Salim al-Dabbagh

Salim al-Dabbagh (born, 1941 Mosul, Iraq) is an Iraqi painter and installation artist noted for abstract work that references Iraqi traditions. He was one of the founders of the Innovationists Group; an artists' collective that helped to shape modern art in Iraq and was the Head of the Graphic Department at the Institute of Fine Arts in Baghdad from 1971 to 2000.

Salim al-Dabbagh
سالم الدبَاغ
Born1941
Mosul, Iraq
NationalityIraqi
EducationInstitute of Fine Arts, Baghdad (1965); Graphic design, Lison (1967-68)
Known forPainter, sculptor and installation artist
MovementAbstract art
WebsiteOfficial website

Life and career

Salim al-Dabbagh was born in Mosul, Iraq in 1941.[1] As a child he observed locals engaged in traditional craft-work, which helped him to develop a love of local tradition and culture. He was fascinated by the women using goat hair to weave tents on the streets and in the squares. He would later use this as a source of inspiration for his artwork.[1]

He obtained a degree in painting from the Baghdad Institute of Fine Arts in 1965. He was then awarded a scholarship by the Calouste Gulbenkian Foundation to undertake a two-year course in graphic arts in Lisbon (1967–68).[2] He began painting in an abstract style as a student of Roman Artymowski, the Polish artist used circular geometric forms. However, al-Dabbagh, who wanted to reference the nomads' tents he had observed as a child, was enchanted by rectangular forms.[1]

He was an active participant in the Iraqi arts community. In 1965, he was one of the founders of the art group known as Al-Mujadidin (The Innovationists) whose members included Salman Abbas, Amer al-Obaidi, Saleh al-Jumai'e, Faik Husein, Nida Kadhim and Talib Makki,[3] The membership of this group comprised younger members of Iraq's arts scene, and especially those who wanted to experiment with different media and who often chose war and conflict as key themes for their artwork[4] and was one of the more enduring of all Iraq's art groups.[5] The group held its first exhibition in 1965 at the National Gallery of Modern Art where members all exhibited works.[6]

Al-Dabbagh has worked as an art and graphic design professor and served as Head of the Graphic Design Department at Baghdad's Institute of Fine Arts (1971-2000) and has also worked as a consultant to Iraqi fashion houses.[7] He lives and works in Baghdad.

Awards

Al-Dabbagh has been the recipient of multiple awards including:[8]

  • 1987 Bronze Medal, Cairo
  • 1986 Inter Graphic Award, Berlin, East Germany
  • 1985 Miro Picasso Award, Arab Spanish League, Baghdad and Madrid
  • 1980 Inter Graphic in Berlin in East Germany
  • 1978 The Golden Sail Award in Kuwait
  • 1966 Honourable Mention at the Leipzig International Art Exhibition on Acrylic Art, Germany

Work

He has held several solo exhibitions in Baghdad, Lisbon, Kuwait and Beirut. His work is conspicuously abstract, however, the sources of inspiration evident in his paintings are distinctly Iraqi. The Kaaba (cube) is purest source of inspiration, but he also uses other geometric forms.[9] The colours he favours are black and white; a reference to the black and white tents as used by Bedouin nomads.[10]

See also

References
  1. Touati, S., "Salim-al-Dabbagh," [Biography], 2014, Online:
  2. Santos, A.V., Rafa Nasiri, Salim Dabbagh and Hashim Samarchi [Catalogue of Exhibition], Galleria Gravura, 1968," available in Modern Art Iraq Archive, Item #116 Onine:
  3. Sharifian, S., Mohammadzade, M., Naef, S. and Mehraeen, M., "Cultural Continuity in Modern Iraqi Painting between 1950-1980," Bagh-e-Nazar, (The Scientific Journal of NAZAR Research Center (Nrc) for Art, Architecture & Urbanism), vol. 14, no.47, 2017, pp 43-52 (published in English and Persian); Dabrowska, K. and Hann, G., Iraq Then and Now: A Guide to the Country and Its People, Bradt Travel Guides, 2008, p. 269
  4. Dabrowska, K. and Hann, G., Iraq Then and Now: A Guide to the Country and Its People, Bradt Travel Guides, 2008, p. 279
  5. Ali, W., Modern Islamic Art: Development and Continuity, University of Florida Press, 1997, p.51
  6. Salīm, N., Iraq: Contemporary Art, Vol. 1, Sartec, 1977, p. 173
  7. Touati, S., "Salim-al-Dabbagh," {Biography], 2014, Online:
  8. "Salim al-Dabbagh" [Biographical Notes], Ibrahimi Collection,http://ibrahimicollection.com/node/106
  9. Iraq, Translation and Foreign Languages Publishing House, 1984, p. 31
  10. Sharifian, S., Mohammadzade, M., Naef, S. and Mehraee, M., "Cultural Continuity in Modern Iraqi Painting between 1950- 1980," Bagh-e Nazar[The Scientific Journal of NAZAR Research Center (Nrc) for Art, Architecture & Urbanism], vol. 14, no.47, May 2017, pp 43-54
  • Modern Art Iraq Archive - includes reproductions of artworks, many of which were looted from the Museum of Modern Art in 2003 and remain missing. These artworks are not accessible in any other public source.

Further reading
  • Ali, W., Modern Islamic Art: Development and Continuity, University of Florida Press, 1997
  • Shabout, N.M., Modern Arab Art: Formation of Arab Aesthetics, University of Florida Press, 2007
  • Bloom J. and Blair, S., The Grove Encyclopedia of Islamic Art and Architecture, Oxford University Press, 2009 Vols 1-3
  • Reynolds, D.F. (ed.), The Cambridge Companion to Modern Arab Culture, Cambridge University Press, 2015
  • Faraj, M., Strokes Of Genius: Contemporary Art from Iraq, London, Saqi Books, 2001
  • Schroth, M-A. (ed.), Longing for Eternity: One Century of Modern and Contemporary Iraqi Art, Skira, 2014
  • Bahrani, Z. and Shabout, N.M., Modernism and Iraq, Miriam and Ira D. Wallach Art Gallery and Columbia University, 2009
  • "Iraq: Arts" Encyclopedia Britannica, Online:
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