List of compositions by Franz Schubert (1820)

Franz Schubert's compositions of 1820 are mostly in the Deutsch catalogue (D) range D 679–708,[1] and include:

• Instrumental works:
  • Quartettsatz, D 703
• Vocal music:
  • Lazarus, D 689
  • Sakuntala, D 701

Table

Legend

Legend to the table

column		content
1	D '51	Deutsch number in the first version of the Deutsch catalogue (1951)[2]
2	D utd	most recent (utd = up to date) Deutsch catalogue number;[3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the table is displayed.
3	Op. pbl	Opus number (Op.; p indicates Post. = posthumous) and date of first publication (pbl; between brackets; when there is more than one date the earlier dates indicate partial publications). The column sorts to Opus number, then (earliest of) the publication date(s)
4	AGA	Alte Gesamt-Ausgabe = Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe. Indicates genre/instrumentation:[4] Series I: Symphonien (Nos. 1-8) (Johannes Brahms, 1884) Series II: Overtüren und Andere Orchesterwerke (Johann Nepomuk Fuchs, 1886) Series III: Oktette (Nos. 1-3) and IV: Streichquintett (Eusebius Mandyczewski, 1889) Series V: Streichquartette (Nos. 1-15) (Joseph Hellmesberger and Eusebius Mandyczewski, 1890) Series VI: Trio für Streichinstrumente (Eusebius Mandyczewski, 1892) Series VII: Trios, Quartets and Quintets with Piano and VIII: Pianoforte und Ein Instrument (Ignaz Brüll, 1886) Series IX: Pianoforte zu vier Händen (Anton Door, 1888) Series X: Sonaten für Pianoforte (Julius Epstein, 1888) Series XI: Fantasie, Impromptus und andere Stücke für Pianoforte (Julius Epstein, 1888) Series XII: Tänze für Pianoforte (Nos. 1-31) (Julius Epstein, 1889) Series XIII: Messen (Nos. 1-7) (Eusebius Mandyczewski, 1887) Series XIV: Kleinere Kirchenmusikwerke (Nos. 1-22) (Eusebius Mandyczewski, 1888) Series XV: Dramatische Musik (Johann Nepomuk Fuchs, 1893) Series XVI: Werke für Männerchor (Nos. 1-46) (Eusebius Mandyczewski, 1891) Series XVII: Werke für gemischten Chor (Nos. 1-19) (Josef Gänsbacher, Eusebius Mandyczewski, 1892) Series XVIII: Werke für Drei und mehr Frauenstimmen mit Pianoforte-Begleitung (Nos. 1-6) (Josef Gänsbacher, Eusebius Mandyczewski, 1891) Series XIX: Kleine Gesangswerke (Nos. 1-36) (Josef Gänsbacher and Eusebius Mandyczewski, 1892) Series XX: Sämtliche einstimmige Lieder und Gesänge (Eusebius Mandyczewski, 1894-1895) Series XXI: Supplement (Eusebius Mandyczewski, 1897) Instrumentalmusik No. 1-5 Instrumentalmusik No. 6-13 Instrumentalmusik No. 14- Gesangsmusik Series XXII: Revisionsbericht
5	NSA	NGA/NSA/NSE = New Schubert Edition, also indicates genre/instrumentation:[5] Series I: Church Music Series II: Stage Works Series III: Part Songs Series IV: Lieder Series V: Orchestral Works Series VI: Chamber Music Octet and Nonet String Quintet String Quartets I String Quartets II String Quartets III String Trios Works for Piano and several instruments Works for Piano and one instrument Dances for several instruments Series VII: Piano Music Works for Piano Four Hands Works for Piano Two Hands Series VIII: Supplement, 2. Schubert's Studies
6	Name	unique name, with, if available, a link to the relevant encyclopedia article; sorts by name with initial definite ("Der", "Die", "Das", ...) or indefinite ("Ein", "A", ...) articles, and numbers, moved after the expression they qualify: e.g. "Die Hoffnung, ..." sorts as "Hoffnung, Die, ..." – "Thirty Minuets ..." sorts as "Minuets, 30, ...".
7	Key / incipit	incipit mostly for songs[6] (linking to lyrics and their translation, for instance at The LiederNet Archive, when available),[7] other compositions by key, except for Schubert's stage works: type of composition in brackets.
8	Date	(presumed) date of composition, or, for copies and arrangements, date of Schubert's autograph. Sorts to earliest possible date of completion, unlike the chronology of the Deutsch catalogue that generally collates according to earliest date associated with the composition: e.g. Schubert started the composition of his 3rd String Quartet on 19 November 1812 and completed it on 21 February 1813 – in the Deutsch catalogue the composition is grouped with other compositions from 1812: when using the sort function of the 8th column the composition is grouped with compositions completed in 1813
9	Additional info	may include: Information about the text (lyrics,[6][7] libretto) of vocal compositions: e.g., "Text by [text author]", "Text: [standard lyrics]", "... from [literary work]"; "other settings: D ..." indicates Schubert's other settings of the same text; for fields starting with "Text ..." this column sorts by text author (last name, first name—or pen name when such name is more established), then incipit of the lyrics (alternatively, when the incipit is rarely used, title of the work) Information about the authenticity of the composition: the work is without doubt Schubert's unless when marked as "Doubtful", "Spurious?" or "Spurious" (in the last case columns 3–8 give no further information about the composition) Forces needed for performance ("For ..."): may be omitted when the type of composition makes the instrumentation clear (e.g. String Quartet → two violins, viola and cello), and, for vocal music, when the setting is for voice and piano "s", "a", "t" and "b" refer to a single soprano, alto, tenor and bass singer respectively, while "S", "A", "T" and "B" to choral parts for the same types of singers (see SATB). Specifications regarding movements (e.g. "Allegro – Minuet – Rondo") or sections (e.g. "No. 1 ...") Information about the completeness of the extant work: the work is considered complete as extant unless when marked "Sketch", "Incomplete", "Unfinished", "Fragment" or "Lost" Information about versions (e.g. "Two versions: ...")

