Dirty Hands

Dirty Hands (French: Les mains sales) is a play by Jean-Paul Sartre. It was first performed on 2 April 1948 at the Theatre Antoine in Paris, directed by Pierre Valde and starring François Périer, Marie Olivier and André Luguet.

For other uses, see Dirty Hands (disambiguation).
Dirty Hands
Written byJean-Paul Sartre
Date premiered2 April 1948 (1948-04-02)
Place premieredTheatre Antoine, Paris
Original languageFrench
GenrePolitical drama
SettingIllyria

A political drama set in the fictional country of Illyria between 1943 and 1945, the story is about the assassination of a leading politician. The story is told mainly in the form of a flashback, with the killer describing how he carried out his mission. The killer's identity is established from the beginning, but the question is whether his motivations were political or personal. Thus, the play's main theme is not on who did it but on why it was done.

Plot

The action takes place in Illyria, a fictional Eastern European country, during the latter stages of World War II. (Illyria was an actual country of classical antiquity, whose territory included modern Yugoslavia and surroundings.) The country, an ally of Nazi Germany, is on the verge of being annexed to the Eastern Bloc.

A young Communist, Hugo Barine, is told that Hoederer, a party leader, has proposed talks with non-Socialist groups, including the Fascist government and the liberal- and Nationalist-led resistance. The idea is to set up a joint resistance group opposing the Germans, and plan for a post-war coalition government. Hugo feels that Hoederer's policy smacks of treachery. Louis, another party leader, has decided that Hoederer must die. He grudgingly agrees to let Hugo, who has more commitment than experience, do the job.

Hugo and his wife Jessica move in with Hoederer, who is charming and trusting by nature. Hugo becomes his secretary. Although he tries to convince Jessica that he is in earnest about the murder, she treats the whole thing as a game. Indeed, at first she sees the gun not as a murder weapon but as a metaphor for a phallus, as Hugo perhaps suffers from erectile dysfunction and is unable to please her. Ten days pass and then the negotiations begin with the other parties. With Hoederer coming close to a deal with the members of the class that he loathes, Hugo is on the point of reaching for his gun when a bomb explodes.

Nobody is killed but Hugo is furious. This attack shows that those who sent him do not trust him to do the job. He gets drunk and almost gives the game up to Hoederer's bodyguards. Jessica covers up for him by claiming to be pregnant.（Here Sartre cites the behavior of Lucie Aubrac, a heroine in the French resistance who helped her husband, Raymond Aubrac, another leading resistant, escape from the control of Nazis by claiming that she was pregnant.)

Olga Lorame, one of those who sent Hugo to commit the murder, discreetly visits him and Jessica. It was she who threw the bomb and warns Hugo to get on with killing Hoederer since the others are getting impatient.

So far Jessica has looked at the killing as a game, but the bomb convinces her that things are in earnest and that Hugo will kill Hoederer. She persuades the two of them to argue their points out in order to prevent any killing.

Hoederer's plan is to enter government with the other parties but to leave them with the key ministerial posts. Once the war is over a number of unpopular but necessary policies will have to be implemented in order to rebalance the economy. This will cause problems for the right-wing government, allowing the left-wing, including the Communists, to take over more easily. At the moment, the Communists do not have the necessary support to gain power, and the expected arrival of the Soviet forces may only make things worse. Hoederer points out that people do not like occupying foreign armies, even liberating ones, and the feeling will be passed on to the government introduced by the invaders.

Hugo insists that the party must remain pure. Power is the goal, but Hoederer's expedient methods are not acceptable, especially as they involve collaborating with "class" enemies and lying and deceiving to their own forces. Once they are alone Jessica tries to convince Hugo that he was taken in by Hoederer's point of view, but he twists this around saying that it is all the more the reason to kill Hoederer since he could convince others.

Over time, however, both Hugo and Jessica have succumbed to Hoederer's charm and manner. Although he disagrees with Hoederer's policies, Hugo seems to think that Hoederer could help him cross from boyhood to manhood and sort out his internal conflicts. Hoederer, who is now aware that Hugo is there to kill him on Louis' orders, is willing to help the young man sort out his problems. He is not, however, so keen on Jessica, whose attraction to him seems more physical. When he kisses her as a way of getting it out of her system, Hugo catches them in the act and kills him.

While in prison Hugo receives gifts from the outside, which he guesses are from those who sent him to kill Hoederer. This keeps him going, but some of the gifts turn out to be poisoned chocolates. What's more, when he is released on parole, he finds himself stalked by the party's killers and takes refuge with Olga.

Olga listens to Hugo's version of events. Hugo did not kill Hoederer out of jealousy for Jessica but because he thought that Hoederer was not sincere when he said that he wanted Hugo to stay with him in order to mentor him: "I killed him because I opened the door. That's all I know", "Jealous? Perhaps. But not for Jessica."

Olga concludes that Hugo will be more useful alive than dead. However she also reveals that the policy that Hoederer proposed has been adopted after all. On Moscow's orders, the party has formed an alliance with the other groups. In fact Hugo realizes that the very setup that Hoederer was negotiating in his presence, and which he was supposed to prevent, has been carried out. The whole thing was over a matter of timing: Hoederer's initiative was too premature, so the party had to kill him. Later, after Hoederer's plan was adopted, the party rehabilitated his image and after the war he will be remembered as a great leader and hero.

