Maverick Concert Hall

Maverick Concert Hall was built in 1916 and was part of the Maverick Artist Colony in Hurley, New York.

Maverick Concert Hall
Maverick Concert Hall, Summer 2006
LocationOff Maverick Rd., Hurley, New York
Coordinates42°0′51″N 74°7′6″W
Area29.5 acres (11.9 ha)
Built1916
ArchitectWhite, Hervey
NRHP reference No.99001492[1]
Added to NRHPDecember 9, 1999

The concert hall hosts the Maverick Concerts, a summer chamber music festival. Alexander Platt is the current music director. The mainstay of the series, which runs from the end of June through early September, is to be found in the chamber music concerts performed by distinguished soloists and ensembles on Saturday evenings and Sunday afternoons.

The Maverick Festival, a precursor to the Maverick Concerts, was founded in 1915 by Hervey White, and by 1931 the festival suspended.[2]

Maverick Artist Colony history

“Maverick” is the name given to the collaborative colony for artists that Hervey White, a “freethinker, socialist, writer, and printer with a genius for friendship,”[3] established on the outskirts of the town of Woodstock, on 102 acres he had bought in 1905.[4] White's intention was to offer “young talent a chance to earn its living until its recognition.”[3]

Hervey White had been an early founder and worker at the nearby Byrdcliffe Colony and he was one of the first to leave and start a new colony independently.[5] The Byrdcliffe Colony had been "well-financed and run somewhat autocratically" with a strong sense of designing and planning a legacy and Maverick was more "scruffier, more truly communal and anarchic".[6]

Maverick Festival (1915–1931)

The Maverick Festival's opening concert was in August 1915 to raise funds in order to build a well for the colony, and was patterned after the European fairs.[7][2] The following year in July 1916, a substantial article about the event was published in The New York Times, under the headline “Music Goes Back to Nature.”[8][9] The program consisted of Haydn's String Quartet Op. 77, No. 1, Max Bruch's Kol Nidrei for cello and piano, and Robert Schumann's piano quintet.[9]

The festival was popular and as the audience grew larger, they introduced concert camping, and became harder to control.[2][10] There was a lot of drinking and hard partying happened at the festival, even during the Prohibition banning alcohol.[5] After 1931, the Maverick Festival was suspended indefinitely due to unsavory crowds and financial pressures.[2]

The Maverick Festival is often named as being one of the precursors to the 1969 Woodstock festival.[2][5]

Maverick Concert Hall

The historic concert hall is located in Hurley, New York, on the outskirts of Woodstock, in Ulster County. The barn-like, rectangular building with its gambrel roof was built in 1916 with a roof of asphalt and wood shingles and a frame of heavy timber, to which the walls—sheaths of wide planks—are nailed directly. The hall was constructed without the services of an architect and with volunteer labor, as part of the arts community known as the Maverick Colony.

The wooden construction and acoustics create an environment well suited to the intimacy of live chamber music, and the Maverick has been listed on the National Register of Historic Places since 1999.[11][12]

Maverick Horse

In the summer of 1924, Mr. White commissioned John Flannagan, a gifted but penniless[13] sculptor, to create a symbol for the colony. Flannagan, one of the first direct carvers to work in the United States, was paid the prevailing wage of fifty cents an hour. Using an ax as his major tool, in a few days he had carved a monumental piece from the trunk of a chestnut tree.

The statue depicts the horse emerging from the outstretched hands of a man, who appears, in turn, to be emerging from the earth. The iconic 18-foot sculpture stood, for 36 years, at the entrance of the road to the concert hall and the now-vanished theater. After the horse began to weather alarmingly, it was moved to a nearby studio until 1979, when it was moved to the stage of the Maverick Concert Hall. A plaque at its base indicates that it was restored in 2006. It stands there still.[14]

John Cage and 4’33"

On August 29, 1952, the young pianist and composer David Tudor premiered at the Maverick a well-known and controversial work by the American exponent of experimental music John Cage, one of the leading post-war avant-garde composers. Arguably Cage's most famous piece, 4′33″ (which was originally scored for piano) has commonly been referred to as “four minutes and thirty-three seconds of silence.” Cage demonstrated, however, that the absence of notes was not the same thing as silence. The composer's stated intention[15] was for the audience to listen to the “accidental” sounds around them: the birdsong, the wind in the trees, the rain on the roof, the sounds of the audience members themselves.

