Vaterländischer Künstlerverein

Vaterländischer Künstlerverein was a collaborative musical publication or anthology, incorporating 83 variations for piano on a theme by Anton Diabelli, written by 51 composers living in or associated with Austria. It was published in two parts in 1823 and 1824, by firms headed by Diabelli. It includes Ludwig van Beethoven's Diabelli Variations, Op. 120 (a set of 33 variations), as well as single variations from 50 other composers including Carl Czerny, Franz Schubert, Johann Nepomuk Hummel, Ignaz Moscheles, Friedrich Kalkbrenner, Franz Liszt (aged only 12 at the time of publication), and a host of lesser-known names including a son of Wolfgang Amadeus Mozart and others now largely forgotten.

Theme of the Variations - Diabelli's Waltz

Vaterländischer Künstlerverein has various translations, including "Patriotic Artists' Association",[1] "Art Association of the Fatherland",[2] "Patriotic Culture Club",[3] "Fatherland's Society of Artists",[4] "National Artists' Association", "Native Artist's Association" and "Native Society of Artists".[5]

Background

In 1819,[4] the Viennese publishing house of Cappi & Diabelli invited a number of Austrian composers to contribute one variation each for the piano, on a theme written by Anton Diabelli himself, one of the principals of the firm. Diabelli's theme is usually described as a waltz, but in form it has more of the character of a Ländler.[1] Carl Czerny was asked to also provide a coda as a suitable way of rounding out the collection.[4] Ludwig van Beethoven exceeded his brief by writing no less than 33 variations, and entered into negotiations with Diabelli to have his set published separately from the others. Beethoven's first biographer Anton Schindler wrote that the project was first devised in the winter of 1822-23, but this is an error, as Czerny's manuscript is dated 7 May 1819[5] and Franz Schubert's variation is known to have been written in March 1821.[1] Czerny's was the earliest variation to be written and, as he also wrote the coda, it is likely that Diabelli involved him in the project from the very beginning. It is also likely that the invitations were sent not long before Czerny's contributions were written (May 1819), but certainly no later.[5]

It is not known exactly what lay behind this project, other than perhaps a simple act of self-promotion, either for the firm or for Diabelli himself. The combined contributions were published as Vaterländischer Künstlerverein, in two parts. Part I was published by Cappi & Diabelli[4] in June 1823, and consisted of Beethoven's 33 variations (now known as the Diabelli Variations, Op. 120), with a dedication to Mme Antonie von Brentano. By the time the second part was published, the two principals, Diabelli and Pietro Cappi had parted company,[6] and Diabelli had joined with Anton Spina and renamed the firm Diabelli & Co.[7] Part II was published in late 1823 or early 1824 by Diabelli & Co., and includes the other 50 variations and Czerny's coda.

It is also not known how many composers were approached, but 51 responded to the invitation. Some well-known names such as Ignaz von Seyfried and Joseph Weigl do not appear. Whether they were not interested in participating or whether they were not even approached is not known.

Leaving Beethoven's 33 variations to one side, 48 of the other 50 composers wrote only the one variation they were asked for. Franz Xaver Wolfgang Mozart and Gottfried Rieger wrote two variations each, but only one from each of them was originally published.[1]

Part I, by Beethoven

Ludwig van Beethoven's Diabelli Variations, his last major piano work, is part of the keyboard music canon and is by far the better known volume. It is frequently performed and recorded to this day.

Part II, by various composers

The composers of Part II include some names still notable today, but most of them have been forgotten. The variations were numbered in strictly alphabetical order according to the then current spelling conventions. The full list follows:

