Randall Schmit

Randall Schmit (born 1955) is a contemporary American artist of Luxembourger and Dutch descent, working primarily in painting.[2]

Randall Schmit
Born1955, Newark, NJ, United States
NationalityAmerican-Luxembourger-Dutch[1]
Known forpainting, collage
Awards

Biography

Visual artist Randall Schmit[1] was born in Newark, New Jersey,[2] and grew up along the Mississippi River in Baton Rouge, Louisiana.[3] After initial studies in architecture at Texas A&M University, Schmit began to paint, and was Studio Assistant to abstract colorist, Ray Parker (painter) during the late-seventies and early eighties in New York.[1] Schmit's calligraphic and buoyant abstractions first came to public attention in New York in the 1980s, where he exhibited extensively in the East Village, Manhattan.[1] His first solo exhibition in New York was held in 1982 at Betty Cuningham Gallery on Prince Street in Soho; later exhibitions of the artist's work were held in East Village venues such as José Freire's fiction/nonfiction (solo exhibition, 1987), the Pyramid Club (1986), and Virtual Garrison (1985). Schmit's paintings were characterised as "loud, cartoonish" by critic Michael Brenson during this period.[4] Recent solo exhibitions have been in Hudson, New York at the David Bruner Gallery (2010) and at McDaris Fine Art (2013), both on Warren Street; and a (2014) solo exhibition in Woodstock, NY, at the Woodstock Artists Association Museum (W.A.A.M.) on Tinker Street.

Influences

In addition to the obvious influences of Surrealism[5] and the mature New York School found in the studio of Schmit's mentor,[6] Ray Parker—a colleague of Abstract Expressionists Willem de Kooning, Robert Motherwell, Michael Goldberg and others—the graphic influence of comics and contemporary 1980s East Village Graffiti artists is also seen in Schmit's early work.

According to museum curator Lowery Stokes Sims,[7] Schmit has been "fascinated with cartoons, which have been a starting point in his early work, and has incorporated comic imagery into his work" since at least the early eighties.

Whether from his childhood in Louisiana,[8] or the influence of Parker's musical interests, Schmit has long held an interest in jazz music, and was included in the important 1997 Smithsonian traveling exhibition, Seeing Jazz, alongside a quote from jazz composer, Miles Davis.[9] Drawing with graphite and acrylic paint over snipped images from art magazines, science fiction ephemera, movie and other books and magazines, Schmit has worked with collage since 1991.[10] During a visit to Istanbul, Turkey in 2000,[11] Schmit studied the historic mosaics installed within the ancient architecture there.[12] He exhibited an important group of collage paintings at Galerie Apel in Istanbul that year. These works are psychedelic in nature, with swirling comic and science fiction imagery[13] woven into web-like trails and gestures of paint that bind disparate images together as one entity.

Education

Schmit entered Texas A&M University as a student of architecture.[1] He soon migrated to the department of fine arts there, where he graduated with BFA and MFA degrees in Painting. He also studied painting during 1979-1981 at Empire State College at the State University of New York. The artist currently lives and works in New York and Columbia County, NY.[2]

Honors and awards

Selected public collections
  • Metropolitan Museum of Art, New York, NY
  • New Orleans Museum of Art, New Orleans, LA
  • Ogden Museum of Southern Art, New Orleans, LA
  • Frederick R. Weisman Museum of Art, Malibu, CA
  • Birmingham Museum of Art, Birmingham, AL
  • (MoCA) Museum of Contemporary Art, Jacksonville, FL
  • Art Museum of Western Virginia, Roanoke, VA
  • Nasher Museum of Art, Duke University, Durham, NC
  • Castellani Art Museum, Niagara University, Niagara, NY

Books and catalogs

See also

Notes and references
  1. "Randall Schmit Biography". artnet.com. artnet worldwide. 20 December 2013. Retrieved 20 December 2013.
  2. "Who's Who in America". Marquis. Retrieved 6 October 2013.
  3. Register-Star (May 28 – June 3, 2010). "Hudson Gallery to Feature Works by" (PDF). Hudson-Catskill Newspapers. Retrieved 6 October 2013.
  4. Brenson, Michael (July 26, 1987). "CRITICS' CHOICES; Art". The New York Times. Retrieved 11 January 2014.
  5. Heartney, Eleanor (December 1991). "Randall Schmit at E.M.Donahue". Art in America: 117–118 (illus).
  6. Fine Arts Department. "From Abstraction and Back". School of Visual Arts, NY. Retrieved 6 October 2013.
  7. Sims, Lowery (1990). Catalogue for exhibition at E.M Donahue (PDF). New York, NY: E.M Donahue Gallery/Harvey Press New Orleans. p. 3 (illus).
  8. Behl, Catherine (November–December 1986). "A Sense of Change". New Orleans Art Review. 86–87 (2): 30–31 (illus).
  9. Goldson, Elizabeth (1999). Seeing Jazz: Artists and Writers on Jazz (PDF). San Francisco, CA: Chronicle Books. pp. 79, 143 (illus, color). ISBN 0-8118-1180-8.
  10. Zimmer, Bill. "Collage: New Applications | Collage is a Thing With Seams" (PDF). p.2. Lehman College Art Gallery, NY. Retrieved 6 October 2013.
  11. NYV [television coverage], Istanbul, TURKEY (September 15, 2000). "Randall Schmit at Galeri Apel". NYV [television coverage], Istanbul, TURKEY (video) (in Turkish). NYV [television coverage], Istanbul, TURKEY.CS1 maint: multiple names: authors list (link)
  12. Brill, Joseph A. (September 3, 2000). "Hudson Artists Bring American Culture to the Middle of the World". Register-Star.
  13. Myles, Eileen (December 1994). "Randall Schmit at E.M.Donohue". Art in America. 82 (12): 104, 105 (illus).

Additional references
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