		1838	based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399a	A71a	Fantaisie sur des motifs de l'opéra Lucrezia Borgia de G Donizetti	pf		1840	based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400/2
400	A71b	Réminiscences de Lucrezia Borgia (Grande fantaisie sur des motifs favoris de l'opéra de Donizetti):	pf		1848	based on themes from the opera Lucrezia Borgia by Gaetano Donizetti; 1st version of S.400a
400/1	A71b/1	Trio du seconde Acte	pf		1848	based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti
400/2	A71b/2	Chanson à boire (Orgie). Duo. Finale	pf		1848	based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a
400a (*400bis)	—	Réminiscences de Lucrezia Borgia de Donizetti (Grande fantaisie en deux parties, "Reduced, with the author's approval, to a single concert piece by G. Buonamici")	pf		1880	2nd version of S.400, by Giuseppe Buonamici's, corrected with additions by Liszt [36]
400b (*400a) (*742)	A136	Spirto gentil (Kavatine aus der Oper La favorite)	pf		1847	based on a theme from Act IV of the opera La favorite by Gaetano Donizetti
401	A88a	Valse a capriccio (sur deux motifs de Lucia et Parisina)	pf		1842	based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti; 1st version of S.214/3
402	A108	Marche funèbre de Dom Sébastien de Donizetti	pf		1844	based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti
403–403a	DonizettiJ					[INDEX↑]
403	A137	Grande paraphrase de la Marche de J. Donizetti (composée pour Sa Majesté le Sultan Abdul Medjid-Khan)	pf		1847	based on the Grande marche militaire by Jiuseppe Donizetti; 1st version of S.403a
403a (*403bis)	A137	Grande Marche d'Abdul Medjid-Khan	pf		1848	2nd version of S.403 ("version facilitée") [lower-alpha 13]
404	Ernst					[INDEX↑]
404	A160	Halloh! (Jagdchor und Steirer aus der Oper Tonÿ von E. H. z. S. C. G.)	pf		1849	based on themes from the opera Tonÿ, oder die Vergeltung by Ernst II, Duke of Saxe-Coburg-Gotha
405	Erkel					[INDEX↑]
405	A140	Schwanengesang und Marsch aus Hunyadi László	pf		1847	based on themes from the opera Hunyadi László by Ferenc Erkel
405a	Festetics					[INDEX↑]
405a	V4	Pásztor Lakodalmus (Magyar nóták)	pf		1858	corrections and alterations to Les noces du Pâtre by Leo Festetics
406	Glinka					[INDEX↑]
406i	—	Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila)	pf		1843	based on Chernomor's March (Act IV, No. 19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406ii
406ii	—	Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla	pf		1843, 1875	2nd version of S.406i; arr for pf4h as S.629
407–409	Gounod					[INDEX↑]
407	A208	Valse de l'opéra Faust	pf		1861	based on the waltz and duet from Act II of the opera Faust by Charles Gounod
408	A231	Les Sabéennes (Berceuse de l'opéra La reine de Saba)	pf		1865	based on the berceuse from the opera La reine de Saba by Charles Gounod
409	A237	Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette)	pf		1867	based on a theme from the opera Roméo et Juliette by Charles Gounod
409a	Halévy					[INDEX↑]
409a	A20	Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy)	pf		1835	based on themes from the opera La Juive by Fromental Halévy
410	Mendelssohn					[INDEX↑]
410	A166	Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum	pf		1849–50	based on themes from the incidental music to A Midsummer Night's Dream, Op.61 by Felix Mendelssohn
411	Mercadante					[INDEX↑]
411	A47	Soirées italiennes ((6) Amusements sur des motifs de Mercadante):	pf		1838–39	based on 6 of the 12 Soirées italiennes by Saverio Mercadante
411/1	A47/1	La primavera (Canzonetta)	pf		1838–39	based on No.2 of the Soirées italiennes by Saverio Mercadante
411/2	A47/2	Il galop	pf		1838–39	based on No.10 of the Soirées italiennes by Saverio Mercadante
411/3	A47/3	Il pastore svizzero (Tirolese)	pf		1838–39	based on No.4 of the Soirées italiennes by Saverio Mercadante
411/4	A47/4	La serenata del marinaro	pf		1838–39	based on No.5 of the Soirées italiennes by Saverio Mercadante
411/5	A47/5	Il Brindisi (Rondoletto)	pf		1838–39	based on No.11 of the Soirées italiennes by Saverio Mercadante
411/6	A47/6	La zingarella spagnuola (Bolero)	pf		1838–39	based on No.8 of the Soirées italiennes by Saverio Mercadante
412–416	Meyerbeer					[INDEX↑]
412i	A35/1	Réminiscences des Huguenots (Grande fantaisie dramatique sur des thèmes de l'opéra de Meyerbeer)	pf		1836	based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412ii, S.412iii
412ii (*412i-bis)	—	Fantaisie dramatique sur les Huguenots de Meyerbeer	pf		c1837	2nd version of S.412i, S.412iii
412iii (*412ii)	A35/2	Réminiscences des Huguenots (Grande fantaisie dramatique sur des thèmes de l'opéra de Meyerbeer)	pf		1842	3rd version of S.412i, S.412ii
412a–413	A120,78	Réminiscences de Robert le Diable (Grande fantaisie sur des motifs de l'opéra de Meyerbeer):	pf		1841–46	based on themes from the opera Robert le diable by Giacomo Meyerbeer
412a	A120	Cavatine	pf		c1846	based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer
413	A78	Valse infernale	pf		1841	based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arr for pf4h as S.630
414	A165	Illustrations du Prophète:	pf		1849–50	based on themes from the opera Le prophète by Giacomo Meyerbeer
414/1	A165/1	Prière. Hymne triomphal. Marche du sacre	pf		1849–50	based on themes from the opera Le prophète by Giacomo Meyerbeer
414/2	A165/2	Les patineurs. Scherzo	pf		1849–50	based on themes from the opera Le prophète by Giacomo Meyerbeer
414/3	A165/3	Pastorale. Appel aux armes	pf		1849–50	based on themes from the opera Le prophète by Giacomo Meyerbeer
414/4	—	Fantasie und Fuge über den Choral Ad nos, ad salutarem undam	pf		c1850	based on a theme from the opera Le prophète by Giacomo Meyerbeer; arr of S.259; lost; apparently never notated but performed by Liszt [37] [lower-alpha 14][lower-alpha 2]
415	A230	Illustrations de l'opéra L'Africaine:	pf		1865	based on themes from the opera L'Africaine by Giacomo Meyerbeer
415/1	A230/1	Prière des matelots	pf		1865	based on the sailors' prayer from Act III of the opera L'Africaine by Giacomo Meyerbeer
415/2	A230/2	Marche indienne	pf		1865	based on the Indian March from Act IV of the opera L'Africaine by Giacomo Meyerbeer
416	A79	Le moine (Meyerbeer)	pf		1841	arr of the song by Meyerbeer
417	Mosonyi					[INDEX↑]
417	A232	Fantaisie sur l'opéra hongroise Szép Ilonka	pf		1865–67	based on themes from the opera Szép Ilonka by Mihály Mosonyi
418	Mozart					[INDEX↑]
418	A80	Réminiscences de Don Juan (Grande fantaisie)	pf		1841	based on themes from the opera Don Giovanni, K.527 by Wolfgang Amadeus Mozart; arr for 2pf as S.656
419	Pacini					[INDEX↑]
419	A24	Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti")	pf		1835–36	based on themes from the opera Niobe by Giovanni Pacini; published as Op.5 No.1; arr for pf orch as S.713c
420	Paganini					[INDEX↑]
420	A15	Grande fantaisie de bravoure sur La clochette	pf		c1832	based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini; published as Op.5 No.1; arr for pf orch as S.713b
421	Raff					[INDEX↑]
421	A183	Andante Finale und Marsch aus der Oper König Alfred:	pf		1853	based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arr for pf4h as S.631
421/1	A183/1	Andante	pf		1853	arr for pf4h as S.631/1
421/2	A183/2	Marsch	pf		1853	arr for pf4h as S.631/2
421a–424	Rossini					[INDEX↑]
421a (*750)	A13	"Introduction" (des Variations sur une marche du Siège de Corinthe)	pf		1830	based on a march from the opera Le siège de Corinthe by Gioachino Rossini; Introduction only, the Variations lost [38]
421b (*751)	—	Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)	pf		1839–41	based on themes from the operas Maometto secondo and Mosè in Egitto by Gioachino Rossini
422i	A25	Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales	pf		1835–36	based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioachino Rossini; 1st version of S.422ii
422ii	A25	Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales	pf		1840	2nd version of S.422i
423	A26	Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales	pf		1835–36	based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioachino Rossini
424	A36	Soirées musicales de Rossini:	pf		1837	based on the song cycle Les soirées musicales by Gioachino Rossini
424/1	A36/1	La promessa (Canzonetta)	pf		1837	based on No.1 of the Les soirées musicales by Gioachino Rossini
424/2	A36/2	La regata veneziana (Notturno)	pf		1837	based on No.9 of the Les soirées musicales by Gioachino Rossini
424/3	A36/3	L'invito (Bolero)	pf		1837	based on No.5 of the Les soirées musicales by Gioachino Rossini
424/4	A36/4	La gita in gondola (Barcarola)	pf		1837	based on No.7 of the Les soirées musicales by Gioachino Rossini
424/5	A36/5	Il rimprovero (Canzonetta)	pf		1837	based on No.2 of the Les soirées musicales by Gioachino Rossini
424/6	A36/6	La pastorella dell'Alpi (Tirolese)	pf		1837	based on No.6 of the Les soirées musicales by Gioachino Rossini
424/7	A36/7	La partenza (Canzonetta)	pf		1837	based on No.3 of the Les soirées musicales by Gioachino Rossini
424/8	A36/8	La pesca (Notturno)	pf		1837	based on No.10 of the Les soirées musicales by Gioachino Rossini
424/9	A36/9	La danza (Tarantella Napoletana)	pf		1837	based on No.8 of the Les soirées musicales by Gioachino Rossini
424/10	A36/10	La serenata (Notturno)	pf		1837	based on No.11 of the Les soirées musicales by Gioachino Rossini
424/11	A36/11	L'orgia (Arietta)	pf		1837	based on No.4 of the Les soirées musicales by Gioachino Rossini
424/12	A36/12	Li marinari (Duetto)	pf		1837	based on No.12 of the Les soirées musicales by Gioachino Rossini
425–427	Schubert					[INDEX↑]
425	A48	Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien):	pf		1838–39	based on Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a
425/1	A48/1	Andante	pf		1838–39	based on No.1 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/1
425/2a	A48/2	Marche hongroise	pf		1838–39	based on No.2 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version ("1st Diabelli edition") of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2
425/2b	A48/2	Marche hongroise	pf		1840	2nd version ("Richault edition") of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2
425/2c	A48/2	Marche hongroise	pf		1840	3rd version ("Lucca edition") of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2; arr for orch as S.363/4
425/2d	A48/2	Marche hongroise	pf		1879	5th version ("Menter transcription") of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2
425/2e	A48/2	Marche hongroise	pf		1883	6th version ("3rd edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2
425/3	A48/3	Allegretto	pf		1838–39	based on No.3 of Divertissement à la hongroise, D.818 by Franz Schubert; 1st version of S.425a/3
425a	A48	Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien):	pf		1846	2nd (simplified) version of S.425
425a/1	A48/1	Andante	pf		1846	2nd (simplified) version of S.425/1
425a/2	A48/2	Marcia	pf		1846	4th (simplified) version ("2nd Diabelli edition") of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/2e
425a/3	A48/3	Allegretto	pf		1846	2nd (simplified) version of S.425/3
426	A123	(3) Märsche von Franz Schubert:	pf		1846	arr for orch as S.363
426/1	A123/1	Trauermarsch (Grande marche funèbre)	pf		1846	based on No.5 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/2
426/2	A123/2	Grande marche	pf		1846	based on No.3 of 6 Grandes marches, Op.40/D.819, and on Grande marche funèbre, Op.55/D.859 by Franz Schubert; arr for orch as S.363/1
426/3	A123/3	Grande marche caractéristique	pf		1846	based on Nos.1 and 2 of 2 Marches caractéristiques, Op.121/D.886, and on Nos.1 and 2 of 6 Grandes marches, Op.40/D.819 by Franz Schubert; arr for orch as S.363/3
426a	—	Marche militaire (Grande paraphrase de concert)	pf		c1870?	based on No.1 of 3 Marches militaires, Op.51/D.733 by Franz Schubert
427	A131	Soirées de Vienne (Valses-caprices d'après François Schubert):	pf		1846–52	based on pf dances by Franz Schubert
427/1	A131/1	(Allegretto malinconico)	pf	A♭ major	1846–52	based on No.1 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on No.22 of 36 Originaltänze, Op.9/D.365, and on No.14 of 16 Ländler und 2 Ecossaisen, Op.67/D.734 by Franz Schubert
427/2	A131/2	(Poco Allegro)	pf	A♭ major	1846–52	based on Nos.1, 6, and 32 of 36 Originaltänze, Op.9/D.365, and on Nos.15–17 of 12 Walzer, 17 Ländler und 9 Ecossaisen, Op.18/D.145 by Franz Schubert
427/3	A131/3	(Allegro vivace)	pf	E major	1846–52	based on Nos.1, 6, and 9 of 12 Walzer, 17 Ländler und 9 Ecossaisen, Op.18/D.145, and on No.4 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on Nos.19, 20, and 25 of 36 Originaltänze, Op.9/D.365 by Franz Schubert
427/4	A131/4	(Andantino a capriccio)	pf	D♭ major	1846–52	based on Nos.29 and 33 of 36 Originaltänze, Op.9/D.365 by Franz Schubert
427/5	A131/5	(Moderato cantabile con affetto)	pf	G♭ major	1846–52	based on No.14 of 36 Originaltänze, Op.9/D.365, and on No.3 of 12 Valses nobles, Op.77/D.969 by Franz Schubert
427/6	A131/6	(Allegro con strepito)	pf	A minor	1846–52	based on Nos.9 and 10 of 12 Valses nobles, Op.77/D.969, and on No.13 of 34 Valses sentimentales, Op.50/D.779 by Franz Schubert; 1st version of S.427/6a, S.427/6b
427/6a	A131/6	(Allegro con spirito)	pf	A minor	1879	2nd version of S.427/6, S.427/6a
427/6b	A131/6	(Allegro con spirito)	pf	A minor	1883?	3rd version of S.427/6, S.427/6a
427/7	A131/7	(Allegro spiritoso)	pf	A major	1846–52	based on Nos.1, 7, and 10 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783 by Franz Schubert
427/8	A131/8	(Allegro con brio)	pf	D major	1846–52	based on Nos.2, 5, 9, 13, and 14 of 16 Deutsche Tänze und 2 Ecossaisen, Op.33/D.783, and on Nos.2 and 11 of 34 Valses sentimentales, Op.50/D.779 by Franz Schubert
427/9	A131/9	(Preludio a capriccio)	pf	A♭ major	1846–52	based on No.2 of 36 Originaltänze, Op.9/D.365 by Franz Schubert
428	Soriano					[INDEX↑]
428	A115	Feuille morte (Élégie d'après Soriano)	pf		1845	based on an unidentified composition by Mariano Soriano-Fuertes
429	Tchaikovsky					[INDEX↑]
429	A293	Polonaise aus der Oper Jewgeny Onegin	pf		1879	based on the Polonaise from the opera Eugene Onegin, Op.24 by Pyotr Ilyich Tchaikovsky
430	Végh					[INDEX↑]
430	A318	Valse de concert	pf		1882–83	based on part of the Suite en forme de valse by János Végh
431–438	Verdi					[INDEX↑]
431i	A149/1	Salve Maria de Jérusalem	pf		1848	arr of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431ii
431ii	A149/2	Salve Maria de Jérusalem	pf		1882	2nd version of S.431i
431a	A138	Ernani de Verdi (Première paraphrase de concert)	pf		1847	based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.432; unpublished
431b	—	Ernani de Verdi ([Deuxième] Paraphrase de Concert)	pf		1849	based on themes from the opera Ernani by Giuseppe Verdi; different themes than S.431a; 1st version of S.432 [lower-alpha 1]
432	A203	Ernani de Verdi ([Deuxième] Paraphrase de Concert)	pf		1859	different themes than S.431a; 2nd version of S.431b
433	A199	Miserere du Trovatore (Paraphrase de concert)	pf		1859	based on the Miserere from Act IV of the opera Il trovatore by Giuseppe Verdi
434	A187	Paraphrase de concert sur Rigoletto	pf		1855–59?	based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi
435	A240	Finale de Don Carlos (Coro di festa e Marcia funebre)	pf		1867–68	arr of the finale ("Ce jour est plein d'allégresse") from the opera Don Carlos by Giuseppe Verdi
436	A276	Danza sacra e duetto finale d'Aida	pf		1876?	arr of extracts from the opera Aida by Giuseppe Verdi
437i	A284	Agnus Dei della Messa da Requiem di Giuseppe Verdi	pf		1877	based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437ii; arr for org/harm as S.675c/i
437ii	A284	Agnus Dei della Messa da Requiem di Giuseppe Verdi	pf		1882	2nd version of S.437i; arr for org/harm as S.675c/ii
