Sayonara Jupiter (film)
Bye Bye Jupiter (さよならジュピター, Sayonara Jiupitā) is a 1984 Japanese science fiction film directed by Sakyo Komatsu and Koji Hashimoto. The script was adapted by science-fiction author Sakyo Komatsu from his 1982 novel Sayonara Jupiter.
| Sayonara Jupiter | |
|---|---|
 | |
| Directed by | |
| Produced by | |
| Screenplay by | Sakyo Komatsu[1] |
| Based on | The novel by Sakyo Komatsu[1] |
| Starring |
|
| Music by | Kentaro Haneda[1] |
| Cinematography | Kazutami Hara[1] |
| Edited by | Masaji Ohima[1] |
Production companies | |
| Distributed by | Toho |
Release date |
|
Running time | 129 minutes[1] |
| Country | Japan |
| Language | Japanese English |
Plot
The year is 2125. Earth's population has swelled to 18 billion, while colonies throughout the solar system are home to an additional 5 billion people. While attempting to drive mankind's legacy beyond the solar system, these outer space colonists are engaged in a search for resources and energy, in an effort to tame the harsh environment of space.
A project to melt the polar regions of Mars uncovers massive ground designs similar to those at Nazca. Space Linguist Millicent “Millie” Willem, a member of the Mars project, visits Chief Engineer Eiji Honda aboard the Jupiter-orbiting Minerva Base. Honda is head of the Jupiter Solarization (JS) project, and Millie brings news from the Solar System Development Department (SSDO) that the Martian discoveries may delay his work. Millie describes her theory that aliens visited 100,000 years ago, leaving carvings on the Earth, the Moon and Mars. The messages hint towards a “key” in Jupiter’s Great Red Spot, and she requests Honda’s help with a research trip.
Giving a tour to a delegation from Earth, Honda describes the JS project. Due to the colony energy crisis, and the expense of nuclear fusion, a new power source is required. Jupiter will be turned into a star, thereby providing solar power to all colonies and solving the crisis. The tour is interrupted by protestors from the “Jupiter Church” group, a musician-led cult opposed to the JS project. Honda recognizes one of the protestors as Maria, a former lover.
Honda and Millie take a research craft to the Great Red Spot. Once there, they detect a large rapidly moving sensor anomaly that, according to Honda, was discovered on a previous survey. It is referred to as the "Jupiter Ghost”. Moving in for a closer look, it is revealed as a 120-kilometer long derelict spacecraft, likely the alien ship referenced in Millie’s Nazca research. It is also transmitting a message that they can’t decode.
Meanwhile, Captain Kinn (an old friend of Honda’s) meets with a scientist named Doctor Inoue. Using the spacecraft “Space Arrow,” the pair investigate a region beyond Pluto called “The Comet’s Nest.” It is a ring of dust and ice particles that releases three comets a year. The number of comets is decreasing and they intend to understand why. Forcibly awakened from deep sleep due to a malfunction, they discover a black hole is responsible for the comet reduction, and are killed when their craft is destroyed. Research on the black hole reveals it is headed towards the Sun.
The only way to save the solar system is to use the JS Project to destroy Jupiter, changing the black hole’s course. It is a race against time that draws the attention of Jupiter Church operatives, while the mystery of the “Jupiter Ghost” looms in the background.
Cast
- Tomokazu Miura (Honda Eiji, Chief Engineer of the Jupiter Solarization (JS) Project)
- Diane d'Angély (Maria Basehart, member of the Jupiter Church and Honda’s former lover)
- Rachel Huggett (Millicent “Millie” Willem, Space Linguist)
- Paul Tagawa (Peter, leader of the Jupiter Church)
- Marc Panther (Carlos Angeles, JS Project Reaction Team Lead)
- Ron Irwin (Captain Kinn, pilot of the “Space Arrow”)
- William Tapier (Webb, Chairman of the Solar System Development Office (SSDO) and Millie’s grandfather)
- Akihiko Hirata (Dr. Ryutaro Inoue)
- Andrew Hughes (Senator Shadllic)
- Masumi Okada (Dr. Mohammed Mansur)
- Morishige Hisaya (Earth Federation President)
Staff
Opening Credits
- Producers: Tomoyuki Tanaka, Sakyo Komatsu
- Production in Cooperation with: Fumio Tanaka, Shiro Fujiwara
- Music by: Kentaro Haneda
- Songs by: Yumi Matsutoya, Jiro Sugita
- Soundtrack by: Toshiba EMI Limited
- Music Production in Cooperation with: Toho Music Corporation
- Photographed by: Kazutami Hara
- Production Designed by: Kazuo Takenaka
- Sound Recording by: Shotaro Yoshida
- Lighting Technician: Shinji Kojima
- Editor: Nobuo Ogawa
- Costume Designer: Masahisa Shimura
- Chief Assistant Director: Kunio Miyoshi
- Production Manager: Kishu Morichi
Special Effects
- Photographed by: Kenichi Eguchi
- Lighting Technician: Kohei Mikami
- Art Director: Tsuneo Kanchiku
- Compositing by: Takeshi Miyanishi
- Wire Operation by: Koji Matsumoto
- Special Effects by: Tadaaki Watanabe
- Chief Assistant Director: Eiichi Asada
- Production Manager: Masayuki Ikeda
- Director of Special Effects: Koichi Kawakita
- Directed by: Koji Hashimoto
- General Management, Original Story, and Screenplay by: Sakyo Komatsu
End Credits
- PANAVISION®
- DOLBY STEREO™
- In Selected Theatres
- Dolby Stereo Consultant
- Mikio Mori
- Continental Fear East Inc.
- Tokyo, Japan
- In Cooperation with (Alphabetical):
- Amada Co., Ltd. (Motion control camera system)
- Komatsu Seiren Co., Ltd.
