Tanya Barfield

Tanya Barfield is an American playwright whose works have been presented both nationally and internationally.[1]

Tanya Barfield
EducationNew York University (BFA)
Juilliard School (GrDip)
OccupationPlaywright

Early life

Barfield was raised in Portland, Oregon and attended Metropolitan Learning Center.[2] She graduated from New York University and then attended the Juilliard School Playwrights program, receiving an Artist Diploma. She taught playwriting at Primary Stages School of Theater and Barnard College, New York University and she served as the literary manager of the Juilliard Drama Division from 2009–2014.[3]

Career

Her plays include: Bright Half Life, The Call, 121° West, Blue Door,[1] Dent, The Houdini Act, Medallion, Of Girl & Wolf and Wanting North, Pecan Tan and The Quick.[4][5] She authored a book for a children's musical entitled Civil War: The First Black Regiment. She is also a solo performer, appearing in her 1996 one-woman show Without Skin or Breathlessness.[6]

Her play Blue Door had its world premiere at the South Coast Repertory, Costa Mesa, California in May 2006.[7] It was then produced at the Off-Broadway Playwrights Horizons in September 2006 to October 2006, directed by Leigh Silverman.[8] The CurtainUp reviewer noted: "Barfield's play is filled with words that spin into near poetic riffs and define the past and the present philosophical and cultural attitudes of African-Americans in a unique and refreshing way....The title refers to a family memory and a tradition stemming from the days in the slave quarters when the door was painted blue to "keep the bad spirits out and the soul family in."[9] It also was produced at the Seattle Repertory Theatre in 2007,[10] Berkeley Repertory[11] and Harare International Festival of the Arts, Zimbabwe (HIFA). Blue Door was developed at the Sundance Institute Theatre Lab, Utah, in 2005.[12]

On June 29, 2008, her play Of Equal Measure premiered at the Kirk Douglas Theatre in Culver City, California directed by Leigh Silverman[13] through the sponsorship of the National Endowment for the Arts. The play was a NAACP Theatre Awards nominee.

The Call opened Off-Broadway at Playwrights Horizons in a co-production with Primary Stages in March 2013 to May 2013, directed by Leigh Silverman.[14] The TheatreMania reviewer wrote that "...whatever the work's shortcomings, it's never a bad thing to leave the theater thinking about the problems of the world at large and looking at your own neighbors in a new light."[15] The Call was a New York Times Critic's Pick.

Bright Half Life ran Off-Broadway at the Women's Project Theater in February 2015 to March 2015, directed by Leigh Silverman.[16] The TheatreMania reviewer wrote:

The red-hot moments that shape the decades of their relationship burst like solar flares throughout the play, erratically filling in the unexplained holes and giving shape to the story before us. Still, an intelligent order can be found in this unpredictable sequencing, suggesting a far more intricate network of cause-and-effect than one that abides by the strict rules of chronology... Even with few safety nets, both actresses effortlessly maneuver through these instantaneous transitions, with detailed direction by Leigh Silverman, who builds their playful bond while successfully clarifying the piece as a whole.[17]

It was a "Time Out" Critic's Pick.

Her television writing credits include The Americans, award-winning Season 4 (FX) and the upcoming Here and Now (HBO).

Awards and honors

Barfield shares a WGA Award for Best Dramatic Series, The Americans (Season 4).

Barfield is a recipient of the Lilly Award and the Helen Merrill Emerging Playwrights Award.[18][19]

She was nominated for the 2007 Audelco Award, Playwright, for Blue Door.[20]

Bright Half Life was a 2016 LAMBDA Literary Award Winner.

See also

References
  1. DeVoti, Emily. "Blue Door: Painting within the lines of history with Tanya Barfield" brooklynrail.org, October 2006, Accessed 13 September 2104.
  2. "Barfield, Tanya". Current Biography Yearbook 2011. Ipswich,MA: H.W. Wilson. 2011. pp. 47–50. ISBN 9780824211219.
  3. "Staff Portrait. Tanya Barfield" juilliard.edu, accessed October 11, 2015
  4. Barfield biodata doollee.com
  5. "Tanya Barfield" New Dramatists.org, Accessed 13 September 2014.
  6. Charles, Nick.'Skin': Deep Insights Into Issues Of Race" New York Daily News, May 8, 1996
  7. McNulty, Charles. "Review. Portals to the past in 'Blue Door' " Los Angeles Times, May 1, 2006
  8. Jones, Kenneth. "Barfield's Two-Actor 'Blue Door' Will Swing Open Off-Broadway Sept. 28" playbill.com, August 21, 2006
  9. Saltzman, Simon. "Review. Blue Door " curtainup.com, October 18, 2006
  10. "Press Release" proskore.com, February 7, 2007
  11. "Tanya Barfield" playscripts.com, accessed May 8, 2015
  12. Jones, Kenneth. "Sundance Picks Artists and Works for 2005 Summer Theatre Lab, Including Musical About Versace Killer" Archived 2015-05-22 at the Wayback Machine playbill.com, April 18, 2005
  13. McNulty, Charles. "Theater Review. Shapeless history" Los Angeles Times, July 14, 2008
  14. The Call playwrightshorizons.org, accessed May 8, 2015
  15. Lipton, Brian Scott. "Reviews. The Call " theatermania.com, April 14, 2013
  16. Levitt, Hayley. "World Premiere of Tanya Barfield's 'Bright Half Life' to Open With Women's Project Theater" theatermania.com, January 20, 2015
  17. Levitt, Hayley. "Review. 'Bright Half Life'" theatermania.com, February 25, 2015
  18. Playscripts.com
  19. NEARTS/2007 website
  20. "'Blue Door' Production, 2006" lortel.org, accessed October 11, 2015
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