438	A314	Réminiscences de Boccanegra	pf		1882	based on themes from the revised version of the opera Simon Boccanegra by Giuseppe Verdi
439–450	Wagner					[INDEX↑]
439	A200	Phantasiestück über Motive aus Rienzi	pf		1859	based on the battle-hymn "Santo spitiro cavaliere" (Act III, No. 10) from the opera Rienzi, WWV.49 by Richard Wagner
440	A204	Spinnerlied aus dem Fliegenden Holländer	pf		1860	based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
441	A259	Ballade aus dem Fliegenden Holländer	pf		1872	based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV.63 by Richard Wagner
442	A146	Ouvertüre zu Tannhäuser	pf		1848	based on the Overture to the opera Tannhäuser, WWV.70 by Richard Wagner
443i	A210a	Pilgerchor aus Tannhäuser	pf		1861	based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.443ii; arr for org/harm as S.676i
443ii	A210b	Pilgerchor aus Tannhäuser	pf		1885?	2nd version of S.443i; arr for org/harm as S.676ii
444	A163	O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser)	pf		1849	based on Wolfram's aria from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; arr for vc pf by Liszt and Bernhard Cossmann as S.380
445	A176	(2) Stücke aus Tannhäuser und Lohengrin:	pf		1852	arr for pf4h as S.634b
445/1a	A176/1	Einzug der Gäste auf der Wartburg	pf		1852	based on the March from Act II of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.445/1b, S.445/1c; arr for pf4h as S.634b/1
445/1b	A176/1	Einzug der Gäste auf der Wartburg	pf		1874	2nd version of S.445/1a, S.445/1c
445/1c	A176/1	Einzug der Gäste auf der Wartburg	pf		1876	3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
445/2	A176/2	Elsas Brautzug zum Münster	pf		1852	based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV.75 by Richard Wagner; arr for pf4h as S.634b/2
446	A185	Aus Lohengrin:	pf		1854	based on themes from the opera Lohengrin, WWV 75 by Richard Wagner
446/1	A185/1	Festspiel und Brautlied	pf		1854	based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
446/2	A185/2	Elsas Traum	pf		1854	based on Elsa's Dream from Act I of the opera Lohengrin, WWV.75 by Richard Wagner
446/3	A185/3	Lohengrins Verweis an Elsa	pf		1854	based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV.75 by Richard Wagner
447	A239	Isoldens Liebestod (Schlußszene aus Wagners Tristan und Isolde)	pf		1867	arr of the transfiguration scene from the opera Tristan und Isolde, WWV.90 by Richard Wagner; 1st version of S.447a
447a	—	Isoldens Liebestod (Schlußszene aus Wagners Tristan und Isolde)	pf		1875	2nd (revised) version of S.447 [lower-alpha 1]
448	A254	Am stillen Herd	pf		1871	based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96 by Richard Wagner
449	A269	Walhall aus Der Ring des Nibelungen	pf		1875	based on themes from the final scene of the opera Das Rheingold, WWV.86A by Richard Wagner
450	A315	Feierlicher Marsch zum heiligen Gral aus Parsifal	pf		1882	based on the theme of the march from Act I of the opera Parsifal, WWV.111 by Richard Wagner
451–455	Weber					[INDEX↑]
451	A68	Freischütz Fantasie	pf		1840	based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77 by Carl Maria von Weber
452	A151	Leyer und Schwerdt (Heroide nach Carl Maria von Weber)	pf		1848	based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber
453	A152	Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa)	pf		1848	based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78 by Carl Maria von Weber
454	A150	Schlummerlied mit Arabesken	pf		1848	based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber
455	A175	Polacca brillante (Weber)	pf		1851	arr of S.367
456	Zichy					[INDEX↑]
456	A281	Valse d'Adèle (Transcription brillante)	pf		1877	arr of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy
457	Unknown					[INDEX↑]
457	?	?	pf			renumbered?
458	A51	Reminiscences de La Scala (Fantasie über italienische Opernmelodien) [Fantasy on Il Giuramento (Mercadante)]	pf		1838–39	based on themes from the opera Il giuramento by Saverio Mercadante, and on another unidentified source
459	?	?	pf			renumbered?
460	A330	Kavallerie-Geschwindmarsch	pf		1870?	Score recently rediscovered;[39] possibly 2nd version of S.233
461–577	Transcriptions, piano reductions					[INDEX↑]
461–461a	Allegri/Mozart					[INDEX↑]
461i	A217	À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)	pf		1862	based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; 1st version of S.461ii; arr for orch as S.360
461ii	A217	À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)	pf		1862	2nd version of S.461i; arr for pf4h as S.633, for org/harm as S.658
461a	—	Ave verum corpus de Mozart	pf		1867	arr of the Ave verum corpus, K.618 by Wolfgang Amadeus Mozart; arr for org/harm as S.674d; see also S.44, 461i
462–463	Bach					[INDEX↑]
462	A92	(6) Preludes and Fugues by J. S. Bach:	pf		1842–50
462/1	A92/1	Präludium und Fuge	pf	A minor	1842–50	arr of Prelude and Fugue, BWV 543 by Johann Sebastian Bach
462/2	A92/2	Präludium und Fuge	pf	C major	1842–50	arr of Prelude and Fugue, BWV 545 by Johann Sebastian Bach
462/3	A92/3	Präludium und Fuge	pf	C minor	1842–50	arr of Prelude and Fugue, BWV 546 by Johann Sebastian Bach
462/4	A92/4	Präludium und Fuge	pf	C major	1842–50	arr of Prelude and Fugue, BWV 547 by Johann Sebastian Bach
462/5	A92/5	Präludium und Fuge	pf	E minor	1842–50	arr of Prelude and Fugue, BWV 548 by Johann Sebastian Bach
462/6	A92/6	Präludium und Fuge	pf	B minor	1842–50	arr of Prelude and Fugue, BWV 544 by Johann Sebastian Bach
463i	A244	Orgel Fantasie und Fuge	pf	G minor	1861?	arr of Fantasia and Fugue, BWV 542, by Johann Sebastian Bach; 1st version of S.463ii
463ii	A244	Orgel Fantasie und Fuge	pf	G minor	1868	2nd version of S.463i
463a–469	Beethoven					[INDEX↑]
463a	A37b	Symphonies de L. van Beethoven. Partition de piano:	pf		1839	originally intended to include only the Symphonies Nos.3, 5, 6, and 7
463a	A37b/1	L. van Beethoven 5me Symphonie	pf	C minor	1835–37	arr of the Symphony No.5, Op.67 by Ludwig van Beethoven; 1st version of S.464/5
463b	A37b/2	L. van Beethoven 6me Symphonie (Symphonie pastorale)	pf	F major	1835–37	arr of the Symphony No.6, Op.68 by Ludwig van Beethoven; 1st version of S.463c, S.464/6
463c	A37b/2	Symphonie No. 6 de Beethoven	pf	F major	c1840	2nd version of S.463b, S.464/6; only the 5th mvt differs from the 1st version
463d	A37b/3	7me Symphonie in La mineur de L. van Beethoven, oeuv: 92	pf	A major	1838	arr of the Symphony No.7, Op.92 by Ludwig van Beethoven; 1st version of S.464/7
463e	A37a	Marche funèbre de la Sinfonie héroïque de L. van Beethoven	pf		1841	arr of 2nd mvt from Symphony No.3, Op.55 by Ludwig van Beethoven; 1st version of 2nd mvt of S.464/3; Liszt originally intended to arr the full symphony, but only this mvt was completed and published
464	A37c	(9) Symphonies de Beethoven:	pf		1863–64
464/1	A37c/1	Symphonie No. 1 de Beethoven	pf	C major	1863–64	arr of the Symphony No. 1, Op.21 by Ludwig van Beethoven
464/2	A37c/2	Symphonie No. 2 de Beethoven	pf	D major	1863–64	arr of the Symphony No.2, Op.36 by Ludwig van Beethoven;
464/3	A37c/3	Symphonie No. 3 de Beethoven	pf	E♭ major	1863–64	arr of the Symphony No.3, Op.55 by Ludwig van Beethoven; 2nd mvt is 2nd version of S.463e
464/4	A37c/4	Symphonie No. 4 de Beethoven	pf	B♭ major	1863–64	arr of the Symphony No.4, Op.60 by Ludwig van Beethoven;
464/5	A37c/5	Symphonie No. 5 de Beethoven	pf	C minor	1863–64	arr of the Symphony No.5, Op.67 by Ludwig van Beethoven; 2nd version of S.463a
464/6	A37c/6	Symphonie No. 6 de Beethoven	pf	F major	1863–64	arr of the Symphony No.6, Op.68 by Ludwig van Beethoven; 3rd version of S.463b, S.463c
464/7	A37c/7	Symphonie No. 7 de Beethoven	pf	A major	1863–64	arr of the Symphony No.7, Op.92 by Ludwig van Beethoven; 2nd version of S.463c
464/8	A37c/8	Symphonie No. 8 de Beethoven	pf	F major	1863–64	arr of the Symphony No.8, Op.93 by Ludwig van Beethoven
464/9	A37c/9	Symphonie No. 9 de Beethoven	pf	D minor	1863–64	arr of S.657
465	A69	Grand septuor de Beethoven	pf		1840	arr of the Septet, Op.20 by Ludwig van Beethoven; arr for pf4h as S.634
466i (*466a)	A58	Adelaide von Beethoven	pf		1839	arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 1st version of S.466ii, S.466iii
466ii (*466b)	A58	Adelaide von Beethoven	pf		1841	arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 2nd version of S.466i, S.466iii
466iii (*466)	A58	Adelaide von Beethoven	pf		1847	arr of the song Adelaide, Op.46 by Ludwig van Beethoven; 3rd version of S.466i, S.466ii
467	A70	Beethovens (6) geistliche Lieder von Gellert:	pf		1840	arr of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven; published as Vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.562 as Vol.2)
467/1	A70/1	Gottes Macht und Vorsehung	pf		1840	arr of No.5 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/2	A70/2	Bitten	pf		1840	arr of No.1 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/3	A70/3	Bußlied	pf		1840	arr of No.6 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/4	A70/4	Vom Tode	pf		1840	arr of No.3 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/5	A70/5	Die Liebe des Nächsten	pf		1840	arr of No.2 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
467/6	A70/6	Die Ehre Gottes aus der Natur	pf		1840	arr of No.4 of 6 Lieder von Gellert, Op.48 by Ludwig van Beethoven
468	A161	Beethovens (6) Lieder von Goethe:	pf		1849
468/1	A161/1	Mignon	pf		1849	arr of No.1 of 6 songs, Op.75 by Ludwig van Beethoven
468/2	A161/2	Mit einem gemalten Bande	pf		1849	arr of No.3 of 3 Songs, Op.83 by Ludwig van Beethoven
468/3	A161/3	Freudvoll und leidvoll	pf		1849	arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
468/4	A161/4	Es war einmal ein König	pf		1849	arr of No.3 of 6 songs, Op.75 by Ludwig van Beethoven
468/5	A161/5	Wonne der Wehmut	pf		1849	arr of No.1 of 3 Songs, Op.83 by Ludwig van Beethoven
468/6	A161/6	Die Trommel gerühret	pf		1849	arr of the song from the incidental music to Egmont, Op.84 by Ludwig van Beethoven
469	A162	An die ferne Geliebte (Liederkreis von Ludwig van Beethoven):	pf		1849	arr of the song cycle An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/1	A162/1	Auf dem Hügel	pf		1849	arr of No.1 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/2	A162/2	Wo die Bergen	pf		1849	arr of No.2 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/3	A162/3	Leichte Segler	pf		1849	arr of No.3 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/4	A162/4	Diese Wolken	pf		1849	arr of No.4 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/5	A162/5	Es kehret der Maien	pf		1849	arr of No.5 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
469/6	A162/6	Nimm sie hin denn	pf		1849	arr of No.6 from An die ferne Geliebte, Op.98 by Ludwig van Beethoven
470–475	Berlioz					[INDEX↑]
470	A16a	Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz)	pf		1833	arr of the Symphonie fantastique, Op.14/H.48 by Hector Berlioz; 4th mvt also published separately as Marche au supplice de la Sinfonie fantastique de Hector Berlioz as 1st version of S.470a/2
470a	A16	Marche au supplice de la Sinfonie fantastique (Épisode de la vie d'un artiste) de Hector Berlioz	pf		1865
470a/1	A16b	Introduction – L'idée fixe	pf	B major	1865	2nd (simplified) version of S.395
470a/2	A16c	Marche au supplice	pf	G minor	1865	2nd (simplified) version of 4th mvt from S.470
471	A31	Ouverture des Francs-Juges de Hector Berlioz	pf		1833	arr of the concert overture to the opera Les francs-juges, Op.3/H.23 by Hector Berlioz
472i	D5a	Harold en Italie (Symphonie en quatre parties de Berlioz)	pf (+va)		c1836	arr of the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.472ii; 2nd mvt arr for pf (without va) as S.473i
472ii	D5b	Harold en Italie (Symphonie de Berlioz)	pf (+va)		1850–59?	2nd version of S.472i
473i	A29a	Marche des pèlerins chantant la prière du soir (de la symphonie d'Harold composée par Berlioz)	pf		c1836–37	arr of the "Pilgrims' march" (2nd mvt) from the symphony Harold en Italie, Op.16/H.68 by Hector Berlioz; 1st version of S.473ii; later intended to be No.5 for S.171d
473ii (*473)	A29b	Marche des pèlerins – Chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz)	pf		1862	2nd version of S.473i
474	A30	Ouverture du Roi Lear de Hector Berlioz	pf		1833	arr of the overture to Roi Lear, Op.4/H.53 by Hector Berlioz
475	A205	Valse des Sylphes de La damnation de Faust de Hector Berlioz	pf		c1860	arr of Ballet des Sylphes from part II of La damnation de Faust, Op.24/H.111 by Hector Berlioz
476–477a	Bertin					[INDEX↑]
476	A38a	Esmeralda (Opéra en 4 actes de L. Bertin)	vv ch pf		1837	vocal score arr of the opera La Esmeralda by Louise-Angelique Bertin; No.10 re-used as S.477a/3; No.11 re-used as S.477a/1; No.13 re-used as S.477, S.477a/2
477	A38b	Air chanté par Massol de Esmerelda de L. Bertin	pf		1837	arr of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera La Esmeralda by Louise-Angelique Bertin; re-used from S.476/13; re-used as S.477a/2
477a	A38c	(3) Morceaux detachés d'Esmeralda de L. Bertin:	pf		1837	arr of extracts from the opera La Esmeralda by Louise Angelique Bertin, re-used from S.476
477a/1	A38c/1	Entracte, Recitatif et Romance	pf		1837	arr of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/11
477a/2	A38c/2	Air	pf		1837	re-used from S.476/13, S.477
477a/3	A38c/3	Scène et Trio	pf		1837	arr of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; re-used from S.476/10
478	Bulakhov					[INDEX↑]
478i (*478)	A99	Galop Russe (Bulhakow's Russischer Galop)	pf		1843–44	arr of the song You Will Not Believe by Pyotr Bulakhov; 1st version of S.478ii [40]
478ii	—	Galop par Constantin Bulhakow arrangé par Liszt	pf		1844	2nd version of S.478i [40]
479	Bülow					[INDEX↑]
479	A265	Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow)	pf		1874	arr of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow
480	Chopin					[INDEX↑]
480	A193	6 Polish Songs (after Chopin):	pf		1857–60	arr of 6 of 17 Polish songs, Op.74 by Frédéric Chopin
480/1	A193/1	Mädchens Wunsch (Zyczenie)	pf		1857–60	arr of No.1 of 17 Polish songs, Op.74 by Frédéric Chopin
480/2	A193/2	Frühling (Wiosna)	pf		1857–60	arr of No.2 of 17 Polish songs, Op.74 by Frédéric Chopin
480/3	A193/3	Das Ringlein (Pierścień)	pf		1857–60	arr of No.14 of 17 Polish songs, Op.74 by Frédéric Chopin
480/4	A193/4	Bacchanal (Hulanka)	pf		1857–60	arr of No.4 of 17 Polish songs, Op.74 by Frédéric Chopin
480/5	A193/5	Meine Freuden (Moja pieszczotka)	pf		1857–60	arr of No.12 of 17 Polish songs, Op.74 by Frédéric Chopin; 1st version of S.480/5a
480/5a (*480/5bis)	A193/5	Mes Joies	pf		1860 or later	2nd version of S.480/5
480/6	A193/6	Die Heimkehr (Narzeczony)	pf		1857–60	arr of No.15 of 17 Polish songs, Op.74 by Frédéric Chopin
481	Conradi					[INDEX↑]
481	A147	Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi)	pf		1848	arr of No.2 of 2 Zigeuner-Polkas, Op.5 by August Conradi
482	Cui					[INDEX↑]
482	A327	Tarentelle de César Cui	pf		1885	arr of the Tarantella, Op.12 by César Cui
483	Dargomyzhsky					[INDEX↑]
483	A291	Tarantella de Dargomijski	pf		1879	arr of the Tarantella slave by Alexander Dargomyzhsky
483a–484	David					[INDEX↑]
483a (*483bis)	A91	Souvenir de Russie (d'après Ferdinand David)	pf	B♭ minor	1842	arr of No.22 from Bunte Reihe by Ferdinand David; 1st version of S.484/22
484	A170	Bunte Reihe (24 Stücke von Ferdinand David):	pf		1850	arr of the collection Bunte Reihe by Ferdinand David
484/1	A170/1	Scherzo	pf	C major	1850	arr of No.1 from Bunte Reihe by Ferdinand David
484/2	A170/2	Erinnerung	pf	C minor	1850	arr of No.2 from Bunte Reihe by Ferdinand David
484/3	A170/3	Mazurka	pf	D♭ major	1850	arr of No.3 from Bunte Reihe by Ferdinand David
484/4	A170/4	Tanz	pf	C♯ mino	1850	arr of No.4 from Bunte Reihe by Ferdinand David
484/5	A170/5	Kinderlied	pf	D major	1850	arr of No.5 from Bunte Reihe by Ferdinand David
484/6	A170/6	Capriccio	pf	D minor	1850	arr of No.6 from Bunte Reihe by Ferdinand David
