Ricardo Lemvo

Ricardo Lemvo (born September 3, 1957) is a singer of Angolan descent who lives in Los Angeles, California. His music is a blend of African soukous, kizomba, samba and Cuban salsa.

Ricardo Lemvo
Ricardo Lemvo, performing in Manhattan Beach, California, July 2018
Background information
Born (1957-09-03) September 3, 1957
Kimpese, Democratic Republic of the Congo
OriginLos Angeles, United States
GenresSalsa, soukous, kizomba
Years active1990–present
LabelsMopiato Music
Associated actsMakina Loca
Websitehttp://www.makinaloca.com/

Early years and family

Lemvo was born in Kimpese, Democratic Republic of the Congo, and as a boy he lived in Kinshasa.[1][2][3] His family is Angolan, from M'banza-Kongo in the northern part of Angola. His grandfather, João Mantantu Dundulu N'lemvo, was a Baptist pastor who worked with British missionaries in the 1880s, and was the first Angolan to translate the English-language Bible into Kikongo. Although Lemvo grew up in the D.R.C. and later in the United States, he said in an interview that Angolan is foremost among his three nationalities: (translated) "I am the product of these three countries, but I feel Angolan on top of everything, because it is in this country that my roots are located, inside Kongo dya Ntontila."[note 1])[3]

As a 13- or 14-year-old, in Kinshasa during breaks from his Catholic boarding school in Gombe-Matadi, Lemvo joined a youth band called Mira Mira, singing American R&B songs by James Brown and Otis Redding.[4] Kinshasa is where Lemvo first encountered and enjoyed Cuban music; taking advantage of a cousin's large record collection, he would listen to Orquesta Aragón, Arsenio Rodríguez, Sonora Matancera and Abelardo Barroso.[4] He also credited his musical interest to the fact that his parents' house in Kinshasa was next to a bar, which would loudly play Congolese and Cuban rumba, as well as New York salsa, at all hours.[1]

He moved to California, in the United States, at age 15 to continue his education, and has lived there since. He graduated from Lawndale High School[5] and later from California State University, Los Angeles with a bachelor's degree in Political Science.[6]

Lemvo has a daughter, Isabela, whose name is the title of one of his songs and the title of the band's 2007 album.[7]

Career

In 1990, though he does not read music or play any instrument, Lemvo formed the band Makina Loca,[7] and with them he has become "one of the most creative and successful salsa bandleaders" in Southern California.[8]

Lemvo sings in English, French, Kikongo, Kimbundu, Lingala, Lucumi, Portuguese, Spanish, Swahili, and Turkish.[9][10][11] He blends Latin and African musical styles, "sprinkling in rumba, merengue or Afro-Portuguese elements."[9] His earlier recordings, including the 1998 hit "Mambo Yo Yo," were largely based on mixing Congolese rumba and soukous with Cuban son and salsa, but more recently Lemvo explored his Angolan heritage, singing in Portuguese and indigenous Angolan languages, and playing Angolan rhythms such as semba and kizomba.[12] The latter form of music was influenced by the French-Caribbean zouk.[13] Guest artists on his recordings have included well-known Congolese, Cape Verdean, and Cuban musicians Sam Mangwana, Papa Noel, Nyboma, Wuta Mayi, Syran Mbenza, Bopol Mansiamina, Maria de Barros, and Alfredo de la Fé.[14][9][15]

Lemvo and Makina Loca appeared in the 1998 movie Dance With Me starring Vanessa Williams and Chayanne. in 1998, the American World Music Awards, a spin-off of the Houston International Festival,[16] honored Lemvo as Emerging Artist of the Year.[9] At the 2015 Angola Music Awards Lemvo won Music D'Ouro for the song "Curtição (A resposta)".[17]

