Talawa Theatre Company

Talawa Theatre Company is a Black British theatre company founded in 1986.[1][2]

The core of Talawa's work is championing reinterpretations of classic plays, developing new writing and directing talent, and developing and producing new plays from and about the Black British Community and African diaspora within Britain.[2][3][4][5]

Talawa Theatre Company is a National Portfolio Organisation, supported by funding from Arts Council England in recognition of consistently high-quality artistic work and audience development,[6] with an uplift in its grant for the period between 2018 and 2022.[7][8]

Since 2011 Talawa Theatre Company has been led by CEO and Artistic Director Michael Buffong, whose career spans theatre, television and film.[9][10][11][12][13][14] In February 2019 Buffong announced plans for a 200-seat on-site performance space at Croydon's Fairfield Halls, describing the move as enabling the organisation to "make outstanding work which will truly diversify and shape the cultural life of the whole country."[15][16][17] Carolyn ML Forsyth joined the organisation in November 2020 to work alongside Michael Buffong as Joint CEO and Executive Director.[18][19][20]

The name Talawa comes from a Jamaican patois saying "Me lickle but me talawa",[21] meaning to be small but strong.[4][22]

Mission

The company's mission is "to champion Black Excellence in theatre; to nurture talent in emerging and established artists of African or Caribbean heritage and to tell inspirational and passionate stories reflecting Black experiences through art."[23] In doing so, the company provides opportunities for black directors, writers and actors, and creatives to make theatre on British stages, and to enlarge theatre audiences seeing black work.[1] Talawa's work embraces touring classical works on the mid-scale to regional theatres in the UK, literary and participation activities, finding and developing new writers and scripts, and developing theatre-makers, artists and directors.[9][23][14] Alongside this, Talawa also runs unconscious bias training workshops for educational institutions and corporate clients.[24][25]

History

Jamaican-born Yvonne Brewster, Mona Hammond, Carmen Munroe and Inigo Espejel founded the company in 1986.[1][26][27]

Talawa's first production in 1986 was The Black Jacobins by C. L. R. James, a play that had not been performed in England for 50 years, and never before with an all-black cast.[2][28][29][30]

Since then, Talawa has produced and toured classic work by numerous playwrights and writers including Dennis Scott, Derek Walcott, Galt McDermot, Wole Soyinka, James Baldwin, Michael Abbensetts, Trevor Rhone, William Shakespeare, Oscar Wilde, Samuel Beckett, Tariq Ali, Theresa Ikoko, Natasha Marshall and Arthur Miller and worked with a variety of directors and actors including Michaela Coel, Cathy Tyson, Dona Croll, Ray Shell, Norman Beaton, Horace Ove, Paulette Randall, Don Warrington, Sharon D Clarke, Fraser Ayres and David Harewood.[31][2][32]

Talawa had a home at Bloomsbury's Jeannetta Cochrane Theatre from 1991 until 1995, a period within which the company achieved a high profile.[33] Following the departure from the Cochrane Theatre in 1995, the failed attempt to secure a new theatre space in Victoria, and the departure of its founder Yvonne Brewster in 2003, Talawa was briefly led by Ben Thomas, and then Bonnie Greer, Paulette Randall, and Patricia Cumper, under whose direction the company regained Arts Council funding.[34][35] Michael Buffong took over the helm from Patricia Cumper, securing Arts Council England National Portfolio Organisation status for the company and leading to a renewed profile for its work with new artists and its revived classic theatre productions.[36][37][38][39][40] Michael Buffong featured on Creative Review's "50 Creative Leaders" list in 2017,[41] having also featured in the Powerlist, celebrating Britain's most influential people of African or African Caribbean heritage.[42]

In February 2019 plans for a 200-seat on-site performance space at Croydon's Fairfield Halls were revealed. The move gave Talawa its first such space since a residency at the Cochrane Theatre came to an end in 1995.[15][16][17]

Artist development

As well as touring major works across the UK, Talawa Theatre Company commissions new plays, and develops theatre artists and directors.