484/7	A170/7	Bolero	pf	E♭ major	1850	arr of No.7 from Bunte Reihe by Ferdinand David
484/8	A170/8	Elegie	pf	E♭ minor	1850	arr of No.8 from Bunte Reihe by Ferdinand David
484/9	A170/9	Marsch	pf	E major	1850	arr of No.9 from Bunte Reihe by Ferdinand David
484/10	A170/10	Toccata	pf	E minor	1850	arr of No.10 from Bunte Reihe by Ferdinand David
484/11	A170/11	Gondellied	pf	F major	1850	arr of No.11 from Bunte Reihe by Ferdinand David
484/12	A170/12	Im Sturm	pf	F minor	1850	arr of No.12 from Bunte Reihe by Ferdinand David
484/13	A170/13	Romanze	pf	F♯ major	1850	arr of No.13 from Bunte Reihe by Ferdinand David
484/14	A170/14	Allegro agitato	pf	F♯ minor	1850	arr of No.14 from Bunte Reihe by Ferdinand David
484/15	A170/15	Menuetto	pf	G major	1850	arr of No.15 from Bunte Reihe by Ferdinand David
484/16	A170/16	Etüde	pf	G minor	1850	arr of No.16 from Bunte Reihe by Ferdinand David
484/17	A170/17	Intermezzo	pf	A♭ major	1850	arr of No.17 from Bunte Reihe by Ferdinand David
484/18	A170/18	Serenade	pf	G♯ minor	1850	arr of No.18 from Bunte Reihe by Ferdinand David
484/19	A170/19	Ungarisch	pf	A major	1850	arr of No.19 from Bunte Reihe by Ferdinand David; 1st version of S.484/19a
484/19a (*484/19bis)	A170/19b	Ungarisch	pf	A major	1850	2nd version of S.484/19
484/20	A170/20	Tarantella	pf	A minor	1850	arr of No.20 from Bunte Reihe by Ferdinand David
484/21	A170/21	Impromptu	pf	B♭ major	1850	arr of No.21 from Bunte Reihe by Ferdinand David
484/22	A170/22	Im russischer Weise	pf	B♭ minor	1850	2nd version of S.483a
484/23	A170/23	Lied	pf	B major	1850	arr of No.23 from Bunte Reihe by Ferdinand David
484/24	A170/24	Capriccio	pf	B mnor	1850	arr of No.24 from Bunte Reihe by Ferdinand David
485	Dessauer					[INDEX↑]
485	A130	Dessauers (3) Lieder:	pf		1846–47
485/1	A130/1	Lockung	pf		1846–47	arr of the song by Josef Dessauer
485/2	A130/2	Zwei Wege	pf		1846–47	arr of the song by Josef Dessauer
485/3	A130/3	Spanisches Lied (Bolero)	pf		1846–47	arr of the song by Josef Dessauer
485a	Draeseke					[INDEX↑]
485a	A251	Der Schwur am Rütli (von F. Draeseke)	pf		1870	arr of the cantata by Felix Draeseke
485b	Ernst					[INDEX↑]
485b	A89	Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)	pf		1842	arr of the song by Ernst II, Duke of Saxe-Coburg-Gotha
486	Egressy/Erkel					[INDEX↑]
486	A261	Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz)	pf		1872	arr of S.353
487	Festetics					[INDEX↑]
487	A110	Spanisches Ständchen (Melodie von Graf Leó Festetics)	pf		1844	arr of the song by Leo Festetics
488–489	Franz					[INDEX↑]
488	A154	Er ist gekommen in Sturm und Regen (Lied von Robert Franz)	pf		1848	arr of No.7 of 12 Gesänge, Op.4 by Robert Franz
489/1–5	A157/1–5	(12) Lieder von Robert Franz Vol.I: Schilflieder:	pf		1848
489/1	A157/1	Auf geheimen Waldespfadeie	pf		1848	arr of No.1 of Schilflieder, Op.2, by Robert Franz
489/2	A157/2	Drüben geht die Sonne scheiden	pf		1848	arr of No.2 of Schilflieder, Op.2, by Robert Franz
489/3	A157/3	Trübe wird's	pf		1848	arr of No.3 of Schilflieder, Op.2, by Robert Franz
489/4	A157/4	Sonnenuntergang	pf		1848	arr of No.4 of Schilflieder, Op.2, by Robert Franz
489/5	A157/5	Auf dem Teich	pf		1848	arr of No.5 of Schilflieder, Op.2, by Robert Franz
489/6–8	A157/6–8	(12) Lieder von Robert Franz Vol.II: Drei Lieder:	pf		1848
489/6	A157/6	Der Schalk	pf		1848	arr of No.1 of 6 Gesänge, Op.3, by Robert Franz
489/7	A157/7	Der Bote	pf		1848	arr of No.1 of 6 Gesänge, Op.8, by Robert Franz
489/8	A157/8	Meeresstille	pf		1848	arr of No.2 of 6 Gesänge, Op.8, by Robert Franz
489/9–12	A157/9–12	(12) Lieder von Robert Franz Vol.III: Vier Lieder:	pf		1848
489/9	A157/9	Treibt der Sommer seinen Rosen	pf		1848	arr of No.5 of 6 Gesänge, Op.8, by Robert Franz
489/10	A157/10	Gewitternacht	pf		1848	arr of No.6 of 6 Gesänge, Op.8, by Robert Franz
489/11	A157/11	Das ist ein Brausen und Heulen	pf		1848	arr of No.4 of 6 Gesänge, Op.8, by Robert Franz
489/12	A157/12	Frühling und Liebe	pf		1848	arr of No.3 of 6 Gesänge, Op.3, by Robert Franz
490	Goldschmidt					[INDEX↑]
490	A298	Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt)	pf		1880	arr of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt
491	Gounod					[INDEX↑]
491	A235	Hymne à Sainte Cécile de Charles Gounod	pf		1866	arr of Hymne à Sainte Cécile, by Charles Gounod
492	Herbeck					[INDEX↑]
492	A245	Tanzmomente von Johann Herbeck:	pf		1869	arr of the Tanzmomente, Op.14 by Johann von Herbeck
492/1	A245/1	Tanzmomente No.1	pf	G major	1869	arr of No.1 of the Tanzmomente, Op.14 by Johann von Herbeck
492/2	A245/2	Tanzmomente No.2	pf	A minor	1869	arr of No.2 of the Tanzmomente, Op.14 by Johann von Herbeck
492/3	A245/3	Tanzmomente No.3	pf	F major	1869	arr of No.3 of the Tanzmomente, Op.14 by Johann von Herbeck
492/4	A245/4	Tanzmomente No.4	pf	A major	1869	arr of No.4 of the Tanzmomente, Op.14 by Johann von Herbeck; 1st version of S.492/4a
492/4a (*492/4bis)	A245/4	Tanzmomente No.4	pf	A major	1869	2nd version of S.492/4
492/5	A245/5	Tanzmomente No.5	pf	F major	1869	arr of No.5 of the Tanzmomente, Op.14 by Johann von Herbeck
492/6	A245/6	Tanzmomente No.6	pf	D major	1869	arr of No.6 of the Tanzmomente, Op.14 by Johann von Herbeck
492/7	A245/7	Tanzmomente No.7	pf	G major	1869	arr of No.7 of the Tanzmomente, Op.14 by Johann von Herbeck
492/8	A245/8	Tanzmomente No.8	pf	D major	1869	arr of No.8 of the Tanzmomente, Op.14 by Johann von Herbeck
493	Hummel					[INDEX↑]
493i	A155	Großes Septett von Johann Nepomuk Hummel	pf	D minor	1848	arr of Septet No.1, Op.74 by Johann Nepomuk Hummel; 1st version of S.493ii
493ii	U12	Großes Septett von Johann Nepomuk Hummel	pf	D minor	1869?	2nd version of S.493i
494–497	Lassen					[INDEX↑]
494i	A211/1	Löse, Himmel, meine Seele (Lied von Eduard Lassen)	pf		1861	arr of No.5 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen; 1st version of S.494ii
494ii–495	A211	2 Lieder von E. Lassen:	pf		1872
494ii	A211/1	Löse, Himmel, meine Seele	pf		1872	2nd version of S.494i
495	A211/2	Ich weil' in tiefer Einsamkeit	pf		1872	arr of No.4 of 6 Lieder von Peter Cornelius, Op.5 by Eduard Lassen
496	A285	Aus der Musik zu Hebbels Nibelungen und Goethes Faust:	pf		1878–79
496/1	A285/I/1	Hagen und Kreimhild	pf		1878–79	arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/2	A285/I/2	Bechlarn	pf		1878–79	arr of extract from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/3	A285/II/1	Osterhymne	pf		1878–79	arr of No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen
496/4	A285/II/2	Hoffestliche Marsch und Polonaise	pf		1878–79	arr of Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen
497	A323	Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen)	pf		1883	arr of the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen
498	Lessmann					[INDEX↑]
498	A316	(3) Lieder zu Tannhäuser (Komponiert von Otto Lessmann):	pf		1882	arr of 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/1	A316/1	Der Lenz ist gekommen	pf		1882	arr of No.1 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/2	A316/2	Trinklied ("Itzt hört ein neues Liedlein an")	pf		1882	arr of No.2 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498/3	A316/3	Du schaust mich an mit stummen Fragen	pf		1882	arr of No.3 from 3 Lieder aus Wolff's Tannhäuser, Op.27, by Otto Lessmann
498a–546a	Liszt					[INDEX↑]
498a	A192	3 Stücke aus der Legende der heiligen Elisabeth:	pf		1857–62	arr of extracts from S.2; see also 693a
498a/1	A192/1	Orchester Einleitung (Orchestral Introduction)	pf		1857–62	arr of the introduction from S.2
498a/2	A192/2	Marsch der Kreuzritter (Crusaders' March)	pf		1857–62	arr of S.2/3e
498a/3	A192/3	Interludium (Interlude)	pf		1857–62	arr of S.2/6a
498b	A222	2 Orchestersätze aus dem Oratorium Christus:	pf		1862–66	arr of Nos.4 and 5 from S.3
498b/1	A222/1	Hirtengesang an der Krippe	pf		1862–66	arr of S.3/4
498b/2	A222/2	Die heiligen drei Könige (Marsch)	pf		1862–66	arr of S.3/5
498c	—	2 Stücke aus dem Oratorium Christus:	pf		c1871	arr of Nos.1a, 1b, and 2 from S.3
498c/1a	—	Einleitung	pf		c1871	arr of S.3/1a
498c/1b	—	Pastorale	pf		c1871	arr of S.3/1b
498c/2	—	Das Wunder	pf		c1871	arr of S.3/2
498d (*499a)	A301	San Francesco (Preludio per il Cantico del Sol)	pf		1880	arr of prelude from S.4ii
499	A307	Cantico del Sol di San Francesco d'Assisi	pf		1881	arr of S.4ii
500	—	Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)	pf		1874	arr of prelude from S.6
501	A238	Aus der Ungarischen Krönungsmesse:	pf		1867	arr of extracts from S.11
501/1	A238/1	Benedictus	pf		1867	arr of S.11/4
501/2	A238/2	Offertorium	pf		1867	arr of S.11/5
502	A227	Weinachtslied (Christus ist geboren)	pf		1864	arr of S.32
503	A223	Slavimo slavno, Slaveni!	pf		1863	arr of S.33i
504i	A247/1	Ave Maria II	pf	D major	1869–70	arr of S.38; 1st version of S.504ii
504ii	A247/2	Ave Maria II	pf	D♭ major	1872	2nd version of S.504i
504a	A287	Via Crucis (Les 14 stations de la croix)	pf		1878–79	arr of S.53
504b	A286a	(11) Alte deutsche geistliche Weisen (Choräle):	pf		1878–79	arr of S.50
504b/1	A286a/1	Crux ave benedicta	pf		1878–79	arr of S.50/9
504b/2	A286a/2	Jesu Christe (Die fünf Wunden)	pf		1878–79	arr of S.50/12
504b/3	A286a/3	Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)	pf		1878–79	arr of S.50/2
504b/3a	A286a/3a	Es segne uns Gott	pf		1878–79	arr of S.50/1; not included in published set
504b/4	A286a/4	Nun danket alle Gott!	pf		1878–79	arr of S.50/11
504b/5	A286a/5	Nun ruhen alle Wälder	pf		1878–79	arr of S.50/3
504b/6	A286a/6	O Haupt voll Blut und Wunden	pf		1878–79	arr of S.50/4
504b/7	A286a/7	O Lamm Gottes!	pf		1878–79	arr of S.50/5; arr for pf4h as S.582
504b/8	A286a/8	O Traurigkeit	pf		1878–79	arr of S.50/10
504b/9	A286a/9	Vexilla Regis	pf		1878–79	arr of S.50/8
504b/10	A286a/10	Was Gott tut, das ist wohlgetan	pf		1878–79	arr of S.50/6
504b/11	A286a/11	Wer nur den lieben Gott läßt walten	pf		1878–79	arr of S.50/7
505	A331	In domum Domini ibimus (Zum Haus des Herrn ziehen wir)	pf		1884	arr of S.57
506	A243	Ave maris stella	pf		1868	arr of 2nd version of S.34
506b (*546a)	A294	O Roma nobilis	pf		1879	arr of S.54
507	A126	Klavierstück aus der Bonn Beethoven-Kantate (Album-Leaf)	pf		1846	based on the beginning and end of the 1st mvt of S.67
507a	A213	Schnitterchor aus den entfesselten Prometheus	pf		1850	arr of No.4 from S.69i (incomplete); 1st version of S.508
508	A213	Pastorale (Schnitterchor aus den Entfesselten Prometheus)	pf		1861	arr of No.4 from S.69ii; 2nd version of S.507a
509	A246	Gaudeamus igitur (Humoreske)	pf		1869–70	arr of S.71
510	A153	Marche héroïque	pf		1847–48?	based on S.82; arr for pf4h as S.587
510a	—	3 Chansons:	pf		c1852	arr of S.89a/3–5; 1st version of S.511; possibly by August Horn under Liszt's direct instructions [41]
510a/1	—	Avant la bataille	pf		c1852	arr of S.89a/3; 1st version of S.511/1
510a/2	—	L'espérance	pf		c1852	arr of S.89a/5; 1st version of S.511/2
510a/3	—	La consolation	pf		c1852	arr of S.89a/4; 1st version of S.511/3
511	A207	(3) Geharnischte Lieder:	pf		1860	arr of S.90/4–6; 2nd version of S.510a
511/1	A207/1	Vor der Schlacht	pf		1860	arr of S.90/4; 2nd version of S.510a/1
511/2	A207/2	Nicht gezagt!	pf		1860	arr of S.90/5; 2nd version of S.510a/2
511/3	A207/3	Es rufet Gott uns mahnend	pf		1860	arr of S.90/6; 2nd version of S.510a/3
511a	—	Les préludes (Poème symphonique No.3)	pf		1863	arr of S.97iv by Karl Klauser, with revisions by Liszt
511b	—	Orpheus (Poème symphonique No.4)	pf		1878	arr of S.98 by Friedrich Spiro, with revisions by Liszt
511c	—	Mazeppa (Poème symphonique No.6)	pf		1870–79?	arr of S.100ii by Theophil Forchhammer, with revisions by Liszt
511d	—	Festklänge (Poème symphonique No.7)	pf		1870s	arr of S.101ii by Ludwig Stark, with revisions by Liszt
511e	—	Hungaria (Poème symphonique No.9)	pf		1872	arr of S.103 by Friedrich Spiro, with revisions by Liszt
512i (*512)	A310	Von der Wiege bis zum Grabe (Poème symphonique No.13)	pf		1881	1st version of S.512ii; arr for pf4h as S.598 [lower-alpha 2]
512ii	—	Von der Wiege bis zum Grabe (Poème symphonique No.13)	pf		1882	arr of S.107; 2nd version of S.512i [lower-alpha 15][lower-alpha 16][lower-alpha 2]
513	A190	Gretchen aus Faust-Symphonie (Andante soave aus der Faust-Symphonie)	pf		by 1867	arr of mvt II from S.108ii
513a–514	—	2 Episoden aus Lenaus Faust:	pf		1857–73
513a	—	Der nächtliche Zug	pf		1861–73	arr of S.110/1 by Robert Freund, with revisions by Liszt
514	A189	Der Tanz in der Dorfschenke (Mephisto-Walzer)	pf		1857	arr for orch as S.110/2; 1st version of S.514a
514a	—	Der Tanz in der Dorfschenke (Mephisto-Walzer) ("Mephisto Waltz No 1")	pf		1859–62	2nd version of S.514, revised with additions
515	A288	Mephisto Waltz No.2	pf		1878–81?	arr for orch as S.111, for pf4h as S.600
516	A202/1	Les morts	pf		1860?	arr of S.112/1
516a (*699)	A202/2	La notte	pf		1863–64	arr of S.112/2
517	A202/3	Le triomphe funèbre du Tasse	pf		1866–69	arr of S.112/3
518	A225	Salve Polonia (Interludium aus dem Oratorium Stanislaus)	pf		1863	arr of S.113ii
519	A302	Polonaises de l'oratorio St. Stanislaus:	pf		1875	arr of extracts from S.688
519/1	A302/1	Polonaise No. 1	pf		1875	arr of extract from S.688
519/2	A302/2	Polonaise No. 2	pf		1875	arr of extract from S.688
520i (*520)	A201	Künstler-Festzug zur Schillerfeier 1859 (Künstlerfestzug)	pf		1857–60	arr of S.114; 1st version of S.520ii
520ii	A201	Künstlerfestzug zur Schillerfeier 1859 (Künstlerfestzug)	pf		1883	2nd version of S.520i
521i (*521)	A164b	Fest-Marsch zur Göthe Jubiläum-Feier (Göthe-Fest-Marsch) (Goethe-Festmarsch)	pf		1857	2nd version of S.227, S.521ii [13] [lower-alpha 2]
521ii	A164b	Fest Marsch zur Göthe Jubiläum Feier (Göthe-Fest-Marsch) (Goethe-Festmarsch)	pf		c1872	3rd version of S.227, S.521i [lower-alpha 5]
522	A196	Festmarsch nach Motiven von E.H. z. S.-C.-G	pf		1858–59	arr of S.116
523	A248	Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867	pf		1870	arr of S.118
524	A112/2	Ungarischer Sturmmarsch (Hungarian Battle March)	pf		1875	2nd version of S.232; arr for orch as S.119
524a	H6	Concerto sans orchestre	pf	A major	1839?	unfinished solo piano draft; basis for S.125; published 2006
525	A62	Totentanz	pf		1865	arr of S.126ii
526	A260	Epithalam (zu Eduard Reményis Vermählungsfeier)	pf		1872	arr of S.129
526a (*527bis)	—	Romance oubliée	pf		1880	1st version (short draft) of S.527; based on S.169
527	A299	Romance oubliée	pf		1880	2nd version of S.526a; arr for va pf as S.132i, for vc pf as S.132ii, for vn pf as S.132iii, for orch as S.712
*528 (230a)	—	Festpolonaise
529i	A250/1	Präludium und Fuge über das Motiv B.A.C.H.	pf		1855	arr of S.260i; 1st version of S.529ii
529ii	A250/2	Fantasie und Fuge über das Thema B–A–C–H	pf		1870	arr of S.260ii; 2nd version of S.529i
530	A228	Hymne du Pape	pf		1864	arr of S.261
531	A97	Buch der (6) Lieder I:	pf		1843	arr of various songs
531/1	A97/1	Die Loreley	pf		1843	arr of S.273i
531/2	A97/2	Am Rhein in schönen Strome	pf		1843	arr of S.272i
531/3	A97/3	Kennst du das Land	pf		1843	arr of S.275i
531/4	A97/4	Es war ein König in Thule	pf		1843	arr of S.278i
531/5	A97/5	Der du von dem Himmel bist	pf		1843	arr of S.279i
531/6	A97/6	Angiolin	pf		1843	arr of S.269i
532	A209	Die Loreley	pf		1861	arr of S.273ii
533	A98	Il m'aimait tant!	pf		1843	arr of S.271
534i	A81a	Die Zelle in Nonnenwerth	pf		1840	arr of S.274i (1st version of Die Zelle/Élégie)
534ii	A81b	Elégie	pf		1841	arr of S.301b/i (2nd version of Die Zelle/Élégie)
534ii/a (*534ii-bis) (*167)	A81c	Feuille d'album No.2	pf		1849	arr of S.301b/ii (3rd version of Die Zelle/Élégie)
534iii	A81d	Die Zelle in Nonnenwerth (Elegie)	pf		1881	arr of S.274ii (4th version of Die Zelle/Élégie)
535–540	A139	Buch der Lieder für Piano allein (6 Poésies lyriques pour piano seul) II:	pf		1847
535	A139/2	Comment, disaient-ils	pf		1847	arr of S.276i
536	A139/1	Oh! quand je dors	pf		1847	arr of S.282i
537	A139/3	Enfant, si j'étais roi	pf		1847	arr of S.283i
