Frankie Avalon

Frankie Avalon (born Francis Thomas Avallone; September 18, 1940)[2] is an American actor, singer, and former teen idol.[1][3] Avalon had 31 charting U.S. Billboard singles from 1958 to late 1962, including the number one hits "Venus" and "Why" in 1959.

Frankie Avalon
Publicity photo of Avalon for the 1963 film Beach Party
Born
Francis Thomas Avallone

(1940-09-18) September 18, 1940[1]
OccupationSinger, actor
Years active1951–present
Spouse(s)
Kathryn Diebel
(m. 1963)
Children8
Musical career
Genres
Instruments
Websitewww.frankieavalon.com

Life and career

Early life and music

Avalon was born in Philadelphia, Pennsylvania,[4] the son of Mary and Nicholas Avallone.[5]

In December 1952, Avalon made his American network television debut playing the trumpet in the Honeymooners "Christmas Party" sketch on The Jackie Gleason Show. Two singles showcasing Avalon's trumpet playing were issued on RCA Victor's "X" sublabel in 1954.[6] His trumpet playing was also featured on some of his LP songs as well. As a teenager he played with Bobby Rydell in Rocco and the Saints.

In 1959, "Venus" (5 weeks #1) and "Why" went to number one on the Billboard Hot 100. "Why" was the last #1 of the 1950s.

Avalon had 31 charted U.S. Billboard singles from 1958 to late 1962, including "Just Ask Your Heart" (U.S. #7), "I'll Wait for You" (U.S. #15), "Bobby Sox to Stockings" (U.S. #8), and "A Boy Without a Girl" (U.S. #10). He was less popular in the U.K., but did still manage four chart hits with "Why", "Ginger Bread", "Venus" and "Don't Throw Away All Those Teardrops".[7] Most of his hits were written and/or produced by Bob Marcucci, head of Chancellor Records.

Film and TV career

Avalon and Annette Funicello during the "Beach Party" era

Avalon's first film was a short appearance in Jamboree (1957), playing a trumpet and singing "Teacher's Pet".

In the late 1950s, teen idols were often given roles in films, supporting older male stars in order to attract a younger audience, such as Ricky Nelson in Rio Bravo (1959). Alan Ladd's daughter was a Frankie Avalon fan, who recommended that he co-star with her father in the Western Guns of the Timberland (1960).[8] Avalon sings two songs, "The Faithful Kind" and "Gee Whiz Whillikins Golly Gee"; both were released as singles.

Ladd announced he would reteam Avalon and his daughter in Six Steps to Freedom but the film was never made.[9]

Rushes for Timberland were seen by John Wayne, who was looking for a young actor to play the (fictitious) role of "Smitty" in his passion project, The Alamo (1960). Avalon was cast in his second dramatic part.[10] After making the film Wayne told the press "We're not cutting one bit of any scene in which Frankie appears. I believe he is the finest young talent I've seen in a long time."[11] "Mr Wayne said I was natural as far as acting goes," said Avalon.[12] He added, "My ambition when I was ten years old was to have my own band like Harry James. I never expected anything like this... I'd like to be identified as a singer, dancer and actor. I don't want to be just one thing."[12]

"I like to appeal to teenagers and adults," he said in 1960. "Everybody".[13]

Avalon was now in demand as an actor. He provided the singing voice for the lead character in the English-language version of a Japanese musical anime, Alakazam the Great (1960), which was done at the behest of the US distributor, American International Pictures – the first in what would be a long association with that company.

For Irwin Allen, Avalon had a small role and sang the title song in the science fiction adventure film, Voyage to the Bottom of the Sea (1961), a solid hit. He had a support role in a comedy, Sail a Crooked Ship (1961).

AIP association

Avalon was teamed with Ray Milland in the science fiction film, Panic in Year Zero! (1962), written by Lou Rusoff. Samuel Z. Arkoff of American International Pictures (AIP) said Avalon and Milland were teamed together because "they both have particular types of followers and the combination adds up to an attraction."[14]

For AIP, Avalon made a war movie with Tab Hunter, Operation Bikini (1963), singing a few songs in flashback. At MGM he played the lead in an adventure film set in Africa, Drums of Africa (1963).

Of more significance for Avalon's career was a project originally written by Rusoff, Beach Party (1963). This cheerful musical comedy starred Annette Funicello and was directed by William Asher; Arkoff said AIP originally wanted Fabian Forte to co-star with Funicello, but when he proved unavailable they went with Avalon. It was a big hit and led to several sequels.