In January 2017 Talawa announced the creation of MAKE, a career development community of Black theatre artists.[43][44][45] The MAKE community creates 250 new opportunities for Black artists every year, across four areas, enabling artists to make connections and build the support they need to create new work.[43][44][45] A Talawa spokesperson commented that "Diversity projects tend to be just that – projects – and as a quick-fix approach, they are not building an infrastructure. What we need is sustained engagement that provides artists with a pathway into the industry, and the footholds to keep them there ...".[43]

As part of MAKE, Talawa also offers a script reading service and produces an annual season of play readings, named Talawa Firsts, which showcases the best new black writing talent. The Company also supports and develops emerging theatre-makers[9] – performers, designers and technicians – through their flagship participation programmes TYPT, and Studio Firsts.[23][26][27][46]

Recent productions

Talawa Theatre Company produces a major touring production annually in addition to a rolling programme of artist development and showcases of new work.[13]

Tales From The Front Line

In July 2020, Talawa announced that Tales From The Front Line, based on verbatim interviews from Black key and frontline workers during the COVID-19 pandemic, would be available from Autumn 2020.[47][48][49][14] Tales from the Front Line was launched on 30 November 2020, with the first two films of dramatised verbatim testimony getting good notices.[50][51][52][53]

The first film presented a verbatim narrative from a Teacher, played by Jo Martin, talking about trying to keep themselves and their pupils safe during the pandemic, the emotional and psychological impact of the global Black Lives Matter movement, and the challenges of supporting students' education during an era of great uncertainty. The second film presented a verbatim narrative from an NHS Recovery Worker, played by Sapphire Joy, which highlighted the racial bias in the medical treatment of Black people, and their disdain for performative gratitude during the pandemic, followed by the failure to award pay rises to front line staff. As Buffong explained in interviews at the time, "These are the words of the teacher, the health worker, the train dispatch worker, the woman who works in the supermarket warehouse."[52]

The Guardian reviewer commented that the stories were "not just about expressing anger at systemic injustice. They are miniature character studies, rich in insight and individual detail. They reveal a person and a life, as well as giving a depth of meaning to the high rates of Covid-related deaths among people of colour in Britain."[50] The Stage review focused on the verbatim aspects of the work, stating: "This is a necessary art – an example of the way theatre can be used to educate and promote understanding. Where else can we hear the unadulterated stories of our front-line workers told in their own words?"[51] iPaper stated that it was "Impossible not to listen; impossible to look away" from the pieces.[54]

Many reviewers commented on the quality of the films, as well as the power of the verbatim narratives.[55][56][57][58] Further episodes were released in February 2021, with more scheduled for March.[53]

Black Joy

In Autumn 2020 Talawa and Birmingham Repertory Theatre announced their Black Joy season.[59][60] Following that announcement, Birmingham Repertory Theatre revealed that they would hire several spaces "to operate a Nightingale Court from December '20 to June '21".[61] This move was not well received by many Black artists, creatives and community leaders.[62] Press reports highlighted that the move had "alienated staff, audiences and cultural workforce", leading to criticism from prominent figures, including the comedian Joe Lycett.[63][64][65] Both The Times and The Daily Telegraph referred to figures from the House of Commons library, which showed that black and minority ethnic people are over-represented within the criminal justice system, accounting for 23 per cent of people prosecuted (against 16 per cent of population), and 27 per cent of prison inmates and, with average sentences longer than those of white people.[62][66] The New York Times highlighted the lack of transparency around Birmingham Repertory Theatre's decision.[67]