538	A139/4	S'il est un charmant gazon	pf		1847	arr of S.284i
539	A139/5	La tombe et la rose	pf		1847	arr of S.285
540	A139/6	Gastibelza	pf		1847	arr of S.286
540a (*192a)	—	Gestorben war ich	pf		c1850	2nd version of S.171d/8, S.541/2
540b	—	O lieb, so lang du lieben kannst!	pf	A major	1840s	arr of S.298i; first draft of S.540c (U23), incomplete draft of S.541/3
540c	—	O lieb, so lang du lieben kannst!	pf	A major	1840s	arr of S.298i; second draft of S.540b (Z12), incomplete draft of S.541/3
541	A103	Liebesträume, 3 Notturnos:	pf		1850
541/1	A103/1	Notturno No.1: Hohe Liebe	pf	A♭ major	1850	arr of S.307
541/2	A103/2	Notturno No.2: Seliger Tod	pf	E♭ major	1850	3rd version of S.171d/8, S.540a; theme used in S.192/2
541/3	A103/3	Notturno No.3: Oh Lieb, so lang du lieben kannst!	pf	A♭ major	1850	arr of S.298ii; see S.540b for earlier draft of S.298i
542i	A191a	Weimars Volkslied	pf	C major	1857	arr of S.313; 1st version of S.542ii
542ii	A191b	Weimars Volkslied	pf	F major	1873	2nd version of S.542i
542a	A194	Ich liebe dich	pf		1857–60?	arr of S.315
542b	A268b	Fanfare zur Enthüllung des Carl-Augusts Monument	pf		1875	arr of S.92/1
543	A309/1	A magyarok Istene (Ungarns Gott)	pf		1881	arr of S.339
543a (*543bis)	A309/2	A magyarok Istene (Ungarns Gott)	pflh		1881	arr of S.339, left-hand version
544	A328	Magyar király-dal (Ungarisches Königslied)	pf		1883	arr of S.340
545	A308	Ave Maria IV	pf		1881	arr of S.341
546	A282	Слѣпой [Slyepoi] (The Blind Man) "Der blinde Sänger"	pf		1878	arr of S.350
*546a (506b)	—	O Roma nobilis
547–548	Mendelssohn					[INDEX↑]
547	A72	Mendelssohns Lieder (Lieders de Mendelssohn):	pf		1840
547/1	A72/1	Auf Flügeln des Gesanges (Les ailes du chant)	pf		1840	arr of No.2 of 6 songs, Op.34 by Felix Mendelssohn
547/2	A72/2	Sonntagslied (Chant du dimanche)	pf		1840	arr of No.5 of 6 songs, Op.34 by Felix Mendelssohn
547/3	A72/3	Reiselied (Chant du voyage)	pf		1840	arr of No.6 of 6 songs, Op.34 by Felix Mendelssohn
547/4	A72/4	Neue Liebe (Amour nouveau)	pf		1840	arr of No.4 of 6 songs, Op.19a by Felix Mendelssohn
547/5	A72/5	Frühlingslied (Chant du printemps)	pf		1840	arr of No.3 of 6 songs, Op.47 by Felix Mendelssohn
547/6	A72/6	Winterlied (Chant d'hiver)	pf		1840	arr of No.3 of 6 songs, Op.19 by Felix Mendelssohn
547/7	A72/7	Suleika	pf		1840	arr of No.4 of 6 songs, Op.34 by Felix Mendelssohn
548	A156	Mendelssohns Wasserfahrt und Jäger-Abschied:	pf		1848
548/1	A156/1	Wasserfahrt	pf		1848	arr of No.4 of 6 Lieder, Op.50 by Felix Mendelssohn
548/2	A156/2a	Der Jäger Abschied	pf		1848	arr of No.2 of 6 Lieder, Op.50 by Felix Mendelssohn
549	Meyerbeer					[INDEX↑]
549	A206	Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer)	pf		1860	arr of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Meyerbeer
550	Mozart					[INDEX↑]
550	A220	(2) Transcriptionen aus Mozarts Requiem:	pf		1865
550/1	A220/1	Confutatis maledictis	pf		1865	arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
550/2	A220/2	Lacrymosa	pf		1865	arr of extract from the Requiem, K.626 by Wolfgang Amadeus Mozart
551	Pezzini					[INDEX↑]
551	A270	Una stella amica (Polka mazurka de F. Pezzini)	pf		1874–75?	arr of an unidentified waltz attributed to "F. Pezzini"
551a	Raff					[INDEX↑]
551a	V3	Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer)	pf	D♭ major	1854	additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff
552–553	Rossini					[INDEX↑]
552	A54	Ouverture de l'opéra Guillaume Tell de Gioachino Rossini	pf		1838	arr of the overture from the opera Guillaume Tell, Rossini
552a	—	Caritas (nach Rossini)	pf		1847	arr of No.3 "La charité" from 3 Chœurs religieux by Gioachino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2
552b	—	La caritá (d'après Rossini)	pf		after 1847	3rd (simplified) version of S.552a, S.553/2
552c (*172b) (*579/3)	A142	Stabat mater	pf		1847 or later	2nd version of S.553/1 [lower-alpha 2]
553	A141	2 Transcriptions d'après Rossini:	pf		1847
553/1	A141/1	Air du Stabat mater	pf		1847	arr of No.2 "Cujus animam" from Stabat mater by Gioachino Rossini; 1st version of S.552c; arr for tbn org as S.679, for ten org as S.682
553/2	A141/2	La charité	pf		1847	2nd version of S.552a, S.552b
554–554a	Rubinstein					[INDEX↑]
554	A304, 329	(2) Lieder von Anton Rubinstein	pf		1880
554/1 (*752)	A304, S43	O! Wenn es doch immer so bliebe (Gelb rollt)	pf		1880	arr of No.9 of 12 Lieder des Mirza-Schaffy, Op.34 by Anton Rubinstein
554/2	A329	Der Asra	pf		1880	arr of No.6 of 6 Lieder von Heine, Op.32 by Anton Rubinstein
554a	V5	Étude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude)	pf	C major	1880?	revisions and additions to Etude on False Notes by Anton Rubinstein
555–555a	Saint-Saëns					[INDEX↑]
555	A273	Danse macabre (Poème symphonique de Camille Saint-Saëns)	pf		1876	arr of the symphonic poem Danse macabre, Op.40 by Camille Saint-Saëns; sketches as S.555a
555a (*555bis)	—	Album-Leaf ("Fuga sur Danse Macabre")	pf	G minor	1846	sketch for 2nd theme quasi-fugue section of S.555
556–565b	Schubert					[INDEX↑]
556i	A17/1	Die Rose – Lied von Franz Schubert	pf		1833	arr of the song Die Rose, Op.73/D.745a by Franz Schubert; 1st version of S.556ii, S.556iii; published 1835 by Hofmeister (Leipzig)
556ii (*556i-bis)	—	Die Rose – Lied von Fr. Schubert	pf		c1837	2nd version of S.556i, S.556iii; published 1837–38 by Richault (Paris)
556iii–557	—	Zwei Lieder von Franz Schubert:	pf		1837–38	published 1838 by Haslinger (Vienna)
556iii (*556ii)	A17/2	Die Rose – Lied von Fr. Schubert	pf		1838	3rd version of S.556i, S.556ii
557	A45	Lob der Tränen – Lied von Fr. Schubert (Bénédiction des larmes)	pf		1837	arr of the song Lob der Tränen, D.711b by Franz Schubert
557a	A42	Le roi des aulnes [Erlkönig] – Mélodie de François Schubert	pf		c1837	arr of the song Erlkönig, Op.1/D.328d by Franz Schubert; 1st version of S.558/4, S.558a/4, S.558a/4a; published 1838 by Diabelli
557b/i (*557b)	A42	Meeresstille – Lied von Fr. Schubert	pf		c1837	arr of the song Meeres Stille, D.216 by Franz Schubert; 1st version of S.557b/ii, S.558/5, S.558/5a; published 1838 by Diabelli (with ossia) [lower-alpha 2]
557b/ii (*557b-bis)	—	Meeresstille – Lied von Fr. Schubert	pf		by 1838	2nd (ossia) version of S.557b/i, S.558/5, S.558/5a; published 1838 by Diabelli with S.557b/i [lower-alpha 2]
557c	A42	Frühlingsglaube – Lied von Franz Schubert	pf		by 1838	arr of the song Frühlingsglaube, D.686c by Franz Schubert; 1st version of S.558/7, S.558a/7; published 1838 by Diabelli
557d	A42	Ave Maria [Ellens dritter Gesang] – Mélodie de François Schubert	pf		c1837	arr of the song Ave maria, Op.52#6/D.839 by Franz Schubert; 1st version of S.558/12; published 1838 by Diabelli
558	A42	12 Lieder von Fr. Schubert:	pf		1837–38	1st version of S.558a; published by Richault (Paris) (with ossia for No.5)
558/1	A42/1	Sei mir gegrüsst (Sois toujours mes seuls amours)	pf		1837–38	arr of the song Sei mir gegrüsst, D.741 by Franz Schubert; re-used as S.558a/1
558/2	A42/2	Auf dem Wasser zu singen (Barcarolle)	pf		1837–38	arr of the song Auf dem Wasser zu singen, D.774 by Franz Schubert; re-used as S.558a/2
558/3	A42/3	Du bist die Ruh' (L'attente)	pf		1837–38	arr of the song Du bist die Ruh, D.776 by Franz Schubert; 1st version of S.558a/3
558/4	A42/4	Erlkönig (Le roi des Aulnes)	pf		1837–38	2nd version of S.557a, S.558a/4, S.558a/4a; arr for orch as S.363a
558/5	A42/5	Meeresstille (La mer calme)	pf		1837–38	3rd version of S.557b/i, S.557b/ii, S.558/5a; re-used as S.558a/5
558/5a (*558/5bis)	—	Meeresstille – Lied von Fr. Schubert	pf		c1838?	4th (ossia) version of S.557b/i, S.557b/ii, S.558/5; published by Richault with S.558/5; re-used as S.558a/5a [lower-alpha 2]
558/6	A42/6	Die junge Nonne (La jeune réligieuse)	pf		1837–38	arr of the song Die junge Nonne, D.828 by Franz Schubert; re-used as S.558a/6
558/7	A42/7	Frühlingsglaube (Espoir dans le printemps)	pf		1837–38	2nd version of S.557c, S.558a/7
558/8	A42/8	Gretchen am Spinnrade (Marguerite)	pf		1837–38	arr of the song Gretchen am Spinnrade, D.118 by Franz Schubert; 1st version of S.558a/8
558/9	A42/9	Ständchen von Shakespeare (La sérénade de Shakspeare)	pf		1837–38	arr of the song Ständchen, D.889 by Franz Schubert; 1st version of S.558a/9
558/10	A42/10	Rastlose Liebe	pf		1837–38	arr of the song Rastlose Liebe, D.138a by Franz Schubert; re-used as S.558a/10
558/11	A42/11	Der Wanderer (Le pèlerin)	pf		1837–38	arr of the song Der Wanderer, D.489c by Franz Schubert; 1st version of S.558a/11
558/12	A42/12	Ave Maria "Ellens dritter Gesang"	pf		1837–38	2nd version of S.557d; re-used as S.558a/12
558a (*558bis)	—	12 Lieder von Fr. Schubert:	pf		c1879	2nd version of S.558; published c1879 by Cranz (with ossias for Nos.4, 5) (with new versions of Nos.3–4, 7–9, 11); [lower-alpha 2]
558a/1	—	Sei mir gegrüsst (Sois toujours mes seuls amours)	pf		1837–38	re-used from S.558/1
558a/2	—	Auf dem Wasser zu singen (Barcarolle)	pf		1837–38	re-used from S.558/2
558a/3 (*558bis/3)	—	Du bist die Ruh' (L'attente)	pf		c1879	2nd version of S.558/3 [lower-alpha 2]
558a/4 (*558bis/4)	—	Erlkönig (Le roi des Aulnes)	pf		c1879	3rd version of S.557a, S.558/4, S.558a/4a [lower-alpha 2]
558a/4a	—	Erlkönig (Le roi des Aulnes)	pf		c1879	4th (ossia) version of S.557a, S.558/4, S.558a/4 [lower-alpha 17][lower-alpha 5]
558a/5	—	Meeresstille (La mer calme)	pf		1837–38	re-used from S.558/5
558a/5a	—	Meeresstille – Lied von Fr. Schubert	pf		c1838?	ossia version; re-used from S.558/5a
558a/6	—	Die junge Nonne (La jeune réligieuse)	pf		1837–38	re-used from S.558/6
558a/7 (*558bis/7)	—	Frühlingsglaube (Espoir dans le printemps)	pf		c1879	3rd version of S.557c, S.558/7 [lower-alpha 2]
558a/8 (*558bis/8)	—	Gretchen am Spinnrade (Marguerite)	pf		c1879	2nd version of S.558/8 [lower-alpha 2]
558a/9 (*558bis/9)	—	Ständchen von Shakespeare (La sérénade de Shakspeare)	pf		c1879	2nd version of S.558/9 [lower-alpha 2]
558a/10	—	Rastlose Liebe	pf		1837–38	re-used from S.558/10
558a/11 (*558bis/11)	—	Der Wanderer (Le pèlerin)	pf		c1879	2nd version of S.558/11 [lower-alpha 2]
558a/12	—	Ave Maria "Ellens dritter Gesang"	pf		1837–38	re-used from S.558/12
559	A46	Der Gondelfahrer – Männer-Quartett von F. Schubert)	pf		1883	arr of the 4-part men's chorus Gondelfahrer, Op.28/D.809 by Franz Schubert; published 1883 by Cranz [42]
559a	A49	2 Lieder von Franz Schubert:	pf		c1837–38	published 1838 by Haslinger (Vienna) [lower-alpha 4]
559a/1 (*559a)	A49	La sérénade [Ständchen, Leise flehen] – Mélodie de François Schubert	pf		c1837	arr of No.4 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/7, S.560/7a, S.560a [lower-alpha 2]
559a/2	A49	Aufenthalt	pf		1838	re-used as S.560/3 [lower-alpha 5]
560	A49	Schwanengesang – 14 Lieder von Franz Schubert:	pf		1838–39	arr of the song cycle Schwanengesang, D.957 by Franz Schubert; published 1840 by Haslinger (Vienna) (with ossias for Nos.1–14)
560/1	A49/1	Die Stadt	pf		1838–39	arr of No.11 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/1a
560/1a (*560a/1) (*560bis/1)	—	Die Stadt	pf		c1839	2nd (ossia) version of S.560/1 [lower-alpha 13][lower-alpha 2]
560/2	A49/2	Das Fischermädchen	pf		1838–39	arr of No.10 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/2a
560/2a (*560a/2) (*560bis/2)	—	Das Fischermädchen	pf		c1839	2nd (ossia) version of S.560/2 [lower-alpha 13][lower-alpha 2]
560/3	A49/3	Aufenthalt	pf		1838	arr of No.5 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/3a
560/3a (*560a/3) (*560bis/3)	—	Aufenthalt	pf		c1839	2nd (ossia) version of S.560/3 [lower-alpha 13][lower-alpha 2]
560/4	A49/4	Am Meer	pf		1838–39	arr of No.12 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/4a, S.560b/1
560/4a (*560a/4) (*560bis/4)	—	Am Meer	pf		c1839	2nd (ossia) version of S.560/4, S.560b/1 [lower-alpha 13][lower-alpha 2]
560/5	A49/5	Abschied	pf		1838–39	arr of No.7 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/5a
560/5a (*560a/5) (*560bis/5)	—	Abschied	pf		c1839	2nd (ossia) version of S.560/5 [lower-alpha 13][lower-alpha 2]
560/6	A49/6	In der Ferne	pf		1838–39	arr of No.6 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/6a
560/6a (*560a/6) (*560bis/6)	—	In der Ferne	pf		c1839	2nd (ossia) version of S.560/6 [lower-alpha 13][lower-alpha 2]
560/7	A49/7	Ständchen "Leise flehen"	pf		1838	2nd version of S.559a, S.560/7a, S.560a
560/7a (*560a/7) (*560bis/7)	—	Ständchen "Leise flehen"	pf		c1839	3rd (ossia) version of S.559a, S.560/7, S.560a [lower-alpha 13][lower-alpha 2]
560/8	A49/8	Ihr Bild	pf		1838–39	arr of No.9 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/8a
560/8a (*560a/8) (*560bis/8)	—	Ihr Bild	pf		c1839	2nd (ossia) version of S.560/8 [lower-alpha 13][lower-alpha 2]
560/9	A49/9	Frühlingssehnsucht	pf		1838–39	arr of No.3 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/9a
560/9a (*560a/9) (*560bis/9)	—	Frühlingssehnsucht	pf		c1839	2nd (ossia) version of S.560/9 [lower-alpha 13][lower-alpha 2]
560/10	A49/10	Liebesbotschaft	pf		1838–39	arr of No.1 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/10a
560/10a (*560a/10) (*560bis/10)	—	Liebesbotschaft	pf		c1839	2nd (ossia) version of S.560/10 [lower-alpha 13][lower-alpha 2]
560/11	A49/11	Der Atlas	pf		1838–39	arr of No.8 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/11a
560/11a (*560a/11) (*560bis/11)	—	Der Atlas	pf		c1839	2nd (ossia) version of S.560/11 [lower-alpha 13][lower-alpha 2]
560/12	A49/12	Der Doppelgänger	pf		1838–39	arr of No.13 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/12a, S.560b/2
560/12a (*560a/12) (*560bis/12)	—	Der Doppelgänger	pf		c1839	2nd (ossia) version of S.560/12, S.560b/2 [lower-alpha 13][lower-alpha 2]
560/13	A49/13	Die Taubenpost	pf		1838–39	arr of No.14 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/13a
560/13a (*560a/13) (*560bis/13)	—	Die Taubenpost	pf		c1839	2nd (ossia) version of S.560/13 [lower-alpha 13][lower-alpha 2]
560/14	A49/14	Kriegers Ahnung	pf		1838–39	arr of No.2 of the song cycle Schwanengesang, D.957 by Franz Schubert; 1st version of S.560/14a
560/14a (*560a/14) (*560bis/14)	—	Kriegers Ahnung	pf		c1839	2nd (ossia) version of S.560/14 [lower-alpha 13][lower-alpha 2]
560a (*560/7a)	A49	Ständchen "Leise flehen"	pf		c1880	4th version of S.559a, S.560/7, S.560/7a, written for Lina Ramann; published 1880? by Hainauer (Paris) [43] [lower-alpha 2]
560b	A49	2 Lieder von Franz Schubert:	pf		by 1842	published 1842 by Haslinger (Vienna) ("new edn") [lower-alpha 4][lower-alpha 5]
560b/1	A49	Am Meer	pf		by 1842	3rd version of S.560/4, S.560/4a [lower-alpha 5]
560b/2	A49	Der Doppelgänger	pf		by 1842	3rd version of S.560/12, S.560/12a [lower-alpha 5]
561	A50	Winterreise – 12 Lieder von Franz Schubert:	pf		1839	arr of 12 songs from the cycle Winterreise, D.911 by Franz Schubert; published 1840 by Ricordi (Milan) (with ossias for Nos.2–3, 7, 10–11)
561/1	A50/1	Gute Nacht	pf		1839	arr of No.1 from the cycle Winterreise, D.911 by Franz Schubert
561/2	A50/2	Die Nebensonnen	pf	B♭ major	1839	arr of No.23 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/2a
561/2a (*561bis/2)	—	Die Nebensonnen	pf	B♭ major	1839	2nd (ossia) version of S.561/2 [lower-alpha 2]
561/3	A50/3	Mut	pf		1839	arr of No.22 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/3a
561/3a (*561bis/3)	—	Mut	pf		1839	2nd (ossia) version of S.561/3 [lower-alpha 2]
561/4	A50/4	Die Post	pf		1838	arr of No.13 from the cycle Winterreise, D.911 by Franz Schubert; 1st published separately 1838 by Haslinger (Vienna)
561/5	A50/5	Erstarrung	pf		1839	arr of No.4 from the cycle Winterreise, D.911 by Franz Schubert
561/6	A50/6	Wasserflut	pf		1839	arr of No.6 from the cycle Winterreise, D.911 by Franz Schubert
561/7	A50/7	Der Lindenbaum	pf		1839	arr of No.5 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/7a
561/7a (*561bis/7)	—	Der Lindenbaum	pf		1839	2nd (ossia) version of S.561/7 [lower-alpha 2]