Variation number	Composer	Vital dates	Time signature	Key signature	Tempo marking	Number of measures (including repeats)	Subtitle (if any)	Comments
Theme	Anton Diabelli	1781–1858	^3 4	C major	Vivace	64
1	Ignaz Aßmayer	1790–1862	^3 4	C major	Moderato	64
2	Carl Maria von Bocklet	1801–1881	^2 4	C major	Vivace	64		Born in Prague, received recommendations from Beethoven, intimate friend of Schubert and dedicatee of Schubert's D major sonata, D. 850.
3	Leopold Eustachius Czapek	1792–1840	^3 8	C major	Vivace molto legato	64		A Bohemian, friend of Chopin
4	Carl Czerny	1791–1857	^3 4	C major	—	64
5	Joseph Czerny	1785–1842	^3 4	C major	—	64		No relation to Carl Czerny
6	Moritz Joseph Johann, Prince of Dietrichstein	1775–1864	^3 4	C major	Tempo vivo del Thema	64
7	Joseph Drechsler	1782–1852	^3 4	C major	Adagio – Allegro	167	Quasi overture
8	Emanuel Aloys Förster	1748–1823	^3 4	C major	Allegro	294	Capriccio	He died in November 1823; his posthumously published variation was his last composition. By far, this variation is the longest from the set.
9	Franz Jakob Freystädtler	1761–1841	^9 8	C major	—	64		A pupil of Wolfgang Amadeus Mozart.
10	Johann Baptist Gänsbacher	1778–1844	^3 4	C major	—	64		Friend of Carl Maria von Weber and Giacomo Meyerbeer.
11	Joseph Gelinek ("Abbé Gelinek")	1758–1825	^3 4	C major	Presto	128
12	Anton Halm	1789–1872	^3 4	C major	Dolce	64
13	Joachim Hoffmann	1788–1856	^3 4	C major	Vivo	80	Fugato
14	Johann Horzalka	1798–1860[8]	^3 4	A♭ major	Adagio	34
15	Joseph Huglmann	1768–1839	^3 4	A♭ major	Allegro	64
16	Johann Nepomuk Hummel	1778–1837	^3 4	C major	—	64
17	Anselm Hüttenbrenner	1794–1868	^3 4	C major	Allegro	63		He was on friendly terms with Beethoven and Schubert and kept the manuscript of Schubert's Unfinished Symphony for many years.
18	Friedrich Kalkbrenner	1785–1849	^3 4	C major	Allegro non troppo	64		A German by birth, he lived in London and Paris.
19	Friedrich August Kanne	1778–1833	^3 4	C major	—	64
20	Joseph Kerzkowsky	b. 1791	^3 4	F major	Moderato con espressione	64		He cannot be identified with certainty; he was formerly believed to be the Polish violinist Joachim Kaczkowski.
21	Conradin Kreutzer	1780–1849	^3 4	C major	Vivace	64
22	Eduard Baron von Lannoy	1787–1853	^3 4	C major	—	64
23	Maximilian Joseph Leidesdorf	1787–1840	^3 4	C major	Vivace	64		Like Diabelli, also a publisher.
24	Franz Liszt	1811–1886	^2 4	C minor	Allegro	64		See Variation on a Waltz by Diabelli, S. 147. He was aged only 7 at the time Diabelli sent out his invitations, and was still only 12 by the time Vaterländischer Künstlerverein was published. It is very likely that, being so young, he was not on Diabelli's invitation list, but that Carl Czerny, his teacher, arranged for his inclusion.
25	Joseph Mayseder	1789–1863	^3 4	C major	Allegro	64		Violinist, member of the Schuppanzigh String Quartet.[9]
26	Ignaz Moscheles	1794–1870	^3 4	C major	—	64
27	Ignaz Franz Edler von Mosel	1772–1844	^3 4	C major	—	64		Custodian of the Imperial Library.[9]
28	"Wolfgang Amadeus Mozart fils" (Franz Xaver Wolfgang Mozart)	1791–1844	^3 4	C major	Con fuoco	64		He was a son of Wolfgang Amadeus Mozart. He wrote two variations, only one being published; his second appears in later editions as Variation 28a.
29	Joseph Panny	1796–1838	^6 8	A minor	Allegro con brio	68
30	Hieronymus Payer	1787–1845	^3 4	C major	—	64
31	Johann Peter Pixis	1788–1874	^3 4	C major	—	64
32	Wenzel Plachy	1785–1858	^3 4	C major	Con fuoco	64		Bohemian organist
33	Gottfried Rieger	1764–1855	^3 4	C major	Allegro ma no troppo	64		Musical director at Brno. He wrote two variations, the second of which was rejected but was printed in later editions as Variation 33a.
34	Philipp Jakob Riotte	1776–1856	^3 4	F minor – F major	Allegro	92
35	Franz de Paula Roser	1779–1830	^6 8	A♭ major	—	32		A theatre conductor
36	Johann Baptist Schenk	1753–1836	^3 4	C major	Moderato	120	Caprice
37	Franz Schoberlechner	1797–1843	^3 4	C major	—	64
38	Franz Schubert	1797–1828	^3 4	C minor	—	64		His variation is listed as D. 718 in the Deutsch catalogue of Schubert's works.
39	Simon Sechter	1788–1867	^3 4	C major	—	64	Incitatio (or Imitatio) quasi Canon a 3 voci
40	"S.R.D." (Archduke Rudolf of Austria)	1788–1831	^3 4	C major	Allegro	136	Fuga	"S.R.D." stands for Serenissimus Rudolfus Dux, one of Rudolf’s titles. He was an amateur composer who was a student of Beethoven's and dedicatee of his Archduke Trio, Hammerklavier Sonata and Emperor Concerto[2]
41	Maximilian Stadler	1748–1833	^3 4	C major	—	64		Austrian composer, musicologist, and pianist: friend of Haydn, Mozart, Beethoven, and Schubert and completer of many of Mozart's unfinished works.
42	Joseph von Szalay	1800–1860	^3 4	C major	—	64		A student of Förster, Hummel and Antonio Salieri, and appeared as a pianist at age 9.
43	"Wenzel Johann Tomaschek" (Václav Tomášek)	1774–1850	^3 4	C major	Tempo giusto	64	Polonaise
44	Michael Umlauf	1781–1842	^3 4	C major	Presto	64
45	"Friedrich Dionysius Weber" (Bedřich Diviš Weber)	1766–1842	^3 4	C major	Con fuoco	64
46	Franz Weber	1805–1876	^3 4	C major	Brillante	64
47	Carl Angelus von Winkhler	1796–1845	^4 4	C major	Allegro con fuoco	64		An amateur composer from Pest
48	Franz Weiss	1778–1830	^3 4	C major	—	64		Violist, member of the Schuppanzigh String Quartet.[9]
49	"Johann Nepomuk August Wittasek" (Jan August Vitásek)	1770–1839	^3 4	C major	Un poco moderato	64
50	"Johann Hugo Worzischek" (Jan Václav Voříšek)	1791–1825	^3 4	C major	—	64
Coda	Carl Czerny	1791–1857	^3 4	Moves through various keys, ending in C major	Vivace	199