List

Compositions by Franz Schubert listed in the Deutsch catalogue for 1820

D '51	D utd	Op. pbl	AGA	NSA	Name	Key / incipit	Date	Additional info
681	681	(1930)		VII/2, 6	Twelve Ländler, D 681	Various keys	c. 1815	For piano; Nos. 1–4 are lost
682	682	(1895)	XX, 10 No. 599	IV, 12	Über allen Zauber Liebe	Sie hüpfte mit mir auf grünem Plan	1820–1824	Text by Mayrhofer; Fragment
683	732				Die Wolkenbraut	Der Jäger ruhte hingegossen		See D 732 No. 11
684	684	(1850)	XX, 6 No. 378	IV, 12	Die Sterne, D 684	Du staunest, o Mensch	1820	Text by Schlegel, F., from Abendröte II, 8
685	685	4,2 (1821)	XX, 6 No. 379	IV, 1a	Morgenlied, D 685	Eh' die Sonne früh aufersteht	1820	Text by Werner
686	686	20,2 (1823) (1970)	XX, 6 No. 380	IV, 1a & b No. 15	Frühlingsglaube	Die linden Lüfte sind erwacht	Sep. 1820– Nov. 1822	Text by Uhland; Three versions: 3rd, in AGA, is Op. 20 No. 2
687	687	(1872)	XX, 6 No. 372	IV, 12	Nachthymne	Hinüber wall' ich	January 1820	Text by Novalis
688	688	(1871)	XX, 10 Nos. 575– 578	IV, 12	Vier Canzonen	1. Non t'accostar all'urna – 2. Guarda, che bianca luna – 3. Da quel sembiante appresi – 4. Mio ben, ricordati	January 1820	Text by Vittorelli (Nos. 1–2) and Metastasio (No. 3 from L'eroe cinese I, 3 – No. 4 from Alessandro nell'Indie III, 7)
689	689	(1865) (1892)	XVII No. 1	II, 10	Lazarus, oder: Die Feier der Auferstehung	(Scenic oratorio in three acts)	early 1820– Mar. 1820[8]	Text by Niemeyer; For sssttbSATB and orchestra (piano reduction in 1865 publ.); Unfinished: Nos. 1–21 (Act I) – Nos. 22–29 (Act II)
690	690	(1830)	XX, 6 No. 376	IV, 12	Abendröte	Tiefer sinket schon die Sonne	March 1823	Text by Schlegel, F., from Abendröte I
691	691	172p,6 (1865)	XX, 6 No. 373	IV, 12	Die Vögel	Wie lieblich und fröhlich	March 1820	Text by Schlegel, F., from Abendröte I, 2
692	692	(1872)	XX, 6 No. 374	IV, 12	Der Knabe	Wenn ich nur ein Vöglein wäre	March 1820	Text by Schlegel, F., from Abendröte I, 3
693	693	(1872)	XX, 6 No. 375	IV, 12	Der Fluß	Wie rein Gesang sich windet	March 1820	Text by Schlegel, F., from Abendröte I, 4
694	694	(1842)	XX, 6 No. 377	IV, 12	Der Schiffer, D 694	Friedlich lieg' ich hingegossen	March 1820	Text by Schlegel, F.