561/8	A50/8	Der Leiermann	pf		1839	arr of No.24 from the cycle Winterreise, D.911 by Franz Schubert
561/9	A50/9	Täuschung	pf		1839	arr of No.19 from the cycle Winterreise, D.911 by Franz Schubert
561/10	A50/10	Das Wirtshaus	pf		1839	arr of No.21 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/10a
561/10a (*561bis/10)	—	Das Wirtshaus	pf		1839	2nd (ossia) version of S.561/10 [lower-alpha 2]
561/11	A50/11	Der stürmische Morgen	pf		1839	arr of No.18 from the cycle Winterreise, D.911 by Franz Schubert; 1st version of S.561/11a
561/11a (*561bis/11)	—	Der stürmische Morgen	pf		1839	2nd (ossia) version of S.561/11 [lower-alpha 2]
561/12	A50/12	Im Dorfe	pf		1839	arr of No.17 from the cycle Winterreise, D.911 by Franz Schubert
561a (*561/2bis) (*561/2a)	—	Die Nebensonnen – Albumblatt (Fr. Schubert)	pf	A major	1839 or later	based on S.561/2; manuscript 1 page consisting of 1st paragraph of the Schubert song in Liszt's transcription; unpublished [lower-alpha 2]
562	A73	Franz Schuberts [4] Geistliche Lieder:	pf		1840	published 1841 as Vol.2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert (with S.467 as Vol.1) by Schuberth (Leipzig) (with ossia for No.3)
562/1	A73/1	Litanei, auf das Fest aller Seelen	pf		1840	arr of the song Am Tage Aller Seelen, D.343a by Franz Schubert
562/2	A73/2	Himmelsfunken	pf		1840	arr of the song Himmelsfunken, D.651 by Franz Schubert
562/3	A73/3	Die Gestirne	pf		1840	arr of the song Die Gestirne, D.444 by Franz Schubert; 1st version of S.562/3a
562/3a (*562/3bis)	—	Die Gestirne	pf		c1840?	2nd (ossia) version of S.562/3 [lower-alpha 2]
562/4	A73/4	Hymne "Geisterchor aus Rosamunde"	pf		1840	arr of No.4 from the incidental music to Rosamunde, D.797 by Franz Schubert
563	A109	6 Melodien von Franz Schubert:	pf		1844	published 1844 by Richault (Paris) (with ossia for No.6)
563/1	A109/1	Lebe wohl!	pf		1844	arr of the song by Hans von Weyrauch (not Schubert)[44]
563/2	A109/2	Mädchens Klage	pf		1844	arr of the song Des Mädchens Klage, D.191b by Franz Schubert
563/3	A109/3	Das Sterbeglöcklein "Das Zügenglöcklein" (La cloche des agonisants)	pf		1844	arr of the song Das Zügenglöcklein, D.871b by Franz Schubert
563/4	A109/4	Trockne Blumen	pf		1844	arr of No.18 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert
563/5	A109/5	Ungeduld	pf	F major	1844	arr of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/6, S.565c/6
563/6	A109/6	Die Forelle	pf		1844	arr of the song Die Forelle, D.550d by Franz Schubert; 1st (concert arrangement) version of S.563/6a, S.564
563/6a (*563/6bis)	—	Die Forelle	pf		1844	2nd (ossia) version of S.563/6, S.564, with less virtuosic penultimate stanza [lower-alpha 2]
564	A127	Die Forelle – Lied von Fr. Schubert	pf		1846	3rd version of S.563/6, S.563/6a; published 1846 by Diabelli (Vienna)
565	A128	6 Mélodies favorites de La Belle Meunière de François Schubert:	pf		1846	1st version of S.565c; published 1847 by Diabelli (Vienna) (with ossia for No.2)
565/1	A128/1	Das Wandern	pf		1846	arr of No.1 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/1
565/2	A128/2	Der Müller und der Bach	pf		1846	arr of No.19 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565/2a, S.565c/2
565/2a	—	Der Müller und der Bach	pf		c1846	2nd (ossia) version of S.565/2, S.565c/2 [lower-alpha 17][lower-alpha 5]
565/3	A128/3	Der Jäger	pf		1846	arr of No.14 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/3
565/4	A128/4	Die böse Farbe	pf		1846	arr of No.17 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/4
565/5	A128/5	Wohin?	pf		1846	arr of No.2 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 1st version of S.565c/5
565/6	A128/6	Ungeduld	pf	B♭ major	1846	arr of No.7 from the song cycle Die schöne Müllerin, D.795 by Franz Schubert; 2nd version of S.563/5, S.565c/6
565a	U14/1	Grosse Fantasie von Franz Schubert	pf	C major	c1868	edited with additions to the Fantasie in C major, D.760 by Franz Schubert
565b	U14/2	(2) Impromptus von F. Schubert	pf		c1868	edited, with additions to Nos.2 and 3 of Impromptus, D.899 by Franz Schubert
565c (*565bis)	—	[6] Müllerlieder von Franz Schubert:	pf		c1879	2nd version of S.565; published 1879 by Cranz (Hamburg) [lower-alpha 2]
565c/1 (*565bis/1)	—	Das Wandern	pf		c1879	2nd version of S.565/1 [lower-alpha 2]
565c/2 (*565bis/2)	—	Der Müller und der Bach	pf		c1879	3rd version of S.565/2, S.565/2a [lower-alpha 2]
565c/3 (*565bis/3)	—	Der Jäger	pf		c1879	2nd version of S.565/3 [lower-alpha 2]
565c/4 (*565bis/4)	—	Die böse Farbe	pf		c1879	2nd version of S.565/4 [lower-alpha 2]
565c/5 (*565bis/5)	—	Wohin?	pf		c1879	2nd version of S.565/5 [lower-alpha 2]
565c/6 (*565bis/6)	—	Ungeduld	pf	B♭ major	c1879	3rd version of S.563/5, S.565/6 [lower-alpha 2]
566–570	Schumann					[INDEX↑]
566	A133	Liebeslied (Widmung von Robert Schumann)	pf		1848	arr of No.1 of Myrthen, Op.25 by Robert Schumann; 1st version of S.566a
566a	A133	Liebeslied (Widmung von Robert Schumann)	pf		1850–59?	2nd version of S.566, more literal transcription; sketch only
567	A212	Lieder von Robert Schumann:	pf		1861
567/1	A212/1	An den Sonnenschein	pf		1861	arr of No.4 of 6 Gedichte, Op.36 by Robert Schumann
567/2	A212/2	Rotes Röslein	pf		1861	arr of No.2 of Lieder und Gesänge, Vol.I, Op.27 by Robert Schumann
568	A257	Frühlingsnacht (Lied von Robert Schumann)	pf		1872	arr of No.12 of Liederkreis by Robert Schumann
569	A264a	(10) Lieder von Robert und Clara Schumann:	pf		1874
569/1	A264a/1	Weihnachtslied	pf		1874	arr of No.16 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/2	A264a/2	Die wandelnde Glocke	pf		1874	arr of No.17 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/3	A264a/3	Frühlings Ankunft	pf		1874	arr of No.19 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/4	A264a/4	Des Sennen Abschied	pf		1874	arr of No.22 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/5	A264a/5	Er ist's	pf		1874	arr of No.23 of Liederalbum für die Jugend, Op.79 by Robert Schumann
569/6	A264a/6	Nur wer die Sehnsucht kennt	pf		1874	arr of No.3 of Lieder und Gesänge aus Wilhelm Meister, Op.98a by Robert Schumann
569/7	A264a/7	An die Türen will ich schleichen	pf		1874	arr of No.5 of 'Lieder und Gesänge aus Wilhelm Meister, Op.98a by Robert Schumann
569/8	A264b/1	Warum willst du and're fragen	pf		1874	arr of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann
569/9	A264b/2	Ich hab' in deinem Auge	pf		1874	arr of No.5 of 6 Lieder, Op.13, by Clara Schumann
569/10	A264b/3	Geheimes Flüstern hier und dort	pf		1874	arr of No.3 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann
570	A306	Provenzalisches Minnelied (von Robert Schumann)	pf		1881	arr of No.4 of Des Sängers Fluch, Op.139 by Robert Schumann
570a	Smetana					[INDEX↑]
570a	V16	Polka de salon (Einleitung und Coda zu Smetanas Polka)	pf	F♯ major	1885	additions and revisions to No.1 of 3 Polkas de salon, Op.7 by Bedřich Smetana
571	Spohr					[INDEX↑]
571	A275	Die Rose (Romanze von Louis Spohr)	pf		1876	arr of Zemire's romance from the opera Zemire und Azor, by Louis Spohr
571a	Strauss/Tausig					[INDEX↑]
571a (*167a)	V15	Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)	pf		1880	additions and revisions (Introduction and Coda) to Valse-Caprice No.3 d'après J. Strauss by Karl Tausig [45]
572	Szabadi/Massenet					[INDEX↑]
572	A292	Revive Szegedin! (Marche hongroise de Szabady)	pf		1879	arr of Jules Massenet's orchestration (Marche héroïque de Szabady) of the Marche turque-hongroise by Ignác Szabadi Frank
573	Széchényi					[INDEX↑]
573	A258	Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl )	pf		1872	based on the Ungarischer Marsch by Imre Széchényi
573a	Tirindelli					[INDEX↑]
573a (*754)	A297	Seconda Mazurka di Tirindelli	pf		1880	additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
574–576a	Weber					[INDEX↑]
574	A122	Ouvertüre zur Webers Oper Oberon	pf		1846	arr of the overture from the opera Oberon, J.306 by Carl Maria von Weber
575	A129	Ouvertüre aus Webers Oper Der Freischütz	pf		1846	arr of the overture from the opera Der Freischütz, Op.77 by Carl Maria von Weber
576	A121	Webers Jubelovertüre	pf		1846	arr of the Jubel-Ouvertüre, Op.59 by Carl Maria von Weber
576a	—	Konzertstück (von Weber)	pf		c1868	arr of the Konzertstück, Op.79 by Carl Maria von Weber; see also S.367a
576b–577	Vielgorsky					[INDEX↑]
576b (*577bis)	—	Любила я! [Lyubila ya] (I Loved!) "Romance"	pf		1842?	arr of the romance I Loved! by Mikhail Vielgorsky; 1st version of S.577i, S.577i/a, S.577ii; see also S.167l
577i	A87	I Loved (Romanze von Wielhorski)	pf		1842	2nd version of S.576b, S.577i/a, S.577ii; see also S.167l
577i/a (*577ter)	—	Любила я! [Lyubila ya] (I Loved!) "Romance"	pf		1843?	3rd version of S.576b, S.577i, S.577ii; see also S.167l
577ii	A87	Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky)	pf		1843	4th version of S.576b, S.577i, S.577i/a; see also S.167l
577a–634b	Piano four-hands					[INDEX↑]
577a	Field					[INDEX↑]
577a	T33	12 Nocturnes (John Field):	pf4h		1877
577a/1	T33/1	Nocturne No. 1	pf4h		1877	arr of Nocturne No.1 in E♭ major, H.24, by John Field
577a/2	T33/2	Nocturne No.2	pf4h		1877	arr of Nocturne No.2 in C minor, H.25, by John Field
577a/3	T33/3	Nocturne No.3	pf4h		1877	arr of Nocturne No.3 in A♭ major, H.26, by John Field
577a/4	T33/4	Nocturne No.4	pf4h		1877	arr of Nocturne No.4 in A major, H.36, by John Field
577a/5	T33/5	Nocturne No.5	pf4h		1877	arr of Nocturne No.5 in B♭ major, H.37, by John Field
577a/6	T33/6	Nocturne No.6	pf4h		1877	arr of Nocturne No.6 in F major, H.40, by John Field
577a/7	T33/7	Nocturne No.7	pf4h		1877	arr of Pastorale in A major, H.14, by John Field
577a/8	T33/8	Nocturne No.8	pf4h		1877	arr of Romance in E♭ major, H.30, by John Field
577a/9	T33/9	Nocturne No.9	pf4h		1877	arr of Nocturne No.8 in E minor, H.46, by John Field
577a/10	T33/10	Nocturne No. 10	pf4h		1877	arr of Nocturne No.17 in E major, H.65, by John Field
577a/11	T33/11	Nocturne No. 11	pf4h		1877	arr of Nocturne No.11 in E♭ major, H.56, by John Field
577a/12	T33/12	Nocturne No. 12	pf4h		1877	arr of Nocturne No.18 in E major ("Midi"), H.13, by John Field
578–626	Liszt					[INDEX↑]
578	B27	Die Legende von der Heiligen Elisabeth:	pf4h		1862–66?	arr of extracts from S.2
578/1	B27/1	Orchester Einleitung	pf4h		1862–66?	arr of Introduction from S.2
578/2	B27/2	Marsch der Kreuzritter	pf4h		1862–66?	arr of No.3e from S.2
578/3	B27/3	Der Sturm	pf4h		1862–66?	arr of No.4d from S.2
578/4	B27/4	Interludium	pf4h		1862–66?	arr of No.6a from S.2
579	B30	(2) Orchestersätze aus dem Oratorium Christus:	pf4h		1866–73?	arr of Nos.4 and 5 from S.3
579/1	B30/1	Hirtengespiel an der Krippe	pf4h		1866–73?	arr of No.4 from S.3
579/2	B30/2	Die heiligen drei Könige	pf4h		1866–73?	arr of No.5 from S.3
580	B42	Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)	pf4h		1874	arr of prelude from S.6
581	B31	Aus der Ungarischen Krönungsmesse:	pf4h		1869	arr of Nos.5 and 7 from S.11
581/1	B31/1	Benedictus	pf4h		1869	arr of No.5 from S.11
581/2	B31/2	Offertorium	pf4h		1869	arr of No.7 from S.11
582	B53	O Lamm Gottes!	pf4h		1878–79	arr of S.504b/7
583	B52	Via Crucis (Les 14 stations de la croix)	pf4h		1878–79	arr of S.53
584	B6	Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn	pf4h		1845	arr of S.67
585	B24	Pastorale (Schnitterchor aus dem Entfesselten Prometheus)	pf4h		1861	arr of No.4 from S.69ii
586	B34	Gaudeamus igitur (Humoreske)	pf4h		1870?	arr of S.71
587	B7	Marche héroique	pf4h		1848?	arr of S.510
588	B16	Weimars Volkslied	pf4h		1857	arr of S.313
589	B37	Ce qu'on entend sur la montagne (Symphonic Poem No. 1)	pf4h		1874	arr of S.95iv
590	B20	Tasso: Lamento e Trionfo (Symphonic Poem No. 2)	pf4h		1858	arr of S.96iv
591	B12	Les préludes (Symphonic Poem No. 3)	pf4h		1853–58	arr of S.97iv
592	B17	Orpheus (Symphonic Poem No. 4)	pf4h		1858	arr of S.98
593	B18	Prometheus (Symphonic Poem No. 5)	pf4h		1858?	arr of S.99
594	B38	Mazeppa (Symphonic Poem No. 6)	pf4h		1874	arr of S.100ii
595	B13	Festklänge (Symphonic Poem No. 7)	pf4h		1854–61	arr of S.101ii
596	B39	Hungaria (Symphonic Poem No. 9)	pf4h		1874	arr of S.103
596a	B49	Héroïde funèbre (Symphonic Poem No. 8)	pf4h		1877	arr of S.102
596b	B51	Hunnenschlacht (Symphonic Poem No. 11)	pf4h		1877	arr of S.105
596c	B44	Die Ideale (Symphonic Poem No. 12)	pf4h		1874–77	arr of S.106 by Liszt and Giovanni Sgambati
597	B40	Hamlet (Symphonic Poem No. 10)	pf4h		1874	arr of S.104ii
598	B55	Von der Wiege bis zum Grabe (From the Cradle to the Grave) (Symphonic Poem No. 13)	pf4h		1881	arr of S.512i; arr for orch as S.107
599	B15	2 Episoden aus Lenaus Faust:	pf4h		1861–62	arr of S.110
599/1	B15/1	Der nächtliche Zug	pf4h		1861–62	arr of S.110/1
599/2	B15/2	Der Tanz in der Dorfschenke (Mephisto Walzer)	pf4h		1861–62	arr of S.110/2a
600	B54	Mephisto Waltz No.2	pf4h		1880–81	arr of S.515
601–603	B23	(3) Odes funèbres:	pf4h		1860–69	arr of S.112
601	B23/1	Les morts	pf4h		1860	arr of S.112/1
602	B23/2	La notte	pf4h		1866	arr of S.112/2
603	B23/3	Le triomphe funèbre du Tasse	pf4h		1866–69	arr of S.112/3
604i	B28/1	Boze coś Polskę	pf4h		1863	arr of S.113i
604ii	B28/2	Salve Polonia (Interludium aus dem Oratorium St. Stanislaus)	pf4h		1884	arr of S.113ii
605i (*605)	B22	Künstler-Festzug zur Schillerfeier 1859	pf4h		1859	arr of S.114; 1st version of S.605ii [lower-alpha 2]
605ii	B22	Künstlerfestzug zur Schillerfeier 1859	pf4h		by 1865	2nd version of S.605i [lower-alpha 4][lower-alpha 5]
606i (*606)	B19	Fest-Marsch zur Göthe Jubiläum-Feier	pf4h		1858?	arr of S.115iii; 1st version of S.606ii [lower-alpha 2]
606ii	B19	Fest Marsch zur Göthe Jubiläum Feier	pf4h		by 1870	2nd version of 606i [lower-alpha 4][lower-alpha 5]
607	B21	Festmarsch nach Motiven von E.H.z.S.-C.-G.	pf4h		1858–59	arr of S.116
608	B33	Rákóczi-Marsch	pf4h		1870	arr of S.117
609	B32	Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867	pf4h		1870	arr of S.118
610	B46	Ungarischer Sturmmarsch (Hungarian Battle March)	pf4h		1875	arr of S.119
611	W7	Epithalam (zu Eduard Reményi's Vermählungsfeier)	pf4h		1872	arr of S.129; Liszt's authorship doubtful
612	B36	Elegy No. 1	pf4h		1874	arr of S.196
612a	B43	Weihnachtsbaum:	pf4h		1875?	arr of S.185a; 1st version of S.613
612a/1	B43/1	Psallite (Altes Weihnachten)	pf4h		1875?	arr of S.185a/1; 1st version of S.613/1
612a/2	B43/2	O heilige Nacht!	pf4h		1875?	arr of S.185a/2; 1st version of S.613/2
612a/3	B43/3	Die Hirten an der Krippe ("In dulci jubilo")	pf4h		1875?	arr of S.185a/3; 1st version of S.613/3
612a/4	B43/4	Adeste fideles (gleichsam als Marsch der heiligen drei Konige)	pf4h		1875?	arr of S.185a/4; 1st version of S.613/4
612a/5	B43/5	Scherzoso	pf4h		1875?	arr of S.185a/5; 1st version of S.613/5
612a/6	B43/6	Reveille-Matin (Wecker)	pf4h		1875?	arr of S.185a/6; 1st version of S.613/6
612a/7	B43/7	Schlummerlied	pf4h		1875?	arr of S.185a/7; 1st version of S.613/7
612a/8	B43/8	(Alt-provenzalisches Noel)	pf4h		1875?	arr of S.185a/8; 1st version of S.613/8
612a/9	B43/9	(Abendglocken)	pf4h		1875?	arr of S.185a/9; 1st version of S.613/9
612a/10	B43/10	(Ehemals)	pf4h		1875?	arr of S.185a/10; 1st version of S.613/10
612a/11	B43/11	Ungarisch	pf4h		1875?	arr of S.185a/11; 1st version of S.613/11
612a/12	B43/12	Polnisch	pf4h		1875?	arr of S.185a/12; 1st version of S.613/12
613	B43	Weihnachtsbaum:	pf4h		1876–81	arr of S.186; 2nd version of S.612a
613/1	B43/1	Altes Weihnachten (Psalite)	pf4h		1876–81	arr of S.186/1; 2nd version of S.612a/1
613/2	B43/2	O heilige Nacht!	pf4h		1876–81	arr of S.186/2; 2nd version of S.612a/2
613/3	B43/3	Die Hirten an der Krippe ("In dulci jubilo")	pf4h		1876–81	arr of S.186/3; 2nd version of S.612a/3
613/4	B43/4	Adeste fideles (Gleichsam als Marsch der heiligen drei Konige	pf4h		1876–81	arr of S.186/4; 2nd version of S.612a/4
613/5	B43/5	Scherzoso (Man zündet die Kerzen des Baumes an)	pf4h		1876–81	arr of S.186/5; 2nd version of S.612a/5
613/6	B43/6	Carillon	pf4h		1876–81	arr of S.186/6; 2nd version of S.612a/6
