Filmed Before a Live Studio Audience

"Filmed Before a Live Studio Audience" is the first episode of the American television miniseries WandaVision, based on the Marvel Comics characters Wanda Maximoff / Scarlet Witch and Vision. It follows the newlywed couple as they try to conceal their powers while living an idyllic 1950s suburban life in the town of Westview. The episode is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise. It was written by series creator Jac Schaeffer and directed by Matt Shakman.

For the phrase, see Studio audience.
"Filmed Before a
Live Studio Audience"
WandaVision episode
Promotional poster for WandaVision, highlighting the 1950s setting seen in this episode
Episode no.Episode 1
Directed byMatt Shakman
Written byJac Schaeffer
Produced byJac Schaeffer
Featured music"Yakety Yak" by the Coasters
Cinematography byJess Hall
Editing byTim Roche
Original release dateJanuary 15, 2021 (2021-01-15)
Running time29 minutes
Cast
  • Asif Ali as Norm
  • David Lengel as Phil Jones
  • Ithamar Enriquez as commercial man
  • Victoria Blade as commercial woman
  • Amos Glick as Dennis the mailman

Elizabeth Olsen and Paul Bettany reprise their respective roles as Wanda Maximoff and Vision from the film series, starring alongside Debra Jo Rupp, Fred Melamed, and Kathryn Hahn. Schaeffer was hired in January 2019 to write the episode and serve as head writer of the series, with Shakman joining that August. The episode pays homage to sitcoms from the 1950s and 1960s, including The Dick van Dyke Show and I Love Lucy. Filming occurred over two days in early November 2019, at Pinewood Atlanta Studios in front of a live studio audience. The episode was shot in black and white and includes many practical special effects and wire gags.

"Filmed Before a Live Studio Audience" was released on Disney+ on January 15, 2021. Critics praised the faithful recreation of sitcom elements from the era and the performances of Olsen, Bettany, and Hahn.

Plot

Newlywed couple Wanda and Vision move into the town of Westview during what appears to be the 1950s. They attempt to blend in, despite Vision being an android and Wanda having telekinetic abilities. One day they notice a heart drawn on a calendar but neither can remember what the occasion is. While Vision goes to his job at Computational Services Inc., Wanda decides that the heart represents their anniversary. Their neighbor Agnes introduces herself to Wanda and helps her prepare for the anniversary. At work, Vision amazes his co-workers with his speed but is unsure what his company actually does. His boss, Mr. Hart, reminds him that Wanda and Vision are hosting Mr. Hart and his wife for dinner that night, which is what the heart on the calendar represents.

That night, Wanda and Vision struggle to hide their abilities while making a last-minute dinner for the Harts. With the help of Agnes, Wanda manages to put something together while Vision distracts Mr. and Mrs. Hart with music. As they sit down to eat, the Harts ask Wanda and Vision their story, but when they cannot explain where they came from, Mr. Hart grows furious and begins choking on his food. At this point, the sitcom format briefly subsides, and Vision removes the food from Mr. Hart's throat. Things go back to "normal", and the Harts thank Wanda and Vision for dinner. As the couple reaffirms their love, the events are revealed to be occurring on the fictional sitcom WandaVision, being watched by someone on an old-fashioned television set amid 21st-century computing equipment.[lower-alpha 1]

A commercial during the WandaVision program advertises a Stark Industries ToastMate 2000 toaster oven.

Production

Development

By October 2018, Marvel Studios was developing a limited series starring Elizabeth Olsen's Wanda Maximoff and Paul Bettany's Vision from the Marvel Cinematic Universe (MCU) films.[2][3] In January 2019, Jac Schaeffer was hired as head writer of WandaVision,[4][5] writing the first episode.[4] In August, Matt Shakman was hired to direct the miniseries,[6][7] with Schaeffer and Shakman executive producing alongside Marvel Studios' Kevin Feige, Louis D'Esposito, and Victoria Alonso.[5][6][8]:50 Feige described the series as part "classic sitcom", part "Marvel epic",[9] paying tribute to many eras of American sitcoms.[10] Olsen described the first episode as a "big love song to The Dick Van Dyke Show",[11]:0:39 though it also pays homage to I Love Lucy.[12] The episode's title was revealed to be "Filmed Before a Live Studio Audience" in January 2021.[13]

Writing

Schaeffer said the series was trying to "blaze new territory" in addition to paying tribute to past sitcoms.[14] She said the 1950s era was one of the most challenging to write for because of the "patter-patter" dialogue of the time.[15] Having the scenes of Wanda and Vision in the kitchen and Vision at his job were conceived for the episode early in development, while the end of the episode that features the dinner with the Harts was the most difficult for Schaeffer to write. She consulted with other writers of the series for their ideas to help her craft the scene.[16] Schaeffer, Shakman, and Feige spoke with Dick Van Dyke, the star of the eponymous 1960s sitcom, to learn how that series could be "very broad with silly physical-comedy gags, and yet it never feels false". Van Dyke told them his show was guided by what could and could not happen in real life.[14][7]

