Sorel Cohen
Sorel Cohen is a Canadian photographer and visual artist currently living and working in Montreal, Quebec, Canada.
Sorel Cohen | |
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Born | Sorel Cohen 1936 (age 84–85) Montreal, Quebec, Canada |
Nationality | Canadian |
Occupation | Photographer |
Years active | mid 1970s - present |
History
Sorel Cohen was born in 1936, in Montreal, Quebec, to parents of Russian and Polish descent. Cohen pursued post-secondary education in Montreal, graduating with Fine Art degrees from both McGill University and Concordia University. She earned a Bachelor of Fine Arts from Concordia University in 1974, as well as a Masters of Fine Arts in 1979.[1] Her Masters thesis examined feminist influences on art in the 1970s,[2] and her work has continued to be shaped by her feminist values.[3]
Style
Sorel Cohen has worked extensively with portraiture, both behind and in front of the camera. The majority of her work has a focus on both autobiographical works as well as feminist works. In the 1970s, Cohen began experimenting by combining photography with performance art, which was a relatively new idea at the time and soon became known for this.[4] Cohen often combines the use of this performance art with a slow shutter speed, creating a blurred aesthetic. By displaying these photographs in a series, the viewer feels a sense of time passing through them. Cohen draws inspiration from all forms of art, from painting to sculpture, to performance in her photographic work. Although Cohen's work comes from personal experience, she gives her photographs a quality that allows for interpretation, giving them an almost universal meaning.[5] Cohen has produced an extensive collection of work that comes from a perspective of psychoanalysis.[6]
Photographic themes
Feminism
Cohen used photography to combat stereotypes of women, as well as subvert society's beliefs around a what a woman's role is. By placing herself both behind and in front of the camera, Cohen presents a commentary on the representation of women in these roles.[1]
Absence and psychoanalysis
A published book featuring her work Divans Maudits (with text by Gérard Wacjman), shows how Cohen was strongly influenced by psychoanalytical perspectives. Some her most well-known work features primarily empty beds and couches. The photographs carry another strong theme that is found in many of Cohen’s works as well, the theme/idea of absence. By photographing these empty couches and beds, objects that are primarily only seen as important when they are full of people or things, Cohen aims to capture what is missing.[6]
Notable works and collections
Bacon / Muybridge (1980)
In After Bacon / Muybridge, Cohen looks at the work of painter Francis Bacon (artist) and uses photographic methods, such as long exposure and slow shutter speed to achieve a blurred effect. In this collection, Cohen also references the work of Eadweard Muybridge, who pioneered the study of motion in photography. Cohen presents these works through a lesser seen, feminist perspective.[7]
Wounds of Experience (1995–1996)
This collection features a series of nine photographs exploring themes of absence and the relationship between psychoanalyst and patient, through depictions of psychoanalyst offices.[6]
Divans Dolorosa (2008)
This collection features photographs of empty psychoanalyst consultation rooms of in Quebec. The focus of these photographs are the empty couches (or divans), allowing Cohen to present the idea of absence as something that is wholly present in the scene. Cohen examines different symptoms as described by psychoanalysts through these photographs.[8]
Lacrimosa (2010)
Presented as a sequel to Divans Dolorosa, this collection features photographs of handkerchiefs with psychoanalytical descriptions attached to them.[9]
Exhibitions
Sorel Cohen has had her work exhibited both nationally and internationally over the past three decades. Her work has been featured in both solo and group exhibitions.[1] She is currently represented by Donald Browne Gallery in Montreal.[10]
Canada
Year | Gallery | City |
---|---|---|
1977 | Galerie Mia Godard | Montreal, Quebec |
1979 | Nova Gallery | Vancouver, British Columbia |
1980 | Eye Level Gallery | Halifax, Nova Scotia |
Mercer Union | Toronto, Ontario | |
1981 | Agnes Etherington Art Centre, Queen's University | Kingston, Ontario |
1983 | Galerie Optica | Montreal, Quebec |
S.L. Simpson Gallery | Toronto, Ontario | |
1984 | Southern Alberta Art Gallery | Lethbridge, Alberta |
1986 | Musee d'art contemporain de Montreal | Montreal, Quebec |
1987 | Presentation House Gallery | North Vancouver, British Columbia |
1988 | Toronto Photographer's Workshop | Toronto, Ontario |
1989 | Wynick/Tuck Gallery | Toronto, Ontario |
1990 | Dazibao | Montreal, Quebec |
1991 | Wynick/Tuck Gallery | Toronto, Ontario |
1992 | Galerie Samuel Lallouz | Montreal, Quebec |
1993 | Wynick/Tuck Gallery | Toronto, Ontario |
Galerie Vu | Quebec, Quebec | |