695	695	(1895)	XX, 10 No. 587	IV, 12	Namenstagslied	Vater, schenk' mir diese Stunde	19/3/1820?	Text by Stadler, A.
696	696	113p (1829)	XIV No. 18	I, 9 No. 11	Sechs Antiphonen zum Palmsonntag	Hosanna filio David – In monte Oliveti – Sanctus – Pueri Hebraeorum – Cum angelis et pueris – Ingrediente Domino	26/3/1820	For SATB
697	697	18,É6 (1823) (1889)	XII No. 28 No. 2,É6	VII/2, 6	Six Écossaises, D 697	A♭ major	May 1820	For piano; No. 5 is 6th Écossaise of Op. 18
698	698	(1832)	XX, 6 No. 381	IV, 12	Des Fräuleins Liebeslauschen	Hier unten steht ein Ritter	September 1820	Text by Schlechta
699	699	(1831)	XX, 6 No. 383	IV, 12	Der entsühnte Orest	Zu meinen Füßen brichst du dich	September 1820	Text by Mayrhofer
700	700	(1831)	XX, 6 No. 384	IV, 12	Freiwilliges Versinken	Wohin? o Helios!	September 1820	Text by Mayrhofer
701	701	(1929)		II, 15	Sakuntala (also spelled Sacontala or Sakontala)	(Opera in three acts)	Oct. 1820– spring 1821[8]	Text by Neumann after Kalidasa's Shakuntala; For ssssssttttttbbbbbbSATB and orchestra; Unfinished (all numbers are sketches): Nos. 1–7 (Act I, last pages publ. in 1929) – Nos. 8a–11 (Act II)
702	702	8,1 (1822)	XX, 6 No. 385	IV, 1a	Der Jüngling auf dem Hügel	Ein Jüngling auf dem Hügel	November 1820	Text by Hüttenbrenner, H.
703	703	(1870) (1897)	V No. 12 XXII v5	VI, 5 No. 13 & Anh.	String Quartet No. 12	C minor	December 1820	Allegro assai (a.k.a. Quartettsatz, publ. 1870) – Andante (fragment)
704	714							See D 714
705	705	(1897)	XXI, 4 No. 34	III, 3 Anh. II No. 5	Gesang der Geister über den Wassern, D 705	Des Menschen Seele gleicht dem Wasser	December 1820	Text by Goethe (other settings: D 484, 538 and 714); Sketch for ttbb and piano
706	706	132p (1832)	XVIII No. 2	III, 3 No. 25 Anh. III No. 2 Anh. IV No. 5	Psalm 23 (22)	Gott ist mein Hirt, mir wird nichts mangeln	December 1820	Text by Mendelssohn, M., translating Psalm 23; For ssaa and piano
707	707	36,1 (1825) (1895)	XX, 6 No. 387	IV, 2a & b No. 4	Der zürnenden Diana	Ja, spanne nur den Bogen	December 1820	Text by Mayrhofer; Two versions: 2nd is Op. 36 No. 1
708	708	(1832)	XX, 6 No. 387	IV, 12	Im Walde, D 708, a.k.a. Waldesnacht	Windes Rauschen, Gottes Flügel	December 1820	Text by Schlegel, F.

