Sergei Vasilenko

Sergei Nikiforovich Vasilenko (Russian: Серге́й Никифорович Василенко, Sergej Nikiforovič Vasilenko; 30 March 1872 [O.S. 18 March] – 11 March 1956) was a Russian and Soviet composer and music teacher whose compositions showed a strong tendency towards mysticism.[1]

Sergei Vasilenko
Born(1872-03-18)March 18, 1872
Moscow
DiedMarch 11, 1956(1956-03-11) (aged 83)
Moscow
Alma materImperial Moscow University (1896)
Occupationcomposer, conductor

Vasilenko was born in Moscow and originally studied Law at Moscow University, but then changed direction and studied at the Moscow Conservatory from 1896 to 1901 as a pupil of Sergei Taneyev and Mikhail Ippolitov-Ivanov.[2] From 1903 to 1904 he was the conductor of a private opera house in Moscow.[3] For several years he was the organiser and conductor of the Historic Concerts of the Russian Musical Society. He then became a Professor at the Moscow Conservatory, where his students included Aram Khachaturian, Nikolai Roslavets, Nikolai Rakov and Aarre Merikanto.[4]

Vasilenko was awarded the Order of the Red Banner as well as the title "Merited Worker of Arts". In 1947, he was awarded the Stalin Prize.[5] He died in Moscow in 1956.

Selected works

Opera
  • Skazaniye o grade velikom Kitezhe i tikhom ozere Svetoyare (Tale of the Great City of Kitezh and the Quiet Lake Svetoyar) (1902; originally a cantata, Op. 5)[6]
  • Sïn solntsa (The Son of the Sun), Op. 63 (1929)
  • Khristofor Kolumb (Christopher Columbus), Op. 80 (1933)
  • Buran (The Snow Storm), Op. 98 (1939)[7]
  • Velikiy kanal (The Grand Canal), Op. 101 (1939)
  • Suvorov, Op. 102 (1942)

Ballet
  • In the Rays of the Sun, Op. 17 (1925–26)
  • Noya, Op. 42 (1923)
  • Joseph the Handsome, Op. 50 (1925)
  • Lola, Op. 52 (1926)
  • The Gypsies, Op. 90 (1936; after Alexander Pushkin)
  • The Frog Princess, Op. 103 (1941)
  • Mirandolina

Choral
  • Cantata Legend of the Great City of Kitezh and the Quiet Lake Svetoyar, Op, 5 (later turned into an opera that anticipated Nikolai Rimsky-Korsakov's work on the same subject)
  • Cantata for the 20th Anniversary of the October Revolution, Op. 92 (1937)

Incidental music

Orchestral
  • Three Bloody Battles, Op. 1 (1900)
  • Epic Poem, Op. 4 (1900–03)
  • Symphony No. 1 in G minor, Op. 10 (1904–06)
  • The Garden of Death, symphonic poem after Oscar Wilde, Op. 13 (1907–08)
  • Sappho, symphonic poem, Op. 14 (1909)
  • Flight of the Witches, symphonic poem, Op. 15 (1908–09)
  • Au soleil, symphonic poem, Op. 17
  • Fantastic Waltz, Op. 18 (1912)
  • Symphony No. 2 in F major, Op. 22
  • Suite on lute music of the 14th to 17th centuries, Op. 24 (1914)
  • Zodiac, suite on French themes of the 18th century, Op. 27 (1914)
  • Exotic Suite, Op. 29 (1915–16)
  • Indian Suite, Op. 42bis
  • Chinese Suite, No. 1, Op. 60 (1928)
  • Turkmenian Suite, Op. 68 (1931)
  • Chinese Suite, No. 2, Op. 70 (1931)
  • Merry-go-round, 8 Soviet dances, Op. 73 (1932)
  • The Soviet East, suite, Op. 75 (1932)
  • Red Army Rhapsody, Op. 77 (1932)
  • film music for Boris Barnet's Okraina (1933)
  • Slavonic Rhapsody (1937)

