Samson and Delilah (van Dyck, Vienna)

Samson and Delilah is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress.[1] Van Dyck's palette in the work also reveals the influence of Titian during van Dyck's stay in Italy. It is now in the Kunsthistorisches Museum in Vienna.

The Gallery of Cornelis van der Geest, by Willem van Haecht shows this painting hanging on the rear wall.

Samson and Delilah

References

"Samson and Delilah", Google artProject

Beatrice Marshall, Old Blackfriars: A Story of the Days of Anthony Van Dyck (1901), Kessinger Publishing, 2009

Samson

Cultural
depictions

Art	Samson Slaying a Philistine (Giambologna, c. 1562) Samson and Delilah (Rubens, c. 1609–10) Samson and Delilah (van Dyck, 1620) Samson and Delilah (van Dyck, 1630) Samson and Delilah (Rembrandt, 1630) Samson Threatening His Father-In-Law (Rembrandt, 1635) The Blinding of Samson (Rembrandt, 1636) The Wedding Feast of Samson (Rembrandt, 1638) Samson Mocked (Steen, c. 1670)
Comics	Black Samson Doc Samson Mighty Samson Samson
Film	Samson (1914) Samson and Delilah (1922) Samson and Delilah (1949) Samson (1961) Samson and Delilah (1984) Samson and Delilah (1996) Samson (2018)
Literature	Samson Agonistes (Milton)
Music	Samson (Handel) Samson and Delilah (Saint-Saëns) "Samson and Delilah" (traditional song) "Sam and Delilah" (Gershwin) "Samson" (Emly Starr) "Delilah" (The Dresden Dolls) "Samson" (Regina Spektor)
Television	Samson & Goliath

Other

Anthony van Dyck
List of paintings
Religious subjects	Entry of Christ into Jerusalem (1617) Crucifixion with Saints (1617–1619) Saint Martin and the Beggar (1618) The Brazen Serpent (c. 1618–1620) The Apostle Matthew (c. 1618–1620) The Betrayal of Christ (1618–1620) Bristol Madrid Minneapolis Saint Ambrose barring Theodosius from Milan Cathedral (c. 1619–20) Christ Crowned with Thorns (1619–20) Samson and Delilah 1620 1630 Madonna and Child (1621–1627) The Mocking of Christ (1628–1630) The Coronation of Saint Rosalia (1629) The Vision of the Blessed Hermann Joseph (1629–30) Madonna and Child with Two Donors (1630) Rest on the Flight into Egypt (1630) Crucifixion (1630) Deposition / Lamentation over the Dead Christ 1615 1618 1619 1629 1629–30 1634 1635 1640
Saint Rosalia series (1624–1625)	Houston London Madrid New York Ponce Palermo (studio work) Munich (autograph or studio)
Mythological subjects	Drunken Silenus (1620) Jupiter and Antiope (1620) Diana and a Nymph Surprised by a Satyr (1622–1627) The Shepherd Paris (1628) Thetis Receiving the Weapons of Achilles from Hephaestus (1630–1632) Cupid and Psyche (1638–1640)
Portraits	Charles I with M. de St Antoine (1633) Charles I at the Hunt (c.1635) Charles I in Three Positions (1635 or 1636) Equestrian Portrait of Charles I (1637–38) Triple Portrait of Henrietta Maria (1638) Portrait of Queen Henrietta Maria, as St Catherine (1639) Luigia Cattaneo-Gentile (c. 1622) Magistrates of Brussels (Preparatory sketch) (1634–5) Olivia Boteler Porter (1630s) Mary Villiers, Lady Herbert of Shurland (c. 1636) Lord John Stuart and his Brother, Lord Bernard Stuart (c. 1638)
Self-portraits	1613–14 1632–33 1635 (with Endymion Porter) 1640
Related	Van Dyke beard

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.