Joana Hadjithomas and Khalil Joreige

Joana Hadjithomas and Khalil Joreige are filmmakers and artists. Their work includes feature and documentary films, video and photographic installations, sculpture, performance lectures and texts.

Joana Hadjithomas and Khalil Joreige
Born1969
Beirut
Websitehttp://hadjithomasjoreige.com/

Personal life

Joana Hadjithomas and Khalil Joreige were born in Beirut in 1969 and spent their childhood there during the Lebanese Civil Wars. They collaborate since the early 1990s on videos, films, photographs, and installations. They occasionally use explicit life events as subjects for their work, such as the kidnapping and disappearance of Joreige's uncle, Alfred Junior Kettaneh, or Hadjithomas's paternal origins in the documentary ISRMYRNA, with the poet and painter Etel Adnan.[1]

Work

Hadjithomas and Joreige interweave formal, conceptual and thematic links through photographs, video installations and films. Their work in film often influences and leads to projects in the plastic arts, and vice versa. They are known to work over several years on a single project, and often revisit earlier works in retrospection.

The importance of research in their work is such that they prefer to describe themselves not as artists but “chercheurs” - literally ‘those that are looking for something’ but also ‘researchers.'[2] Inspired by personal archives and found documents, they work and research in collaboration with other writers, philosophers, historians, archaeologists and illustrators, and have spoken about the importance of this aspect: 'We believe in encounter more than in influence and, beyond that, we cultivate admiration: so many photos, film sequences, conversations, meetings and exchanges have nurtured and enabled us, at some time, to admire someone or something.'[3]

Hadjithomas and Joreige are also university lecturers in Lebanon and Europe and the authors of numerous publications and performances. Joana Hadjithomas is a former member of the Curriculum Committee of the Ashkal Alwan Academy, Home Work Space.[4] Both artists are co-founders of Abbout Productions[5] with Georges Schoucair and executive members of the board of Metropolis Art Cinema and the Cinemathèque in Beirut.[6]

Film

As well as artists, Hadjithomas and Joreige are film directors.[7][8] Their filmography includes documentaries such as Khiam 2000 – 2007 (2008), The Lebanese Rocket Society : The Strange Tale of the Lebanese Space Race (2013), which received multiple awards such as Best Documentary Award in Doha Tribeca Festival, Qatar,[9] and ISMYRNA (2016) as well as feature films including Around the pink house, (1999), A Perfect Day, (2005)[10][11], premiered at Locarno International Film Festival and awarded, among many other prizes, the Fipresci Press Prize[12] and Je Veux Voir (I Want to See) (2008), starring Catherine Deneuve and Rabih Mroué, which premiered in the official selection of Cannes Film Festival in 2008 and was awarded Best Singular Film by the French Critics Guild.[13][6]

In their fiction films, they are known to borrow tropes from documentary filmmaking, and vice versa, blurring the lines between the real and the illusory.

Several retrospectives of their films have been presented in renowned institutions such as Tate Modern (London), Cinematek (Brussels), Flaherty Seminar (New York), Institut Français and Mori Art Museum (Tokyo), International Film Festival of Gijon (Spain), Harvard Film Archive (Cambridge), Locarno International Film Festival (Switzerland) and MoMA (New York).[14] Their latest feature film, Memory Box will be released in 2021.

Art

In 2017 Hadjithomas and Joreige won The Marcel Duchamp Prize for their presentation Unconformities, shown at the Pompidou Center in Paris.[15] The installation constituted of core samples that had been collected over the past three years, underneath the cities omnipresent in the artists’ history and thinking: Athens, Paris and Beirut. Hadjithomas and Joreige have described this project as an interrogation about the possible era of the Anthropocene.[16]

Since 1999, the artists have collected over four thousand junk emails, digital scams intended to con their readers into sending financial aid. Over the course of many exhibitions and installations, Hadjithomas and Joreige created an itinerary around these modern day scams, and traced their history back to the literary tradition known as The Jerusalem Letter.[17] As part of this project SCAMS (2014), Hadjithomas and Joreige created the sound and video installation The Rumor of the World, where they asked 38 amateur actors to read and incarnate these scams. A monograph under this title was published in 2015, edited by Omar Kholeif.[18]

