Anya Gallaccio

Anya Gallaccio
Anya Gallaccio
Born	1963 (age 57–58); Paisley, Scotland
Nationality	British
Education	Kingston Polytechnic and Goldsmiths College
Movement	Young British Artists

Anya Gallaccio (born 1963)[1] is a British artist, who creates site-specific, minimalist installations and often works with organic matter (including chocolate, sugar, flowers and ice).

Her use of organic materials results in natural processes of transformation and decay, meaning that Gallaccio is unable to predict the end result of her installations.[2] Something which at the start of an exhibition may be pleasurable, such as the scent of flowers or chocolate, would inevitably become increasingly unpleasant over time.[3] The timely and site-specific nature of her work make it notoriously difficult to document. Her work therefore challenges the traditional notion that an art object or sculpture should essentially be a monument within a museum or gallery. Instead her work often lives through the memory of those that saw and experienced it - or the concept of the artwork itself.[4]

Early life

Born in Paisley, Scotland to TV producer George Gallaccio and actress Maureen Morris. She grew up in south west London, England[5] and studied at Kingston Polytechnic (1984–85) and Goldsmiths College (1985–88). In 1988 Gallaccio exhibited in the Damien Hirst-curated Freeze exhibition, and in 1990 the Henry Bond and Sarah Lucas organised East Country Yard shows, which brought together many of the Young British Artists. Gallaccio is a Professor in the Department of Visual Arts at the University of California, San Diego (UCSD).[6]

Art practice

Much of her work uses organic materials, with fruit, vegetables and flowers all featuring in her work. Sometimes these materials undergo a change during the course of being exhibited.[7] In Red on Green (1992), ten thousand rose heads placed on a bed of their stalks gradually withered as the exhibition went on.[8] For Intensities and Surfaces (1996) Gallaccio left a thirty two ton block of ice with a salt core in the disused pump station at Wapping and allowed it to melt.[9]

In a 2018 interview with Ocula Magazine, Gallaccio remarked of the YBA breakout exhibition Freeze "It feels just as precarious now as it did then. And I think it is good to constantly remind myself of that and not to get complacent. The bravado and the chutzpah of Freeze was impressive; it was more about a kind of attitude and that is something that has had reverberations."[10]

She sometimes re-creates works. Her most well-known work Red on Green was originally made for her first solo showing in a public gallery, at the Institute of Contemporary Arts, London in 1992. It was then recreated ten years later for the exhibition Blast to Freeze: British Art in the 20th Century mounted by Kunstmuseum Wolfsburg in 2002 - 2003 and for the 2004 British Council exhibition Turning Points: 20th Century British Sculpture.[11]

In Stoke 2004, Gallaccio coated an old farm building at Edinburgh's Jupiter Artland with almost 90 pounds of 70 percent cocoa, confectioner-quality chocolate. The work invited visitors to lick, touch, and stroke the walls.[12]

preserve ‘beauty’ 1991 - 2003 was an artwork which Gallaccio produced as a nominee for the 2003 Turner Prize. The installation consisted of a wall of gerbera daisies pinned behind a single sheet of glass.[13] Behind glass, the flowers recall still-life and romantic landscape paintings, as well as flower arranging and pressing.[14]

Other works by Gallaccio include Stroke (1993) in which benches in the gallery and cardboard panels attached to the walls were covered in chocolate, "Two Hundred Kilos of Apples Tied to a Barren Apple Tree", Atelier Amden, Amden, Switzerland (1999) and Because Nothing has Changed (2000), a bronze sculpture of a tree adorned with porcelain apples.[15][16] Because I Could Not Stop (2002) is a similar bronze tree but with real apples which are left to rot.[16]

At Houghton Hall in Norfolk, the Marquess of Cholmondeley commissioned a folly to the east of the great house. "The Sybil Hedge" is an "artlandish" folly.[17] It is based on the signature of the marquis' grandmother, Sybil Sassoon. Gallaccio has created a sarcophagus-like marble structure which is sited at the end of a path; and nearby is a copper-beech hedge which is planted in lines mirroring Sybil's signature.[18]

2005 saw the publication of Anya Gallaccio: Silver Seed by Ridinghouse, which accompanied the artist's exhibition commissioned by the Mount Stuart Trust for an installation at Mount Stuart on the Isle of Bute, Scotland, UK .[19]

Awards and acknowledgements

In 2006, she was listed on the Pink Power list of 100 most influential gay and lesbian people of 2006.[20]

In 2003, Gallaccio was shortlisted for the Turner Prize alongside Grayson Perry, Jake and Dinos Chapman and Willie Doherty.[21] One of her pieces for the show was preserve "beauty", 1991–2003, which was made from glass, fixings and 2,000 red gerberas.[22]

