Sheila Dabney

Sheila Dabney is an American actor, best known for her co-starring role in the 1987 lesbian feminist film She Must Be Seeing Things alongside Lois Weaver and directed by Sheila McLaughlin.[1]

Sheila Dabney
OccupationActress

In 1984, Dabney won an Obie Award for her performance as Sarita in Maria Irene Fornés' play Sarita.[2]

Theater
  • Performer, The Bacchae (1980) at Circle in the Square Theatre[3]
  • Performer, The Three Travels of Aladdin With the Magic Lamp (1982) at La MaMa Experimental Theatre Club[4]
  • Performer, Hot Lunch Apostles (1983) at La MaMa Experimental Theatre Club[5]
  • Performer, Conjur Woman (1983) at La MaMa Experimental Theatre Club[6]
  • Performer, Jerusalem (1983), a work-in-progress, at La MaMa Experimental Theatre Club[7]
  • Performer, Sarita (1984), produced by INTAR Theatre[8]
  • Performer, Hot Lunch Apostles (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Pedro Paramo (1984) at La MaMa Experimental Theatre Club[9]
  • Performer, Harm's Way (1985) at La MaMa Experimental Theatre Club[10]
  • Performer, Big Mouth (1985) at La MaMa Experimental Theatre Club[11]
  • Performer, Cotton Club Gala (1985) at La MaMa Experimental Theatre Club[12]
  • Performer, Fragments of a Greek Trilogy (1987) at La MaMa Experimental Theatre Club[13]
  • Performer and musical composition and direction, Mythos Oedipus and Dionysus Filius Dei (1989) at La MaMa Experimental Theatre Club[14]
  • Performer and additional music and arrangements, Tancredi and Erminia (1993) at La MaMa Experimental Theatre Club[15]
  • Performer, Conjur Woman (2008) at La MaMa Experimental Theatre Club[16]
  • Musical director and performer, Red Noir (2009) at the Living Theatre[17]

Filmography

References
  1. Gwendolyn Audrey Foster (1 January 1995). Women Film Directors: An International Bio-critical Dictionary. Greenwood Publishing Group. pp. 251–. ISBN 978-0-313-28972-9.
  2. "Two Works Share Obie". NYT. 22 May 1984. Retrieved 25 July 2014.
  3. "The Bacchae Broadway @ Circle in the Square Theatre - Tickets and Discounts | Playbill". Playbill. Retrieved 2018-03-16.
  4. Gussow, Mel (1982-10-20). "Musical: 'three Travels of Aladin'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  5. La MaMa Archives Digital Collections, "Program for 'Hot Lunch Apostles' (1983)." Retrieved 2018-03-16.
  6. La MaMa Archives Digital Collections, "Program for 'Conjur Woman' (1983)." Retrieved 2018-03-16.
  7. La MaMa Archives Digital Collections, "Invitation: 'Jerusalem' (1983)." Retrieved 2018-03-16.
  8. Sofer, Andrew. “Maria Irene Fornes: Acts of Translation.” A companion to twentieth-Century American drama, edited by David Krasner, Blackwell, 2007, pp. 440–455.
  9. Holden, Stephen (1984-03-29). "Theater: Poetry Pair". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  10. Gussow, Mel (1985-11-21). "The Stage: 'harm's Way,' by Max Wellman". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  11. Holden, Stephen (1985-05-09). "Theater: 'big Mouth'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  12. Gussow, Mel (1986). "Stage: Musical Revue, 'cotton Club-Gala'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  13. Gussow, Mel (1987). "Stage: 'greek Trilogy' Returns to La Mama". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  14. La MaMa Archives Digital Collections, "Show File: 'Mythos Oedipus' and 'Dionysus Filius Dei' (1989)." Retrieved 2018-03-16.
  15. Bruckner, D. j r (1993-12-16). "Theater in Review". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  16. Webster, Andy (2008-02-06). "Conjur Woman - Review - Theater". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  17. "Living Theatre Announces Four-Week Extension of Red Noir | Playbill". Playbill. Retrieved 2018-03-03.


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