Sue Kneebone
Dr Sue Kneebone is an Adelaide-based artist and arts educator who lectures at Adelaide Central School of Art.
Sue Kneebone | |
---|---|
Nationality | Australian |
Education | Victorian College of the Arts, University of South Australia |
Known for | Ceramics, Assemblage, Photomontage |
Awards | Qantas Contemporary Art Award (2011) |
Website | https://suekneebone.com/ |
Biography
Sue Kneebone has a Bachelor of Fine Art (Hons) (1998) and a Masters in Fine Arts (2000) from Victorian College of the Arts (2000) as well as a PhD from the University of South Australia (2010).[1][2] She features in Episode 2 of Hannah Gadsby’s three-part series on Australian art, Oz.[3][4] She has held exhibitions in Australia and the Republic of Ireland.[5][6]
Artistic style and subject
Kneebone began as a ceramicist but expanded her art practice to include photomontage and other mixed media. Through her ceramics, photomontages and assemblages, she explores questions of cultural identity through her own family history,[7][8] as well as the impact of empire on the Australian landscape.[9][10] She has been described as combining “a hypnotic storyteller with the backbone of an archaeologist”.[11]
Awards/Prizes/Residencies
Kneebone was the South Australian recipient of the Qantas Foundation Contemporary Art Travel Award in 2011.[12][13]
Collections
Kneebone's works are held in the collection of The Art Gallery of South Australia.[14]
Further reading
References
- Kneebone, Sue; Jones, Philip G (2010). Naturally disturbed. Adelaide, SA: SASA Gallery, University of South Australia. ISBN 9780980726145. OCLC 670029015.
- Kneebone, Sue (12 November 2015). "Dark Manners". Craft + Design Enquiry (7). doi:10.22459/cde.07.2015.02.
- "HANNAH GADSBY'S OZ - Episode 2 Trailer - Airs March 18th 10pm ABC1". 12 February 2014. Retrieved 27 March 2019.
- "Hannah Gadsby's Oz - Artist Q &A: 'Why is it important to challenge history'?". 12 February 2014. Retrieved 27 March 2019.
- "Border Crossings exploring colonialism". Wayback Machine. Galway International Festival of Arts. 21 October 2016. Archived from the original on 21 October 2016. Retrieved 27 March 2019.
- Dunne, Aidan (19 July 2016). "When Ballymun was all towering promise; Vulnerable bodies and the dispossessed also feature in three exhibitions at Galway International Arts Festival". The Irish Times. p. 10.
- Nunn, Louise (1 March 2014). "Interpretation of colonial days also addresses present". The Advertiser (Adelaide). p. 69.
- "Sue Kneebone: Spurious Natures - Art Collector". www.artcollector.net.au. Retrieved 28 March 2019.
- "Testing Ground Salamanca Arts Centre". www.salarts.org.au. Retrieved 28 March 2019.
- Jacket, Amy (2013). "Testing Ground". Artlink. 33 (2): 134.
- Evans, Annika (2010). "Naturally Disturbed". Eyeline. 72: 95.
- Nunn, Louise (9 May 2013). "Artwork that can be devoured with logic". The Advertiser (Adelaide). p. 31.
- "Manifest 2: Sue Kneebone Dark Manners (CACSA) | South Australia | Australia". Scribd. Retrieved 28 March 2019.
- "Sue Kneebone". Art Guide Australia. 14 June 2016.
External links
- https://suekneebone.com/
- Sue Kneebone artist talk at Art Gallery of South Australia (audio)
- Hannah Gadsby's Oz - Artist Q and A: When you think of Australian art what do you think of?
- Hannah Gadsby's OZ - Episode 2 Trailer
- Hannah Gadsby's Oz - Artist Q &A: 'Why is it important to challenge history'?
- Hannah Gadsby's Oz - Artist Q and A: What cliches of Australian Identity ring true for you?