References

1. Deutsch 1978, pp. 396–417.
2. Deutsch 1951.
3. NSA website.
4. AGA 1884–1897.
5. NSA scores.
6. Reed 1997.
7. LiederNet Archive.
8. NSA II, 15, p. IX (in Introduction).

Sources

Multi-volume editions, websites and catalogues

• Alte Gesamt-Ausgabe (AGA) = Franz Schubert's Works: Schubert, Franz (1884–1897). [multiple volumes: 21 series + critical report]. Franz Schubert's Werke: Kritisch durchgesehene Gesammtausgabe (in German). Edited by Johannes Brahms, Ignaz Brüll, Anton Door, Julius Epstein, Johann Nepomuk Fuchs, Josef Gänsbacher, Joseph Hellmesberger Sr. and Eusebius Mandyczewski. Leipzig: Breitkopf & Härtel. Reprints of several volumes by Kalmus and Dover Publications; Franz Schubert's Werke (Series I–XIX and XXI), Series XX, Revisionsbericht: Scores at the International Music Score Library Project
• Deutsch catalogue (D) = Schubert Thematic Catalogue:
  • Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1951). Schubert: Thematic Catalogue of all his Works in Chronological Order (1st ed.). London: Dent. 1995 reprint, with errata correction: Deutsch, Otto Erich; et al. (Donald R. Wakeling) (1995). The Schubert Thematic Catalogue (Dover ed.). Mineola, N.Y.: Dover Publications. ISBN 0486286851.
  • Deutsch, Otto Erich; et al. (Walther Dürr, Arnold Feil, Christa Landon and Werner Aderhold) (1978). Franz Schubert: Thematisches Verzeichnis seiner Werke in chronologischer Folge. New Schubert Edition (in German). Series VIII (Supplement), Vol. 4. Kassel: Bärenreiter. ISBN 9783761805718. ISMN 9790006305148.
• Hoboken catalogue (Hob.): "Joseph Haydn (1732–1809): Werke sortiert nach Hob (Hoboken-Verzeichnis, 1957-78)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
• Köchel catalogue (K.): "Wolfgang Amadeus Mozart (1756–1791): Werke sortiert nach KV⁶ (Köchel-Verzeichnis, 6. Auflage, 1964)" (in German). Kaiserslautern: Klassika. Retrieved 3 September 2017.
• Neue Schubert-Ausgabe (NSA) = New Schubert Edition:
  • NSA scores: Schubert, Franz (1968–2019). [over 80 volumes in eight series]. Franz Schubert (1797–1828): New Edition of the Complete Works (in German). Edited by International Schubert Association (Tübingen). Kassel: Bärenreiter; Individual volumes:
    • NSA II, 15: Schubert, Franz; Neumann, Johann Philipp (2008). Jahrmärker, Manuela; Aigner, Thomas (eds.). Sacontala. New Schubert Edition (in German). Series II (Stage Works), Vol. 15. Kassel: Bärenreiter. ISMN 9790006497294.
    • NSA VIII, 4: See above Deutsch (1978)
  • NSA website: "New Schubert Edition". Tübingen: International Schubert Association. Retrieved 2 September 2017.
• Schubert Online: "www.schubert-online.at: Schubert music manuscripts, first and early editions online". Vienna: Austrian Academy of Sciences (ÖAW). Retrieved 1 September 2017.
• The LiederNet Archive: Ezust, Emily; et al. (contributors). "Composer: Franz Peter Schubert (1797 - 1828)". Ontario: LiederNet Corporation. Retrieved 1 September 2017.

