Heat (1995 film)
Heat is a 1995 American crime drama film written, produced, and directed by Michael Mann, starring Al Pacino, Robert De Niro, and Val Kilmer.[3] De Niro plays Neil McCauley, a seasoned professional robber and Pacino plays Lt. Vincent Hanna, an LAPD robbery-homicide detective tracking down Neil's crew after a botched heist leaves three security guards dead. The story is based on the former Chicago police officer Chuck Adamson's pursuit during the 1960s of a criminal named McCauley, after whom De Niro's character is named.[4] Heat is a remake by Mann of an unproduced television series he had worked on, the pilot of which was released as the TV movie L.A. Takedown in 1989.
Heat | |
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Theatrical release poster | |
Directed by | Michael Mann |
Produced by |
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Written by | Michael Mann |
Starring | |
Music by | Elliot Goldenthal |
Cinematography | Dante Spinotti |
Edited by |
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Production companies |
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Distributed by | Warner Bros. |
Release date |
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Running time | 170 minutes |
Country | United States |
Language | English |
Budget | $60 million[1] |
Box office | $187.4 million[2] |
Heat was released by Warner Bros. Pictures on December 15, 1995, and became a critical and commercial success, grossing $67 million in the United States and a total $187 million worldwide against a $60 million budget, and receiving praise for Mann's direction and screenplay, as well as the performances of Pacino and De Niro.
Plot
Neil McCauley is a criminal based in Los Angeles. He and his crew – right-hand man Chris Shiherlis, enforcers Michael Cheritto and Trejo, and hired hand Waingro – rob $1.6 million in bearer bonds from an armored car. During the heist, Waingro impulsively kills a guard. A second guard is shot and killed when he attempts to pull out his concealed weapon. In response, McCauley orders the last guard to be eliminated so as to not leave any witness. McCauley is incensed with Waingro for the needless escalation, and the crew prepares to kill him, but the execution is interrupted by a passing police cruiser, and Waingro escapes. The robbery is investigated by LAPD Major Crimes Unit Lieutenant Vincent Hanna and his team. Hanna, a dedicated lawman, has a strained relationship with his wife Justine and struggles to connect with his mentally unstable stepdaughter, Lauren. McCauley, who is wary of having things in life that "you cannot leave behind in thirty seconds", begins a relationship with Eady, a graphic design artist.
In the aftermath of the robbery, McCauley's fence, Nate, suggests he sell the stolen bonds back to their original owner, money launderer Roger Van Zant, who could profit by claiming the insurance on the bonds. Van Zant agrees, but angered that he was stolen from, instructs his men to ambush McCauley at the meeting. McCauley and his crew kill the hitmen, and McCauley vows to kill Van Zant. An informant of the LAPD connects Cheritto to the robbery, and Hanna's team surveils him. Hanna's team stakes out the crew's next target, a precious metals depository; when a careless officer makes a noise, McCauley makes the crew walk off the job. Hanna lets them go so he can continue gathering evidence, rather than arrest them on a minor breaking and entering charge; his team also begins investigating Waingro after the latter serially murders a child prostitute at a motel, and is connected to the crime via forensic evidence.
Despite the increased police surveillance, McCauley's crew agrees to one last bank robbery worth $12.2 million. Hanna tracks down McCauley and pulls him over on 105 Freeway, before inviting him to coffee. They talk about their commitment to their fields and limitations of their personal lives. Hanna discussing his failing marriage and McCauley confides that he is similarly isolated. They both acknowledge that they will kill the other if necessary. When Hanna returns to his office, he learns that McCauley's crew has slipped their surveillance.
Waingro, having made a deal with Van Zant to help eliminate McCauley's crew, tortures Trejo for information. When Trejo does not show up for the bank robbery, McCauley recruits an old colleague to take Trejo's place as the getaway driver, and the crew goes through with the heist.