Avalon received an offer to appear in a swashbuckler set in 10th century Spain about Fernán González of Castile, The Castilian (1963), then was in the first Beach Party sequel, Muscle Beach Party (1963). It was popular; even more so was Bikini Beach (1964), where Avalon had a dual role. In August 1964 Avalon announced he signed to make ten films in five years for AIP.[15]

Pajama Party (1964) was unofficially the fourth in the series; it was a science fiction spoof in which Avalon ceded leading man duties to Tommy Kirk, but had a cameo. He was back as leading man in Beach Blanket Bingo (1965). Avalon later recalled, "'That's the picture of mine that I think people remember best, and it was just a lot of kids having a lot of fun -- a picture about young romance and about the opposition of adults and old people... It was also fun because we got to learn how to fake skydive out of an airplane."[16]

Avalon appeared in nearly two dozen TV episodes, including ABC's The Bing Crosby Show and The Patty Duke Show, appearing often as himself. Later, he became a national television spokesperson for Sonic Drive-In. In 1965 he appeared in the Combat! episode "Brother, Brother" as a childhood friend of Pfc. Kirby, played by Jack Hogan.

Avalon and Tuesday Weld supported Bob Hope in a comedy, I'll Take Sweden (1965) for Edward Small. For AIP he teamed with Dwayne Hickman in a rip off of Some Like It Hot (1959), Ski Party (1965). That studio gave him the lead in a service comedy, Sergeant Deadhead (1965), playing another dual role. All this activity meant he was reluctant to appear in another "beach party" movie, so he let Hickman play the lead in How to Stuff a Wild Bikini (1965), although Avalon had a cameo.

The box office performance of these last few films were disappointing – especially Sergeant Deadhead, for which sequels had been planned.[17] More popular was Dr. Goldfoot and the Bikini Machine (1965), a comedy with Vincent Price and Hickman, for AIP. This was liked enough to justify a sequel, although Avalon did not appear, Fabian Forte taking over.

In January 1966, Avalon said he no longer wanted to make beach films. "Even a seagull leaves the beach from time to time and I'm getting a little sick of sand," he said.[18]

AIP tried to find a new formula for Avalon, and cast him as a stock car driver in Fireball 500 (1966), alongside Fabian and Funicello, for director William Asher. It was a medium success, and led to other AIP stock car movies, though none with Avalon.

For Harry Alan Towers he played the lead in The Million Eyes of Sumuru (1967), and had a good part in Skidoo (1968), a comedy from Otto Preminger. In England he was in The Haunted House of Horror (1968) for AIP.

1970s and 1980s

In 1976, Avalon updated his song "Venus" with a new disco treatment.

Materializing as a character called Teen Angel, his performance of "Beauty School Dropout" in the hit 1978 film of the musical Grease introduced Avalon to a new generation of viewers.[3]

The 1980 film The Idolmaker, written by Ed Di Lorenzo and directed by Taylor Hackford, was a thinly-disguised biography of Avalon ("Tommy Dee" in the film) as well as 1950s teenage star Fabian Forte (called "Caesare" in the film), along with songwriter/producer Bob Marcucci (called "Vinnie Vacarri"). In the film, Dee clashes with the record producer and younger singer Caesare, who he feels threatens his career. Eventually, Dee and Caesare quit the label, but their record careers collapse just as the British Invasion begins. The real Fabian threatened a lawsuit, despite the filmmakers' insistence that the film presented only fictional characters (though Marcucci was a paid consultant). Avalon denied most of the film's events.

In 1980 Avalon appeared in the film Blood Song as Paul Foley, a serial killer. The movie was shot in October - November 1980 in North Bend / Coos Bay, Oregon. It was released in October 1982.

He also appeared in the "Happy Days" episode "Poobah Doo Dah" playing himself where he sings his hits "Venus" and "Why".

Avalon had the idea of returning to beach party films with Funicello. He hired several screenwriters and shopped the screenplay around town, eventually managing to set up the project at Paramount Pictures. Back to the Beach (1987) was a moderate success.[19]

In 1989, Avalon and Funicello appeared as themselves in cameo roles, out jogging the streets in Troop Beverly Hills. Not long afterward Funicello retired, having been diagnosed with multiple sclerosis.

Later career

Avalon then turned to marketing and created Frankie Avalon Products, a line of health and cosmetic aids.[4] He promoted his products on the Home Shopping Network with host Bob Circosta.

