Systematic musicology

Systematic musicology is an umbrella term, used mainly in Central Europe, for several subdisciplines and paradigms of musicology. "Systematic musicology has traditionally been conceived of as an interdisciplinary science, whose aim it is to explore the foundations of music from different points of view, such as acoustics, physiology, psychology, anthropology, music theory, sociology, and aesthetics." [1] The most important subdisciplines today are music psychology, sociomusicology (music sociology), philosophy of music (music philosophy), music acoustics (physics of music), cognitive neuroscience of music, and the computer sciences of music (including sound and music computing, music information retrieval, and computing in musicology). These subdisciplines and paradigms tend to address questions about music in general, rather than specific manifestations of music. In the Springer Handbook of Systematic Musicology "(the) sections follow the main topics in the field, Musical Acoustics, Signal Processing, Music Psychology, Psychophysics/Psychoacoustics and Music Ethnology while also taking recent research trends into consideration, like Embodied Music Cognition and Media Applications. Other topics, like Music Theory or Philosophy of Music are incorporated in the respective sections."[2]

In the European tripartite model of musicology, musicology is regarded as a combination of three broad subdisciplines: ethnomusicology, music history (or historical musicology), and systematic musicology. Ethnomusicology and historical musicology are primarily concerned with specific manifestations of music such as performances, works, traditions, genres, and the people who produce and engage with them (musicians, composers, social groups). Systematic musicology is different in that it tends not to put these specific manifestations in the foreground, although it of course refers to them. Instead, more general questions are asked about music. These questions tend to be answered either by analysing empirical data (based on observation) or by developing theory - or better, by a combination of both. The 19th-century positivist dream of discovering "laws" of music (by analogy to "laws" in other disciplines such as physics; cf. Adler, 1885), and of defining the discipline of systematic musicology in terms of such laws, slowly evaporated. Ideological trends stemming from modernism and later post-structuralism fundamentally altered the nature of the project.

Since systematic musicology brings together several parent disciplines, it is often regarded as being intrinsically interdisciplinary,[3][4] or as a system of interacting subdisciplines (hence the alternative name "systemic"). However, most systematic musicologists focus on just one or a select few of the many subdisciplines. Systematic musicologists who are oriented toward the humanities often make reference to fields such as aesthetics, philosophy, semiotics, hermeneutics, music criticism, Media studies, Cultural studies, gender studies, and (theoretic) sociology. Those who are oriented toward science tend to regard their discipline as empirical and data-oriented, and to borrow their methods and ways of thinking from psychology, acoustics, psychoacoustics, physiology, cognitive science, and (empirical) sociology.[3]

More recently emerged areas of research which at least partially are in the scope of systematic musicology comprise cognitive musicology, neuromusicology, biomusicology, and music cognition including embodied music cognition. As an academic discipline, systematic musicology is closely related to practically oriented disciplines such as music technology, music information retrieval, and musical robotics.[3]

Systematic musicology is less unified than its sister disciplines historical musicology and ethnomusicology. Its contents and methods are more diverse and tend to be more closely related to parent disciplines, both academic and practical, outside of musicology. The diversity of systematic musicology is to some extent compensated for by interdisciplinary interactions within the system of subdisciplines that make it up.

The origins of systematic musicology in Europe can be traced to ancient Greece; philosophers such as Pythagoras, Aristotle, Plato and Aristoxenus asked general questions about music. Historical musicology and ethnomusicology are much younger disciplines, and the relative importance of the three has fluctuated considerably during the past few centuries. Today, musicology's three broad subdisciplines are of approximately equal size in terms of the volume of research activity.