Acting on a tip from Van Zant's bodyguard Hugh Benny, the LAPD intercepts the crew as they are leaving the bank, resulting in a massive shootout where many officers as well as a detective on Hanna's team and McCauley's getaway driver are killed. McCauley manages to escape with a wounded Shiherlis. Cheritto attempts to flee by taking a child hostage, but he is intercepted and shot dead by Hanna. After leaving Shiherlis with Nate, McCauley arrives at Trejo's house to find him mortally wounded and his wife killed. Trejo reveals Waingro's involvement before McCauley mercy kills him at Trejo's request. An enraged McCauley then breaks into Van Zant's mansion and shoots him dead. Upon learning of McCauley's connection to Waingro and discovering that he's hiding out at a hotel, Hanna's unit decide to use him as bait to lure McCauley in. Hanna has his unit leak Waingro's location so that it ends up on the street where McCauley will eventually hear about it and make an attempt to kill him. As McCauley prepares to flee, Eady discovers his criminal identity, but eventually agrees to go with him. Before escaping, Shiherlis attempts to reconnect with his estranged wife Charlene, who had been forced by the LAPD to bring in her husband; he exchanges a glance with her at her hotel, before she warns him away with a hand gesture, and he successfully escapes.
Hanna finds Lauren unresponsive in the bathtub after a suicide attempt and rushes her to the hospital. He and Justine comfort and reconcile with each other after learning that she has survived. Meanwhile, McCauley drives to the airport with Eady to flee to New Zealand, but learns of Waingro's location and abandons his usual caution to seek revenge, unaware it's a trap. The LAPD learns of McCauley's arrival at Waingro's hotel. Despite becoming aware of police presence, McCauley avoids them, bursts into Waingro's room and kills him. But before he can return to Eady and escape, he is spotted by Hanna and flees alone on foot. Hanna pursues McCauley onto the tarmac at Los Angeles International Airport; McCauley attempts to ambush Hanna, but Hanna catches sight of his shadow at the last second, turning around and shooting him in the chest. Hanna takes his hand as McCauley succumbs to his wounds and dies, while Hanna watches, weary and resigned.
Cast
- Al Pacino as Lt. Vincent Hanna
- Robert De Niro as Neil McCauley
- Val Kilmer as Chris Shiherlis
- Jon Voight as Nate
- Tom Sizemore as Michael Cheritto
- Diane Venora as Justine Hanna
- Amy Brenneman as Eady
- Ashley Judd as Charlene Shiherlis
- Mykelti Williamson as Sgt. Drucker
- Wes Studi as Det. Casals
- Ted Levine as Bosko
- Dennis Haysbert as Donald Breedan
- William Fichtner as Roger Van Zant
- Natalie Portman as Lauren Gustafson
- Tom Noonan as Kelso
- Kevin Gage as Waingro
- Hank Azaria as Alan Marciano
- Susan Traylor as Elaine Cheritto
- Kim Staunton as Lillian
- Danny Trejo as Trejo
- Henry Rollins as Hugh Benny
- Jerry Trimble as Schwartz
- Tone Loc as Richard Torena
- Ricky Harris as Albert Torena
- Jeremy Piven as Dr. Bob
- Xander Berkeley as Ralph
De Niro was the first cast member to get the film script, showing it to Pacino who also wanted to be a part of the film. De Niro believed Heat was a "very good story, had a particular feel to it, a reality and authenticity."[5] Xander Berkeley had played Waingro in L.A. Takedown, an earlier rendition of Mann's script for Heat. He was cast in a minor role in Heat.[5][6] In 2016, Pacino revealed that his character was under the influence of cocaine throughout the whole film.[7]
In order to prepare the actors for the roles of McCauley's crew, Mann took Kilmer, Sizemore, and De Niro to Folsom State Prison to interview actual career criminals. While researching her role, Ashley Judd met several former prostitutes who became housewives.[5]
Development
Factual basis
Heat is based on the true story of Neil McCauley, a calculating criminal and ex-Alcatraz inmate who was tracked down by Detective Chuck Adamson in 1964.[8][9] In 1961, McCauley was transferred from Alcatraz to McNeil, as mentioned in the film. When he was released, in 1962, he immediately began planning new heists. With Michael Parille and William Pinkerton, they used bolt cutters and drills to burgle a manufacturing company of diamond drill bits, a scene which is recreated in the film.[10] Detective Chuck Adamson, upon whom Al Pacino's character is largely based, began keeping tabs on McCauley's crew around this time, knowing that he had become active again. The two even met for coffee once, just as portrayed in the film.[9] Their dialogue in the script was based on the conversation that McCauley and Adamson had.[10] The next time the two met, guns were drawn, just as the movie portrays.[9]
