Hollywood Post Alliance Award for Outstanding Sound - Television
The Hollywood Post Alliance Award for Outstanding Sound - Television is an annual award, given by the Hollywood Post Alliance, or HPA, to post production workers in the film and television industry, in this case sound . It was first awarded in 2006, and has been presented every year since. From 2006 to 2009, the category was titled Hollywood Post Alliance Award for Outstanding Audio Post - Television.
Winners and nominees
2000s
Outstanding Audio Post - Television
Year | Program | Episode(s) | Nominees | Network |
---|---|---|---|---|
2006 [1] | Charmed | "Gone with the Witches" | Greg Stacy, Mark Petersen, Michael P. Cook, Craig A. Dellinger, Jeff Clark | The WB |
Ned's Declassified School Survival Guide | "Substitute Teachers & The New Kid" | Greg Stacy, Mark Petersen, Michael P. Cook, Mike Hickey, Jeff Clark | Nickelodeon | |
Squirrel Boy | Michael Geisler, Curt Hackney, Vince Colavitti, Glenn Aulepp | Cartoon Network | ||
2007 [2] | CSI: Crime Scene Investigation | "Living Doll" | Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Chad J. Hughes, Mace Matiosian | CBS |
The Company | "Episode 2" | David B. Cohn, Nello Torri, Alan Decker | TNT | |
The Sopranos | "The Blue Comet" | Kevin Patrick Burns, Todd Orr, Jason George, Tim Boggs, Jed M. Dodge | HBO | |
2008 [3] | CSI: Crime Scene Investigation | "Cockroaches" | David F. Van Slyke, Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Mace Matiosian | CBS |
John Adams | "Don't Tread on Me" | Marc Fishman, Tony Lamberti, Stephen Hunter Flick, Vanessa Lapato | HBO | |
The Haunting Hour: Don't Think About It | Sam Kaufmann, Jon Schell | Cartoon Network | ||
2009 [4] | Fringe | "Unleashed" | Thomas A. Harris, Michael Ferdie, Christopher B. Reeves, Mark D. Fleming, Tom E. Dahl | Fox |
CSI: Crime Scene Investigation | "Mascara" | David F. Van Slyke, Ruth Adelman, Jivan Tahmizian, William Smith, Yuri Reese, Mace Matiosian | CBS | |
Lost | "The Incident: Part 1" | Thomas DeGorter, Paula Fairfield, Carla Murray, Scott Weber, Frank Morrone | ABC | |
2010s
Outstanding Sound - Television
Year | Program | Episode(s) | Nominees | Network |
---|---|---|---|---|
2010 [5] | House | "Help Me" | Brad North (supervising sound editor), Luis Galdames (sound effects editor), Jackie Rodman (dialogue editor), Joe DeAngelis (re-recording mixer) | Fox |
Fringe | "White Tulip" | Paul Curtis (supervising sound editor); Bruce Tanis (sound designer/sound effects editor); Rick Norman, Brian Harman (re-recording mixers) | Fox | |
Glee | "Preggers" | John Benson, Gary Megregian (supervising sound editors); Todd Murakami (sound effects editor); Jason Krane, Christian Buenaventura (dialogue editors) | ||
Lost | "The End" | Thomas DeGorter (supervising sound editor); Paula Fairfield, Carla Murray (sound designers/sound effects editors) Alex Levy (music editor); Maciek Malish (dialogue editor); Frank Morrone, Scott Weber (re-recording mixers) | ABC | |
True Blood | "Beyond Here Lies Nothin'" | John Benson (supervising sound editor), Jason Krane (dialogue/adr editor), Christian Buenaventura (dialogue editor), Stuart Martin (sound effects editor), Bruno Coon (music editor) | HBO | |
2011 [6] | House | "Bombshells" | Brad North (supervising sound editor), Luis Galdames (sound effects editor), Jackie Rodman (dialogue editor), Joe DeAngelis (re-recording mixer) | Fox |
Detroit 1-8-7 | "Legacy / Drag City" | Walter Newman (supervising sound editor); Darleen Stoker (dialogue editor); Kenneth Young (sound supervisor); Mark D. Fleming, Tom E. Dahl (re-recording mixers) | ABC | |
Downton Abbey | "Episode One" | Adam Armitage (sound effects editor), Alex Sawyer (dialogue editor), Stuart Bagshaw (foley editor), Nigel Heath (re-recording mixer), Oliver Brierley (adr mixer) | PBS | |