613/7	B43/7	Schlummerlied	pf4h		1876–81	arr of S.186/7; 2nd version of S.612a/7
613/8	B43/8	Altes provenzalisches Weihnachtslied	pf4h		1876–81	arr of S.186/8; 2nd version of S.612a/8
613/9	B43/9	Abendglocken	pf4h		1876–81	arr of S.186/9; 2nd version of S.612a/9
613/10	B43/10	Ehemals	pf4h		1876–81	arr of S.186/10; 2nd version of S.612a/10
613/11	B43/11	Ungarisch	pf4h		1876–81	arr of S.186/11; 2nd version of S.612a/11
613/12	B43/12	Polnisch	pf4h		1876–81	arr of S.186/12; 2nd version of S.612a/12
614	B50	Dem Andenken Petöfis	pf4h		1877	arr of S.349
615	B1	Grande valse di bravura (La bal de Berne)	pf4h		1836	arr of S.209
615a	—	Mephisto Waltz No.3	pf4h		1883	arr of S.216
616	B2	Grand galop chromatique	pf4h		1838	arr of S.219
617	B56	Csárdás macabre	pf4h		1881–82	arr of S.224 (by Liszt and János Végh?)
618	W11	Csárdás obstiné	pf4h		1884?	arr of S.225/2; Liszt's authorship uncertain
618a	B14	Vom Fels zum Meer! (Deutscher Siegesmarsch)	pf4h		1853–56?	arr of S.229
619	B59	Bülow-Marsch	pf4h		1883	arr of S.230
619a (*255)	B48	Festpolonaise	pf4h		1876	arr of S.230a
620	B3	Hussitenlied (Aus dem 15. Jahrhundert)	pf4h		1840–41	arr of S.234
621	B41	(6) Hungarian Rhapsodies:	pf4h		1857–60	arr of S.359
621/1	B41/1	Hungarian Rhapsody No. 1	pf4h	F minor	1860	arr of S.359/1
621/2	B41/2	Hungarian Rhapsody No. 2	pf4h	C♯ minor	1860	arr of S.359/2
621/3	B41/3	Hungarian Rhapsody No. 3	pf4h	D major	1860	arr of S.359/3
621/4	B41/4	Hungarian Rhapsody No. 4	pf4h	D minor	1860	arr of S.359/4
621/5	B41/5	Hungarian Rhapsody No. 5 (Héroïde-élégiaque)	pf4h	E minor	1860	arr of S.359/5
621/6	B41/6	Hungarian Rhapsody No. 6 (Pesther Carneval)	pf4h	E♭ major	1860	arr of S.359/6
622	B57	Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten	pf4h		1882	arr of S.244/16ii
623	W12	Hungarian Rhapsody No. 18	pf4h		1885	arr of S.244/18; Liszt's authorshop doubtful
623a	W13	Hungarian Rhapsody No. 19	pf4h		1885?	arr of S.244/19; Liszt's authorshop doubtful
624	B8	Fantasie und Fuge über den Choral Ad nos, ad salutarem undam	pf4h		1850	arr of S.259; see also S.414/4
625	B29	Der Papsthymnus	pf4h		1865	arr of S.261
626	B60	Magyar király-dal (Ungarisches Königslied)	pf4h		1883	arr of S.340
627	Bellini					[INDEX↑]
627	B9	Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula	pf4h		1852	arr of S.393
628	Berlioz					[INDEX↑]
628	B10	Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz)	pf4h		1852–53	arr of S.396
628a–628b	Donizetti					[INDEX↑]
628a	—	Réminiscences de Lucia di Lammermoor	pf4h		1836–40	arr of S.397; lost?; performed by Liszt [46]
628b (*628a)	B5	Marche et Cavatine de Lucia di Lammermoor	pf4h		1844?	arr of S.398
628c	Egressy/Erkel					[INDEX↑]
628c (*628b)	—	Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)	pf4h		1873	arr of S.353; Liszt's authorship doubtful
629	Glinka					[INDEX↑]
629	B45	Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla	pf4h		1875	arr of S.406ii
630	Meyerbeer					[INDEX↑]
630	W2	Réminiscences de Robert le diable (Valse infernale)	pf4h		1841–43	arr of S.413; Liszt's authorship doubtful
631	Raff					[INDEX↑]
631	B11	Andante Finale und Marsch aus der Oper König Alfred:	pf4h		1853?	arr of S.421
631/1	B11/1	Andante	pf4h		1853?	arr of S.421/1
631/2	B11/2	Marsch	pf4h		1853?	arr of S.421/2
632	Schubert					[INDEX↑]
632	B35	Franz Schuberts (4) Märsche:	pf4h		1859–70	arr of S.363
632/1	B35/1	Grande marche	pf4h	B minor	1859–70	arr of S.363/1
632/2	B35/2	Trauermarsch	pf4h	E♭ minor	1859–70	arr of S.363/2
632/3	B35/3	Reitermarsch	pf4h	C major	1859–70	arr of S.363/3
632/4	B35/4	Ungarischer Marsch	pf4h	C minor	1859–70	arr of S.363/4
633	Allegri/Mozart					[INDEX↑]
633	B26	À la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart)	pf4h		1865	arr of S.461ii
634	Beethoven					[INDEX↑]
634	B4	Grand septuor de Beethoven	pf4h		1840–42	arr of S.465
634a	Mozart					[INDEX↑]
634a	B47	Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse)	pf4h		1875–81?	arr of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart
634b	Wagner					[INDEX↑]
634b	B25	(2) Stücke aus Tannhäuser und Lohengrin:	pf4h		1862?	arr of S.445
634b/1	B25/1	Einzug der Gäste auf der Wartburg	pf4h		1862?	arr of S.445/1a
634b/2	B25/2	Elsas Brautzug zum Münster	pf4h		1862?	arr of S.445/2
635–657b	Two pianos					[INDEX↑]
635–652a	Liszt					[INDEX↑]
635	C9	Ce qu'on entend sur la montagne (Symphonic Poem No. 1)	2pf		1854–56	arr of S.95iv
636	C10	Tasso: Lamento e Trionfo (Symphonic Poem No.2)	2pf		1854–56	arr of S.96iv
637	C11	Les préludes (Symphonic Poem No.3)	2pf		1855?	arr of S.97iv
638	C12	Orpheus (Symphonic Poem No.4)	2pf		1855–56	arr of S.98
639	C14	Prometheus (Symphonic Poem No.5)	2pf		1855–56	arr of S.99
640	C13	Mazeppa (Symphonic Poem No.6)	2pf		1855	arr of S.100ii
641	C7	Festklänge (Symphonic Poem No.7)	2pf		1853	arr of S.101i
642	C15	Héroïde funèbre (Symphonic Poem No.8)	2pf		1854–56	arr of S.102
643	C16	Hungaria (Symphonic Poem No.9)	2pf		1855–56	arr of S.103
644	C22	Hamlet (Symphonic Poem No. 10)	2pf		1858–60	arr of S.104ii
645	C21	Hunnenschlacht (Symphonic Poem No. 11)	2pf		1857–60	arr of S.105
646	C17	Die Ideale (Symphonic Poem No. 12)	2pf		1857–58	arr of S.106
647	C19	Faust Symphony (Eine Faust-Symphonie)	2pf		1856	arr of S.108i
648	C20	Dante Symphony (Eine Symphonie zu Dantes Divina Commedia)	2pf		1856–57	arr of S.109
649	C6	Fantasie über Motiven aus Beethovens Ruinen von Athen	2pf		1852	arr of S.122ii
650	C8	Piano Concerto No. 1	2pf	E♭ major	1853–56?	arr of S.124
651	C23	Piano Concerto No. 2	2pf	A major	1859	arr of S.125
652	C24	Totentanz	2pf		1859–65?	arr of S.126ii
652a	C25	Rákóczi-Marsch	2pf		1870	arr of S.117
653	Schubert					[INDEX↑]
653	C5	Franz Schuberts Grosse Fantasie	2pf	C major	1851–62?	arr of S.366
654–655	Bellini					[INDEX↑]
654i	C2	Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)	2pf		1840	arr of S.392; 1st version of S.654ii
654ii	C2	Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)	2pf		1870?	2nd version of S.654i
655	C3	Réminiscences de Norma	2pf		1845–74?	arr of S.394
656	Mozart					[INDEX↑]
656	C26	Réminiscences de Don Juan (Grande fantaisie)	2pf		1876–77	arr of S.418
657–657a	Beethoven					[INDEX↑]
657	C4	Symphony No. 9 de Beethoven	2pf	D minor	1851	arr of the Symphony No.9, Op.125 by Ludwig van Beethoven; arr for pf as S.464/9
657a	C27–29	3 Beethoven Piano Concertos	2pf		1878–79
657a/1	C27	Piano Concerto No. 3	2pf	C minor	1878–79	arr of the Piano Concerto No.3, Op.37 by Ludwig van Beethoven; includes new cadenza for 1st mvt, S.389a
657a/2	C28	Piano Concerto No. 4	2pf	G major	1878–79	arr of the Piano Concerto No.4, Op.58 by Ludwig van Beethoven
657a/3	C29	Piano Concerto No. 5	2pf	E♭ major	1878–79	arr of the Piano Concerto No.5, Op.73 by Ludwig van Beethoven
657b	Piano eight-hands					[INDEX↑]
657b	Liszt					[INDEX↑]
657b	C30	Bülow-Marsch	2pf8h		1884	arr of S.230
658–676	Organ or Harmonium					[INDEX↑]
658	Allegri/Mozart					[INDEX↑]
658	E15	Evocation à la Chapelle Sixtine	org/harm		1862–65?	arr of S.461ii
659	Dietsch					[INDEX↑]
659	E14	Ave Maria d'Arcadelt	org/harm		1862–63	arr of S.183/2
660–661	Bach					[INDEX↑]
660	E9,5	Introduction, Fugue, and Andante after Bach	org/harm		1856–66
660/1	E9	Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis)	org/harm		1860–66	arr of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21 by Johann Sebastian Bach
660/2	E5	Andante (Aus tiefer Not)	org/harm		1856–60?	arr of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38 by Johann Sebastian Bach
661	E13	Adagio vom Bach	org/harm		1861–63	arr of the 3rd mvt of Violin Sonata No. 4, BWV 1017 by Johann Sebastian Bach
662	Chopin					[INDEX↑]
662	E16	2 Preludes by Chopin	org		1862–63?	arr of two of the Preludes, Op.28 by Frédéric Chopin
662/1	E16/1	Prelude	org	E minor	1862–63?	arr of No.4 of the Preludes, Op.28 by Frédéric Chopin
662/2	E16/2	Prelude	org	E major	1862–63?	arr of No.9 of the Preludes, Op.28 by Frédéric Chopin
663	Lassus					[INDEX↑]
663	E21	Regina coeli laetare	org/harm		1865	arr of the motet Regina coeli laetare by Orlande de Lassus
663a–674c	Liszt					[INDEX↑]
663a	E25	Einleitung zur Legende von der heiligen Elisabeth	org/harm		1872	arr by Liszt and Carl Müller-Hartung of the introduction from S.2
664i	E19b/1	Tu es Petrus aus dem Oratorio Christus	org/harm		1867	arr of No.8 from S.3; 1st version of S.664ii
664ii	E19b/2	Tu es Petrus aus dem Oratorio Christus	org		1867	2nd (simplified) version of S.664i
665	E35	San Francesco	org		1880	arr of the prelude from S.4ii
666	E26	Preludio (Excelsior!)	org (+ch)		1874–75	arr of prelude from S.6; see also version for org without ch S.268a
667	E23	Offertorium aus der Ungarischen Krönungsmesse	org/harm		1868?	arr of No.5 from S.11
667a	—	Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)	org		1860	arr of S.14i
667b/i	—	Gebet (Ave Maria I)	org		1842?	arr of S.20i
667b/ii	E4	Ave Maria I	org		1856–59?	arr of S.20ii; incomplete sketch as S.701n
667c	E24	Ave Maria II	harm	D major	1869	arr of S.38
668	E18	Slavimo slavno, Slaveni!	org		1863	arr of S.33i
668a	E27/2a	Ave maris stella	harm		1871	arr of S.34; 1st version of S.669/2
669	E27	(2) Kirchenhymnen:	org/harm		1877
669/1	E27/1	Salve Regina	org/harm		1877
669/2	E27/2b	Ave maris stella	org/harm		1877	arr of S.34; 2nd version of S.668a
669a	—	(7) Deutsche Kirchenlieder:	v ch pf/org		1878–79	arr of selections from S.50
669a/1	—	Es segne uns Gott	ch org		1878–79	arr of S.50/1
669a/2	—	Gott sei gnädig (Der Kirchensegen)	v/ch org		1878–79	arr of S.50/2
669a/3	—	Nun ruhen alle Wälder	v org		1878–79	arr of S.50/3
669a/4	—	O Haupt voll Blut und Wunden	v org		1878–79	arr of S.50/4
669a/5	—	O Lamm Gottes!	v pf/org		1878–79	arr of S.50/5
669a/6	—	Was Gott tut, das ist wohlgetan	v org		1878–79	arr of S.50/6
669a/7	—	Wer nur den lieben Gott läßt walten	v org		1878–79	arr of S.50/7
669b	E31	Via Crucis (Les 14 stations de la croix)	org		1876–79	arr of S.53
669c	—	O Roma nobilis	org		1878–79	arr of S.54
670	E34	Rosario:	org/harm		1879	arr of selections from S.56
670/1	E34/1	Mysteria gaudiosa	org/harm		1879	arr of S.56/1
670/2	E34/2	Mysteria dolorosa	org/harm		1879	arr of S.56/2
670/3	E34/3	Mysteria gloriosa	org/harm		1879	arr of S.56/3
671	E40	In domum Domini ibimus (Zum Haus des Herrn ziehen wir)	org		1884	arr of S.57
671a	J44	Zur Trauung	org		1883?	arr of S.60
672i	E6/1	Weimars Volkslied	org		1857–63?	arr of S.313; 1st version of S.672ii
672ii	E6/2	Weimars Volkslied	org/harm		1872–73?	2nd version of S.672i
672a	E11	Orpheus (Symphonic Poem No.4)	org/harm		1860–72	arr of S.98
672b	E8	Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia	org/harm		1860	arr by Liszt (and Alexander Wilhelm Gottschalg?) of extracts from S.109
672c	E30	Angelus! Prière aux anges gardiens	harm		1882	7th (final harm) version of S.162a/i, S.162a/ii, S.162a/iii, S.162a/iv, S.162a/v, S.162a/vi, S.163/1
672d	E22	(4) Consolations:	org/harm		1866–79	arr of selections from S.172
672d/1	E22/1	(Lento placido)	org/harm	A major	1879?	arr of S.172/3
672d/2 (*759)	E22/2	(Adagio)	org/harm	D♭ major	1866–67?	arr of S.172/4 by Liszt and Alexander Wilhelm Gottschalg
672d/3	E22/3	(Andantino)	org/harm	E major	1872–73?	arr of S.172/5 by Liszt and Alexander Wilhelm Gottschalg
672d/4	E22/4	(Trôstung)	org/harm	E major	1879?	arr of S.172/6
673	E17	Variationen über das Motiv von Bach	org		1862–63	arr of S.180
674	E37	A magyarok Istene (Ungarns Gott)	org/harm		1881	arr of S.339
674a/i (*674a)	E36	O sacrum convivium	org/harm		c1880	arr of S.58; ossia version as S.674a/ii [lower-alpha 2]
674a/ii (*674a-bis)	—	O sacrum convivium	org/harm		c1880	ossia version of S.674a/i [lower-alpha 2]
674b	—	Ave Maria IV	org/harm		1881	arr of S.341
674c	—	Nun danket alle Gott	org		1884	arr of S.61
674d	Mozart					[INDEX↑]
674d	E42	Ave verum corpus de Mozart	org/harm		1886	arr of S.461a
675	Nicolai					[INDEX↑]
675	E2	Kirchliche Fest-Ouvertüre	org/pfped		1852	arr of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai
675a	Ritter					[INDEX↑]
675a	V10	In der Christmette	vn org		1873?	corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter
675b	Schumann					[INDEX↑]
675b	V18	Davidsbündlertänze	org		1870?	arr by Alexander Wilhelm Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6 by Robert Schumann
675c	Verdi					[INDEX↑]
675c/i	E29	Agnus Dei della Messa da Requiem di Giuseppe Verdi	org/harm		1877–78	based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/ii; arr of S.437i
675c/ii	E29	Agnus Dei della Messa da Requiem di Giuseppe Verdi	org/harm		1883	2nd version of S.675c/i; arr of S.437ii
676	Wagner					[INDEX↑]
676i	E10a	Chor der jüngeren Pilger (Der Gnade Heil)	org/harm		1860	based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV.70 by Richard Wagner; 1st version of S.676ii; arr of S.443i
676ii	E10b	Chor der jüngeren Pilger (Der Gnade Heil)	org/harm		1862	2nd version of S.676i; arr of S.443ii
677–679	Chamber with organ/harmonium					[INDEX↑]
677–678	Liszt					[INDEX↑]
677	F2	Hosannah (Alleluja del Cantico del sol)	org (+tbn)		1862–63	arr of 'Alleluja' from S.4i
677a	—	Cantico di San Francesco d'Assisi	tbn pf		1862	arr of extract from S.4ii; published 2013 [lower-alpha 7]
678	F3	Aus der Ungarischen Krönungsmesse:	vn org/harm		1871	arr of extracts from S.11
678/1	F3/1	Benedictus	vn org/harm		1871	arr of S.11/5
678/2	F3/2	Offertorium	vn org/harm		1871	arr of S.11/7
679	Rossini					[INDEX↑]
679	F1	Cujus animam aus Rossinis Stabat Mater	tbn org		1860–70?	arr of S.553/1
680–682	Songs with organ/harmonium					[INDEX↑]
680–681a	Liszt					[INDEX↑]
680	K3	Ave maris stella	v org/harm	D major	1868	arr of S.34ii
681	K4	Ave Maria II	v org/harm		1869	arr of S.38
681a	—	Jeanne d'Arc au bûcher (Scène dramatique)	v org		1875?	arr of S.293ii; published 2013 [lower-alpha 11][lower-alpha 5]
682	Rossini					[INDEX↑]
682	K5	Cujus animam aus Rossinis Stabat Mater	ten org		1874?	arr of S.553/1
683–685	Songs					[INDEX↑]
683	Constantine					[INDEX↑]
683	N57	Serbisches Lied (Ein Mädchen sitzt am Meeresstrand)	v pf		1858?	arr of the song by F. W. Constantine, Prince of Hohenzollern-Hechingen
683a	Korbay					[INDEX↑]
683a	K10	Gebet	v org		1883?	arr of the song by Francis Korbay; arr for v orch as S.368/2
684	Pantaleoni					[INDEX↑]
684	N2	Barcarole vénitienne de Pantaleoni (Venezianisches Gondellied)	v pf		1840	arr of the song by Luigi Pantaleoni (collaborative composition: melody and lyrics by Pantaleoni, pf accompaniment by Liszt)
685	Pavlovna					[INDEX↑]
685	N47	Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna)	v pf		1849–54	arr of the song by Maria Pavlovna, Grand Duchess of Russia
686	Recitations					[INDEX↑]
686	Draeseke					[INDEX↑]
686	P4	Helges Treue	nar pf		1860	arr of the ballad Helges Treue, Op.1 by Felix Draeseke
687–701v	Unfinished works or sketches					[INDEX↑]
687	Stage works					[INDEX↑]
687	Q13	Sardanapale	vv ch orch		1846–55?	unfinished sketches (611 pages) for an opera based on Lord Byron's Sardanapalus
688–689a	Choral works					[INDEX↑]
688–688a	Sacred					[INDEX↑]
688	Q17	Die Legende vom heiligen Stanislaus	vv ch orch		1869–85	unfinished oratorio; extracts used in S.16i, S.113ii, S.518, S.519; fragment arr for pf as S.688a
688a	Q17	Die Legende vom heiligen Stanislaus	pf		1886?	arr of fragment from S.688; incomplete sketches
689–689a	Secular					[INDEX↑]
689	Q14	Singe wem Gesang gegeben	mch orch		1848?	orchestrated by Liszt and August Conradi; incomplete
689a	Q9	Manfred	ch orch		1842–44	incomplete
690–690e	Orchestra					[INDEX↑]
690	Q1	Symphonie révolutionnaire	orch		1830, 1848–53	incomplete sketches; 1st mvt 1849–50; 1st mvt 1st version of S.102; 5th mvt 1st version of S.703; 1st mvt possibly the same as S.710
690a	—	Minuet	orch		1830	sketch; may have been intended for S.690; lost
690b	?	?	orch
690c	?	?	orch
690d	?	?	orch
690e	?	Magyar Dalok [No.6]	orch		1840	arr of S.242/6; unfinished [lower-alpha 7]
691–692	Concertante works					[INDEX↑]