On March 25, 1964, McCauley and members of his regular crew followed an armored car that delivered money to a National Tea grocery store at 4720 S. Cicero Avenue, Chicago.[11] Once the drop was made, three of the robbers entered the store. They threatened the clerks and stole money bags worth $13,137[11] (equivalent to $108,000 in 2019) before they sped off in a rainstorm amid a hail of police gunfire.[9][10]
McCauley's crew was unaware that Adamson and eight other detectives had blocked off all potential exits, and when the getaway car turned down an alley and the robbers saw the blockade, they realized they were trapped. All four exited the vehicle and began firing. Two of his crew, Russell Bredon (Breaden) and Parille, were slain in an alley while a third man, Miklos Polesti (on whom Chris Shiherlis is very loosely based),[9] shot his way out and escaped. McCauley was shot to death on the lawn of a nearby home. He was 50 years old and the prime suspect in several burglaries.[12] Polesti was caught days later and sent to prison. As of 2011 Polesti was still alive.[10]
Adamson went on to a successful career as a television and film producer, and died in 2008 at age 71.[13] Michael Mann's 2009 film Public Enemies stated in its end credits "In memory of Chuck Adamson". As an additional inspiration for Hanna, in a 1995 interview Mann cited an unnamed man working internationally against drug cartels.[14] Additionally, the character of Nate, played by Jon Voight, is based on real-life former career criminal and fence turned writer Edward Bunker, who served as a consultant to Mann on the film.[9][10][15]
Canceled TV series
In 1979, Mann wrote a 180-page draft of Heat. He re-wrote it after making Thief in 1981 hoping to find a director to make it and mentioning it publicly in a promotional interview for his 1983 film The Keep. In the late 1980s, he offered the film to his friend, film director Walter Hill, who turned him down.[5] Following the success of Miami Vice and Crime Story, Mann was to produce a new crime television show for NBC. He turned the script that would become Heat into a 90-minute pilot for a television series featuring the Los Angeles Police Department Robbery–Homicide division,[5] featuring Scott Plank in the role of Hanna and Alex McArthur playing the character of Neil McCauley, renamed to Patrick McLaren.[6] The pilot was shot in only nineteen days, atypical for Mann.[5] The script was abridged down to almost a third of its original length, omitting many subplots that made it into Heat. The network was unhappy with Plank as the lead actor, and asked Mann to recast Hanna's role. Mann declined and the show was canceled and the pilot aired on August 27, 1989 as a television film entitled L.A. Takedown[5] which was later released on VHS and DVD in Europe.[16]
Production
Pre-production
In April 1994, Mann was reported to have abandoned his earlier plan to shoot a biopic of James Dean in favor of directing Heat, producing it with Art Linson. The film was marketed as the first on-screen appearance of Al Pacino and Robert De Niro together in the same scene – both actors had previously starred in The Godfather Part II, but owing to the nature of their roles, they were never seen in the same scene.[17] Pacino and De Niro were Mann's first choices for the roles of Hanna and McCauley, respectively, and they both immediately agreed to act.[18]
Mann assigned Janice Polley, a former collaborator on The Last of the Mohicans, as the film's location manager. Scouting locations lasted from August to December 1994. Mann requested locations which did not appear on film before, in which Polley was successful – fewer than 10 of the 85 filming locations were previously used. The most challenging shooting location proved to be Los Angeles International Airport, with the film crew almost missing out due to a threat to the airport by the Unabomber.[5]