Falling Skies | "Prisoner of War" | G. Michael Graham (supervising sound editor); Mark D. Fleming, Tom E. Dahl (re-recording mixers) | TNT | |
Too Big to Fail | Michael Kirchberger (supervising sound editor/dialogue editor); Chris Jenkins, Bob Beemer (re-recording mixers) | HBO | ||
2012 [7][8] | Grimm | "Pilot" | Mark Lanza, Larry Mann (supervising sound editors); Alan Decker, Nello Torri (re-recording mixers) | NBC |
Hatfields & McCoys | "Part 3" | Christian Cooke, Brad Zoern (re-recording mixers) | History | |
Homeland | "Marine One" | Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Larry Goeb (dialogue editor); Alan Decker, Nello Torri (re-recording mixers) | Showtime | |
Person of Interest | "Matsya Nyaya" | Thomas DeGorter, Matt Sawelson (supervising sound editors); Scott Weber, Keith Rogers (re-recording mixer) | CBS | |
The Walking Dead | "Beside the Dying Fire" | Lou Thomas (sound designer/supervising sound editor); Jerry Ross (supervising sound editor); Tim Farrell, Phil Barrie (sound effects editors); Gary D. Rogers, Dan Hiland (re-recording mixers); Bartek Swiatek (production sound mixer) | AMC | |
2013 [9][10] | Game of Thrones | "The Climb" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Jed M. Dodge (dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO |
The Americans | "Mutually Assured Destruction" | Ken Hahn (supervising sound editor/re-recording mixer), Neil Cedar (supervising sound editor), James David Redding III (re-recording mixer) | FX | |
Banshee | "Pilot" | Brad North (supervising sound editor); Luis Galdames (sound effects editor); Tiffany S. Griffith (dialogue editor); William Freesh, Elmo Ponsdomenech (re-recording mixers) | Cinemax | |
Dexter | "A Beautiful Day" | Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Pete Elia, Kevin Roache (re-recording mixers) | Showtime | |
Homeland | "Beirut Is Back" | Craig A. Dellinger (supervising sound editor); Jonathan Golodner (sound effects editor); Alan Decker, Nello Torri (re-recording mixers); Larry Long (production sound mixer) | ||
2014 [11][12] | Toy Story of Terror! | Tom Myers (sound designer), Michael Silvers (supervising sound editor), Dustin Cawood (sound effects editor), Gary Summers (re-recording mixer), Axel Geddes (film editor) | ABC | |
Banshee | "Homecoming" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, William Freesh (re-recording mixers) | Cinemax | |
Game of Thrones | "The Children" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Jed M. Dodge (dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
The Good Wife | "A Beautiful Day" | Fred Judkins (supervising sound editor); John Snider (sound effects editor); Christian Buenaventura (dialogue editor); Larry Benjamin, Kevin Valentine (re-recording mixers) | CBS | |
House of Cards | "Chapter 14" | Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers) | Netflix | |
2015 [13] | Homeland | "Redux" | Craig A. Dellinger (supervising sound editor); Alan Decker, Nello Torri (re-recording mixers) | Showtime |
Banshee | "You Can't Hide from the Dead" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers) | Cinemax | |
Black Sails | "XVIII." | Benjamin L. Cook (supervising sound editor); Stefan Henrix (adr supervisor); Jeffrey A. Pitts (sound effects editor); Susan Cahill (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | Starz | |
Game of Thrones | "Hardhome" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
Halt and Catch Fire | "SETI" | Susan Cahill (supervising sound editor); Mark Cleary, Kevin McCullough (sound effects editors); Jane Boegel (dialogue editor); Keith Rogers, Scott Weber (re-recording mixers) | AMC | |
