Dark Blue (film)

Dark Blue is a 2002 American crime thriller film directed by Ron Shelton and starring Kurt Russell with Ving Rhames and Brendan Gleeson in supporting roles. The film is based on a story written for film by crime novelist James Ellroy and takes place during the days leading up to the Rodney King trial verdict.

Dark Blue
Theatrical release poster
Directed byRon Shelton
Produced by
Written by
Starring
Music byTerence Blanchard
CinematographyBarry Peterson
Edited by
  • Patrick Flannery
  • Paul Seydor
Production
company
Distributed byMGM Distribution Co.
Release date
  • December 21, 2002 (2002-12-21) (Noir in Festival)
  • February 21, 2003 (2003-02-21) (United States)
Running time
118 minutes
CountryUnited States
LanguageEnglish
Budget$15 million
Box office$12,150,301

Plot

Los Angeles, 1992. The film opens in medias res to LAPD Sergeant Eldon Perry, who is pacing in a motel room with a shotgun and pistol.

Five days earlier, four people are killed and one wounded when two men, Darryl Orchard and Gary Sidwell, rob a convenience store in order to gain access to a safe in the office. Meanwhile, Perry defends his partner, Detective Bobby Keough, before an internal hearing concerning Keough's use of deadly force in a previous case; Keough is later exonerated. Perry and Keough later celebrate the former's impending promotion with their superior, Jack Van Meter, who is also Keough's uncle. Van Meter, a corrupt cop who often encourages his subordinates to fabricate evidence, visits Orchard and Sidwell's house later that night and takes the money stolen from the safe, admonishing them for behaving recklessly during the robbery.

Van Meter assigns Perry and Keough to investigate the robbery, providing a false alibi for Orchard and Sidwell and telling them to pin the crime on someone else. Meanwhile, Assistant Chief Arthur Holland finds Perry's testimony at Keough's hearing suspicious, doubting that Keough killed the suspect as he was charged. His assistant, Beth Williamson, pulls files on the two men and that a man she has had anonymous casual sex with is Keough.

After obtaining a search warrant with underhanded techniques, a SWAT team raids the house of the ex-cons who are to be Perry's fall guys. One of the men escapes and goes into a back alley, but is caught by Perry and Keough. Under Perry's orders, Keough reluctantly kills the innocent man and is left visibly shaken. When Perry arrives home later, he learns that his wife is leaving him. Meanwhile, Keough visits Williamson and admits to the killing, offering to testify against Perry on corruption. Seeing both Perry and the robbers as loose ends, Van Meter sets them up to kill each other just as the Los Angeles riots begin.

Believing that Perry was sent by Van Meter to kill Orchard and Sidwell, Keough and Williamson also drive to the robbers' address. While all three eventually meet up in the alleys, Keough is killed by Orchard and Sidwell. Williamson tearfully blames Perry for what happened. Perry calls in the incident, hesitating briefly before pursuing Orchard and Sidwell. As the riots unfold, Sidwell is dragged out of his car and beaten to death while Orchard is captured by Perry. Perry then heads to his promotion ceremony, where he confesses about the corruption, implicates Van Meter, and volunteers himself to be arrested.

Cast

Reception

Critical response

William Arnold of The Seattle Post-Intelligencer gave the film a positive review. "Ron Shelton's Dark Blue is another harrowingly cynical dirty-cop movie in the recent tradition of Training Day and Narc. Yet it's so much more complex, engrossing and satisfying than those films that the comparison is not entirely fair...."[1]

However, the film received a negative review from the L.A. Weekly, "Dark Blue is stuffed to the gills with blithely improbable coincidence and subsidiary story line... Shelton is a likable, generous director who's made two pretty good films (Blaze and Bull Durham), but it's not at all clear he has the chops to take on an action movie, let alone the intricacies of police politics — let alone the politics of race, about which he had more imaginative things to say in White Men Can't Jump."[2]

References
  1. Arnold, William (2003-02-20). "Down-and-dirty 'Dark Blue' weaves a thoroughly engrossing tale". seattlepi.com. Retrieved 2012-05-22.
  2. Taylor, Ella (2003-02-20). "Our Dark Blue Places - Page 1 - Film+TV - Los Angeles". LA Weekly. Retrieved 2012-05-22.
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