To make the long shootout more realistic they hired British ex-Special Air Service special forces sergeant Andy McNab as a technical weapons trainer and adviser.[19] He designed a weapons training curriculum to train the actors for three months using live ammunition before shooting with blanks for the actual take and worked with training them for the bank robbery.[20]
Filming
Principal photography for Heat lasted 107 days. All of the shooting was done on location, due to Mann's decision not to use a soundstage.[5]
Release
Box office
Heat was released on December 15, 1995, and opened #3 in the box office with $8.4 million from 1,325 theaters, finishing third behind Jumanji and Toy Story.[21] It went on to have a total gross of $67.4 million in United States box offices, and $120 million in foreign box offices.[22] Heat was ranked the #25 highest-grossing film of 1995.[22]
Home media
Heat was released on VHS in June 1996.[23][24] Due to its running time, the film had to be released on two cassettes.[24] A DVD release followed in 1999.[25] A two-disc special-edition DVD was released in 2005, featuring an audio commentary by Michael Mann, deleted scenes, and numerous documentaries detailing the film's production. This edition contains the original theatrical cut.[26]
The initial Blu-ray Disc was released on November 10, 2009, featuring a high-definition film transfer, supervised by Mann.[27] Among the disc extras were Mann's audio commentary, a one-hour documentary about the making of the film and ten minutes worth of scenes cut from the film.[28] As well as approving the look of the transfer, Mann also recut two scenes slightly differently, referring to them as "new content changes".[29]
A Director's Definitive Edition Blu-Ray was released on May 9, 2017, by 20th Century Fox Home Entertainment, who acquired the distribution rights to the film through their part-ownership of Regency back in 2015. Sourced from a 4K remaster of the film supervised by Mann, the two-disc set contains all the extras from the 2009 Blu-ray, along with two filmmakers panels from 2015 and 2016, one of which was moderated by Christopher Nolan.[30]
Reception
On Rotten Tomatoes the film holds an approval rating of 86% based on 80 reviews, with an average rating of 7.81/10. The website's critical consensus reads, "Though Al Pacino and Robert De Niro share but a handful of screen minutes together, Heat is an engrossing crime drama that draws compelling performances from its stars—and confirms Michael Mann's mastery of the genre."[31] On Metacritic, the film has a weighted average score of 76 out of 100, based on 22 critics, indicating "generally favorable reviews".[32] Audiences polled by CinemaScore gave the film an average grade of "A−" on an A+ to F scale.[33]
Roger Ebert gave the film 3 1⁄2 stars out of 4. He described Mann's script as "uncommonly literate", with a psychological insight into the symbiotic relationship between police and criminals, and the fractured intimacy between the male and female characters: "It's not just an action picture. Above all, the dialogue is complex enough to allow the characters to say what they're thinking: They are eloquent, insightful, fanciful, poetic when necessary. They're not trapped with cliches. Of the many imprisonments possible in our world, one of the worst must be to be inarticulate—to be unable to tell another person what you really feel."[34] Simon Cote of The Austin Chronicle called the film "one of the most intelligent crime-thrillers to come along in years", and said Pacino and De Niro's scenes together were "poignant and gripping."[35]
Kenneth Turan of the Los Angeles Times called the film a "sleek, accomplished piece of work, meticulously controlled and completely involving. The dark end of the street doesn't get much more inviting than this."[36] Todd McCarthy of Variety wrote, "Stunningly made and incisively acted by a large and terrific cast, Michael Mann's ambitious study of the relativity of good and evil stands apart from other films of its type by virtue of its extraordinarily rich characterizations and its thoughtful, deeply melancholy take on modern life."[3] Owen Gleiberman of Entertainment Weekly gave it a B− rating, saying that "Mann's action scenes ... have an existential, you-are-there jitteriness," but called the heist-planning and Hanna's investigation scenes "dry, talky."[37]