Subsequently, Talawa announced "…that having to make the difficult calls between maintaining the creative and political integrity of cultural buildings, and preserving the jobs of those who work within them, is a position arts leaders shouldn't be forced into", going on to state: "The decision Birmingham Rep have taken to host a Nightingale Court does not align with Talawa's commitment to Black artists and communities, the communities most affected by this decision. It has threatened the integrity of the Black Joy season; regrettably the partnership is no longer tenable under current circumstances."[68][69][70][71] Talawa have stated that they are "exploring our options" to still bring the season "to the audiences it was intended for".[68][70][72]

COVID-19 pandemic

In common with other parts of the live performance sector, and in line with advice from the UK Government and health authorities, Talawa Theatre Company staff transferred to working from home, releasing updates on company activity in early May 2020 [73] and late September 2020.[74] In common with many theatre companies at a time when live performance was not possible, Talawa transferred activities online, holding advice and career development sessions, and developing work for release in digital formats as part of Tales from the Front Line.

A Place for We

In October 2019, Talawa announced the co-production with Park Theatre (London) of Archie Maddocks's debut play A Place for We, which was first performed in a staged reading at Talawa Firsts 2018.[75][76][77] Due to the COVID-19 pandemic the production, which was due to have played to audiences in May and June 2020, was postponed.[75][78]

Run It Back

In January 2020, Talawa announced Run It Back, a rave-inspired show with a live DJ set that had been originally devised by Talawa Theatre Company's TYPT 2018 company. Run It Back was to have opened the Talawa Studio at Fairfield Halls and played from late March to early April 2020.[79][80] Due to the COVID-19 pandemic the production was postponed.[81]

The Tide

In February 2019, Talawa announced The Tide, a Talawa Theatre Company, Greenwich+Docklands International Festival, and Breakin' Convention co-production, and Talawa's first ever show created exclusively for outdoor performance.[82] The Tide played at Brighton Festival on 11 May, at Norfolk & Norwich Festival on 18 and 19 May and at Greenwich + Docklands International Festival on 29 June 2019.[83][84][85][86]

Superhoe

In October 2018, Talawa and Royal Court Theatre announced their co-production of Superhoe by Nicôle Lecky, which had previously been performed as a staged reading at Talawa Firsts in 2018.[87][88][89] Superhoe tells the story of Sasha, a wannabe singer living with her mother and step-father in Plaistow, East London. A fraught relationship with them propels Sasha out into a world of cam and sex work, and Instagram fakery. There was praise for Lecky, with one reviewer writing: "performing her own raw and fiery solo piece, she's a revelation...."[90] while another stated that the "slow reveal of all the ways in which Sasha has been neglected, damaged and violated is deeply affecting."[91][92][93][94]

Guys and Dolls

Talawa announced their winter 2017 co-production with the Royal Exchange Theatre of the Damon Runyon-inspired musical, Guys and Dolls, the first UK production with an all-Black cast.[95][96][97][98][99] Among the cast announced for Guys and Dolls were Ray Fearon, Ashley Zhanghazha, Abiona Omonua, and Lucy Vandi.[100][101] Guys and Dolls played at Manchester's Royal Exchange Theatre in an extended run from December 2017 to February 2018.

Reviews had particular praise for the music, direction, relocation to Harlem and sense of spectacle. As Lyn Gardner noted in The Guardian, "the gamblers ... are a bunch of sharp-suited peacocks clad in rainbow hues."[102] The reviewer for The Times wrote: "Whoever had the idea of moving this classic musical from one part of New York to another bit, just up the road, needs to be congratulated. This version of Frank Loesser's musical, which swirls around the lives of the petty gangsters and their 'dolls' who inhabit New York's underbelly, moves the action to Harlem at its prewar height in 1939. It is a Talawa production with an all-black cast and it is terrific from the get-go."[103] The Observer noted: "Relocated to Harlem, this fine new production of Frank Loesser’s classic musical retains a threat of violence under a cartoon-bright exterior."[104]