1996 | Galerie Samuel Lallouz | Montreal, Quebec |
1997 | Wynick/Tuck Gallery | Toronto, Ontario |
1999 | La Tranchefile | Montreal, Quebec |
2000 | The Koffler Gallery | Toronto, Ontario |
2004 | Galerie Dazibao | Montreal, Quebec |
2008, 2010 | Galerie Donald Browne | Montreal, Quebec |
International
Year | Gallery | City/Country |
---|---|---|
1981 | 49th Parallel | New York, New York, USA |
1983 | Institute for Art and Urban Resources, MoMA PS1 | New York, New York, USA |
1984 | Services Culturelles du Quebec | Paris, France |
1985 | Northlight Gallery, Arizona State University | Tempe, Arizona, USA |
1994 | Les Ateliers Nadar | Marseilles, France |
2003 | Centre culturel canadien | Paris, France |
Canada
Year | Exhibition | Gallery | City |
---|---|---|---|
1983 | Photographie actuelle au Québec | Galerie d'art centre Saidye Bronfman/Gallery of the Saidye Bronfman Centre for the Arts | Montréal, Quebec |
1984 | L'Art pensé, Congrés international d'esthétique | Université de Montréal | Montreal, Quebec |
Edge and Image | Concordia University Art Gallery | Montreal, Quebec | |
Production and Axis of Sexuality | Walter Phillips Gallery | Banff, Alberta | |
Reflections | National Gallery of Canada | Ottawa, Ontario | |
1986 | Songs of Experience | National Gallery of Canada | Ottawa, Ontario |
1989 | Taking Pictures | Presentation House Gallery | North Vancouver, British Columbia |
Incorporation | Galerie d'art Lavalin | Montreal, Quebec | |
1989-1990 | The Zone of Conventional Practice and Other Real Stories | Galerie Optica | Montreal, Quebec (travelling) |
1991 | Un archipel de désir: les artistes du Québec et la scene internationale | Musée du Québec | Quebec, Quebec |
Practicing Beauty | Art Gallery of Hamilton | Hamilton, Ontario | |
1992 | Exposition rétrospective | Galerie Optica | Montreal, Quebec |
1993 | The Historic Female | Galerie 111 | Montreal, Quebec |
Empowering the World | Carleton University Art Gallery | Ottawa, Ontario | |
1994 | Quotation | Winnipeg Art Gallery | Winnipeg, Manitoba |
Contemporary Canadian Works | The Art Gallery of North York | Toronto, Ontario | |
1996 | Found Missing: Archival Photographs and the New Historicity | Gallery 44 | Toronto, Ontario |
1997 | Here's Looking at Me Kid | Art Gallery of North York | Toronto, Ontario |
1998 | The Word in Art | Art Gallery of North York | Toronto, Ontario |
International
Year | Exhibition | Gallery | City/Country |
---|---|---|---|
1983 | New Images: Contemporary Quebec Photography | 49th Parallel Gallery | New York, New York, USA |
1985 | Visual Facts: Photography and Video by Nine Canadian Artists | Third Eye Centre | Glasgow, Scotland (travelling) |
1986 | 50 Years of Modern Colour Photography, 1936-1986 | Photokina | Cologne, Germany |
Doppleganger/Cover | Aorta Gallery | Amsterdam, Holland | |
1987 | Figures | The Cambridge Darkroom | England (travelling) |
1989 | Montréal '89 | CREDAC | Ivry-sur-Seine, France |
1990 | Odalesque | Jayne Baum Gallery | New York, New York, USA |
1991 | The Photographic Image: Photo-Based Works | 49th Parallel Gallery | New York, New York, USA |
1997 | a little object | Centre for Freudian Analysis and Research | London, England |
Virtue and Vice: Derivations of Allegory in Contemporary Photography | International Photography Research; Site Gallery | Amsterdam, The Netherlands; Sheffield, England (travelling) | |
2008 | Wild Signals | Württembergischer Kunstverein Stuttgart | Stuttgart, Germany |
Awards
Sorel Cohen was awarded the prestigious Duke and Duchess of York Photography Prize, by the Canada Council in 1988.[2]
Related activities
Sorel Cohen has been a member of various arts councils throughout her career. Most notably the Canada Council for the Arts, from 1990-1997. Cohen was also Ministère des Affaires culturelles du Québec in 1992. From 1979-1989 Cohen was a member of the Board of Directors for the Galerie Optica in Montreal.[11] Cohen has been a guest lecturer at various Canadian Universities.[13]
References
- "Sorel Cohen". Canadian Artists of Eastern European Origin: An Introductory Guide. Concordia University. 1998.
- "Sorel Cohen".
- Heller, Jules; Heller, Nancy G. (2013). North American women artists of the twentieth century : a biographical dictionary. Routledge. ISBN 978-1-315-05168-0. OCLC 1086457528.
- "Galerie La Castiglione".
- Cook, Sharon Anne; McLean, Lorna R.; O'Rourke, Kate, eds. (2001). Framing Our Past: Canadian Women's History in the Twentieth Century. Canada: McGill-Queen's University Press. pp. 70–71. ISBN 0-7735-2172-0.
- Cohen, Sorel; Wajcman, Gerard (2003). Divans Maudits. Paris: Centre Culturel Canadien. ISBN 1-896940-26-9.
- "After Bacon/Muybridge #3. Sorel Cohen 1979".
- "Württ. Kunstverein Stuttgart: Wild Signals - Works".
- "SOREL COHEN @ donald browne".
- http://www.centrevox.ca/en/artiste/sorel-cohen/
- "Archived copy". Archived from the original on 2017-03-16. Retrieved 2017-03-16.CS1 maint: archived copy as title (link)
- "Württ. Kunstverein Stuttgart: Wild Signals".
- "Sorel Cohen".