Impact
Several of the film's scenes were cited by the news media as resembling later robberies. This included armored car robberies in South Africa,[38] Colombia,[39] Denmark, and Norway[40] and most famously the 1997 North Hollywood shootout, in which Larry Phillips, Jr. and Emil Mătăsăreanu robbed the North Hollywood branch of the Bank of America and, similarly to the film, were confronted by the LAPD as they left the bank. Phillips had a copy of the movie where he lived. This shootout is considered one of the longest and bloodiest events of its type in American police history. Both robbers were killed, and eleven police officers and seven civilians were injured during the shootout.[41] Heat was widely referenced during the coverage of the shootout.[42]
For his film The Dark Knight, director Christopher Nolan drew inspiration in his portrayal of Gotham City from Heat in order "to tell a very large, city story or the story of a city".[43] In 2016, a year after its 20th anniversary, Nolan moderated a Q&A session with Michael Mann and cast and crew at the Academy.[44]
Heat was one of the inspirations behind the highly influential 2001 video game Grand Theft Auto III[45] as well as its 2013 sequel Grand Theft Auto V, notably the mission "Blitz Play" where the crew blocks and then knocks over an armored car in order to rob it.[46]
In March 2016, Mann announced that he is developing a Heat prequel novel as part of launching his company Michael Mann Books.[47] As of January 2019, the book has been completed.[48]
Soundtrack
Heat: Music from the Motion Picture | ||||
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Soundtrack album by various artists | ||||
Released | December 19, 1995 | |||
Genre | Classical, Avant-garde, Modernist, Jazz fusion, Electronica, Alternative rock | |||
Length | 68:52 | |||
Label | Warner Bros. 9 46144-2 | |||
Producer | Matthias Gohl | |||
Elliot Goldenthal chronology | ||||
|
Review scores | |
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Source | Rating |
Filmtracks.com | [49] |
Musicfromthemovies | [50] |
AllMusic | [51] |
On December 19, 1995, Warner Bros. Records released a soundtrack album on cassette and CD to accompany the film, entitled Heat: Music from the Motion Picture.[51] The album was produced by Matthias Gohl. It contains a 29-minute selection of the film score composed by Elliot Goldenthal, as well as songs by other artists such as U2 and Brian Eno (collaborating as Passengers), Terje Rypdal, Moby, and Lisa Gerrard. Heat used an abridged instrumental rendition of the Joy Division song "New Dawn Fades" by Moby, which also features in the same form on the soundtrack album. Mann reused the Einstürzende Neubauten track "Armenia" in his 1999 film The Insider.[52] The film ends with Moby's "God Moving Over the Face of the Waters", a different version of which was included at the end of the soundtrack album.[49]
Mann and Goldenthal decided on an atmospheric situation for the film soundtrack. Goldenthal used a setup consisting of multiple guitars, which he termed "guitar orchestra", and thought it brought the film score closer to a European style.[53] The soundtrack was noted for lack of a central theme. Christian Clemmensen of Filmtracks.com criticized the omission from the album of much music heard in the film due to the film's length, but praised the album as a decent listening experience, and Goldenthal's score as "psychologically engaging and intellectually challenging", believing it to be one of Goldenthal's best.[49] AllMusic called it a "soundtrack for the mind ... full of twists and turns".[51] Musicfromthemovies.com thought of the album as uncharacteristic for Goldenthal's style, calling the atmosphere "absolutely electrifying".[50]
No. | Title | Writer(s) | Performer | Length |
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1. | "Heat" | Elliot Goldenthal | Kronos Quartet | 7:41 |
2. | "Always Forever Now" (from Original Soundtracks 1, 1995) | U2; Brian Eno | Passengers | 6:54 |
3. | "Condensers" | Elliot Goldenthal | Elliot Goldenthal | 2:35 |
4. | "Refinery Surveillance" | Elliot Goldenthal | Kronos Quartet | 1:45 |
5. | "Last Nite" (from Blue, 1987) | Terje Rypdal | Terje Rypdal & The Chasers | 3:29 |