Hugo is incensed, especially since the party has lied and deceived its own members. The fact that they are at war and have probably saved a hundred thousand lives makes no difference. What matters now, he decides, is that Hoederer should die not for a woman like Jessica but for his policies: because he lied to the rank and file and jeopardized the soul of the party. Hugo decides all the party leaders—Hoederer, Louis, and Olga—are alike. This is why he has been targeted by hitmen sent by Louis.

Hugo realizes that, despite Olga's statements to the contrary, if he remains alive and continues with the party his earlier assassination of Hoederer will mean nothing and bring dishonor. Thus, while Olga tries desperately to save him, it is Hugo himself who lets the killers in to finish the job.

Characters

Hoederer, a former member of the Illyrian parliament and a leading figure in the Socialist Proletarian Party. He has a very trusting nature and even remains friendly with Hugo after he realizes the young man is there to kill him. He offers to help Hugo sort out his internal conflicts. His plans are based on the political reality of the situation.

Hugo Barine, a young 23-year-old bourgeois intellectual who joined the party's Communist faction under the name of Raskolnikov (from Dostoevsky's Crime and Punishment). His father is a leading businessman and, since he comes from a wealthy background, most members of the party dismiss him as an intellectual who does not even know what poverty is really like. Hugo is anxious to prove his worth to them, especially Louis and Olga, and he sees killing Hoederer as a way to achieve this.

Jessica, Hugo's 19-year-old wife. She keeps out of politics, referring to herself as someone brought up to simply "put flowers in vases". At first, she treats the approaching murder as a game, which does not help Hugo's confidence, but then she tries desperately to prevent it. When Hugo is jailed she at first keeps in touch but then breaks off communication and stops using her married name.

Louis, another leading figure in the Proletarian Party, but opposed to Hoederer's plan.

Olga, a member of Louis' faction and one of the few friends Hugo has.

Karsky, the leader of the Pentagon, a group that includes Liberals and Nationalists, fighting the Regent of Illyria and his pro-Fascist government.

The Prince, the son of the Regent and his representative in the negotiations.

Slick, Georges and Leon, Hoederer's bodyguards.

Charles and Frantz, Communist assassins sent to kill Hugo after his release from prison.

Ivan, a saboteur for the Communists.

Historical context

World War II has a lot to do with this play and how it was written. Illyria (also the location of Shakespeare's Twelfth Night) was presumably based upon Hungary. The 'Parti Proletarian' is the communist party to which most of the main characters in the story belong. They are fighting for "une société sans classes" ("a classless society"). The other two parties mentioned in this play are the Regent's Fascist government which supports Germany and the 'Pentagone' which is made up of the middle classes.

Hungary at that time was ruled by a Regent, Miklós Horthy who appointed Prime Minister Gyula Gömbös in 1932. Gömbös wanted to co-operate with Nazi Germany, and, although this ended Hungary's depression, it made it economically dependent on Germany. The Hungarian government supported the policies and goals of Nazi Germany.

In 1938, the new Prime Minister, Kálmán Darányi, decided to make his new policies very pro-Germany and pro-Italy, a bit like how Hoederer wanted to join with the other parties to try to evolve as a country and stay on everyone's good side to get his own party's point across.

Legacy

Les mains sales is based mainly on the theme of existentialism which Sartre espoused, but many have taken it as a straightforward political drama. Right-wingers welcomed it as anti-communist, and left-wingers attacked it for the same reason. When the film version was released in France in 1951 Communists threatened the cinemas showing it. In fact the play itself was not re-staged in France until 1976.

It was not even staged in a socialist state until November 1968 when it was shown in Prague after the invasion of Czechoslovakia by fellow Warsaw Pact forces. This was appropriate given that differences in Communist doctrine is one of its themes.

Underlying the critics' response to Les mains sales is the extent to which it is a play too rooted in themes of politics and existentialism, and whether, as a consequence, it becomes inaccessible for the average spectator.

Non-French versions of the play have had other titles, including Dirty Hands, The Assassin, Red Gloves and Crime Passionnel.

In 1982, the play was performed at the Greenwich Theatre in London (UK) under the title of The Assassin, starring Edward Woodward and Michele Dotrice.[1] Eighteen years later in 2000 it was performed again in Britain under the title of The Novice, starring Jamie Glover as Hugo and Kenneth Cranham as Hoederer.[2] The director was Richard Eyre, who used it to raise conflicting differences in contemporary British political life, such as the Northern Ireland peace process or the Old and New factions of Britain's Labour Party government.[3] In 2017, the play was also adapted by Leopold Benedict for the Pembroke Players, under the title of a Dirty Hands: A Brexistential Crisis, to comment on the politics of the post-Brexit era.[4]

References
  1. "Kaleidoscope". 11 March 1982. p. 49 – via BBC Genome.
  2. Sartre back in the modern world Archived September 10, 2010, at the Wayback Machine, review by Nicholas de Jongh at the London Evening Standard website
  3. Features > Being and Nothingness by Richard Eyre at Routledge Classics website
  4. "Archived copy". Archived from the original on 2017-09-20. Retrieved 2017-05-12.CS1 maint: archived copy as title (link)

Media related to Dirty Hands at Wikimedia Commons

No Exit (Huis Clos);
The Flies (Les Mouches);
Dirty Hands (Les mains sales);
The Respectful Prostitute (La Putain respectueuse).
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