In 2016 they presented works such as I stared at Beauty So Much (2016) and Unconformities (2017), which presents the geological and archaeological undergrounds of cities. Under The Cold River Bed (2020) is their latest installation, as part of Unconformities, and tells the story of the "Nahr el Bared" refugee camp in the North of Beirut which was destroyed in 2007. After major archaeological discoveries were made, an official decision to backfill the entire camp and seal it as a sarcophagus was taken and the entire city is buried again. The artists produced a sculpture representing an imprint of the sarcophagus of the camp, and showcase it along with projected images that tell "its archeological, human and military history, its destruction, and its reconstruction".[19]

In 2016 and 2017 Hadjithomas and Joreige presented a large selection of their work from the late 1990s to the present day in 'Two Suns in a Sunset', a traveling museum exhibition that was shown at the Jeu de Paume in Paris,[20] Sharjah Art Foundation in Sharjah,[21] Haus der Kunst in Munich[22] and IVAM in Valencia.[23]

Their artworks are part of major private and public collections including British Museum (London), Centre Georges Pompidou (Paris), Fond national d’art contemporain (France), MCA Chicago, Museum of Modern Art (Paris), Sharjah Art Foundation (UAE), Solomon R Guggenheim Museum (New York),[24] and Victoria & Albert Museum (London) and they regularly present their works in solo and group exhibitions in museums and art centers around the world. They participated in many biennials such as Taipei, Venice, Istanbul, Lyon, Sharjah, Kochi, Gwangju, and the Paris Triennale.[6]

They are represented by In Situ – fabienne leclerc[25] in Paris (France), and The Third Line[26] in Dubai (UAE).

Awards and prizes

2017

The Marcel Duchamp Prize: won[27][28][29]

2012

Best Documentary Award for The Lebanese Rocket Society: The Strange Tale of the Lebanese Space Race, Doha Tribeca Festival, Qatar.[30]

Abraaj Capital Art Prize, Dubai, United Arab Emirates.[31]

2008

Best Singular Film for Je veux voir, Syndicat Français de la Critique de Cinéma et des Films de Télévision, Paris, France.[13]

Non-fiction and Documentary Award for Je veux voir, Gijón International Film Festival, Spain.[32]

Prix Georges de Beauregard pour Khiam, FID Marseille[33]

2005

Fipresci Prize and Don Quixote Award for A Perfect Day, Locarno International Film Festival, Switzerland.[34]

Bayard d’Or for Best Actor and Special Jury Mention for A Perfect Day, Namur Francophone International Film Festival, Belgium.[35][36]

Montgolfière d’Argent, Best Actor and SACEM Prize for Sound and Original Music for A Perfect Day, Festival des 3 Continents, Nantes, France.[37]

Best Film (with distribution assistance) for A Perfect Day, Belfort Entrevues International Film Festival, France[38]

2000

Best Film Award for Around the Pink House, Beirut International Film Festival, Lebanon.[39]

Filmography

· 2021: Memory Box, Fiction, 95min (Post production)

. 2016: ISRMYRNA, in conversation with Etel Adnan, Documentary, 53 min[40]

· 2013: The Lebanese Rocket Society: The Strange Tale of the Lebanese Space Race, Documentary, 93 min[41][42][43][44]

· 2008: Khiam 2000–2007, Documentary, 103 min[45]

· 2008: Je veux voir (I want to see), Fiction, 75 min[46][47][48][49]

· 2006: Open the Door, Please, Fiction, 11 min[50][51]

· 2005: A Perfect Day (Yawmon Akhar), Fiction, 88 min

· 2003: Ashes (Ramad), Fiction, 26 min

. 2003: The Lost Film (Al Film Al Mafkoud), Documentary, 42 min

· 2001: Barmeh (Rounds), Fiction, 8 min 2000: Khiam, Documentary, 52 min

· 1999: Around the Pink House (Al Bayt Al Zaher), Fiction, 92 min[52]

Publications

Joana Hadjithomas & Khalil Joreige, Two suns in a Sunset, co-edition Jeu de Paume / Sharjah Art Foundation / Haus der Kunst / Institut Valencià d’Art Modern / Koenig Books, 2016.[53]

Joana Hadjithomas & Khalil Joreige. The Rumors of the World. Rethinking Trust in the Age of the Internet, edited by Omar Kholeif, Berlin: Sternberg, 2015.