2016 [14] | Outlander | "Prestonpans" | Vince Balunas (supervising sound editor); Alan Decker, Nello Torri (re-recording mixers); Brian Milliken (production sound mixer) | Starz |
Game of Thrones | "Battle of the Bastards" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
House of Cards | "Chapter 45" | Jeremy Molod (supervising sound editor); Ren Klyce (sound designer); Jonathon Stevens (music editor); Nathan Nance, Scott R. Lewis (re-recording mixers) | Netflix | |
Marco Polo | "One Hundred Eyes" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | ||
Preacher | "See" | Richard E. Yawn (supervising sound editor); Mark Linden, Tara A. Paul (re-recording mixers) | AMC | |
2017 [15] | American Gods | "The Bone Orchard" | Brad North (supervising sound editor); David Werntz (sound designer); Tiffany S. Griffith (dialogue editor); Joe DeAngelis, Kenneth Kobett (re-recording mixers) | Starz |
Stranger Things | "Chapter Eight: The Upside Down" | Craig Henighan (sound designer/supervising sound editor); Jordan Wilby (sound effects editor); Tiffany S. Griffith (dialogue editor); Joe Barnett, Adam Jenkins (re-recording mixers) | Netflix | |
Game of Thrones | "The Spoils of War" | Tim Kimmel (supervising sound editor); Paula Fairfield (sound designer); Bradley C. Katona (sound effects editor); Paul Bercovitch (supervising dialogue editor); Onnalee Blank, Mathew Waters (re-recording mixers) | HBO | |
The Music of Strangers | Pete Horner (supervising sound editor/re-recording mixer); Dimitri Tisseyre, Dennis Hamlin (production sound mixers) | |||
Underground | "Soldier" | Larry Goeb (supervising sound editor); Mark Linden, Tara A. Paul (re-recording mixers) | WGN | |
2018 [16] | Altered Carbon | "Out of the Past" | Brett Hinton (supervising sound editor); Mark Allen, Owen Granich-Young (sound effects editors); Andy King, Keith Rogers (re-recording mixers) | Netflix |
Dark | "Secrets" | Alexander Würtz (supervising sound editor); Achim Hofmann, Jörg Elsner (sound editors); Ansgar Frerich, Christian Bischoff (re-recording mixers) | Netflix | |
Waco | "Operation Showtime" | Kelly Oxford (supervising sound editor); Karen Vassar Triest (sound designer); David Brownlow (production sound mixer); Beau Borders, Craig Mann, Laura Wiest (re-recording mixers) | Paramount Network | |
Yellowstone | "Daybreak" | Alan Robert Murray (supervising sound editor); Tim LeBlanc, Dean A. Zupancic (re-recording mixers) | ||
"Kill the Messenger" | ||||
2019 [17] | The Haunting of Hill House | "Two Storms" | Trevor Gates (supervising sound editor), Jason Dotts (supervising dialogue editor), Paul B. Knox (sound effects editor), Walter Spencer (foley artist), Jonathan Wales (re-recording mixer) | Netflix |
Chernobyl | "1:23:45" | Joe Beal (sound designer), Stefan Henrix (supervising sound editor), Michael Maroussas (dialogue editor), Harry Barnes (adr supervisor), Stuart Hilliker (re-recording mixer) | HBO | |
Deadwood: The Movie | Benjamin L. Cook (sound designer); Mandell Winter (sound supervisor); Daniel Colman (supervising sound effects editor); Micha Liberman (music editor); John W. Cook II, William Freesh (re-recording mixers) | |||
Game of Thrones | "The Bells" | Paula Fairfield (sound designer); Tim Kimmel (supervising sound editor); David Klotz (music editor); Onnalee Blank, Mathew Waters (re-recording mixers) | ||
Homecoming | "Protocol" | Jeffrey A. Pitts (sound designer); Kevin W. Buchholz (supervising sound editor); Polly McKinnon (dialogue editor); Ben Zales (music editor); John W. Cook II, William Freesh (re-recording mixers) | Amazon | |
Programs with multiple wins
Programs with multiple nominations
See alsoReferences
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