External video
ToastMate 2000 | Marvel Studios' WandaVision | Disney+ presents the full ToastMate 2000 commercial from the episode, YouTube video from Marvel Entertainment's channel

The series features fake commercials that Feige said would indicate "part of the truths of the show beginning to leak out",[15] with "Filmed Before a Live Studio Audience" including a commercial that is advertising a Stark Industries ToastMate 2000 toaster oven with the slogan "Forget the past, this is your future!".[17][18] The toaster oven has a blinking red light which is the first time color is introduced to the series, and it has a sound effect reminiscent of Tony Stark's Iron Man repulsors.[18] Including a Stark Industries product points to Tony, who manufactured the weapons used to bomb Sokovia and kill Wanda's parents that led to her resentment of Stark.[18][19] Abraham Riesman of Vulture noted that "toaster" is a common insult for robots in science fiction, and highlighted the blinking light for its introduction of color and for blinking long enough to make Riesman uncomfortable.[20] His colleague Savannah Salazar looked to the commercial's slogan as a reference to Wanda letting go of her anger towards Stark when she joined the Avengers, and agreed with Riseman about the toaster being a metaphor for Vision.[18] Brenton Stewart at Comic Book Resources said the light had "a particular air of menace" which gave the commercial an "unsettling feeling of a bomb about to go off". Stewart also pointed out the sexist nature of the commercial and how the slogan seemed to be alluding to the current situation that Wanda is in.[21]

Casting

The episode stars Elizabeth Olsen as Wanda Maximoff, Paul Bettany as Vision, Debra Jo Rupp as Mrs. Hart, Fred Melamed as Mr. Hart, and Kathryn Hahn as Agnes.[22][23]:23:37–23:56 Also appearing as residents of Westview are Asif Ali as Norm, David Lengel as Phil Jones, and Amos Glick as the mailman Dennis. Ithamar Enriquez and Victoria Blade portray the man and woman in the ToastMate 2000 toaster oven commercial.[22]

Filming

Filming began in early November 2019,[24][8]:45 at Pinewood Atlanta Studios in Atlanta, Georgia,[25] with Shakman directing,[6] and Jess Hall serving as cinematographer.[10] "Filmed Before a Live Studio Audience" utilized a multi-camera setup and was shot over two days in black and white, with a live studio audience present to mimic sitcom filming.[10][14][26] A diverse group of Marvel Studios friends and family served as the live studio audience members,[26] including series co-star Teyonah Parris since she does not appear in the episode.[27] Co-executive producer Mary Livanos felt the audience produced "a really great, genuine" reaction to the episode, exceeding the expectations of the producers.[26]

As with past multi-camera sitcoms, the episode was rehearsed for a week before filming,[28] with the crew dressed in period appropriate outfits during production.[8]:50[11]:0:58 A 4:3 aspect ratio is used for the black and white scenes,[29] shifting to a modern widescreen ratio for the end of the episode outside of the fictional WandaVision program.[20] Hall tested camera lenses from the 1950s to find characteristics he liked about them, and then modified modern lenses to match. He used tungsten lights that were common for the era.[30]:6[14] On set, the special effects team moved props with wire rigs and used camera tricks to create the effect of Maximoff's magic, as was done in series like Bewitched and I Dream of Jeannie.[14] When shooting scenes in black and white, Bettany was painted blue, rather than Vision's maroon color, since the blue appeared better in the grayscale image.[14]

Additional shooting took place without the studio audience for moments when something goes wrong with Maximoff's illusion, such as in the episode' dinner scene. Shakman used lenses, lighting, and sound design to change the mood for these moments, inspired by The Twilight Zone, and felt the transition to these moments from the multi-camera sitcom scenes was "very dramatic".[31] In the dinner scene, Mrs. Hart repeatedly says "stop it", for which Shakman instructed Rupp to act as if she had one emotion on the inside and another on her face. Rupp said balancing the levity and horror of the scene was "one of the more interesting things" she was asked to do, and described these moments in the series as "genius".[32] Olsen and Bettany both found the experience of filming the premiere to be surreal and unique.[14]

Visual effects

Film cuts and rewind effects augmented the practical effects that were shot. Visual effects supervisor Tara DeMarco said contemporary visual effects were used to remove wires and smooth cuts, and to add wire gags that were not filmed. For example, the kitchen features a blend of practical wire gags and CGI to help "fill out the scene".[30]:8 Visual effects for the episode were created by Monsters Aliens Robots Zombies, Framestore, Perception, RISE, The Yard VFX, and Luma.[33][23]:25:57–26:05

Music

"A Newlywed Couple", the episode's theme song composed by Kristen Anderson-Lopez and Robert Lopez, was meant to evoke the "dawn of television". They included "an optimistic group of voices singing jazzily" about the love between Maximoff and Vision, and were thrilled to use words like "gal" and "hubby" as well as a "big musical pratfall" in the middle of the song.[30]:9 "Gal" is used along with a triplet to pull the "lyric and musical choice together" and make the theme sound like it was written in the late 1950s.[34] Composer Christophe Beck introduces several themes in the episode that he reprises later in the series, including Wanda and Vision's love theme when Wanda creates rings for them. The episode also introduces Beck's "definitive" theme for Wanda during the end credits.[35] "Yakety Yak" by the Coasters is featured in the episode.[17][36] A soundtrack for the episode was released digitally by Marvel Music and Hollywood Records on January 22, 2021, featuring Beck's score. The first track is the theme song by Anderson-Lopez and Lopez.[37]