Other

• Badura-Skoda, Eva; Branscombe, Peter, eds. (2008). Schubert Studies: Problems of Style and Chronology. Contributions by Walther Dürr ("Schubert's Songs and Their Poetry", pp. 1–24), Rufus Hallmark ("Schubert's 'Auf dem Strom'", pp. 25–46), Elaine Brody ("Schubert and Sulzer Revisited", pp. 47–60), Marius Flothuis ("Schubert Revises Schubert", pp. 61–84), Elizabeth Norman McKay ("Schubert as Composer of Operas", pp. 85–104), Peter Branscombe ("Schubert and the Melodrama", pp. 105–142), Christoph Wolff ("Schubert's 'Der Tod und dad Mädchen'", pp. 143–172), Peter Gülke (on String Quintet D 956, pp. 173–186), Paul Badura-Skoda (on Schubert's 'Great' C major Symphony, pp. 187–208), Robert Winter ("Paper Studies and the Future of Schubert Research", pp. 209–276), Eva Badura-Skoda ("The Chronology of Schubert's Piano Trios", pp. 277–296), Reinhard Van Hoorickx ("The Chronology of Schubert's Fragments and Sketches", pp. 297–326), Arnold Feil ("Rhythm in Schubert", pp. 327–346) and Alexander Weinmann (on Leopold Puschl and Schubert's sojourn in Zseliz, pp. 347–356). Cambridge University Press. ISBN 0521088720.
• Elsholz, Gunter (1982). Vogel, Reimut (ed.). Franz Schubert: Sinfonie in E-Dur 1825. Stuttgart: Goldoni. ISBN 3922044050. OCLC 987719669.
• Hilmar, Ernst; Jestremski, Margret, eds. (2004). Schubert-Enzyklopädie (in German). 1. Introduction by Alfred Brendel. Tutzing: Hans Schneider. ISBN 3795211557.
• Keefe, Simon P., ed. (2006). Mozart Studies. Cambridge University Press. ISBN 0521851025.
• Kube, Michael (2009). "Franz Schuberts Deutsche Trauermesse (D 621) als Problem der Text- und Stilkritik". In Mitterauer, Gertraud; Müller, Ulrich; Springeth, Margarete; Vitzthum, Verena (eds.). Was ist Textkritik?: Zur Geschichte und Relevanz eines Zentralbegriffs der Editionswissenschaft (in German). Walter de Gruyter. pp. 129–140. ISBN 3484970782.
• Mozart, Wolfgang Amadeus; Haydn, Joseph; Haydn, Michael (2008). Kircher, Armin (ed.). Chorbuch Mozart • Haydn VII: Kanonsammlung [Choral Collection Mozart • Haydn, Vol. VII: Canon Collection] (in German, Latin, English, and Italian). Stuttgart: Carus-Verlag. OCLC 274222567.
• Newbould, Brian (1999). Schubert: The Music and the Man. University of California Press. ISBN 0520219570.
• Reed, John (1997). The Schubert Song Companion. Manchester University Press. ISBN 1901341003.
• Van Hoorickx, Reinhard (1971). "Franz Schubert (1797–1828) List of the Dances in Chronological Order". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 25 (1): 68–97. doi:10.2307/3686180. ISSN 0771-6788. JSTOR 3686180.
• Van Hoorickx, Reinhard (1974–1976). "Thematic Catalogue of Schubert's Works: New Additions, Corrections and Notes". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap. Belgian Musicological Society. 28–30: 136–171. doi:10.2307/3686053. ISSN 0771-6788. JSTOR 3686053.