‘Khalil Joreige & Joana Hadjithomas. Le centre d’art du 3bisf, Aix-en-Provence, et le Frac Provence-Alpes-Côte d’Azur’, Semaine, special issue ‘Ulysses’, no. 18, 2014.

Joana Hadjithomas & Khalil Joreige, edited by Clément Dirié., Zurich: JRP | Ringier, Montreal: Leonard and Bina Ellen Art Gallery, 2013.

Le Cinéma de Joana Hadjithomas & Khalil Joreige. Entretiens avec Quentin Mével, Paris: éditions Independencia, 2013.[54]

El Blanco de los Orígenes. Cuaderno de Textos e Imágenes sobre el Cine de Joana Hadjithomas y Khalil Joreige, Gijón: Gijón International Film Festival, 2008.

Joana Hadjithomas et Khalil Joreige. Je veux voir, Paris: Cahiers du cinéma, coll. ‘Carnets de cinéastes’, 2007.

Exhibitions

Solo exhibitions

2020

J’ai regardé si fixement la beauté, FRAC Corse, Corte, France.[55][56]

Urba[Ciné], Festival Travelling, Musée des Beaux Arts de Rennes, France.[57]

2019

On Scams, The Power Plant, Toronto, Canada.[58]

2018

Unconformities, Onassis Cultural Center, Fast Forward Festival, Athens, Greece.[59][60]

I Stared At Beauty So Much, The Model, Sligo, Ireland.

Film Retrospective, Oslo Kunstforening in partnership with the Cinemateket, Oslo, Norway.

2017

Se Souvenir de la lumière, Musée National Pablo Picasso, La guerre et la paix, Vallauris, France.[61]

Two Suns in a Sunset, Institut Valencià d’Art Modern, Spain.[62]

Still In Need To Apologize, Tranzitdisplay, Prague, Czech Republic.

2016

Two Suns in a Sunset, Haus der Kunst, Munich, Germany.[63]

Se souvenir de la lumière, Jeu de Paume, Paris, France.[64]

Two Suns in a Sunset, Sharjah Art Foundation, United Arab Emirates.[65]

I Must First Apologize…, MIT List Visual Arts Center, Cambridge, United States.[66]

2015

I Must First Apologize…, HOME, Manchester, United Kingdom.[67]

2014

Je dois tout d’abord m’excuser…, Villa Arson, Centre National d’Art Contemporain, Nice, France.[68]

The Lebanese Rocket Society, Contemporary Art Centre of South Australia.

2013

The Lebanese Rocket Society, In Situ –fabienne leclerc, Paris, France.

Khiam: l’emploi du temps, 3bisf, Aix-en-Provence, France.

2012

How Soon Is Now: A Tribute to Dreamers, Ashkal Alwan, Beirut Exhibition Center, Lebanon.[69]

2011

Films retrospective, MOMA, New York, United States.

2010

Histoire du vent, Festival d’Avignon, France.

I Want to See, Gasworks, Triangle Arts Trust, London, United Kingdom.

2009

Wish We Could Tell, Image Festival, A Space Gallery, Toronto, Canada.

Wonder Beirut, Centre de la Photographie de Genève, Switzerland.[70]

I’m There Even if You Don’t See Me, Leonard and Bina Ellen Art Gallery, Montreal, Canada.[71]

Tel des oasis dans le désert, Église des Célestins, Festival d’Avignon, France.

We Could Be Heroes Just for One Day, Musée d’Art Moderne de la Ville de Paris, France.