Concertante
  • Violin Concerto in D minor, Op. 25 (1910–13)
  • Concerto for symphony orchestra and brass band (1928)
  • Suite on Russian Folk Themes, balalaika and accordion (1928)
  • Concerto for Trumpet and Orchestra, Op. 113
  • Piano Concerto in F-sharp minor, Op. 128

Chamber
  • String Quartet in A, Op. 3 (c. 1901)
  • Sonata in D minor for viola and piano, Op. 46 (1923); version for violin and piano (1955)
  • String Quartet in E minor, Op. 58 (c. 1928)
  • Quartet on Turkmenian Themes, for flute, oboe (English horn), clarinet, bassoon and percussion ad lib., Op. 65 (1932)
  • Piano Trio in A, Op. 74 (1932)
  • Japanese Suite for oboe, clarinet, bassoon, xylophone and piano, Op. 66a (1938)
  • Chinese Sketches, woodwind, Op. 78 (1938)
  • Quartet on American Themes, woodwind, Op. 79 (1938)

Military band
  • March of the Red Army, Op. 64 (1929)
  • Fantasy on Revolutionary Songs of the West, Op. 71 (1931)

Other
  • songs (including settings of Māori, Sinhalese, Indian and Japanese tunes)
  • folksong arrangements (including Negro and Turkmenian melodies)
  • piano pieces

Recordings
  • Sergei Vasilenko: Viola and Piano Music (Complete) - Viola Sonata, Op. 46 / Lullaby / 4 Pieces on Themes of Lute Music of the 16-17th Centuries, Op. 35 / Sleeping River / Oriental Dance, Op. 47 / Suite Zodiakus I.A.S, Op. 27 / 4 Pieces (1953) - Elena Artamonova (viola) and Nicholas Walker (piano). Toccata Classics TOCC0127, released 2011
  • "The Russian Connection" - Hexagon Ensemble. Etcetera Records KTC1246, released 2001 - includes Sergei Vasilenko: Quartet on Turkmenian Themes Op.65

References
  1. Artamonova, Elena. "Unknown Sergey Vasilenko And His Viola Compositions: Recent Discoveries In Russian Archives" (PDF). Journal OF THE AMERICAN VIOLA SOCIETY. 28 (1): 33–47.
  2. "Сергей Василенко (II)". Кино-Театр.РУ. Retrieved 2020-12-10.
  3. "персоналии - Василенко Сергей Никифорович". www.mosconsv.ru (in Russian). Retrieved 2020-12-10.
  4. "Сергей Никифорович Василенко (Sergei Vasilenko) | Belcanto.ru". www.belcanto.ru. Retrieved 2020-12-10.
  5. Рогаль-Левицкий, Дмитрий (1947). "Творческий путь С. Н. Василенко" (PDF). Музыкальная Академия. 2: 7–19.
  6. Е. А., Артамонова (2015). "Композитор Сергей Василенко и его вклад в Русскую музыкальную культуру" (PDF). ХУДОЖЕСТВЕННОЕ ОБРАЗОВАНИЕ И НАУКА: 96–103.
  7. "Сергей Никифорович Василенко - Персоны - Санкт-Петербургская академическая филармония имени Д.Д. Шостаковича". www.philharmonia.spb.ru. Retrieved 2020-12-10.

Further reading
  • Imperial Moscow University: 1755-1917: encyclopedic dictionary. Moscow: Russian political encyclopedia (ROSSPEN). A. Andreev, D. Tsygankov. 2010. pp. 114–115. ISBN 978-5-8243-1429-8.
  • A. Eaglefield-Hull (ed), A Dictionary of Modern Music and Musicians (Dent, London 1924)
  • Grove's Dictionary of Music and Musicians, 5th ed. (1954)

See also

See: List of music students by teacher: T to Z#Sergei Vasilenko.

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