Noeline Gourley

Noeline Brokenshire (née Gourley, born 1 December 1925) is a former New Zealand sportswoman, who represented her country in field hockey, and as a hurdler at the 1950 British Empire Games. Later she was a gallery owner and noted woodturner, and the founder and publisher of New Zealand's first woodworking magazine, Touch Wood.

Noeline Brokenshire
Personal information
Birth nameNoeline Gourley
Born (1925-12-01) 1 December 1925
Dunedin, New Zealand
Spouse(s)
​
​
(m. 1954; died 2014)​
Sport
CountryNew Zealand
SportTrack and field
Achievements and titles
National finals80 m hurdles champion (1945, 1946, 1947, 1948, 1950)

Early life and family

Brokenshire was born Noeline Gourley in Dunedin on 1 December 1925.[1][2] She was educated at Avonside Girls' High School in Christchurch, and went on to study at Canterbury University College from 1944 to 1945 and then the University of Otago from 1948 to 1950, gaining a Diploma of Physical Education in 1951.[2] In 1954 she married architect and potter David Serpell Brokenshire, and the couple went on to have three children.[2]

Sporting career

Cricket

A right-handed batsman, Gourley played for the Canterbury women's cricket team during the 1942/43 season.[1]

Hockey

Gourley represented the New Zealand women's national field hockey team in 1948, and was a member of the Otago provincial side.[2][3]

Athletics

A hurdler, Gourley won the New Zealand national 80 m hurdles title on five occasions: in consecutive years from 1945 to 1948, and in 1950.[4] She represented New Zealand at the 1950 British Empire Games in Auckland, competing in the 80 metre hurdles.[5] In the final she finished in fourth place, behind the Australian winner, Shirley Strickland, and New Zealand teammates June Schoch and Janet Shackleton.[6]

Honours

Gourley was awarded university blues for athletics and hockey.[2]

Later life

Teaching career

Brokenshire was a teacher at Columba College in Dunedin, Christchurch Girls' High School, and Avonside Girls' High School.[2] She was also a lecturer in the School of Physical Education at the University of Otago.[2]

Woodturning and writing

Brokenshire's husband, David, turned from his original career of architecture to pottery, and Noeline became a woodturner.[2] They both became members of the New Zealand chapter of the World Crafts Council,[7] and held their first joint exhibition of pottery and turned wood in Christchurch in 1966.[8] Noeline Brokenshire exhibited her work widely in New Zealand, including at the New Zealand Academy of Fine Arts in Wellington,[2] a joint exhibition of wood and pottery with Peter Stichbury in Dunedin in 1972,[9] and a combined show with her husband and weaver Karin Wakely in Christchurch in 1969.[8] Her work, which "very sensitively" wedded form to grain, was generally of domestic size and utility.[8]

In 1983, Brokenshire established New Zealand's first woodworking magazine, Touch Wood, which she owned and edited.[7] She solicited articles from subscribers, but researched and wrote much of the content herself.[7] In her editorials in the magazine, which was published three times a year, Brokenshire was a strong advocate for design, professionalism, and a national organisation for woodworkers.[7][10] Brokenshaw sold Touch Wood in March 1988 after 14 issues, and the magazine was transformed by its new owner into The New Zealand Woodworker with a focus more on trade than craft.[7] It survived until 1991.[7] Brokenshire later wrote Fired clay: the story of the Canterbury Potters' Association, 1870–1989, published in 2000.[11]

In 1986, the Association of Designers and Furniture Makers New Zealand was formed, and Brokenshire was its inaugural secretary.[7]

Brokenshire opened Cave Rock Gallery in Sumner in 1987, and it moved to the Christchurch Arts Centre the following year.[7][12] From November 1990, she operated the Salamander Gallery, also in the Christchurch Arts Centre.[13][14]

Personal life

Brokenshire was widowed by the death of her husband, David, on 26 April 2014.[15]

References
  1. "Noeline Gourlay [sic]". CricketArchive. Retrieved 28 September 2017.
  2. Taylor, Alister, ed. (1992). New Zealand Who's Who Aotearoa 1992. Auckland: New Zealand Who's Who Aotearoa. p. 36.
  3. "New Zealand hockey representatives – women" (PDF). blacksticks.co.nz. Hockey NZ. 5 July 2017. Retrieved 30 September 2017.
  4. Hollings, Stephen (December 2016). "National champions 1887–2016" (PDF). Athletics New Zealand. Retrieved 30 September 2017.
  5. "Noeline Gourley". New Zealand Olympic Committee. 2016. Retrieved 30 September 2017.
  6. "Results for the 1950 British Empire Games – Athletics – 80m Hurdles – Women". Commonwealth Games Federation. 2014. Retrieved 30 September 2017.
  7. Wood, D. (2012). Futuring craft: New Zealand studio furniture 1979–2008 (PhD). University of Otago. hdl:10523/2421.
  8. "Clay, wood and wool" (PDF). News: Journal of the Canterbury Society of Arts (27). September 1969. p. 5. Retrieved 30 September 2017.
  9. "Sculpture exhibitions: a collection of catalogues and ephemera". Dunedin Public Library. Retrieved 30 September 2017.
  10. Brokenshire, Noeline (1 July 1987). "Turning point : Seminar and national exhibition for woodturners 1987". Touch wood, Jul 1987; n.12:p.10-11; issn.
  11. "Fired Clay – Noeline Brokenshire" (PDF). CPA Newsletter. Canterbury Potters' Association: 2. October–December 2013. Retrieved 30 September 2017.
  12. "Top NZ craftwork". The Press 1993 Aug. 6. 6 August 2016.
  13. A concise history of art in Canterbury 1850–2000 (PDF). Christchurch: Robert McDougall Art Gallery. 2000. p. 98. ISBN 0-908874-91-X. Retrieved 30 September 2017.
  14. "Print works tradition to continue in Arts Centre". The Press 1990 May 2. 2 May 2016.
  15. Crean, Mike (28 June 2014). "Creativity at artist's core". The Press. Retrieved 28 May 2017.
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