2008

Circulo de confusion , Musée de Gigon, Spain.

We could be heroes just for one day, Musée d’art moderne de la ville de Paris, Paris, France.

Histoires tenues secrètes, Fort du Bruissin, Centre d’Art Contemporain, Francheville, France.

Back to the présent, Homeworks IV, Ashkal Alwan, in AGIAL Gallery, Beirut, Lebanon.

Oú sommes-nous? , Festival d’Automne, Espace Topographique de l’art, Paris, France.

Circle of Confusion, CRG Gallery, New York, United States.

2000

Wonder Beirut, Ecole régionale des Beaux Arts, Rennes, France.

1998

Wonder Beirut, Galerie Janine Rubeiz, Beirut, Lebanon.

1997

Beyrouth: Fictions urbaines, Institut du Monde Arabe, Paris, France.

Group exhibitions (selection)

2020

You and I don't live on the same planet, Taipei Biennial 20, Taiwan.

Trembling Landscapes, Between Reality and Fictions, Eye Film Museum, Amsterdam, Netherlands.

Potential World 2 : Eco-Fictions, Migros Museum, Zurich, Switzerland.

Le vent se lève; Mac Val , Musée d’Art Contemporain du Val de Marne, Vitry, France.

Libres, Centre d’Art Contemporain Yverdon-les Bains, Switzerland.

The Time Complex, Yerevan Biennial, Armenia.

2019    

Cartes postales: nouvelles d’un monde rêvé, Les rencontres de la photographie, Arles, France.

Time, Forward!, V-A-C Foundation, Venice, Italy.

Toi qui chemines, il n’y a pas de chemin, Red Brick Art Museum, Beijing, China.

C’est Beyrouth, Institut des Cultures d’Islam, Paris, France.

A Stich of Time, Beijing Today Art Museum, China.

Connectivités, Mucem, Marseille, France.

Collecting Photography: From Daguerreotype to Digital, V&A Photography Center, London, United Kingdom.

2018

Scenario For A Museum, Cycle of Collapsing Progress, Tripoli, Lebanon.

I Stared At Beauty So Much, 30th Anniversary of the Darat al Funun Arts and Cultural Center, Amman, Jordan.

Bridging the Gap, Tsinghua University Art Museum, China.

Divided We Stand, Busan Biennale, South Korea.

But A Storm Is Blowing From Paradise, Gam Milano, Italy.

Electronic Superhighway, MAAT, Lisbon, Portugal.

A journey to Freedom, Tasmanian Museum & Art Gallery, Hobart, Australia.

2017

Unconformities, Centre Pompidou, Paris, France.

Keimena Project, Documenta 14, Athens, Greece.

Bahar, 13th biennale of Sharjah in Istanbul, Turkey.

Home Beirut, Sounding the neighbours, Maxxi, Rome, Italy.

2016

But a Storm Is Blowing from Paradise, Guggenheim Museum, New York, United States.

Electronic Superhighway, Whitechapel Gallery, London, United Kingdom.

2015

All the World’s Futures, 56th Venice Biennale, Italy.

Streamlines, Deichtorhallen, Hamburg, Germany.

Lest the Two Seas Meet, Museum of Modern Art in Warsaw, Poland.

Territoire d’affects, Beirut Exhibition Center, Lebanon.

2014

Une Histoire, Centre Pompidou/musée national d’Art moderne, Paris, France.

Visual Dialogues 2013, Onassis Cultural Centre, Athens, Greece.

Lasting Images, Guggenheim Museum, New York, United States.

2013

Terms & Conditions, Singapore Art Museum, Singapore.

Vue d’en haut, Centre Pompidou-Metz, France.

Ici, ailleurs, Marseille-Provence 2013, France.

Sweet Sixties: Stories and Morals, Gallery Nova, WHW, Zagreb, Croatia.

2012

Biennial from the Global South, Kochi-Muziris Biennial, India.

Light from the Middle East, Victoria & Albert Museum, London, United Kingdom.