No.TitleLength
1."A Newlywed Couple" (featuring Kristen Anderson-Lopez, Sara Mann, Jessica Rotter, Cindy Bourquin, Elyse Willis, Laura Dickinson, Robert Lopez, Eric Bradley, Greg Whipple, Jasper Randall & Gerald White)0:54
2."Toast-Mate 2000"0:53
3."Dinner Is Served"0:25
4."Calendar Confusion"1:04
5."Frog in My Throat"1:48
6."Thank You for Coming"0:44
7."Parcheesi"1:03
8."Rings"0:36
9."Wanda's Theme (End Credits from WandaVision)"1:47
Total length:9:14

Marketing

In early December 2020, six posters for the series were released daily, each depicting a decade from the 1950s through the 2000s.[38] Charles Pulliam-Moore from io9 noted that the 1950s poster "was modest enough at first glance", depicting "an unassuming living room entertainment setup" from the decade, "but the bit of wallpaper peeling to reveal a static-y reality lurking just beneath the surface was conveying that as WandaVision progresses, things are going to get even weirder than they seem."[39] Collider's Gregory Lawrence said the poster asks fans "explicitly to peel away anything that" feels familiar, and the peeling wallpaper revealed "a glimpse of... something. Something wild, something celestial, something implying a destiny that isn't 'entertaining each other on TV'." He added the poster "so cleverly, subtly get[s] at the inherent pull of the unusual premise" of the series.[40] After the episode's release, Marvel announced merchandise inspired by the episode as part of its weekly "Marvel Must Haves" promotion for each episode of the series, including shirts, accessories, housewear, Funko Pops, and a set of rings from Entertainment Earth based on the rings worn by Wanda and Vision at the end of the episode.[41]

Release

"Filmed Before a Live Studio Audience" was released on Disney+ on January 15, 2021.[42][13] The episode was originally listed as "Episode 1" on the streaming service, but the title was updated by January 20 to be "Filmed Before a Live Studio Audience".[13] Hoai-Tran Bui at /Film originally assumed that all of the episodes for the series would be untitled, and wondered if the titles were being withheld upon release to avoid spoilers despite not finding the first episode's title to be particularly revealing.[43]

Critical response

The review aggregator website Rotten Tomatoes reported a 100% approval rating with an average score of 7.41/10 based on 13 reviews. The site's critical consensus reads, "'Filmed Before a Live Studio Audience' taps into the strange side of the MCU and gives Elizabeth Olsen and Paul Bettany plenty of room to flex their comedic muscles."[44]

Roxana Hadadi at RogerEbert.com said Olsen and Bettany had excellent chemistry in the episode, and felt their work elevated the "fairly recognizable plot about a dinner party gone wrong".[45] The A.V. Club's Sam Barsanti called the first two episodes of the series "an absolute delight, with hoary old sitcom gags that somehow kill" and a "nicely weird, novel way to have fun with these characters",[46] while his colleague Stephen Robinson gave the episodes an "A–", feeling Schaeffer delivered a "damn good sitcom".[47] In his recap for the first and second episodes, Christian Holub of Entertainment Weekly praised Hahn's performance, with his colleague Chancellor Agard also praising Olsen and Bettany, saying he forgot at times that the series' sitcom world was fake due to how "locked in" their performances are.[48] Reviewing the first two episodes for Den of Geek, Don Kaye gave them 4 out of 5 stars and said everything in the first episode is a "loving tribute to the kinds of 'wholesome,' squarely middle class, conservative family comedies" that existed in the mid-1950s.[49]

IGN's Matt Purslow rated the first two episodes 7 out of 10, and felt it was "quite a feat of writing" that there were many elements in the first episode that worked on both the "in-show universe and meta levels" despite needing to do a lot of heavy lifting for the series. Purslow also enjoyed the theme song for the episode, the self-aware title sequence, and the fact that S.W.O.R.D. appeared to be making its proper introduction into the MCU.[36] Writing for Vulture, Abraham Riesman gave the episode 3 out of 5 stars, saying it was "nice to see an MCU thing where people are allowed to act. But ultimately, what remains to be seen is whether there's any thematic oomph, or if it's just going to be an empty jumble of well-executed tropes and portents." He did wish more of the show's premise had been kept a secret from the marketing campaign since "the abrupt depositing of the audience into a genre and format completely antithetical to those they had known before would have been a much-needed shock to the system for a viewer used to the MCU's tropes".[20]

Notes
  1. The character watching WandaVision is revealed to be Darcy Lewis in the series' fourth episode, "We Interrupt This Program".[1]

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