Thomas Stirling Lee

Thomas Stirling Lee (London, 16 March 1857 – 29 June 1916, London) was an English sculptor, specialising in reliefs and portrait heads.[1]

Thomas Stirling Lee
Born	16 March 1857 Lambeth, London, England
Died	29 June 1916 (aged 59) St George's Hospital, Knightsbridge, London, England
Nationality	English
Education	Westminster School Royal Academy Schools École des Beaux-Arts
Known for	Sculpture
Elected	National Portrait Society Chelsea Arts Club International Society of Sculptors, Painters and Gravers

Early life

Lee was born in Lambeth, London on 16 March 1857, the son of John Swanwick Lee, a surveyor.[2] He was educated at Westminster School and then served as an apprentice in the studio of John Birnie Philip.[2][3]

Lee studied at the Royal Academy Schools from 1876 to 1880, where he won both a Gold Medal and a Travelling Scholarship.[1] In 1880–1881 he studied under Pierre-Jules Cavelier at the École des Beaux-Arts in Paris, and then studied in Rome until 1883.[1]

Career

Lee's commission for 28 panels for the exterior of St George's Hall, Liverpool, resulting from an open competition held by Liverpool City Council in 1882,[2] is regarded as his most important,[2] but it was the subject of controversy,[2] when the first two featured naked girls,[2] depicting "the child Justice" and "the girl Justice".[3] Lee only completed six of the 28 panels, but was subsequently commissioned to make two, and oversee all, of a further set of six on the theme of 'National Prosperity'.[2]

He was a member of the National Portrait Society from 1910 to 1915,[1] a member of the Chelsea Arts Club[2] and a member of the International Society of Sculptors, Painters and Gravers.[4]

Lee died at St George's Hospital, Knightsbridge, London[2] on 29 June 1916.[5] His friends subscribed to a fund for a bronze panel on the family vault at New Southgate.[2]

Works

Statue of Charles Gore

Lee's work includes:

• Bas-reliefs for Leeds Town Hall[1]
• Carvings for Westminster Cathedral[1]
• Bronze statue of Charles Gore, First Bishop of Birmingham, outside Birmingham Cathedral (1914)[6] - 52.48106°N 1.89821°W
• The Progress of Justice series of bas reliefs, left of the central portico on Saint George's Hall, Liverpool,[3] 1885–1894
• The National Progress series, right of the portico on Saint George's Hall,[3] 1898–1901
• Doors with scenes of male friendship, Adelphi Bank, Liverpool[3]

References

1. "Thomas Stirling Lee". Tate. Retrieved 31 May 2013.
2. "Thomas Stirling Lee". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. Glasgow University. Retrieved 31 May 2013.
3. "Thomas Stirling Lee". The Victorian Web. 2013-04-12. Retrieved 31 May 2013.
4. "The International Society of Sculptors, Painters and Gravers". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951. Glasgow University. Retrieved 31 May 2013.
5. Waters, Grant M. (1974). Dictionary of British Artists Working 1900–1950. Eastbourne: Eastbourne Fine Art.
6. Noszlopy, George T. (1998). Public Sculpture of Birmingham including Sutton Coldfield. Public Sculpture of Britain. 2. Liverpool University Press. ISBN 0-85323-682-8.