6. | "Ultramarine" (from Cobalt Blue, 1992) | Michael Brook | Michael Brook | 4:35 |
7. | "Armenia" (from Zeichnungen des Patienten O. T., 1983) | Blixa Bargeld; F.M. Einheit | Einstürzende Neubauten | 4:58 |
8. | "Of Helplessness" | Elliot Goldenthal | Elliot Goldenthal | 2:39 |
9. | "Steel Cello Lament" | Elliot Goldenthal | Elliot Goldenthal | 1:43 |
10. | "Mystery Man" (from The Singles Collection, 1989) | Terje Rypdal | Terje Rypdal & The Chasers | 4:39 |
11. | "New Dawn Fades" (from I Like to Score, 1997) | Ian Curtis; Peter Hook; Stephen Morris; Bernard Sumner | Moby | 2:51 |
12. | "Entrada & Shootout" | Elliot Goldenthal | Elliot Goldenthal | 1:49 |
13. | "Force Marker" | Brian Eno | Brian Eno | 3:36 |
14. | "Coffee Shop" | Elliot Goldenthal | Elliot Goldenthal | 1:38 |
15. | "Fate Scrapes" | Elliot Goldenthal | Elliot Goldenthal | 1:34 |
16. | "La Bas: Song of the Drowned [Edited Version]" (from The Mirror Pool, 1995) | Lisa Gerrard | Lisa Gerrard | 3:10 |
17. | "Gloradin" (from The Mirror Pool, 1995) | Lisa Gerrard | Lisa Gerrard | 3:56 |
18. | "Run Uphill" | Elliot Goldenthal | Elliot Goldenthal | 2:51 |
19. | "Predator Diorama" | Elliot Goldenthal | Kronos Quartet | 2:40 |
20. | "Of Separation" | Elliot Goldenthal | Elliot Goldenthal | 2:21 |
21. | "God Moving Over the Face of the Waters" (from Everything Is Wrong, 1995) | Richard Hall | Moby | 6:58 |
Video game
A video game based on the film was announced at E3 2006, under development by Gearbox Software for PlayStation 3 and Xbox 360.[54] During E3 2009, it was revealed that Gearbox did not have the license of the film to make the game, as this was being optioned to be sold.[55] Michael Mann, director of the film, was reported to be involved with the game. In a 2009 interview Randy Pitchford, President, CEO, and co-founder of Gearbox Software, said that development of the game had been halted and the IP could potentially be available to another developer saying:
In a nutshell, we're nowhere. We have passionate game makers that would love to do it. We've got filmmakers that think it's a great idea that would love to see it done. We have publishing partners that would love to publish it. But we have no time. That's the limiting factor. Because of the situation, we're not keeping the IP locked down anymore. So if somebody else were in a spot where they could do it, and everybody was comfortable with that, then conceivably that could happen.[56]
Sequel
In May 2020, 25 years following the film's release, Michael Mann stated he was writing a novel which would serve as a prequel to the film's main events, as well as a sequel which he teased back in 2016.[57] In September 2019, Mann was asked whether he will produce or make a film of the novel, to which he replied "absolutely" and stated "The landscape is changing so radically and so quickly, who knows?" when being asked on whether it would be a film or a series.[58]
See also
References
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- "Heat (1995)". Box Office Mojo. Retrieved August 16, 2010.
- McCarthy, Todd (December 5, 1995). "Review: Heat". Variety. Retrieved March 27, 2014.
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- Lafrance, J.D. (November 19, 2010). "Heat". Radiator Heaven. Retrieved September 10, 2014.
- Mann, Michael (director, writer) (August 27, 1989). L.A. Takedown (Television film). NBC.
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- Wael Khairy. "Crime in the emptiness of Los Angeles". rogerebert.com.
- Rybin, Steven (2007). The Cinema of Michael Mann. Lexington Books. ISBN 9780739153031.
- DVD Extra Interview with Michael Mann; The Making of Heat
- "Heroes Commended by Wilson; Warns Gangs: Flee or be Killed". Chicago Tribune. March 27, 1965. p. 2. Retrieved November 25, 2018 – via Newspapers.com.
- "We've got them all!!!". scrappygraphics.com.
- "Adamson, Chuck". Las Vegas Review-Journal. March 2, 2008. Retrieved July 28, 2009.
- Tatara, Paul. "Heat (1995)". Turner Classic Movies. Turner Broadcasting System. Retrieved September 10, 2014.
- "Edward Bunker". Telegraph.co.uk. July 26, 2005.
- Mann, Michael (director, writer) (March 19, 2008). L.A. Takedown (DVD). Concorde Video.
- Fleming, Michael (April 5, 1994). "Mann prepping De Niro-Pacino pic". Variety. Retrieved September 16, 2014.
