The Butcher Boy (1997 film)
The Butcher Boy is a 1997 Irish black comedy adapted to film by Neil Jordan and Patrick McCabe from McCabe's 1992 novel of the same name.[2]
The Butcher Boy | |
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Theatrical release poster | |
Directed by | Neil Jordan |
Produced by | Redmond Morris Stephen Woolley |
Screenplay by | Patrick McCabe Neil Jordan |
Based on | The Butcher Boy by Patrick McCabe |
Starring | |
Music by | Elliot Goldenthal |
Cinematography | Adrian Biddle |
Edited by | Tony Lawson |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 110 minutes |
Country | Ireland United States |
Language | English |
Box office | $1,963,654[1] |
Set in the early 1960s, The Butcher Boy is about Francie Brady (Eamonn Owens), a 12-year-old boy who retreats into a violent fantasy world to escape the reality of his dysfunctional family; as his circumstances worsen, his sanity deteriorates and he begins acting out, with increasing brutality. The film won the Silver Bear for Best Director at the 48th Berlin International Film Festival in 1998 and a Special Mention for Owens "astonishing lead". It also won the European Film Award for Best Cinematographer for Adrian Biddle. The Butcher Boy is Neil Jordan's tenth feature film and the final production by Geffen Pictures before the company was shut down.
Plot
The film is set in Ireland in the early 1960s in the small town of Clones. Francie Brady is a 12-year-old boy whose imagination is fuelled by television - aliens, communists, the Atomic Age.[3] When his mother suffers a nervous breakdown and ultimately commits suicide, he is left in the care of his father, an emotionally distant and ill-tempered alcoholic. Francie spends most of his time with his best friend Joe Purcell talking about "gangsters, cowboys and Indians, comic-book monsters and the early-1960s threat of nuclear annihilation."[4] However, when Francie's growing conflict with another boy, Phillip Nugent, and his mother begins to go too far, he ends up at reform school. Here, he is molested by Father Sullivan, and finds solace only in his fantasies about a foul-mouthed Virgin Mary. He returns home to find Joe has outgrown him and befriended Phillip Nugent. Before long, his father has drunk himself to death. Faced with being left completely alone in the world, Francie loses his grip on reality and lashes out with uncontrollable brutality, which shocks his provincial hometown.[2]
Cast
- Eamonn Owens as Francie Brady
- Stephen Rea as Benny Brady (Da) / Adult Francie (uncredited)
- Fiona Shaw as Mrs. Nugent
- Andrew Fullerton as Phillip Nugent
- Aisling O'Sullivan as Annie Brady (Ma)
- Alan Boyle as Joe Purcell
- Seán McGinley as Sergeant
- Ian Hart as Uncle Alo
- Brendan Gleeson as Father Bubbles
- Milo O'Shea as Father Sullivan
- Sinéad O'Connor as Virgin Mary / Colleen
- Gina Moxley as Mary
- John Kavanagh as Doctor Boyd
- Niall Buggy as Father Dom
Production
This was the final film produced by Geffen Pictures, which distributed its films through Warner Bros. Geffen Pictures would be sold to Universal Studios years later.
The screen rights to the book were bought by Neil Jordan in 1992 during the filming of Interview with the Vampire.[3] The adaptation is mostly faithful to the novel, but there are some differences, the principal change being the ending. In the book, Francie is not seen to leave prison, and attempts to forge a friendship with an inmate similar to the one he had with Joe. In the film, a much older Francie is released from prison at the end to be brought to a halfway house. He picks a snowdrop, echoing the opening of the film.
Casting the child to play Francie was difficult. With no previous filming experiences, Eamonn Owens and Alan Boyle (who played Francie's best friend, Joe) were found at the local school in Killeshandra in County Cavan where casting assistant Maureen Hughes went to visit her uncle. Owens younger brother Ciaran was also cast. Jordan cast O'Connor because "she looks like the Virgin Mary."[3]
Adaptation
Patrick McCabe's accomplishment with The Butcher Boy was deemed unattainable in a film.[3][4] During the screenwriting process, McCabe wrote two drafts that digressed from the original novel, like "planets within planets within planets" according to Jordan, consequently, Jordan wrote the third draft that was more faithful to the novel.[3] Jordan cast McCabe in the role of town drunk Jimmy the Skite.[5]
Jordan captures Francie's mental illness by using voice-overs where the adult narrator Francie speaks with the child Francie. Andrew O'Hehir at Salon Entertainment criticizes Jordan and McCabe for an occasional "flavor of an after-school special purveying didactic lessons about abuse and victimization," and losing "the novel's Beckettian ambiguity." However, he argues that Jordan "brings a tenderness and sweetness" to the otherwise unforgiving subject matter.[4]
Reception
The reception of the film has been generally positive. Review aggregator Rotten Tomatoes shows a 77% rating based on 61 reviews and an average rating of 7.4/10.[6] Andrew O'Hehir at Salon Entertainment says "Neil Jordan's sweetly tragicomic movie" has "elaborate fantasy sequences [that] feel like irrelevant amusements." He also praises the film as "a compelling exploration of the permeable border between normal childhood and full-on insanity."[4] Jeffrey M. Anderson at Combustible Celluloid calls the film "a roller-coaster ride for your brain. It's the most alive and deeply-felt movie I've seen in 1998."[7] Emanuel Levy at Variety says it is "Neil Jordan's most accomplished and brilliant film to date."[6]
Owens received widespread acclaim for his performance; he was awarded a Special Mention at the Berlin Film Festival in 1998.
The film’s cumulative box office, according to Variety, is $1,963,654.[1]
Awards
The Butcher Boy won the following awards:[1]
Award | Category | Name | Outcome |
---|---|---|---|
European Film Awards | European Film Award for Best Cinematography | Adrian Biddle | Won |
Berlin International Film Festival[8] | Silver Bear for Best Director | Neil Jordan | Won |
Special Mention | Eamonn Owens | Won (for his astonishing lead) | |
Los Angeles Film Critics Association 1998 | Best Music | Elliot Goldenthal | Won |
National Board of Review Awards 1998 | Top 10 Films | - | 6th place |
Soundtrack
Elliot Goldenthal composed the soundtrack for the film, which was released on CD in 1998. Goldenthal for this score mixes many different music genres and styles, yet this is one of his most melodic scores. The title song is performed by Sinéad O'Connor.
DVD release
A widescreen, closed-captioned version of the film was released on DVD on 13 February 2007 by Warner Home Video. The disc contains deleted scenes and an audio commentary by Neil Jordan.[7]
References
- "The Butcher Boy (1998)". Variety. Variety. Archived from the original on 27 February 2008. Retrieved 30 August 2009.
- "Wettbewerb/In Competition". Moving Pictures, Berlinale Extra. Berlin. 11–22 February 1998. pp. 14–16. ISSN 0959-6992.
- Byrne, Paul (7 December 1999). "Neil Jordan (The Butcher Boy): The Provocative Son". industrycentral.net. Retrieved 30 August 2009.
- O'Hehir, Andrew (10 April 1998). "The Butcher Boy". Salon Entertainment. Retrieved 30 August 2009.
- McKella, Barbara (1998). "Neil Jordan ponders The Butcher Boy". Celtic Curmudgeon Arts & Entertainment Review. Retrieved 20 September 2016.
- "The Butcher Boy (1998)". Rotten Tomatoes. Retrieved 30 August 2009.
- M. Anderson, Jeffrey (12 October 1998). "The Butcher Boy (1998): Off to the Garage". Combustible Celluloid. Retrieved 30 August 2009.
- "Berlinale: 1998 Prize Winners". berlinale.de. Retrieved 15 January 2012.