References

Leman, Marc; Schneider, Albrecht (1997). "Origin and Nature of Cognitive and Systematic Musicology: An Introduction". In Leman, Marc (ed.). Music, Gestalt, and Computing. Studies in Cognitive and Systematic Musicology. Berlin, Heidelberg: Springer. pp. 13–30. doi:10.1007/BFb0034102. ISBN 978-3-540-63526-0.
Bader, Rolf (2018). "Introduction". Springer Handbook of Systematic Musicology. Springer Handbooks. Berlin, Heidelberg: Springer. doi:10.1007/978-3-662-55004-5. ISBN 978-3-662-55002-1.
Bader, Rolf; Leman, Marc; Godoi, Rolf-Inge, eds. (2013). Current Research in Systematic Musicology. Berlin, Heidelberg: Springer. ISBN 978-3-642-36098-5. Retrieved 13 December 2017.
Niemöller, Klaus Wolfgang; Gätjen, Bram, eds. (2005). Perspektiven und Methoden einer Systemischen Musikwissenschaft. Frankfurt am Main: Peter Lang. ISBN 978-3-63139502-8. Retrieved 13 December 2017.

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[schneiderleman-1] Leman, Marc; Schneider, Albrecht (1997). "Origin and Nature of Cognitive and Systematic Musicology: An Introduction". In Leman, Marc (ed.). Music, Gestalt, and Computing. Studies in Cognitive and Systematic Musicology. Berlin, Heidelberg: Springer. pp. 13–30. doi:10.1007/BFb0034102. ISBN 978-3-540-63526-0.

[hb-2] Bader, Rolf (2018). "Introduction". Springer Handbook of Systematic Musicology. Springer Handbooks. Berlin, Heidelberg: Springer. doi:10.1007/978-3-662-55004-5. ISBN 978-3-662-55002-1.

[current-3] Bader, Rolf; Leman, Marc; Godoi, Rolf-Inge, eds. (2013). Current Research in Systematic Musicology. Berlin, Heidelberg: Springer. ISBN 978-3-642-36098-5. Retrieved 13 December 2017.

[schneidersystem-4] Niemöller, Klaus Wolfgang; Gätjen, Bram, eds. (2005). Perspektiven und Methoden einer Systemischen Musikwissenschaft. Frankfurt am Main: Peter Lang. ISBN 978-3-63139502-8. Retrieved 13 December 2017.

Music psychology
Areas	Biomusicology Cognitive musicology Cognitive neuroscience of music Culture in music cognition Evolutionary musicology Psychoacoustics
Topics	Absolute pitch Auditory illusion Auditory imagery Background music Consonance and dissonance Deutsch's scale illusion Earworm Embodied music cognition Entrainment Exercise and music Eye movement in music reading Franssen effect Generative theory of tonal music Glissando illusion Hedonic music consumption model Illusory continuity of tones Levitin effect Lipps–Meyer law Melodic expectation Melodic fission Mozart effect Music and emotion Music and movement Music in psychological operations Music preference Music-related memory Musical gesture Musical semantics Musical syntax Octave illusion Relative pitch Sharawadji effect Shepard tone Speech-to-song illusion Temporal dynamics of music and language Tonal memory Tritone paradox
Disorders	Amusia Auditory arrhythmia Beat deafness Musical hallucinations Musician's dystonia Music-specific disorders Tone deafness
Related fields	Aesthetics of music Bioacoustics Ethnomusicology Hearing Melodic intonation therapy Music education Music therapy Musical acoustics Musicology Neurologic music therapy Neuronal encoding of sound Performance science Philosophy of music Psychoanalysis and music Sociomusicology Systematic musicology Zoomusicology
Researchers	Jamshed Bharucha Lola Cuddy Robert Cutietta Jane W. Davidson Irène Deliège Diana Deutsch Tuomas Eerola Henkjan Honing David Huron Nina Kraus Carol L. Krumhansl Fred Lerdahl Daniel Levitin Leonard B. Meyer Max Friedrich Meyer James Mursell Richard Parncutt Oliver Sacks Carl Seashore Max Schoen Roger Shepard John Sloboda Carl Stumpf William Forde Thompson Sandra Trehub
Books and journals	Music Perception Musicae Scientiae (journal) Musicophilia Music, Thought, and Feeling Psychology of Music (journal) The World in Six Songs This Is Your Brain on Music

Systematic musicology

Further reading

References