*691 (121a)	—	De Profundis			1834	unfinished
691a	?	Concerto for piano and strings	pf str		early 1830s	unfinished
691b	Q8	Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)	pf orch		1841	arr of S.694; unfinished, lost
692	S49	Violin Concerto	vn orch		1860	sketches only?; lost
692a	Chamber music					[INDEX↑]
692a (*719)	Q18	Die vier Jahreszeiten	2vn va vc		1880?	arr of Le Quattro Stagioni by Antonio Vivaldi; incomplete sketches
692b–700e	Piano solo					[INDEX↑]
692b	S22	Anfang einer Jugendsonate (Beginning of a youthful Sonata)	pf	F minor	1880	the first page of S.725/1 (14 bars) copied down from memory in 1880 by Liszt for his biographer Lina Ramann (the original composition was lost)
692c (*136a)	A8/13	Allegro Maestoso (Etude No. 13)	pf	F♯ major	1826	incomplete sketches for No.13 of 48 exercises (No.1 of 2nd series) (with S.136 as the 1st series)
692d	—	Rákóczi-Marsch	pf		1839–40	simplified arr of S.242a; incomplete sketches
692e	—	Winzerchor aus den entfesselten Prometheus	pf		1850?	arr of No.5 from S.69i; incomplete sketches
692f	—	Tasso: lamento e trionfo	pf		1856	arr of S.96iv; abandoned [lower-alpha 16][lower-alpha 5]
692g	?	?	pf
692h	—	Sonata	pf	C minor	by early 1835	beginning only, rest lost; Schnapp.19[lower-alpha 18][lower-alpha 19][lower-alpha 2]
692j	—	Untitled piano sketch	pf		1829	sketch
692n		Klavierstück	pf	E♭ minor	1849?	sketch, early theme from S.172/3
693	Q12	(2) Marches dans le genre hongrois:	pf		1840?	incomplete sketches
693/1	Q12/1	March No. 1	pf	D minor	1840?	incomplete sketches
693/2	Q12/2	March No.2	pf	B♭ minor	1840?	incomplete sketches
693a	—	Die Legende von der Heiligen Elisabeth:	pf		1862	arr of extracts from S.2; see also 498a
693a/1	—	Das Rosenmirakel	pf		1862	arr of S.2/2c
693a/2	—	Der Sturm	pf		1862	arr of S.2/4d
694	Q8	Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais)	pf		1841–42	based on the Allegro from the Overture to Messiah by George Frederick Handel, on See, the Conqu'ring Hero Comes! from Judas Maccabaeus by Handel, on Rule, Britannia! by Thomas Arne, and on the British national anthem God Save the Queen; arr for pf4h as S.755b, for pf orch as S.691b, for vn va vc pf as S.718e; basis for S.235, S.734a; unfinished, in fragments; assembled and completed by Leslie Howard as Fantasy on English Themes
695	A100 (*Q10)	Klavierstück	pf	F major	1843
*695a (171e)	—	Litanies de Marie				unfinished
695b	—	Zigeuner-Epos (11 pieces):	pf		1848?	sketches
695b/1	—	(Lento)	pf	C minor	1848?	sketches
695b/2	—	(Andantino)	pf	C major	1848?	sketches
695b/3	—	(Sehr langsam)	pf	D♭ major	1848?	sketches
695b/4	—	(Animato)	pf	C♯ major	1848?	sketches
695b/5	—	(Tempo giusto)	pf	D♭ major	1848?	sketches
695b/6	—	(Lento)	pf	G minor	1848?	sketches
695b/6a	—		pf	E major	1848?	sketches of Friska to S.695b/6, related to orchestration sketches of S.690d
695b/7	—	Tempo di marcia	pf	A minor	1848?	sketches
695b/8	—	(Adagio sostenuto a capriccio)	pf	D major	1848?	sketches
695b/9	—	(Andante cantabile quasi adagio)	pf	E♭ major	1848?	sketches
695b/10	—	(Lento)	pf	F minor	1848?	sketches
695b/11	—	(Lento)	pf	A minor	1848?	incomplete sketches
695c	Q11b	(3) Romancero espagnol:	pf		1845	incomplete sketches for S.252c, S.253
695c/1	Q11b/1	Introduction and Fandango with variations	pf		1845
695c/2	Q11b/2	Elaboration of an unidentified theme	pf		1845
695c/3	Q11b/3	Jota aragonesa and coda	pf		1845
695e (*695d)	Q21	Petite valse ("Nachspiel zu den drei vergessenen Walzer")	pf		1884?	incomplete sketches; intended as a conclusion to the set of 3 waltzes S.215 (before No.4 was composed)
695f	—	Cadenza	pf		1883–85?	for S.514
696	A337	Mephisto Waltz No.4	pf		1885	2nd version of S.216b; unfinished draft of new Andantino section added before final bars of S.216b
697	A90	Fantasie über Themen aus Mozarts Figaro und Don Giovanni	pf		1842	based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527 by Mozart; unfinished; completions by Ferruccio Busoni (omitting Giovanni material) and Leslie Howard
698	Q19	La mandragore (Ballade de l'opera Jean de Nivelle)	pf		1881	arr of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete
*699 (516a)	—	La notte				unfinished
700i	A113	Grande Fantaisie sur des thèmes de Paganini	pf		1845	based on the main theme of the last mvt of the Violin Concerto No.2, Op.7 by Niccolò Paganini and on Il carnevale di Venezia, Op.10 by Niccolò Paganini; unfinished; completed by Imre Mező; 1st version of S.700ii
700ii	A113	Variations de bravoure sur des thèmes de Paganini	pf		1845	2nd version of S.700i
700a	Q7	Variations sur le Carnaval de Venise	pf		1843?	based on Il carnevale di Venezia, Op.10 by Niccolò Paganini; incomplete
700b	?	?	pf
700c	?	?	pf
700d	?	?	pf
700e	?	?	pf
700f–701l	Sketchbook 1					[INDEX↑]
700f–701	Vocal works					[INDEX↑]
700f	Q4	La belle en robe des Dimanches	v pf		1830–39?	incomplete
700g	J44	Zur Trauung	v 2pf		1883–87?	arr of S.60
700h	?	?	v pf (?)
700j	M14/1	Titan (Auf des Athos blauen Felsenspitzen)	v pf		1842	1st version of S.79i, S.79ii, S.79iii; pf part incomplete; unpublished
701	N15	Den Felsengipfel stieg ich einst hinan	v pf		1843?
701a	Orchestra					[INDEX↑]
701a	Q2	Allegro di bravura	orch		1830	arr of S.151 (by Liszt?); incomplete sketch; probably related to S.125a
701b	Chamber music					[INDEX↑]
701b	Q5	Marie-Poème	pf/(str?)		1837	incomplete sketch
701c–701l	Piano solo					[INDEX↑]
701c	—	Andante sensibilissimo	pf		1880–86	incomplete sketch
701d	Q16	Melodie in Dorische Tonart (Prose des Morts)	pf		1861	based on the Dies irae; incomplete sketch
701e	—	Album-Leaf ("Dante Sonata fragment")	pf		c1837?	incomplete sketch of the opening of S.158a
701f	—	Album-Leaf ("Glasgow fragment")	pf		1841?	incomplete sketch
701g	A253	Polnisch	pf		1876?	sketch
701h	—	2 Album-Leaves (Opera sketches)	pf		1841?	incomplete sketches on the same manuscript
701h/1	—	Operatic aria – and sketched variation (Album-Leaf)	pf		1841	arr of an unidentified operatic aria and one sketched variation; incomplete sketch; related to S.701h/2?
701h/2	—	Valse infernale (Meyerbeer) – theme	pf		1841?	arr of the theme from the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch; related to S.701h/1?
701j	—	Harmonie nach Rossini's Carità (La Charité)	pf		1847	incomplete sketch for S.552a; originally intended for S.172a
701k	—	Korrekturblatt	pf		1882	incomplete sketch for S.199a
701l	—	Album-Leaf ("Weimar fragment")	pf		1886?	incomplete sketch
701m–701v	Sketchbook 2					[INDEX↑]
701m	Chamber music					[INDEX↑]
701m	—	Trio	vn vc pf	G minor	1886?	incomplete sketch for 2 Harmonies poétiques et religieuses
701n	Organ or Harmonium					[INDEX↑]
701n	—	Korrekturblatt	org		1853?	incomplete sketch for S.667b/ii
701o–701v	Piano solo					[INDEX↑]
701o	R1	Scherzo	pf		1830 (1820s?)	incomplete; manuscript reproduced in July 1998 in an auction catalogue by J. A. Stargardt, Germany
701p	?	?	pf
701q	?	?	pf
701r	?	?	pf
701s	?	?	pf
701t	?	?	pf
701u	?	?	pf
701v	—	Marche de Prozinsky	pf	C♯ minor	1846	incomplete sketch for S.171d
702–768	Doubtful or lost works					[INDEX↑]
702–708	Choral works					[INDEX↑]
702–707	Sacred					[INDEX↑]
702	S1	Tantum ergo	ch		1821 or 22	lost or discarded; material used in S.42i
703	Q15	Psalm 2 (Quare fremuerunt gentes et populi)	ten ch orch		1851	incomplete sketches; 2nd version of 5th mvt of S.690
704	—	Requiem (on the death of Emperor Maximilian of Mexico)	vv ch ?orch		1867?	lost; see also S.162d, S.163/6 a funeral march in memory of Emperor Maximilian I of Mexico composed the same year
705	—	The Creation	vv ch ?orch		1867?	lost
706	T45	Benedictus	ch		?	unrealized project
707	—	Excelsior	ch?		?	unrealized project; arr of S.666 without org? (arr of prelude from S.6?)
708	Secular					[INDEX↑]
708	L6	Rinaldo	ten mch orch/pf		1848	cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms?); Liszt's authorship doubtful; orchestrated by Liszt and August Conradi; unpublished
709–712	Orchestra					[INDEX↑]
*709 (113i)	—	Salve Polonia
710	S41	Funeral March	orch		1850	lost; possibly the same as S.761 or 1st mvt of S.690
710a	—	Première Élégie	small-orch		1874 or later	arr of S.130i; lost [lower-alpha 12][lower-alpha 5]
711	S62	Csárdás macabre	orch		1882?	lost; reconstruction by G. Darvos not based on authentic material; Schnapp.81
711a	—	"Gretchen"	small-orch		1861 or later	arr of S.377b; lost [lower-alpha 12][lower-alpha 5]
712	W9	Romance oubliée	orch		1881	arr of S.527; Liszt's authorship doubtful
713–716	Piano and orchestra					[INDEX↑]
713	S8	2 Piano Concertos from 1825	pf orch		1825?	both lost
713/1	S8	Piano Concerto	pf orch	A minor	1825?	lost
713/2	S9	Piano Concerto	pf orch		1825?	lost
713a	—	Piano Concerto	pf orch		1820s	lost
713b	—	Clochette Fantasy	pf orch		1832 or later	arr of S.420; lost
713c	—	Niobe Fantasy	pf orch		1835 or later	arr of S.419; lost
713d	—	El Contrabandista	pf orch		1836 or later	arr of S.252; lost
713e	—	Puritani Fantasy	pf orch		1836 or later	arr of S.390i; lost
713f	—	Heroischer Marsch in ungarischem Styl	pf orch		1840 or later	arr of S.231; lost [lower-alpha 9]
714 (*126a) (*714)	Q20, W14	Ungarische Zigeunerweisen ("Konzert im ungarischen Styl") (Concerto in the Hungarian Style)	pf orch		1885	by Liszt's pupil Sophie Menter, probably with Liszt's collaboration, orchestrated by Tchaikovsky in 1892
715	S19	Piano Concerto (in the Italian style)	pf orch		1830–39?	lost
716	—	Grande fantaisie symphonique	pf orch (?)		?	lost; maybe based on S.120?
717–723b	Chamber music					[INDEX↑]
*717 (126c)	—	Trio			1825
718	S11	Quintet	2vn va vc db?		1825	lost
718a	—	Duo on Rossini's Semiramide	vn pf		1827	based on themes from the opera Semiramide by Gioachino Rossini; lost
718b	—	The Fall of Paris, a Military Air with Variations	fl pf		1827	jointly composed with the child flutist Antonio Minasi (c1815–1870); lost; performed by Minasi and Liszt in London on 5 June 1827
718c	—	Un petit morceau	vn pf		1829–31?	lost; see also S.718f
718d	—	"Sextetto"	2vn 2va 2vc		c1835	lost
718e	—	Grand Fantasie on God Save the Queen and Rule Britannia	vn va vc pf		1841	arr of S.694; lost
718f	—	"Petit morceau"	vc pf		1829	lost; related to S.718c? [lower-alpha 20][lower-alpha 5]
*719 (692a)	—	Die vier Jahreszeiten
720	S18	Allegro moderato	vn pf	E major	1829	lost
721	S63	Prelude	vn (+pf?)		1882	lost; Schnapp.83
*722 (377a)	—	La notte			1864–66
*723 (378c)	—	Tristia			1880?
723a	W6	Postlude (on a theme from Orpheus)	chamber-ensemble		1871	based on S.98; spurious, now attributed to Leopold Alexander Zellner, but performed 16 Feb 1871 in Budapest by Liszt, Reményi, and others
723b	?	?	chamber-ensemble
723c–754	Piano solo					[INDEX↑]
723c–738	Original works					[INDEX↑]
723c	—	Rákóczi March	pf		1823	original version of S.242a; lost, possibly never existed [lower-alpha 21]
724	S3–4	Rondo and Fantasia	pf		1824	both lost
724/1	S3	Rondo	pf		1824	lost; possibly same as S.152?
724/2	S4	Fantasia	pf		1824	lost
725	S5–7	3 Piano Sonatas from 1825	pf		1825	all lost
725/1	S5	Piano Sonata	pf	F minor	1825?	3 mvts; lost; Schnapp.5; several bars copied down from memory later as S.692b
725/2	S6	Piano Sonata	pf	C minor	1825	3 mvts; lost; Schnapp.6; only three bars were copied down from memory in a letter from Liszt to his mother
725/3	S7	Piano Sonata	pf		1825	3 mvts; lost; Schnapp.7
725a	—	Coda to a keyboard exercise by Charles Mayer	pf		1820s	lost, possibly improvised and never written down
726	—	Etude	pf		?	lost
726a	S23	Valse	pf	E major	1835	lost
*727 (166e)	—	Prélude omnitonique
*728 (192/5)	—	Sospiri!
729	—	Tantum ergo	pf		1869	arr of S.42ii; discovered, no longer lost (renumbered as ?)
*730 (195)	—	Dem Andenken Petöfis
*731 (210)	—	Valse élégiaque
*732 (215/4)	—	Valse oubliée No.4
*733 (233b)	—	Marche hongroise
*734 (211a)	—	Ländler
734a	—	Rule Britannia (Paraphrase de concert)	pf		1841–49	based on S.694; lost [lower-alpha 22]
*735 (249c)	—	Air cosaque
736	W16	Kerepsi csárdás	pf		?	lost; Liszt's authorship doubtful
737	W15	(3) Morceaux en style de danse ancien hongrois	pf		1850	manuscript lost; Liszt's authorship doubtful
*738 (252c)	A114	Grosse Konzertfantasie über spanische Weisen
739–754	Arrangements					[INDEX↑]
739–740	Beethoven					[INDEX↑]
739	S38	Corolian Overture	pf		1846–47	arr of Coriolan, Op.62 by Ludwig van Beethoven; lost
740	S39	Egmont Overture	pf		1846–47	arr of the overture from the incidental music to Egmont, Op.84 by Ludwig van Beethoven; lost
741	Berlioz					[INDEX↑]
741	S37	Le carnaval romain	pf		1844–49?	arr of the overture Le carnaval romain, H.95 by Hector Berlioz; lost
742	Donizetti					[INDEX↑]
*742 (400a)	—	Duettino de La favorite
743	Gounod					[INDEX↑]
743	S55	Chœur des soldats de Faust	pf		1864	arr of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost; Schnapp.68
743a	Halévy					[INDEX↑]
743a	S31	Fantaisie sur des thèmes de l'opéra Guitarero	pf		1841	based on themes from the opera Guitarrero by Fromental Halévy; lost
744	Kullak					[INDEX↑]
744	S36	Dom Sebastien (Paraphrase de concert)	pf		1843–44?	based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost
745–747a	Liszt					[INDEX↑]
*745 (226a)	—	Marche funèbre			1827
746	—	Andante maestoso	pf		?	lost
*747 (167c)	W3	Poco adagio			1847?	arr of extract from S.9; lost; Liszt's authorship uncertain [lower-alpha 2]
747a (*147a)	—	5 Variationen über die Romanze aus der Oper Joseph von Méhul	pf		by 1820	spurious, incorrectly attributed to Liszt, actually by Franz Xaver Mozart, published as his Op.23 in 1820
748	Mozart					[INDEX↑]
748	S35	Die Zauberflöte	pf		1843?	arr of the overture to the opera Die Zauberflöte, K.620 by Wolfgang Amadeus Mozart; lost
749	Radovsky					[INDEX↑]
749	S56	Preussischer Armeemarsch	pf		1866?	arr of an unidentified composition, attributed to "Radovsky"; lost
750–751	Rossini					[INDEX↑]
*750 (421a)	—	Introduction et variations sur une marche du Siège de Corinthe			1830?
*751 (421b)	—	Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie)
752	Rubinstein					[INDEX↑]
*752 (554/1)	S43	Gelb rollt
753	Schubert					[INDEX↑]
753	S42	Alfonso und Estrella	pf		1850–51	arr of Act I of the opera Alfonso und Estrella, D.732 by Franz Schubert; lost
754	Tirindelli					[INDEX↑]
*754 (573a)	—	Seconda mazurka variata
755–755b	Piano four-hands					[INDEX↑]
755	S10	Sonata	pf4h		1825	lost; Schnapp.10
755a	W10	A magyarok Istene (Ungarns Gott)	pf4h		1881	arr of S.339; Liszt's authorship doubtful
755b	S30	Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie über englische Themen)	pf4h		1841	arr of S.694; lost
756–757	Two pianos					[INDEX↑]
756	W5	Mosonyis Grabgeleit	2pf		1870	arr of S.194; Liszt's authorship uncertain
757	S57	Le triomphe funèbre du Tasse	2pf		1866–69	arr of S.112/3; lost
758–760	Organ or harmonium					[INDEX↑]
758	S40	Die Orgel	org		1850–59?	symphonic poem after Johann Gottfried Herder; lost
*759 (672d/2)	E22/2	Adagio
760	S59	Cantico del sol di Francesco d'Assisi	org		1881	arr of S.4ii; lost
761–761b	Chamber with organ/harmonium					[INDEX↑]
761	S51	Marche funèbre	vc pf org		1860s	arr of the 3rd mvt from the Piano Sonata No.2, Op.35 by Frédéric Chopin; possibly the same as S.710
761a	?	?	chamber-ensemble org
761b	?	?	chamber-ensemble org
761c–766	Songs					[INDEX↑]
761c	—	2 or more Songs	v pf		1820s	lost
762	S46	Air de Chateaubriand	v (pf?)		1858	lost; possibly the same as S.18/4
763	S47	Strophes de Herlossohn	v pf		1858	lost
764	S48	Kränze pour chant	v pf		1858	lost
765	S45	Die Glöckchen	v pf		1857	intended as S.316/3; lost
765a	S32	L'aube naît	v pf		1842	lost
766	W4	Der Papsthymnus	v pf		1865?	based on S.261; arr for 2vv (+org) as S.36, for ch orch as S.3/8; Liszt's authorship doubtful
767	Songs with organ/harmonium					[INDEX↑]
767	W8	Excelsior! (Preludio zu dem Glocken des Strassburger Münsters)	v org		1874	arr of prelude from S.6; Liszt's authorship doubtful
768	Recitations					[INDEX↑]
768	S60	Der ewige Jude	nar pf orch		1881	melodrama to words by Christian Friedrich Daniel Schubart; lost; Schnapp.79