Six Lines of Flight: Shifting Geographies in Contemporary Art, San Francisco Museum of Modern Art, United States.

Round Table, 9th Gwangju Biennial, South Korea.

Arab Express, Mori Art Museum, Tokyo, Japan.

Intense proximité, La Triennale, Palais de Tokyo, Paris, France.

Spectral Imprints, Abraaj Capital Art Prize 2012, Dubai, United Arab Emirates.

Lebanese Rocket Society: Part III, IV, V, The Third Line, Dubai, United Arab Emirates.[72]

2011

Due to Unforeseen Events, New Museum of Contemporary Art, New York, United States.

Seeing Is Believing, KW Institute for Contemporary Art, Berlin, Germany.

Image in the Aftermath, Beirut Art Center, Lebanon.

Untitled, 12th Istanbul Biennial, Turkey.

Une terrible beauté est née, 11th Lyon Biennial, La Sucrière, Lyon, France.

Plot for a Biennial, 10th Sharjah Biennial, United Arab Emirates.

2008

Zones of conflict, Pratt Manhattan Gallery, New York, United States.

Roads were opened/roads were closed, The Third Line, Dubai, United Arab Emirates.

Art now in Lebanon, Darat al Funun, The Khalid Shoman foundation, Amman, Jordan.

Forum Home works 4, organised by Ashkal Alwan, Beirut, Lebanon.

Conspire, Haus der Kulturen der Welt, Berlin, Germany.

Fondation jordanienne – Darat el Funun, organised by Sfeir-Semler gallery, Amman, Jordan.

Orients Sans Frontières, Espace Louis Vuitton, Paris, France.

Stratégies de l’histoire, Stratégie de l’art, 6th Biennale de Goumri, Armenia.

2007

Ah les belles images ! …, Gallery In Situ Fabienne Leclerc, Paris, France.

Ah les belles images ! …, La Tolerie, Clermont Ferrand, France.

Distorted Fabric, De Apple Arts Center, Amsterdam, Netherlands.

Whenever it starts, Frankfurter Kunstverein, Frankfurt, Germany.

2006

Cercle de confusion, Côté court, Pantin, France.

Taking place, Kunsthal Charlottenborg, Copenhagen, Denmark.

Out of Beirut, Modern Art, Oxford, United Kingdom.

Blickdicht. Fotografien aus der arabischen Welt, Ifa-Galerie Berlin, Germany.

Coding : Decoding, Kunsthallen Nikolaj, Copenhagen, Denmark.

Coding : Decoding, Museet for Samtidskunst / Museum of Contemporary Art, Roskilde, Denmark.

2005

Sequence of tense, Altpool, South Korea.

HOME WORKS III, Beirut, Lebanon.

Videokunstwoche, Neuer Berliner Kunstverein, Berlin, Germany.

2004

Present Absent, Gallery Tanit, Munich, Germany.

Love it or leave it, Montenegro Biennale, Montenegro.

Appel à témoin, Le Quartier, Centre d’art contemporain de Quimper, France.

Mediterraneans, Macro, Rome, Italy.

Laughter, Bargehouse LIFT, London, United Kingdom.

Nazar, Nooderlich Photofestival, Akerkhof, Netherlands.

2003

The Eccho Show, curator Lars Bang Larsen, Tramway, Glasgow, Scotland.

Deslocamentos, VideoBrazil, Sao Paolo, Brazil.

FORUM HOME WORKS 2, Ashkal Alwan, Beirut, Lebanon.

2002

Iconoclash, ZKM, Karlsruhe, Germany.

Fundamentalism of the new order, Kunsthal Charlottenborg, Copenhagen, Denmark.

2001

Missing links, Gallery Townhouse, Cairo, Egypt.

Gaba, Marzouk, Sooja, Bonde, Kusolwong, Hadjithomas And Joreige – INOVA – Institute of Visual Arts, Milwaukee, WI, United States.

2000

Espace vital, La Criée, Centre d’Art contemporain de Rennes, France.

Visages de rencontres, Espace Mira Phalaina, Montreuil, France.

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