- Mann, Michael (Director) (February 22, 2005). The Making of 'Heat' (DVD, part of Heat – Two-Disc Special Edition). Warner Home Video.
- Klimek, Chris (January 15, 2015). "The long warm-up to Heat". The Dissolve. Archived from the original on July 27, 2015. Retrieved October 7, 2015.
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- Tuckman, Jeff (June 21, 1996). "Pacino and De Niro shoot up the screen in explosive 'Heat' On video". Daily Herald. Retrieved May 29, 2010.
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- Kenneth, Brown (November 4, 2009). "Heat Blu-ray Review". Blu-ray.com. Retrieved September 11, 2014.
- "'Heat' Home Theater Forum Blu-ray review".
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- "Heat (1995)". Rotten Tomatoes. Retrieved December 15, 2018.
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- "Heat". The Austin Chronicle. September 22, 1997. Retrieved April 27, 2013.
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- Gleiberman, Owen (December 22, 1995). "Heat Review". Entertainment Weekly. Retrieved September 14, 2014.
- "Just Blame The Heat". Free.financialmail.co.za. Archived from the original on September 6, 2008. Retrieved June 21, 2011.
- McDermott, Jeremy (August 5, 2003). "Life imitates art in Colombia robbery". BBC News. Retrieved June 21, 2011.
- "The big coup". Translate.google.com. Archived from the original on July 17, 2012. Retrieved June 21, 2011.
- Rogers, Kenneth (2013). "Capital Implications: the Function of Labor in the Video Art of Juan Devis and Yoshua Okon". Digital Media, Cultural Production and Speculative Capitalism. Routledge. p. 49. ISBN 9781317982319.
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- Stax (December 6, 2007). "IGN interviews Christopher Nolan". IGN Movies. Ziff Davis. Retrieved June 3, 2008.
- Tapley, Kristopher (September 7, 2016). "Christopher Nolan Talks Michael Mann's 'Heat' With Cast and Crew at the Academy". Variety. Retrieved September 4, 2018.
- Kushner, David (April 3, 2012). Jacked: The Outlaw Story of Grand Theft Auto. Turner Publishing Company. p. 82. ISBN 978-0-4709-3637-5.
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- Fleming, Jr, Mike (January 18, 2019). "Watch Trailer For Michael Mann's Newest Project Launch: The Book 'Hunting LeRoux'". Deadline Hollywood.
- Clemmensen, Christian (August 11, 2003). "Heat". Filmtracks.com. Retrieved September 11, 2014.
- "Heat". Musicfromthemovies.com. Retrieved September 11, 2014.
- McDonald, Steven. "Heat: Music from the Motion Picture - Original Soundtrack". AllMusic. Retrieved September 11, 2014.
- Erlewine, Stephen Thomas. "Lisa Gerrard – The Insider". AllMusic. Retrieved September 11, 2014.
- Goldwasser, Dan (January 2000). "The Sweet Revenge of Elliot Goldenthal". Soundtrack.Net. Retrieved September 11, 2014.
- Dunham, Jeremy (May 12, 2006). "E3 2006: Regency Brings the Heat". IGN. Ziff Davis. Retrieved March 24, 2017.
- "E3 2009: Borderlands Stage Demo". GameSpot. June 8, 2009. Retrieved September 22, 2012.
- Thorsen, Tor (August 2, 2009). "Gearbox keeping Heat on ice". GameSpot. Retrieved September 22, 2012.
- "Michael Mann Wants to Turn His 'Heat' Prequel Novel Into a Movie, And Make a Sequel, Too". /Film. May 15, 2020. Retrieved July 10, 2020.
- "Michael Mann says 'Heat 2' sequel is on the cards". Esquire Middle East. Retrieved July 10, 2020.
External links
- Heat at IMDb
- Heat at AllMovie
- Heat at Box Office Mojo
- Heat at Rotten Tomatoes
- Heat at Metacritic
- Heat. Work and genre Jump Cut magazine, by J. A. Lindstrom, no. 43, July 2000, pp. 21–37
- De Niro and Pacino Star in a Film. Together, from The New York Times