Avalon made a cameo appearance as himself with Robert De Niro in the 1995 film, Casino.[3]

In recent years, Avalon has starred in stage productions of Grease in the role of Teen Angel and in Tony n' Tina's Wedding as a caricature of himself. Additionally, in 2007, he performed "Beauty School Dropout" with the four remaining female contenders (Kathleen Monteleone, Allie Schulz, Ashley Spencer, and winner Laura Osnes) for the role of Sandy on the NBC television reality show Grease: You're the One that I Want!

On April 8, 2009, Avalon performed on American Idol.

As part of a long-running concert tour, Avalon has toured with fellow Philadelphian early 60s teen idols Fabian and Bobby Rydell under the banner "Dick Fox's Golden Boys".

A cookbook with over 80 recipes from St. Martin's Press, Frankie Avalon's Italian Family Cookbook, was published in 2015.

Personal life

Avalon married Kathryn "Kay" Diebel on January 19, 1963.[20] She was a former beauty pageant winner, and Avalon met her while playing cards at a friend's house. He told his friend that Kay was the girl he was going to marry. His agent warned Avalon that marriage would spoil his teen idol mystique. They have eight children – Frankie Jr., Tony, Dina, Laura, Joseph, Nicolas, Kathryn and Carla – and 10 grandchildren. Frankie Avalon Jr. is a former actor who appeared in the original The Karate Kid and is now a musician, and Tony, the second-eldest son, plays guitar and taught at the Rock Nation School. Both sons play on tour with their father.

Discography

Acting roles

References

  1. "Frankie Avalon". Frankieavalon.com. Retrieved July 13, 2020.
  2. Ouzounian, Richard (August 23, 2013). "Frankie Avalon on beach parties, the simplicity of the past, and Annette Funicello: The Big Interview". The Star. Retrieved July 13, 2020.
  3. "Frankie Avalon". All Movie Guide. Archived from the original on January 2, 2014. Retrieved July 13, 2020 via The New York Times.
  4. Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (third ed.). Virgin Books. pp. 25–26. ISBN 1-85227-937-0.
  5. "Golden boy Frankie Avalon returns home | News". Southphillyreview.com. May 31, 2012. Archived from the original on June 4, 2012. Retrieved May 29, 2015.
  6. "X Records singles discography". Global Dog Productions. Retrieved September 17, 2013.
  7. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 34. ISBN 1-904994-10-5.
  8. King, Susan (January 7, 2003). "The reluctant Angel". Los Angeles Times.
  9. Hopper, H. (March 17, 1960). "Alan Ladd opts 'steps to freedom'". Los Angeles Times. ProQuest 167669299.
  10. "On the Set of The Alamo". Texas Archive of the Moving Image. Archived from the original on July 17, 2019. Retrieved August 4, 2011.
  11. Scheuer, Philip K. (April 6, 1960). "As Actor, Avalon Tops With Wayne: Frankie Signed for Repeats; 'West Side' Demands Unique". Los Angeles Times. p. C9.
  12. Alpert, Don (May 15, 1960). "A Fledglings Goal: Frankie Avalon Aims High Frankie Avalon Grabs for Handful of Stars". Los Angeles Times. p. H11.
  13. Crosby, John (June 19, 1960). "Now That Avalon's 20, He's Like a Little Adult". The Washington Post. p. G14.
  14. Alpert, Don (July 15, 1962). "Who Needs High Salaried Stars? Horrors! Film Makers Find Audiences Prefer Action". Los Angeles Times. p. A8.
  15. Hopper, Hedda (August 20, 1964). "Crosby, Hope Give Youngsters a Break: Bing Features Two Teeners; Avalon Signs for 10 Films". Los Angeles Times. p. 26.
  16. "Talking Head: Frankie Avalon". The Wall Street Journal, Eastern edition; New York. July 16, 1999. p. W2.
  17. "Film Company Seeks a New Locale for Its Teen-Age Movies". The New York Times. November 6, 1965. p. 18.
  18. Scott, John L. (January 16, 1966). "Hollywood Calendar: Her Art Belongs To Daddy". Los Angeles Times. p. m11.
  19. Klady, Leonard (July 5, 1987). "Write The Wild Surf". Los Angeles Times. p. K21. Retrieved December 18, 2014.
  20. "Chic Vintage Bride – Kay Deibel". Chic Vintage Bride. Archived from the original on August 11, 2014.
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