Q-pop

Q-pop or Qazaq pop is a music genre originating in Kazakhstan.[1][2][3] It is a modern form of Kazakhstani popular music sung in Kazakh, incorporating elements of Western pop music, Kazakhstani Hip-Hop, EDM, R&B and Toi-pop, with heavy influences from K-pop of South Korea.[4][5][6] The genre first surfaced in 2015 when the first Q-pop group, Ninety One debuted.[7] Since then the genre has experienced growing popularity among Kazakhstani youths, with more Q-pop artists forming and debuting.[5][8]

Q-pop
Stylistic origins
Cultural origins2015s, Kazakhstan
Typical instruments
Fusion genres
Toi-pop

Background


The term ‘Q-pop’ was coined in 2015 by Ninety one fans to distinguish Kazakh pop music from the rest of the world pop scene.[9] One characteristic feature of ‘Q-pop’ is very clear: it is ‘Kazakhstan pop made in Kazakhstan by Kazakhstan musicians for a Kazakhstan audience and it dominates the Kazakhstan market. New popular culture phenomenon that is termed as a ‘Q-pop’ with ‘Q’ standing for Kazakhstan, and ‘Pop’ meaning popular music.[10] ‘Q-pop’ singers do not use their real names instead they replace them with English ones. Finally, when they release new songs they name them in English wording (name of the songs, group members’ nicknames, fandom names, mixing English words and sounds with the Kazakh language[11]).

Applying all western and non-western music elements into the Kazakhstan context, ‘Q-pop’ became sophisticated enough to satisfy even those who used to love western music.[12] Here ‘Q-pop’ has the hybrid quality of western music, and response to, globalization and its consequent anxiety since the late 1990s. Its rising popularity in Kazakhstan market is derived from the globalization effect of ‘Q-pop’, thanks to the development of new technology within computers, internet and transportation, the expansion of tourism, and, most importantly, the consequent trans-nationalization of cultural tastes in the Central Asian region.[13] ‘Q-pop’ entertainment companies work in a similar manner such as Korean entertainment labels. ‘Q-pop’ singers are young, with most of them being born after 1990 or even 2000, with bright fashion styles and colored hair with trendy haircuts.[14] They can dance modern dances while singing and can put on great performances that attract thousands of young people.[15]

Kazakhstan experienced the Korean Wave when South Korean dramas and movies started entering the country in the mid 2000s.[16] This phenomenon, assisted by the increasing accessibility of the internet, sparked more interest in South Korean pop culture among Kazakhstanis, which helped the popularization of the K-pop music genre in Kazakhstan.[17][18] K-pop is regarded as an attractive, less-restrictive and unique genre.[19] The high popularity of K-pop in Kazakhstan spurred the creation of the first Q-pop project in 2014, when JUZ Entertainment formed Ninety One.[20] After the group debuted in 2015, it became instantly popular among youth, due to its high quality music and the use of Kazakh in its songs.[1][21]

Current status

Q-pop is enjoying support from both the government and the people as a means to promote and popularize the use of Kazakh language and Latin script among youth.[5][22][23] However, it has also faced criticism and rejection from the traditionalist element of society, especially toward its performers' on-stage appearance.[24][25][26] Since 2018, there has been an annual q-pop music festival called the Q-Fest, usually held during Autumn in Almaty.[27][28]

List of Q-pop performers

Boy bands
  • 10iz
  • DNA
  • ML
  • Madmen
  • Ninety One
  • Sevenlight
  • Newton (disbanded)
  • Alien
  • Black Dial (disbanded)
  • Divine (disbanded)
  • Qarapaiym (disbanded)

Girl groups
  • Crystalz (disbanded)
  • Juzim (disbanded)

Co-ed groups
  • Youngsters

Musical duos
  • EQ
  • The Egiz
  • Bope & Roo
  • Buira (disbanded)
  • ASHAD (ex AJ)
  • Arsenaleen
  • AZ
  • Bala (Ninety One)
  • Kyle Ruh (ex ML)
  • Ne1tron (DNA)

Female soloists

  • ALBA
  • Ayree
  • C.C.TAY
  • Diuoou
  • Aroojeanne
  • Malika Yes
  • Polina Max
  • Ziruza

Crossover artists

These artists also sing in genres besides Q-pop such as Hip-Hop, R&B.