Note: Some of the composers gave no tempo indication, and they can be assumed to be played Vivace, as in the original theme.

Recordings and performances

Beethoven's Diabelli Variations have been recorded and performed innumerable times.

The remainder of Vaterländischer Künstlerverein has received very little attention since its publication. The complete set has been recorded by Rudolf Buchbinder[10][11] and Doris Adam.[9][12] Ian Fountain has recorded[13][14] a selection of thirty-three of the variations (resequenced based on the order in which he performed them during a Berlin concert),[15] preceded by Diabelli's theme and concluding with Czerny's coda. Martha Argerich has performed excerpts in concert.[16] In 2009 Professor Peter Roennfeldt performed the complete set in Brisbane, Australia.[9]

Sources

• Eric Blom (ed.), Grove's Dictionary of Music and Musicians, 5th ed. (1954), Vol. VIII, pp. 690–692
• Naxos
• Vaterländische Künstlerverein: Scores at the International Music Score Library Project

References

1. Grove's Dictionary of Music and Musicians, 5th ed. 1954, Eric Blom, ed.
2. Paul F. Zweifel
3. Wordscape
4. Naxos
5. Raptus Association
6. Wikisource
7. Answers.com
8. Classical-music.com
9. Roennfeldt, Peter. "The (50) Variations (not by Beethoven) on a theme by Diabelli—monstrosity or monument?" (PDF). 9th Australasian Piano Pedagogy Conference 2009. Cite journal requires |journal= (help)
10. "Tanja Dorn.com". Archived from the original on 2009-01-16. Retrieved 2009-01-16.
11. Beethoven - Diabelli's Waltz; Complete Variations
12. Variationen über einen Walzer von Diabelli
13. Connaught Artists
14. The Diabelli Collection: Variations on a Waltz by Anton Diabelli
15. Program notes of recording, p.3. 1999 by Chris de Souza
16. Martha Argerich Recordings