- Shu Uemura Cosmetics
- Scan Process Lab
- Sony Corporation
- Takara Belmont Corporation
- Nichiei Textile Corporation
- NASA JPL
- NEC Nippon Electric Group
- pearl studio
- Bandai Co., Ltd.
- Moon Beach Co., Ltd.
- Okinawa Ocean Expo Commemorative National Government Park
- GK, Inc.
- Shinjuku NS Building Co., Ltd.
- Sord Corporation
- Dynic Corporation
- Sculpture Forest Art Foundation
- Toray Industries, Inc.
- NAC Co., Ltd. (Snorkel camera system)
- McDonald's Company (Japan), Ltd.
- Palomar & Wilson Observatories
- Mitsubishi Rayon Co., Ltd.
- ROGER PAYNE
- "Bye-Bye Jupiter": Sankei Publishing, Tokuma Bunko
Assistants to the Crew
- Masahiro Tara, Yukio Isohata, Akira Sakuragi, Nobuo Ikeda
- Kazuo Nakamura, Hideto Aga, Sae Higashijima, Kenji Suzuki
- Keiichi Sakurai, Kazumi Kawagoe, Tsuneo Tanami, Hiroshi Komura
- Lighting & Special Equipment by: Shunji Yokota, Sadamu Takahara
- Still Photography by: Yoshinori Ishizuki, Takashi Nakao
- Documentation by: Koko Kajiyama, Keiko Suzuka
- Interpreters: Michiko Uejima, Jun Kawase
- Hairdressing by: Sakae Nakao
- Wardrobe by: Katsumi Harada
- Makeup by: Osamu Ota
- Equipment by: Kazuo Suzuki, Norio Takenaka
- Stage Setting by: Shingo Numakura
- Decoration by: Akio Tashiro
- Decorative Illumination by: Hideo Inagaki
- Moving Sculptures by: Takamichi Ito
- Fight Choreography by: Kanzo Uni
- Casting Director: Shosei Kitta
- Negative Editor: Yasuo Kamiike
- Production Advertisement by: Takatoshi Mitsui
- Production Assistants: Koji Maeda, Moriho Hayashi
- Optical Photography by: Yoshikazu Manoda
- Drawing by: Yoshio Ishi
- Musical Performance by: Tokyo Symphony Orchestra
- Music Producer: Tadahiko Maeda
- Space Illustrator: Fuchimu Shimakura
- Models Designed & Produced by: Studio Nue, Ogawa Modeling Group
- Image Design: Jinsei Cho
- Computer Graphics: DIGITAL EFFECTS, Computer Graphics Lab, Mitsubishi Research Institute, Inc.
- Produced and Directed by: David M. Geshwind, Yutaka Tsuchiya
- System Advisor: Asao Ishizuka
- Underwater Photography by: Yoshihiko Otsu
- Advertising Producers: Hideo Shikano, Yoshishige Shimatani
- Mixing by: Toho Recording Center TKL-STEREO Tokyo Laboratory, LTD.
- Effects by: Toyo Sound Effects Group
- Processing by: IMAGICA
Production
Star Wars was released in Japan in 1978, contributing to that country’s science fiction boom. Its contemporaries included two indigenously-produced films, Toho’s The War in Space and Toei’s Message from Space. Prior to production on The War in Space, Toho offered a contract to author Sakyo Komatsu to write a science fiction film. Komatsu had long desired to make a film comparable to 2001 A Space Odyssey. He took further inspiration from NASA’s Voyager mission to Jupiter and the outer planets. The first draft of “Sayonara Jupiter’s” script was completed in mid-1979.[2]
Simultaneously, Toho registered copyright in the United States. Komatsu’s script included planned collaboration with the US, due to an estimated shooting time of three hours and the involvement of hundreds of foreign cast members.[2]
In 1980, a serialized novel based on the first screenplay was published in “The Weekly Sankei”. The shooting script was completed in March 1983. Tragedy struck when original director Shiro Moritani (who had previously worked on the Komatsu project Japan Sinks) died in 1984 of stomach cancer. He was replaced by Koji Hashimoto, the assistant director.[2]
Release
Bye Bye Jupiter was released in Japan on 17 March 1984, distributed by Toho.[3] The film was never released theatrically in the United States. It was released on DVD by Discotek Media in both an English-dubbed and Japanese-language format on January 30, 2007.[3]
Reviews
Critical reception for the film by English language critics has been mixed.[4] DVD Talk gave the film a mixed review, writing "Sayonara Jupiter will intrigue and frustrate fans of Japanese fantasy cinema in equal measure, while mainstream American audiences will find it insufferably dull and unoriginal."[5]
References
Footnotes
- Galbraith IV 2008, p. 338.
- Tōhō tokusatsu eiga daizenshū. Tōhō Kabushiki Kaisha., 東宝株式会社. (Shohan ed.). Tōkyō. ISBN 978-4-86491-013-2. OCLC 811560583.CS1 maint: others (link)
- Galbraith, Stuart, 1965- (2008). The Toho Studios story : a history and complete filmography. Lanham, Md.: Scarecrow Press. ISBN 978-1-4616-7374-3. OCLC 852899281.CS1 maint: multiple names: authors list (link)
- "Sayonara Jupiter (aka Bye-Bye Jupiter, 1983) Movie Review". Beyond Hollywood. Retrieved 17 October 2015.
- Galbraith IV, Stuart. "Sayonara Jupiter (review)". DVD Talk. Retrieved 17 October 2015.
Sources
- Galbraith IV, Stuart (2008). The Toho Studios Story: A History and Complete Filmography. Scarecrow Press. ISBN 1461673747.CS1 maint: ref=harv (link)