What Every Woman Knows (play)

What Every Woman Knows is a four-act play written by J. M. Barrie. It was first presented by impresario Charles Frohman at the Duke of York's Theatre in London on 3 September 1908. It ran for 384 performances, transferring to the Hicks Theatre between 21 December 1908 and 15 February 1909.[1]

Original British production at the Duke of York's Theatre, 1908

The play was first produced in America, also by Frohman, in 1908 at Atlantic City on 18 October 1908,[2] transferring to Broadway, at the Empire Theatre in New York City in December 1908. The production starred Maude Adams and Richard Bennett.

Written before women's suffrage, the play posits that "every woman knows" she is the invisible power responsible for the successes of the men in her life.[3]

1908 casts

London[3]

Atlantic City and New York[4]

  • John Shand – Richard Bennett
  • Alick Wylie – R. Payton Carter
  • David Wylie – David Torrence
  • James Wylie – Fred Tyler
  • Maggie Wylie – Maude Adams
  • Charles Venables – Lumsden Hare
  • Comtesse de la Briere – Ffolliott Paget
  • Lady Sybil Lazenby – Beatrice Agnew
  • Maid – Lillian Spencer
  • First Elector – James L. Carhart
  • Second Elector – Wallace Jackson
  • Third Elector – W. H. Gilmore

Synopsis

The Wylies, a well-to-do but uneducated Scottish family, are concerned about their daughter, Maggie, a plain young woman who they fear, will remain a spinster. One night the Wylies discover that a serious young university student, John Shand, has been breaking into their home so that he can read books from their large library. Shand is penniless and cannot afford to buy books for his law school education. Maggie Wylie and John Shand come to an understanding: that her family will fund his education if, at the end of five years, he agrees to marry her.[3]

John honours his commitment to Maggie, marrying her although he does not love her. Recognising her husband's ambition to become a Member of Parliament, Maggie quietly uses her intelligence and her connections behind the scenes to get John elected. She continues to foster his career, never allowing him to see that she is the power behind his rise to fame.[3]

Eventually John begins to believe that his wife is too plain for a man of his stature and position, and he takes up with Lady Sybil Lazenby, a beautiful, refined and high-born young Englishwoman. Maggie is prepared to let her husband go, if Sybil can help him more than she herself can. However, when Shand is preparing a speech that will make or break his career, he finds that Sybil is no help to him, and he realises that Maggie is his inspiration.[3]

Performance history
Helen Hayes reprised her stage and screen success on CBS Radio's The Campbell Playhouse (1939)[5]

What Every Woman Knows was popular on Broadway, enjoying 198 performances during its first run.[6] Helen Hayes starred in the 1926 Broadway revival, which ran 268 performances.[7]

A British silent film version was made in 1917 and a 1921 American talkie was produced. The play was later adapted into a 1934 film starring Helen Hayes and Brian Aherne.

The play has been revived numerous times since throughout the English-speaking world including productions at the Old Vic in 1960, with Maggie Smith as Maggie and Donald Houston as John,[8] and the Albery Theatre in 1974, with Dorothy Tutin and Peter Egan.[9]

What Every Woman Knows starring Helen Hayes was the opening production of the Huntington Hartford Theater in 1954. The Hartford was Los Angeles's prime venue for Broadway-scale productions the next ten years.[10]

The play's most recent London revival was at the Finborough Theatre in 2010.[11] In 1976 in New York, Fran Brill was awarded the Drama Desk Award for her portrayal of Maggie Wylie. In 1977 there was a musical version entitled Maggie at the Shaftesbury Theatre in London.[12]

Noel and Company presented a staged reading of the play at the Mint Theater in New York City in 2013, directed by David Glenn Armstrong and produced by Anne Kaufman. The cast included Carole Shelley, Aedin Maloney, Robert Sella, Heidi Armbruster, Kevin Collins, Alex Rice and John Windsor-Cunningham.[13]

References
  1. The Times, 4 September 1908, p. 11; 18 December 1908, p. 10; and 11 February 1909, p. 8
  2. "What every woman knows", The New York Times, 17 October 1908
  3. "Duke of York's Theatre – 'What Every Woman Knows'." The Times, 4 September 1908, p. 11
  4. "Barrie Builds Play On Man's Funnybone", The New York Times, 24 December 1908
  5. "The Campbell Playhouse: What Every Woman Knows". Orson Welles on the Air, 1938–1946. Indiana University Bloomington. 24 September 1939. Retrieved 31 July 2018.
  6. "What Every Woman Knows". Internet Broadway Database. Retrieved 18 August 2017.
  7. "What Every Woman Knows". Internet Broadway Database. Retrieved 18 August 2017.
  8. "Barrie at the Old Vic", The Times, 13 April 1960, p. 5
  9. Wardle, Irving, "What Every Woman Knows – Albery", The Times, 29 November 1974, p. 17
  10. R. Christian Anderson. "Ricardo Montalban Theater". Cinema Treasures. Retrieved 24 February 2017.
  11. Fisher, Philip, "What Every Woman Knows", British Theatre Guild, accessed 7 December 2010
  12. Wardle, Irving, "Character comedy done to death", The Times, 13 October 1977, p. 11
  13. http://www.playbill.com/news/article/aedin-moloney-kevin-collins-heidi-armbruster-and-more-set-for-reading-of-wh-205853
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