Explanatory notes

1. S.21ii and S.29 were published with reversed titles, S.21ii as "Pater noster II", S.29 as "Pater noster I", and they are erroneously listed as such in some older catalogues.
2. S.24 and S.27 were published with reversed titles, S.24 as "Te Deum II", S.27 as "Te Deum I", and they are erroneously listed as such in some older catalogues.
3. Composed at the same time as Rosario S.56 Nos.1–3, and published as No.4 of Rosario (as "Pater noster" zum Rosario), but it is not certain it was intended by Liszt to be included with Rosario. It was not included in org/harm solo version of Rosario S.670.
4. These 4 choruses were composed to benefit the formation of a new Mozart Foundation, and were published as a set by Schott (Mainz) in 1843.
5. 75i, 76 and 89a/1–2 were published by Eck (Köln) in 1844 as (4) Vierstimmige Männergesänge.
6. 75ii, 84i, 85iii, 227? and 303? were published in Aug 1849 by Schuberth (Hamburg) as Festalbum zur Säkularfeier von Goethes Geburtstag. 1st perf lw25(sw28?) Aug 1849 Weimar?
7. Nos.1 & 2 were published by Eck (Köln) in 1844.
8. These 3 choruses were published as a set by Knop (Basel) in 1845.
9. These 12 choruses were published as a set by Kahnt (Leipzig) in 1861.
10. These 3 choruses were also published as a set by ? in 1859(?)
11. Published by Weber (Leipzig) in 1859.
12. The first publication included the original ending to the 3rd mvt (without the choral section). For the new final chorus, a 10 bar segue replaces the last 13 bars of the original ending.
13. The revisions of the 1849 piano version (S.227) and orchestra version (S.115i), were made in 1857 (piano S.521i, orchestra S.115iii) for the unveiling of the Goethe and Schiller memorial on 3 September 1857 in Weimar.
14. Published in Busoni's altered form as De Profundis. Liszt's original manuscript version is unpublished (in private collection).
15. Published 1964 as edited and arranged from the manuscript by violinist Tibor Serly, who artificially divided it into 4 mvts and misleadingly entitled it "Duo (Sonata)".
16. Composed in Weimar in June 1875. In 5 sections: Allegretto – Andante – Allegro con fuoco – Lento – Vivace, all written in a markedly Hungarian style. Manuscript of cello & piano version in the Mahler Musical Library in Paris since 1991, violin & piano version in private collection since 1935.
17. 36-page manuscript score consists of Introduction: Presto a capriccio (C minor) – Chansonette (with variations) – Larghetto religioso – Coda (E major). Extensive Larghetto religioso section is an early version of La chapelle de Guillaume Tell S.156/5. The Panseron title is mentioned in a 12 Dec 1832 letter by Liszt; believed to have been performed by him. Manuscript discovered in private collection 1987, auctioned at Sotheby's, current whereabouts unknown.[src 1]
18. This first publication by Ernest Knop (who also wrote the song No.2 is based on) was formerly catalogued by Searle mistakenly as S.155a, believing it was an earlier version of S.156/10–12 published 1842 by Haslinger, and its later revision S.156a. It is actually identical to the Haslinger publication.
19. These are the first four pieces in the album for Princess Marie zu Sayn-Wittgenstein. This album contains musical autographs (album-leaves) and original pieces by 44 composers. It was presented by Liszt to the 10-year old Polish princess, daughter of Princess Carolyne zu Sayn-Wittgenstein, in August 1847. Liszt wrote the first 4 pieces (S.166m) and also pasted-in an additional piece, a sort of frontispiece, dedicated to the mother (S.166n).
20. pasted-in by Liszt at the beginning of the album for Princess Marie von Sayn-Wittgenstein, and dedicated to her mother Princess Carolyne von S-W.
21. The manuscript score for all 8 pieces are in the "N5 Sketchbook" (sometimes known as the "Tasso Sketchbook") housed in the Goethe/Schiller Archive, Weimar. The exact dates for some of the pieces are as given in Liszt's hand on the manuscript. The overall title is Liszt's at the head of the first piece, as is the alternative title (with "Préludes et" prepended) given by Liszt in brackets.
       S.171d was formerly catalogued as only one piece, the first one in the current set, called "Prélude (Préludes et Harmonies poétiques et religieuses)", as the remaining 7 pieces had not yet been deciphered from the manuscript and were wrongfully thought to be merely sketches. The single S.171d was first published in the New Liszt Edition along with S.171c and 171e, all 3 being early versions of pieces in the final well-known set "Harmonies poétiques et religieuses" S.173.
       The complete set of all 8 pieces was first published in 2003 in Leslie Howard's edition, after deciphering the N5 manuscript and completing the unfinished sections, the remaining 7 pieces were added to S.171d (2–8).
22. Originally titled Disjecti membra poetae, later changed to Attente (eventually used as the title of No.6), then the obviously-tenative title as given (with the dash and question-mark per Liszt). The title Ballade (?) is also on the manuscript, added later by Liszt as an indication of the piece's intended use as the first Ballade (S.170).
23. The manuscript score for the first 11 pieces is in the "N9 Sketchbook" housed in the Goethe/Schiller Archive, Weimar. Piece number 12 is missing. All pieces were worked on from October 1847 to early January 1848. Only the first 3 pieces (catalogued as S.173b, 173a/1, 173a/2 respectively) were first published in the New Liszt Edition in 1981 from the N9 manuscript, after which they were collectively renumbered S.172a (in the current order), with no other pieces.
       The complete set of all existing pieces (1–11) was first published in 1997 in Leslie Howard's edition, after reassembling the disordered and damaged N9 manuscript, the remaining 8 pieces were added to S.172a (4–11).
24. This 2nd mvt chorus is Weinen, Klagen, Sorgen, Zagen, which uses the same b.c. as the 1st mvt that Liszt's variations are on. This 2nd mvt music is also used in the 7th mvt, the final chorale Was Gott tut, das ist wohlgetan, and that text is printed above the music of the "Choral" in Liszt's score. This 2nd mvt chorus (with the b.c.) was later reworked by Bach as the 17th mvt "Crucifixus" (mvt II/5) for his famous Mass in B minor, BWV 232, thus Liszt's attribution in his title even though all of the material was derived by Liszt from the Cantata and not the Mass.
25. In some lists S.222 ("Albumblatt") is given the new number S.212a, and "Mariotte - Valse de Marie" (S.212a) is listed as S.212b. Both of these are mistakes and do not correspond to any of the official catalogues (there is no S.212b). S.222 was first published in the old Liszt Edition (B&H 1928) with its incorrect title. Upon subsequent examination of the autograph manuscript dated 3 June 1843 with the correct title (currently in the Liszt Museum, Weimar), it was clearly a later version of S.212 and so reassigned the new number S.212/2 (S.212 becoming S.212/1).
26. This galop (usually referring to this "easy" version) is sometimes wrongly attributed to Johann Strauss II.
27. Liszt mistakenly thought the tune was an ancient folksong from the 15th century (thus his subtitle), when in fact it was written by Josef Krov, who was alive and living in Germany at the time Liszt made his arrangement.
28. The first of Liszt's many arrangements of the Rákóczi March.

    Versions for piano:
    

    • 1st draft version (1823?) S.723c
      
    • 1st finalized version (1839–40) S.242a
      
    • Simplified 1st version (1839) S.692d
      
    • 2nd version (1841) 164f
      
    • 3rd version (1846–47) S.242/13
      
    • Simplified 3rd version (c1846) S.242/13a (see also S.242/10)
      
    • 4th version (1847) S.244/15
      
    • Simplified 4th version (c1847) S.244/15a
      
    • 5th version (1851) S.244c
      
    • 6th version (orch version arr for pf) (1863) S.244a
      
    • Simplified 6th version (1871) S.244b
      

    Versions for other instruments:
    

    • orchestra (arr of 4th piano version, 1863–67) S.117
      
    • piano duet (arr of orch version, 1870) S.608
      
    • 2-pianos (arr of orch version, 1870) S.652a
29. Dedicated to Princess Marie zu Sayn-Wittgenstein, the 10-year old Polish princess, daughter of Liszt's muse the Princess Carolyne zu Sayn-Wittgenstein, at her estate in Woronińce (Polish Ukraine).
30. Arrangements:

    original for solo voice, piano (1857) S.313
    

    • unison chorus, piano (1857) S.87viii
      
    • unison chorus, brass (1857) S.87viii
      
    • male chorus, piano (1857) S.87i
      
    • male chorus, winds, brass, percussion (1857) S.87i
      
    • piano duet (1857) S.588
      
    • orch (with Franz Doppler, 1857) S.359a
      
    • piano solo (1857) S.542i
      
    • 4-part male chorus (1860?) S.87iii
      
    • organ (1857–63?) S.672i
      
    • 3 equal voice chorus (1870s?) S.87vi
      
    • 3-part children's chorus (1870s?) S.87vii
      
    • organ or harmonium (1872–73?) S.672ii
      
    • male chorus, optional piano (1873?) S.87ii
      
    • piano solo [rev.] (1873) S.542ii
      
    • male chorus, winds, brass, percussion [rev.] (b1875?) S.87i/a
      
    • 4-part male chorus [rev.] (1875?) S.87iii/a
      
    • mixed chorus, optional piano (1875?) S.87v
      
    • male chorus, organ (1875) S.87iv
31. For mch/ch/cch (+pf/orch).
32. The unpublished manuscript was identified in the Liszt Museum at Weimar in 1894, and was still present as late as 1901, but as of 1993 its whereabouts are unknown.
33. Leslie Howard has Hexameron (S.365b) and Concerto pathétique (S.365a) both listed as S.365b on the liner indexes and back covers of albums vol.53a (1998) & vol.53b (1996) respectively, and the S numbers are swapped (365a for H., 365b for C.P.) in his 2011 Searle catalog in the booklet for the complete set. The pieces are assigned their correct S numbers here.
34. Sections orchestrated by Leslie Howard:
    • Ritornello (link between Var.3 & 4)
      
    • Variation 5
      
    • Interlude 1 (between Var.5 & 6)
      
    • Interlude 2 (between Var.6 & Finale)
      
    • Finale part 1 (of 2)
35. Catalogues and other mentions of these pieces (including recordings) list them differently, in varying combinations of piece numbers and titles (and even keys!) Some of the sources for the themes haven't be found, and it's even been suggested that the Andantino in A minor is not by Auber (such as the New Liszt Edition, which gave it the "Klavierstück" title), though there is no support given for this claim, other than nobody has found the theme in a piece by Auber; the same could be said for the Prière and even the Introduction.
       Part of the problem is that the Introduction, Prière, and Cavatine are all one piece, or to put it another way: there are two parts to the piece (Prière and Cavatine), preceded by a short (30 seconds) introduction. However, this is also problematic, as Liszt completely crossed off the entire Prière section, as if he intended to use just the Cavatine preceded by an introduction (which is why some catalogues omit the Prière!); it is not known whether he intended to insert another passage there or concatenate the intro with the Cavatine, or whether the result would be two separate pieces.
       An argument for the "Introduction" being a separate piece, even if you include the Prière, is that it is in A♭ major, while both the Prière and Cavatine are in E major, not exactly compatible keys, especially for an "introduction", which is not Liszt's title anyway.
       It is notable that Liszt's manuscript has no titles for any of the individual sections or "pieces", nor a title for the entire set either, so the titles given by various catalogues (and here) are purely arbitrary. The only thing known (or found out, rather) is that the "Cavatine" section is the Berceuse from an opera by Auber. The preceding Prière begins in almost the same way as the Cavatine (and in the same key), so the former may be derived from the latter (thus identifying the so-called "Prière" as from the same Auber opera), and in fact the Cavatine may be a rewrite of the Prière, which may give the reason it was crossed off.
36. Giuseppe Buonamici's version is considerably cut from the original, but approved by Liszt, with added passages by Liszt linking the two pieces together.
37. Performed by Liszt in 1862 and referred to by him (in letters and other writings) as Illustrations du Prophète No. 4.
38. It is not known whether the Theme and Variations are either lost, or were improvised by Liszt and never written down, or were by another composer to which Liszt was writing an introduction.
39. Liszt: New Discoveries, Vol. 4 (Media notes). CD/Album Sleeve: Hyperion. 2018. CDA68247.
40. Leslie Howard has the titles and other details of the two versions mixed up on the liner indexes and back covers of albums vol.35 (1995) & vol.40 (1996), while the liner notes correctly describe the version being played, and the versions are also swapped in his 2011 Searle catalog in the booklet for the complete set. They are given correctly here.
41. These pieces were published as a set by Kahnt (Leipzig) in 1852, and each individual piece is marked as "transcribed by Corno", though the title of the set is not so marked. "Corno" is thought to be August Horn (corno being Italian for horn), but this could be misleading. Both the order of the pieces and titles are odd, however.
       Considering the original choruses (in S.89a), the two settings of Trost were published together (Knop 1845) as Nos.1 (in E♭) & 2 (in C), followed by Nicht gezagt! as No.3. It makes more sense textually and musically for the two settings of different music but with the same lyrics (Before the battle (E♭ Trost) & God calls us to battle (C major Trost)) to sandwich the battle preparation piece Nicht gezagt (Without saying a word, without hesitation, with only hope of winning the battle). The revised versions of the choruses (in S.90) were published (Kahnt 1861) this way. Liszt's piano transcriptions S.511, made the same year as the choral revisions S.90 (and with the same collective title and same individual piece titles), also keep to this more logical order. It is therefore likely that the publication of the first choral version in S.89a (Knop 1845) mistakenly reversed Nos.2 & 3.
       The earlier piano transcription here S.510a (Kahnt 1852) presents the order as Nicht gezagt, Trost C major, Trost E♭, the exact reverse of Knop 1845's mistaken order. What's more, the titles are assigned to the wrong pieces. The titles are in French, which is somewhat misleading, as follows: La consolation for Nicht gezagt, where "consolation" is actually the French (and English) translation of "trost"; Avant la bataille for Trost C major, where "avant la bataille is actually the French translation of "vor der schlacht" ("before the battle"); and L'espérance for Trost E♭, where the English translation is "hope" which refers to "nicht gezagt" ("without word or hesitation only hope").
       It is possible that "Corno's" only contribution is the (mis)assigning of the French titles. Leslie Howard finds that the music itself is in Liszt's style of transcription and must therefore be by him.[src 2] The piece order recorded by Howard is as they are in their publication Kahnt 1852, and Howard gives the same titles from the publication, despite his identification of both the title and order mixups in his liner notes.[src 2] Likewise that order with those titles are in the Short/Howard catalogue as of the 2011 update. However, the corrected title attributions (per the preceding analysis) are given here, in the corrected order (the same order as S.511 & S.90).
42. Several catalogues list the composition date as 1838, and a 1st publication in 1838 in Vienna.[upper-alpha 6][upper-alpha 7] At least one catalogue lists the Viennese publication as being by Spina, with a "new edition" in 1883 by Cranz.[upper-alpha 7] "1838" is a perpetuated dyslexic typo; the composition was written in 1883.[src 3] The first publication was by Cranz in the same year.
       The source for the mistaken Spina reference is unclear. Spina in 1838 worked for the publishing house of Diabelli in Vienna and all imprints from that time were in Diabelli's name not Spina's. After Diabelli retired, Spina published under their own name, also in Vienna, but they ceased publishing in 1876, and Cranz, located in Hamburg, bought their catalogue in 1879, thereafter publishing in Vienna as well though only under their own name, not as Spina.
       Note that this is Liszt's only "late" Schubert transcription, done four decades after the others, and it is not a transcription of a lied but of a choral work by Schubert. Schubert did write a lied version (D.808) of the piece at the same time as the choral version, but it was not published until 1872, and was unknown to Liszt.[src 3]
43. LW Catalogue [upper-alpha 7] lists publication as Paris: Hainauer, 1865 for S.560 #7 "rev.". That date is incorrect as it has been proven that this version was made for Liszt's biographer Lina Ramann around 1880 when was working on her book. The publisher name may still be correct, however.
44. Liszt mistakenly thought the original song was by Schubert.
45. Originally thought to be an Album-Leaf ("Ruhig") and catalogued as such as S.167a.
46. Liszt performed this arrangement with Frank Mori during his 1840–41 tour of the British Isles.

Source reference notes

1. Kimmelman, Michael (1987-11-24). "Lost Score By Liszt To Be Sold". The New York Times. Retrieved 2007-12-22.
2. Howard, Leslie (2011). Liszt: New Discoveries, Volume 3; Leslie Howard, piano (PDF) (CD, liner notes). Hyperion Records. CDA67810.
3. Howard, Leslie (1995). Liszt: The Schubert Transcriptions, Volume 1; Leslie Howard, piano (PDF) (CD, liner notes). Hyperion Records. CDA66951.

Catalogues

[upper-alpha 9] [upper-alpha 10] [upper-alpha 11] [upper-alpha 12] [upper-alpha 13] [upper-alpha 14] [upper-alpha 15] [upper-alpha 16] [upper-alpha 17] [upper-alpha 18] [upper-alpha 19] [upper-alpha 20] [upper-alpha 21] [upper-alpha 22]

1. Short, Michael; Howard, Leslie (2004). Ferenc Liszt (1811–1886): List of works : Comprehensively Expanded from the Catalogue of Humphrey Searle as Revised by Sharon Winklhofer. Milano: Rugginenti. 144p. ISBN 978-8-876-65433-6. — Version 6 of Searle's catalogue, made by Short & Howard, revised and expanded the catalogue, including discovery of many previously lost and unpublished works and alternate versions, as part of Howard's study and research into Liszt's manuscripts and various published editions for his project to record the complete piano works of Liszt. This version is the most current and definitive, containing cross-references to both LW (Liszt Works, Eckhardt & Mueller) and R (Raabe) numbers, and incorporates material from all previous catalogues, including Liszt's own two (1855 & 1877), Liszt's authorized biographer August Göllerich's (1908), and more recent catalogues of lost, unfinished, played but never written down, and planned works.
2. Searle, Humphrey (1940). "Franz Liszt, Works". Grove's Dictionary of Music and Musicians (4th ed.). London: Macmillan. — Searle's original catalogue (version 1), with a different numbering system, written for Grove's 4th edition.
3. Searle, Humphrey (1954). "Franz Liszt, Works". Grove's Dictionary of Music and Musicians. 5 (5th ed.). London: Macmillan. pp. 263–314. — Version 2 of Searle's catalogue, revised and with a new numbering still in use today; published in Grove's 5th edition concurrently with Searle's book.
4. Searle, Humphrey (1966) [1954]. "Catalogue of Works". The Music of Liszt (2nd revised ed.). London: Williams & Norgate. pp. 155–195. — The original 1954 edition of Searle's book contained the identical catalogue (version 2) to the one published in Grove's 5th edition the same year. The 1966 edition contained a revised catalogue (version 3), also included in a reprint of Grove's 5th that year.
5. Searle, Humphrey (1980). "Franz Liszt, Works". The New Grove Dictionary of Music and Musicians. 11 (6th ed.). London & New York: Macmillan. pp. 51–57. — Version 4 revision of Searle's catalogue, for Grove's 6th edition.
6. Searle, Humphrey (1985). "Franz Liszt, [Catalog of Liszt's Compositions]". Chopin, Schumann, Liszt. The New Grove Early Romantic Masters. 1. Revised by Winklhofer, Sharon. New York & London: W. W. Norton. pp. 322–368. ISBN 0393016919. — Version 5 of Searle's catalogue, made by Winklhofer for inclusion in a book reprint of Searle's bio of Liszt from Grove's 6th.
7. Eckhardt, Mária; Mueller, Rena Charnin (2001). "Franz Liszt, Works". The New Grove Dictionary of Music and Musicians. 14 (7th ed.). London & New York: Macmillan. pp. 785–872. ISBN 1561592390. — Eckhardt & Mueller's catalogue for Grove's 7th edition, with their own "LW" numbering system. This catalogue is the one currently available on Grove Music Online (8th edition).
8. Raabe, Peter (1931). "Verzeichnis aller Werke Liszts nach Gruppen geordnet". Franz Liszt (in German). 2: Liszts Schaffen. Stuttgart: J. G. Cotta. pp. 241–364. OCLC 7548050. — Raabe's catalogue originated the "R" numbers, still in use today, though now deprecated in favor of Searle's S numbering system.
9. Liszt, Franz (1855). Thematisches Verzeichnis. Breitkopf & Härtel.
10. Liszt, Franz (1877). Thematisches Verzeichnis (updated ed.). Breitkopf & Härtel.
11. Ramann, Lina. "List of works". Franz Liszt: Als Künstler und Mensch. 1880 et seq.
12. Göllerich, August (1908). "List of works". Franz Liszt.
13. Schnapp, Friedrich (1942). "Verschollene Kompositionen Franz Liszts (Lost compositions of Franz Liszt)". Von deutscher Tonkünst.
14. Mező, Imre. "Index of works". New Liszt Edition. 1970–1993.
15. List of compositions by C number.
16. Howard, Leslie. Searle catalogue (CD, liner notes) (updated cello ed.).
17. Howard, Leslie (2009). Searle catalogue (CD, liner notes) (updated violin ed.).
18. Howard, Leslie (2011). Searle catalogue (CD, liner notes) (updated violin ed.).
19. Howard, Leslie (2011). Searle catalogue (CD, liner notes) (updated trio ed.).
20. Howard, Leslie (2011). Searle catalogue (CD, liner notes) (updated orchestra ed.). Hyperion. CDA67856.
21. Howard, Leslie (2011). Searle catalogue (CD, liner notes) (updated piano ed.). Hyperion.
22. Howard, Leslie (2018). Searle catalogue (CD, liner notes) (updated piano ed.). Hyperion.

Other catalogue sources

1. +FTD 2020
2. • FTD 2020
3. • Chuckstreet (Wikipedia) 10/2019
4. +LW Catalogue (Grove) 2001
5. 1. FTD 2020
6. +Leslie Howard (Hyperion Orchestral Works CDA67856) 2011
7. +Michael Saffle (The Music of Franz Liszt: Stylistic Development and Cultural Synthesis) 04/2018
8. +Imre Mező (New Liszt Edition) 1993
9. +Leslie Howard (Hyperion) 1998
10. +Leslie Howard (Hyperion) 1996
11. +American Liszt Society (vol.29 no.2) 2014
12. +William Wright (The Liszt Companion, Ben Arnold ed.) 2002
13. 1. Michael Saffle (The Music of Franz Liszt: Stylistic Development and Cultural Synthesis) 04/2018
14. +Chuckstreet (Wikipedia) 03/2018
15. +Leslie Howard (Hyperion) 1993
16. +Cory Gavito (Naxos) 2016
17. +Leslie Howard (Hyperion) 1995
18. +William S. Newman (A History of the Sonata Idea: Volume 3: The Sonata Since Beethoven) 1969
19. +Michael Saffle (The Liszt Companion, Ben Arnold ed.) 2002 (as S.692b incorrectly)
20. +Michael Saffle (The Liszt Companion, Ben Arnold ed.) 2002
21. +Michael Short & Michael Saffle 04/2018
22. +Leslie Howard (Hyperion) 1999

External websites

• List of compositions by Franz Liszt: Work list at the International Music Score Library Project