Shreyan Chattopadhyay

Shreyan Chattopadhyay, born Shreyan Chatterjee, also known by his nickname Dodo, is an Indian composer, singer-songwriter, music producer and musician; who works primarily in Kolkata. His works are noted for integrating traditional orchestral arrangements with electronic music, and rock music. He is the son of film and theatre director Debesh Chattopadhyay, and dancer and actress Kastury Chattopadhyay. In 2017, at the age of 20, Shreyan Chattopadhyay began his career scoring for Pancham Baidik's play "Machi" (Arpita Ghosh's adaptation of Jean-Paul Sartre's The Flies); his debut work on the background score of the play received critical acclaim.[1] Since then, Chattopadhyay has gone on to compose the background score for several theatre productions in Kolkata.[2]

Shreyan Chattopadhyay
শ্রেয়াণ চট্টোপাধ্যায়
Shreyan Chattopadhyay at Academy of Fine Arts (2018).
Background information
Birth nameShreyan Chatterjee
Born (1997-03-19) 19 March 1997
Kolkata, West Bengal, India
Genres
Occupation(s)
  • Singer
  • Songwriter
  • Composer
  • Music director
  • Arranger
  • Guitarist
Instruments
Years active2016–present

Early life

From an early age, Chattopadhyay worked as an actor in his father's Bengali theatre group, Sansriti. In 2010, at the age of 13, he was cast to play the young age of the titular character, in Zee Bangla's small screen adaptation of Sarat Chandra Chattopadhyay's Devdas.[3] His performance as a child actor was commended; and he went on to star alongside Sujan Mukhopadhyay in his father's theatre production, "Break Fail". Since then, he has not revisited acting. Chattopadhyay completed his schooling from Salt Lake School. In school, he was a part of the school band "Chords of Canopy", as a lead guitarist.

Shreyan Chattopadhyay performing with his school band (2013).

His interest shifted from acting to music during his high school years. Chattopadhyay never received any formal music training; and is a self taught guitarist and composer. In 2015, Chattopadhyay began to pursue an undergraduate course in English, from Jadavpur University. In college, he devoted more time to songwriting than playing the guitar. During this time, he wrote and performed his own songs in various college events.

Shreyan Chattopadhyay performing in Jadavpur University (2016).

In 2016, Shreyan Chattopadhyay independently released an alternative rock album, titled "Footprints on the Sea".[4] One of his college friends, Souradeep Sen, provided the vocals for the album; while Chattopadhyay wrote, arranged, recorded, mixed and mastered all of the songs on his own. The entire album was produced in his bedroom studio; which he had put up during his second year of college. This album caught the attention of Arpita Ghosh; which led to his debut work on Pancham Baidik's production, "Machi".

Career

Shreyan Chattopadhyay began his career as a theatre composer in 2017, with Arpita Ghosh's play "Machi". In the same year, he composed the background score for Shyamal Chakraborty's play "Hontarok". In 2018, Shreyan Chattopadhyay worked for the first time in one of his father's plays as a composer. He wrote the musical score for his father's play, "Amodito Roddur";[5] which was produced under the banner of Pancham Baidik. His work on the play was critically well received.[6] He then went on to score for Rajib Bardhan's Bengali adaptation of Henrik Ibsen's When We Dead Awaken; the play was titled "Jaganiya Mritajan". Chattopadhyay wrote and produced an entirely electronic score, for his father's first production under the banner of Swapnasandhani.[7] His original score for "1984?" (Debesh Chattopadhyay's adaptation of George Orwell's dystopian novel Nineteen Eighty-Four)[8] also featured two guest voice-overs; from Debshankar Haldar and Arpita Ghosh respectively.[9] His "raucous soundtrack" for the play received critical acclaim.[10][11]

See also

References
  1. "A modern day clarion call".
  2. "Debesh's son Shreyan busy scoring for the stage".
  3. "`Devdas`, now on small screen".
  4. "Footprints on the Sea, Shreyan Chattopadhyay".
  5. "কলকাতার কড়চা: ফেলে আসা সম্পর্ক ছুঁয়ে" (in Bengali).
  6. "অপেক্ষার ওপারে থাকে রোদ্দুর । আমোদিত রোদ্দুর".
  7. "Techno soundscape for Swapnasandhani's next".
  8. "কলকাতার কড়চা: কল্পনা থেকে বাস্তব" (in Bengali).
  9. "1984 to feature two guest voices in its background score".
  10. "Under watch".
  11. "Theatre review: 1984".
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