In addition to regularly playing Los Angeles clubs,[18] Lemvo has toured widely, and has performed at prestigious festivals throughout Europe, the Americas and Australia.[9] As a few examples, he has played at the John F. Kennedy Center's Millennium Stage in Washington, D.C. in June 1998,[19] the Roskilde Festival in Denmark in 2000,[20] the HeimatKlänge Festival in Berlin in July–August 2001,[21] the Red Sea Jazz Festival in Eilat, Irael in August 2001,[22] New York's SOB's in July 2007,[23] the National Folk Festival in Butte, Montana in July 2008,[24] the Planet Arlington World Music festival in Arlington, Virginia, in August 2008,[25] Lincoln Center's Midsummer Night Swing in New York in April 2014[26] Chicago SummerDance and two other festivals in Chicago and Evanston, Illinois in July 2014,[10] the LACMA's "Latin Sounds" series of summer concerts in September 2018,[27] and the North Carolina Folk Festival in September 2019.[28][29]

Assessments and significance

Critic Robert Christgau described Lemvo's appeal, saying, "In five different non-English languages he invites cousin after cousin into the extended family--from boogaloo to rumba, bolero to son--and defines the groove they share with his own contained dynamics."[30] Jon Pareles, in a New York Times capsule review of the 2007 album Isabella, wrote that "While Mr. Lemvo sings in a honeyed Congolese croon, the styles on “Isabela” bounce back and forth across the Atlantic in separate songs: Cuban charanga, Angolan kizomba, boogaloo, Congolese soukous. Mr. Lemvo wrote most of the songs — though not the bolero in Turkish — and his fusions are supple, never forced."[31]

A Boston Globe profile notes how Lemvo's music brings to life the idea, championed by scholars including Robert Farris Thompson and Paul Gilroy, of the Black Atlantic, "the centuries-old exchange of rhythm and culture that began with the Middle Passage, when slaves brought their sounds to Cuba and Haiti."[1] In an essay in which he calls attention to Lemvo, anthropologist Bob W. White describes Congolese rumba in terms of "the mind-bending genealogical tale of successive musical waves back and forth across the Atlantic Ocean," how Africans taken to Cuba in the slave trade and their descendants developed rumba, and how Cuban records were played in Congo leading to development of Africanized versions of that music, namely the Congolese rumba and then soukous.[32] Describing how Lemvo marks another generation of that trans-Atlantic cross-fertilzation, combining those related Cuban and Congolese forms of music, as well as other African-influenced musics of the old and new worlds, into Lemvo's own mix, the scholar and musician Ned Sublette, "an authority on Cuban music and its African roots and branches," said "Ricardo is the only one, right now, looking at the totality of what this is. The entire time I’ve known him, he’s been looking at the big picture."[1]

Discography

Credited artist for all of the following: Ricardo Lemvo & Makina Loca

  • Tata Masamba (Mopiato Music) (1996)
  • Mambo Yo Yo (Putumayo World Music) (1998)
  • São Salvador (Putumayo World Music) (1999)
  • "Boom Boom Tarara" (Putumayo World Music) [digipack single] (2000)
  • Ay Valeria! (Mopiato Music) (2003)
  • Isabela (Mopiato Music) (2007)
  • Retrospectiva (Mopiato Music) [compilation] (2009)
  • La Rumba SoYo (Cumbancha) (2014)
  • N'dona Ponte (Mopiato Music) [digital download] (2020)

Notes
  1. Portuguese original: "Sou o produto destes três paises, mas sinto-me angolano em cima de tudo, porque é neste pais que se situa as minhas raizes, no interior de Kongo dya Ntontila."