Solo exhibitions

2015

Anya Gallaccio, Silas Marder Gallery, Bridgehampton, NY
Anya Gallaccio, MCA San Diego, California, USA
Anya Gallaccio, Lehmann Maupin, New York, USA

2014

Blum & Poe, Los Angeles, California
STROKE, Jupiter Artland, Edinburgh, UK
SNAP, Aldeburgh Festival, Snape Malting and Orford Ness, Suffolk, UK

2013

This Much is True, Hudson (Show)Room, Artpace, San Antonio, Texas

2012

The Light Pours Out of Me, Jupiter Artland, Edinburgh, UK
Arthur's Seat, Ingleby Gallery, Edinburgh, UK

2011

highway, Annet Gelink Gallery, Amsterdam, Netherlands
Where is Where it's at, Thomas Dane Gallery, London, UK
Surf's Up, La Jolla, San Diego, California

2009

Four Galleries, Four Exhibitions, One Venue, Anya Gallaccio, 4x4, The Bluecoat, Liverpool, UK

2008

Anya Gallaccio: that open space within, Camden Arts Centre, London, UK
Anya Gallaccio: Comfort and Conversation, Annet Gelink Gallery, Amsterdam, Netherlands

2007

Three Sheets To The Wind, Thomas Dane Gallery, London, UK
Sybil, Houghton Hall, King's Lynn, UK

2006

Anya Gallaccio, Galeria Leme, São Paulo, Brazil
One Art, Sculpture Center, New York

2005

Shadow on the Things You Know, Blum & Poe, Los Angeles, California
Silver Seed, Mount Stuart, Isle of Bute, UK
After the Gold Rush, collaboration with winemaker Zelma Long, initiated by New Langton Arts, San Francisco, California
The Look of Things, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy

2004

Love is only a feeling, Lehmann Maupin Gallery, New York

2003

Turner Prize Exhibition, Tate Britain, London, UK
Anya Gallaccio, Ikon Gallery, Birmingham, UK
Cast, limited edition sculpture commissioned by the Multiple Store, London UK
Sometimes with one I love, Annet Gelink Gallery, Amsterdam, Netherlands

2002

beat, Duveen Sculpture Commission, Tate Britain, London, UK

2001

blessed, Lehmann Maupin Gallery, New York
Absolut Gallacio, an event for Absolut Vodka, Butler's Wharf, London, UK

2000

now the leaves are falling fast, fig-1, London, UK
Falling from grace, Annet Gelink Gallery, Amsterdam, Netherlands
Falling from grace, Projektraum, Kunsthalle Bern, Berne, Switzerland

1999

All the rest is silence, Sadler's Wells, London, UK
Glaschu, Tramway, Glasgow, UK

1998

Chasing Rainbows, Bloom Gallery, Amsterdam, Netherlands
Two Sisters, Minerva Basin, Hull, UK
Chasing Rainbows, Delfina, London, UK

1997

Anya Gallaccio, Blum & Poe, Los Angeles, California
Keep off the grass, Serpentine Gallery Lawn, London, UK
Anya Gallaccio, Artpace, San Antonio, Texas

1996

A Multiple, Ridinghouse Editions, London, UK
Anya Gallaccio, Galerie Rodolphe Janssen, Brussels, Belgium
Harvest of the winter months, Galerie im Künstlerhaus, Bremen, Germany
Anya Gallaccio, Ars Futura Galerie, Zurich, Switzerland
Intensities and Surfaces, Wapping Pumping Station, London, UK; commissioned by Women's Playhouse Trust

1995

Towards the Rainbow, Angel Row Gallery, Nottingham, UK
Anya Gallaccio, Stephen Friedman Gallery, London, UK
Anya Gallaccio, Francesca Sorace, Florence, Italy

1994

Anya Gallaccio, Blum & Poe, Los Angeles, California
Anya Gallaccio, Filiale, Basel, Switzerland
Anya Gallaccio, Karsten Schubert, London, UK
La Dolce Vita, Stephania Miscetti, Rome, Italy

1993

Anya Gallaccio, Galerie Krinzinger, Vienna, Austria
Anya Gallaccio, Ars Futura Galerie, Zurich, Switzerland
Anya Gallaccio, Kim Light Gallery, Los Angeles, California

1992

Anya Gallaccio, Institute of Contemporary Art, London, UK

1991

Anya Gallaccio, Karsten Schubert, London, UK

Group exhibitions

2016

Terrain: Land Into Art, Hestercombe Gallery, Somerset UK
Nature Morte, Bohuslans Museum, Uddevalla, Sweden