List of Q-pop record labels and management agencies
  • C.C.Team Entertainment
  • Dara Entertainment
  • JUZ Entertainment
  • D&D Production
  • MM Entertainment
  • Lion Pride Entertainment
  • Trend Entertainment

References
  1. September 2016, Zhazira Dyussembekova in Culture on 28 (28 September 2016). "Kazakh Band Tops Turkish Music Chart". The Astana Times. Retrieved 9 October 2019.
  2. Alexakis, Vanessa (22 June 2018). "Star of Asia international music festival wows audiences in Kazakhstan". euronews. Retrieved 9 October 2019.
  3. Kakim, Danabayev; Jowon, Park (2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review (in Korean). 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. Retrieved 4 November 2020.
  4. Goldsmith, Melissa Ursula Dawn; Fonseca, Anthony J. (31 December 2018). Hip Hop around the World: An Encyclopedia [2 volumes]. ABC-CLIO. ISBN 9780313357596.
  5. Laruelle, Marlene (30 August 2019). The Nazarbayev Generation: Youth in Kazakhstan. Rowman & Littlefield. ISBN 9781793609144.
  6. March 2016, Zhanna Shayakhmetova in Culture on 26 (26 March 2016). "Kazakh Pop Music Experiencing Heyday". The Astana Times. Retrieved 9 October 2019.
  7. "Ninety one — арманға апарар жол | angime.kz — качественный и познавательный контент". angime.kz – качественный и познавательный контент (in Russian). 30 July 2018. Retrieved 9 October 2019.
  8. "Kazakh Music | Kazakhstan Culture | Travel to Kazakhstan". visitkazakhstan.kz. Retrieved 9 October 2019.
  9. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  10. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  11. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  12. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  13. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  14. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  15. Kakim, Danabayev; Jowon, Park (29 February 2020). "Q-pop as a Phenomenon to Enhance New Nationalism in Post-Soviet Kazakhstan". Asia Review. 9 (2): 85–129. doi:10.24987/snuacar.2020.02.9.2.85. ISSN 2234-0386.
  16. "Kazakhstan eager to learn Korea's 'can-do' spirit". The Korea Times. 16 October 2011. Retrieved 9 October 2019.
  17. "'Korean Wave' affecting many aspects of life in Kazakhstan". The Dong-a Ilbo. Retrieved 9 October 2019.
  18. "Korean Wave Sweeps Across Kazakhstan". Assembly of people of Kazakhstan. Retrieved 9 October 2019.
  19. "Music trends shift often from decade-to-decade, and that's what makes the music world fun. For example, twenty years ago, who would have predicted that J-P". K Crush America Magazine. 6 February 2015. Retrieved 9 October 2019.
  20. "This Former SM Entertainment Trainee Is Now A Top Star in a Different Country". Koreaboo. 9 July 2018. Retrieved 9 October 2019.
  21. "Artist Spotlight: Ninety one". soundboardasia. Retrieved 9 October 2019.
  22. Otan, Merey (2019). Not Suitable for Kazakhs? Authenticity and National Identity in Contemporary Kazakhstani Music (Thesis thesis). Nazarbayev University, School of Humanities and Social Sciences.
  23. "Q-pop strengthens consciousness Kazakhstan". news.myseldon.com. Retrieved 9 October 2019.
  24. Oryn, Dariya. "Between Kazakh Batyrs and Feminization of Masculinity: Korean Wave as Means of Transformation". Central European University: 40. Cite journal requires |journal= (help)
  25. Morton, Elise. "Introducing Q-pop: the genre you've never heard of causing scandal in Kazakhstan". The Calvert Journal. Retrieved 9 October 2019.
  26. "Does Kazakhstan have a show business? – Info times". Retrieved 9 October 2019.
  27. TODAY.KZ. "Куда пойти в Алматы 27–28 октября". Today.kz. Retrieved 9 October 2019.
  28. "Q-Fest 2019: сольный дебют A.Z., новый состав JUZIM и Z-pop". НТК. Retrieved 9 October 2019.
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