Recent history and Maverick Concerts

The concert hall hosts the Maverick Concerts, a summer chamber music festival. Alexander Platt is the current music director. The mainstay of the series, which runs from the end of June through early September, is to be found in the chamber music concerts performed by distinguished soloists and ensembles on Saturday evenings and Sunday afternoons. Jazz and world music have been given more prominence in recent seasons, and Maverick's Saturday morning Young People's Concerts are popular with families.

References
  1. National Park Service, Department of the Interior. "National Register of Historic Places". National Register of Historic Places Database. National Park Service. Retrieved 24 January 2012.
  2. "The Maverick Festival". New Paltz. 2007. Retrieved 2020-01-09.
  3. Flanagan, Nina. "Hervey White: Brief life of a maverick impresario,1866-1944". Harvard Magazine. Harvard University. Retrieved 24 January 2012.
  4. State University of New York at New Paltz. "Hervey White and the Maverick Art Colony". The Maverick Festival, Woodstock, 1915-1931. SUNY New Paltz. Archived from the original on 31 May 2012. Retrieved 24 January 2012.
  5. Genocchio, Benjamin (2003-08-14). "100 Years Ago, When the Arts Found Woodstock". The New York Times. ISSN 0362-4331. Retrieved 2020-01-09.
  6. Burdick, John. "How Woodstock got to be an arts colony". Hudson Valley One. Retrieved 2020-01-09.
  7. "THEATRE IN STONE QUARRY.; Maverick Artists to Hold a Festival Near Woodstock, N.Y." The New York Times. 1915-08-25. ISSN 0362-4331. Retrieved 2020-01-09.
  8. Updegraff, Allan (1916-07-30). "MUSIC GOES BACK TO NATURE; Masterpieces of World's Great Composers Played in Poetic Surroundings at Woodstock". The New York Times. p. Section F, Page 10. Retrieved 2020-01-09.
  9. Updegraff, Allan (1916-07-30). "MUSIC GOES BACK TO NATURE; Masterpieces of World's Great Composers Played in Poetic Surroundings at Woodstock". The New York Times. ISSN 0362-4331. Retrieved 2020-01-09.
  10. "LAST EVENTS DRAW NEAR IN VACATIONISTS' HAUNTS; Woodstock's Maverick Festival Comes on Friday--Programs at Other Resorts AT THOUSAND ISLANDS. LAKE GEORGE PLANS. BALL AT NEW LONDON. MARTHA'S VINEYARD. ON BLOCK ISLAND. CAPE MAY PROGRAM. TENNIS AT MONTREAL". The New York Times. 1931-08-30. p. Section S, Page 9. Retrieved 2020-01-09.
  11. Bonafide, John. "National Register of Historic Places Registration: Maverick Concert Hall". New York State Department of Parks, Recreation and Historic Preservation. Retrieved 24 January 2012.
  12. Department of Parks, Recreation and Historic Preservation, Images. "Four Images of Maverick Concert Hall". Accompanying photos. New York State. Retrieved 24 January 2012.
  13. Craven, Wayne (1968). Sculpture in America. New York, N.Y.: Thomas Y. Crowell Co. pp. 580.
  14. Rosenblum, Cornelia Hartmann. "The Maverick Horse". Maverick Concerts History. Maverick Concerts, Inc. Archived from the original on 27 August 2010. Retrieved 30 April 2020.
  15. Kostelanetz, Richard (2003). Conversing With John Cage. New York, N.Y.`: Routledge. pp. 69–70. ISBN 0-415-93792-2.
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