Half Breed

Described variously as a story about growing up mixed-race, and as a story about friendship, Half Breed was written by Natasha Marshall and first performed at Talawa Firsts 2016 before being developed further by both Talawa and the Soho Theatre.[105] That same partnership presented Half Breed at Edinburgh in summer 2017.[106][107][108][109] At the time Marshall said: "My whole life I've been holding my breath but when I perform Half-Breed I feel like I'm breathing. I want to bring something real and different to the Fringe. I want to create a conversation, I want to open people's minds up."[110]

Half Breed was nominated as a "Best New Play" at the UK Theatre Awards.[111][105] Half Breed was also nominated for the "Best New Play", "Best Female Performance" and "Most Promising New Playwright" awards in the Offies, an award presented by Off-West End.[112]

Half Breed had a sell-out London run following its success at Edinburgh.[105][113] The co-production of Half Breed toured India in autumn 2017, where it was well received by audiences and critics alike.[114][115][116][117][118]

Half Breed toured the UK in Spring 2018 as a co-production between Talawa Theatre Company and Soho Theatre.[119][120] Half Breed will also be broadcast on BBC4 as part of "Culture in Quarantine", from February to March 2021.[121]

Girls

Also in 2016, Talawa also co-produced the award-winning play by Theresa Ikoko,[122] Girls, the story of three young women kidnapped by extremists.[122][123][124][125][126][127]

The Times referred to Girls as "Scorchingly intelligent and as powerful as a gut punch",[123] while Time Out called it "clever, audacious, entertaining and full of promise."[128][129]

Theresa Ikoko commented on her experience of working with Talawa to get the story produced, saying: "This isn't the first play I've written, but it's my first produced play. The first play I wrote, I didn't really know it was a play, it was just for me. I would read it over the phone to my friend and when I'd finished he said I had to show it to someone. Talawa Theatre Company found me and [artistic director] Michael Buffong put that play in a Talawa Firsts show, and I got signed by my agent there ... Talawa completely took a chance on me. I had no training or experience or credentials, and there was no one to offer a reference. But Michael believed in me. It took me forever though, probably until the opening night of Girls at HighTide, for me to believe him."[130]

In 2017, Girls went on tour with a new cast, having first played at the Edinburgh Festival, where it was presented as part of the British Council Edinburgh Showcase.[131]

King Lear

In October 2015, Talawa announced a new production of William Shakespeare's King Lear starring Don Warrington in the title role.[40][132][133] King Lear was co-produced with the Royal Exchange Theatre in Manchester.

Reviews singled out the production for being "as close to definitive as can be",[134][135] "a significant production"[136] and "outstanding".[137] Don Warrington's performance as King Lear was described as "a heartbreaking tour de force".[138]

In late June 2016, Talawa Theatre Company announced the film of King Lear, in a collaboration with the Royal Exchange Theatre and funded by the digital commissioning body The Space. The film was available to view on-demand and free of charge on BBC iPlayer and the British Council's websites for three months in summer 2016, ahead of a cinema release in September and October 2016, and closed 2016 by being screened on BBC4 on Christmas Day.[139][140][141][142][143]

All My Sons

Talawa Theatre Company toured a revival of Arthur Miller's All My Sons in Spring 2015.[144][145][146][147]

Critics described the production as "heart wrenching",[148] noting that "Talawa's contribution to the Arthur Miller centenary ... is a worthwhile one"[149] and one that "ratchets up the tension".[147]

Moon on a Rainbow Shawl

The 2013–14 production was a revival of Moon on a Rainbow Shawl by Errol John that was directed by Michael Buffong, which toured across the UK, in addition to playing at the Royal National Theatre.[150][151][152] Critics described the show as "an absolute must-see"[153] "a well-crafted slow burner"[154] and "treats the characters as real people rather than outrageous exotics ... Justice, you feel, has at last been done ..."[155]

Further reading
  • David Vivian Johnson, Talawa Theatre Company: A Theatrical History and the Brewster Era, Methuen Drama, 2021, ISBN 9781350107977.

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