References
  1. Siddhartha Mitter, "Congolese singer Ricardo Lemvo bridges styles, cultures" Boston Globe (September 12, 2015).
  2. Judy Cantor, "The Congo by way of Cuba" Miami New Times (June 11, 1998).
  3. "Ricardo Lemvo, um angolano em Los Angeles". Wizi-Kongo.com (in Portuguese). 28 September 2016. Retrieved 22 November 2020.
  4. Romero, Angel. "Artist Profiles: Ricardo Lemvo". World Music Central. Retrieved 22 November 2020.
  5. "Lorenza Munoz, "Ricardo Lemvo: Infused with the Cuban beat" Los Angeles Times (July 13, 2009).
  6. Lemvo's biography from the Makina Loca website
  7. "Ricardo Lemvo Mixes Cultures in Song" NPR (March 25, 2008).
  8. Andrew Gilbert, "Ricardo Lemvo brings his rich Afro-Latin sound to South Bay" The Mercury News (July 7, 2014).
  9. MEYER, MARIANNE (13 March 2008). "Live!". Washington Post. Retrieved 22 November 2020.
  10. "Recently Released: Ricardo Lemvo & Makina Loca - La Rumba SoYo (June 24 2014 - Cumbancha)". Art & Culture Maven. 7 July 2014. Retrieved 22 November 2020.
  11. Ellerd, Cody (18 April 2000). "Congo Plus Cuba Equals Future of Salsa | I". www.ipsnews.net. Inter Press Service. Retrieved 22 November 2020.
  12. "Ricardo Lemvo & Makina Loca - WOMEX". Womex. Retrieved 22 November 2020.
  13. "Happenings: Metro Art Presents: Ricardo Lemvo y Makina Loca". Union Station Los Angeles. Retrieved 22 November 2020.
  14. "Ricardo Lemvo, Tata Masamba". Amazon.com. Retrieved 22 November 2020.
  15. "Ricardo Lemvo & Makina Loca, Isabela" (PDF). Mopiato Music. Retrieved 22 November 2020.
  16. Eyre, Banning (20 April 1999). "We are the world". Salon. Retrieved 22 November 2020.
  17. "Yola Semedo arrecada quatro prémios no Angola Music Awards". Noticias ao Minuto. Retrieved 3 July 2015.
  18. VANDERKNYFF, RICK (12 December 1996). "No Longer Oceans Apart". Los Angeles Times. Retrieved 22 November 2020.
  19. Barriere, Barry (5 June 1998). "THE SOUNDS OF SUMMER". Washington Post. Retrieved 23 November 2020.
  20. "Roskilde Festival 2000". Festivalhistorik.dk (in Danish). Retrieved 22 November 2020.
  21. "A Short History of HeimatKlänge" (PDF). Piranha Records and Publishing. Retrieved 25 November 2020.
  22. "[Red] Sea Jazz Festival". nptm.ru. Retrieved 25 November 2020.
  23. Pareles, Jon (29 June 2007). "Season of Sounds That Span the Globe (Published 2007)". The New York Times. Retrieved 22 November 2020.
  24. Moss, Mark D. (28 March 2008). "National Folk Festival Moving to Montana". Sing Out!.
  25. MEYER, MARIANNE (28 August 2008). "Live!". Washington Post. Retrieved 22 November 2020.
  26. Kozinn, Allan (23 April 2014). "Midsummer Night Swing Offerings Range From Afro-Cuban to Classic Rock". The New York Times ArtsBeat.
  27. "Music: Ricardo Lemvo and Makina Loca" LACMA (September 1, 2018).
  28. "Artist Announcement". North Carolina Folk Festival. 11 June 2019. Retrieved 22 November 2020.
  29. "N.C. Folk Festival releases schedule on website, mobile app". Greensboro News and Record. 14 August 2019. Retrieved 22 November 2020.
  30. Robert Christgau, Consumer Guide reviews, Ricardo Lemvo and Makina Loca (2007).
  31. Pareles, Jon (29 June 2007). "A Big, Wide World of Music (Published 2007)". The New York Times. Retrieved 22 November 2020.
  32. White, Bob W. (1 January 2002). "Congolese Rumba and Other Cosmopolitanisms" (PDF). Cahiers d'études africaines. 42 (168): 663–686. doi:10.4000/etudesafricaines.161. Retrieved 23 November 2020.
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