R. O. Morris

Reginald Owen Morris (3 March 1886 – 15 December 1948), known professionally and by his friends by his initials, as R.O. Morris, was a British composer and teacher.

Teacher and author

Morris was born in York. He was educated at Harrow School, New College, Oxford and the Royal College of Music (RCM) in London, where he subsequently became professor of counterpoint and composition.[1] On the outbreak of World War I he enlisted in the Duke of Cornwall's Light Infantry, along with his friends George Butterworth and Geoffrey Toye. He became famous as an exceptional teacher of counterpoint, and wrote several texts including Introduction to Counterpoint (Oxford 1944), Contrapuntal Technique in the Sixteenth Century (Oxford, 1922), Foundations of Practical Harmony and Counterpoint, Volume 1 of The Oxford Harmony (1946), and The Structure of Music (Oxford, 1935).[2] From 1926 for two years he taught at the Curtis Institute in Philadelphia.[3] His students included the composers Gerald Finzi, Sir Michael Tippett, Constant Lambert, Robin Milford, Anthony Milner, Edmund Rubbra, Bernard Stevens and Jean Coulthard. Beyond music, Morris set crosswords for The Times[4] and edited the 1914 Oxford University Press edition of R D Blackmore's novel Lorna Doone.[5]

Composer

His compositions have been overshadowed by his formidable reputation as a teacher. However, Morris enjoyed a ten year period of creativity as a composer roughly between 1922 and 1932, writing symphonic and chamber music, songs and choral works. One of the first, the Fantasy String Quartet in A, won a Carnegie Trust Award and was published as part of the Carnegie Collection of British Music.[6] Gerald Finzi thought highly of his music, and in an obituary piece (quoted in Diana McVeagh’s biography of Finzi) he chose four pieces representing Morris at his most approachable –Corrina’s Maying for chorus and orchestra, the Concerto Piccolo, the Suite for Chamber Orchestra and the six Canzoni Ricertati for string orchestra or string quartet – with the Toccata and Fugue for Orchestra at the other extreme and the Symphony in D (first performed on 1 January 1934 at the Queen’s Hall) somewhere in the middle.[7] According to Stephen Banfield, Finzi regarded the last of the Canzoni Ricertati as Morris's "one genuine masterpiece” and described it as a "grave and lovely" work.[8][9]

Much of his most powerful music is contrapuntally-led, as in the final Chaconne of the Sinfonia in C,[10] the intense fugal and canonic writing of the Canzoni Ricertati No 6 (using themes that maintain the flavor of mournful folk melodies),[11] or the first movement of the Symphony in D, where the coda develops into a masterly canon.[10] But in the early 1930s Morris stopped composing and would never talk about his own compositions from that point onwards.[12] Today he is generally known for just one work, the hymn tune Hermitage [13] used as the melody for the carol Love Came Down at Christmas.[14]

Personal life

In February 1915 Morris married Emmie Fisher, thus becoming brother-in-law to Vaughan Williams, who had married her sister Adeline. For many years in the 1920s and 1930s Morris lived at 30, Glebe Place, very close to Vaughan Williams and Adeline.[15] He later moved to 2, Addison Gardens in Kensington, where he died very suddenly in December 1948, having been examining at the Royal College of Music the day before with no sign of anything wrong.[16]

Works

Orchestral and chamber

  • 1922 Fantasy for string quartet [17]
  • 1925 Motet for string quartet (fp 7 June 1925)[18]
  • 1928-9 Sinfonia in C Major [10]
  • 1930 Concerto piccolo for two violins and string orchestra [19][20]
  • 1930 Concerto in G minor for Violin and Orchestra [21]
  • 1931 Canzoni Ricertati for string quartet or string orchestra[22][11]
  • 1932 Partita Lidica (Suite for Violoncello and Orchestra in F major) [23]
  • 1934 Symphony in D [24][25][10]
  • Toccata and Fugue for Orchestra

Choral

  • 1925 Love came down at Christmas (tune Hermitage) [26]
  • 1928 See amid the winter's snow (tune Winter's Snow) [27]
  • 1929 'Six English Folk-Songs (Seventeen come Sunday, Brisk young sailor (two versions) The lawyer, Tarry trousers, The cuckoo) [28]
  • 1930 There is a Garden
  • 1931 Five English Folk-Songs (Blow away the Morning Dew, Cold Blows the Wind, High Germany, The Turtle-Dove, The Mare and the Foal) [29]
  • 1932 Since thou, O fondest and truest
  • 1932 Hunting Song
  • 1933 Corinna's Maying. (also version with orchestral accompaniment)

References
  1. Morris, Reginald Owen, by Raymond Holden, Oxford Dictionary of National Biography (2004)
  2. Morris, Reginald Owen, by H C Colles and Howard Ferguson, Grove Music Online, 2001
  3. "War Composers - the music of World War I. A biography of R.O. Morris". Warcomposers.co.uk. Retrieved 25 July 2020.
  4. "John Gardner, Symphonist". Toccataclassics.com. Retrieved 25 July 2020.
  5. Blackmore, R. D.; Morris, R.O. (25 July 1914). "Lorna Doone; a romance of Exmoor". Oxford University Press. Retrieved 25 July 2020 – via Hathi Trust.
  6. "The Afternoon on Three". Genome.ch.bbx.co.uk. 24 October 1995. p. 128. Retrieved 25 July 2020.
  7. McVeagh, Diana: Gerald Finzi, His Life and Music, Boydell Press, 2005
  8. Banfield, Stephen: Gerald Finzi, an English Composer, Faber and Faber, 1998
  9. "British String Quartets - The Lindsays". Amazon.co.uk. 21 February 1997. Retrieved 25 July 2020.
  10. Schaarwächter, Jürgen (27 February 2015). Two Centuries of British Symphonism: From the beginnings to 1945. A preliminary survey. With a foreword by Lewis Foreman. Volume 1. Georg Olms Verlag. p. 13. ISBN 9783487152271. Retrieved 25 July 2020 – via Google Books.
  11. "R O Morris: Canzoni Ricertati (1931)". Atuneadayblogdotcom.wordpress.com. 13 April 2014. Retrieved 25 July 2020.
  12. Weedon, Robert: War Composers: The Music of World War 1, Warcomposers.co.uk
  13. Presbyterian Hymnal, 1933
  14. King's College Cambridge Choir: Love Came Down at Christmas, YouTube, 2012
  15. "Letter from Ralph Vaughan Williams to Christopher le Fleming | The Letters of Ralph Vaughan Williams". Vaughanwilliams.uk. Retrieved 25 July 2020.
  16. Obituary, The Times, 16 December 1948
  17. "PDS login". Library.kcl.ac.uk. Retrieved 25 July 2020.
  18. Lloyd, Stephen, Beyond the Rio Grande, p. 83 footnote
  19. Concerto piccolo, for two violins and string orchestra. Worldcat.org. 25 July 1930. OCLC 9447555. Retrieved 25 July 2020 – via Open WorldCat.
  20. Music and Letters, Vol 32, No 3, July 1951 (Reviewed Works)
  21. "Trove". Trove.nla.gov.au. Retrieved 25 July 2020.
  22. "Search Results | Library Hub". Discover.libraryhub.jisc.ac.uk. Retrieved 25 July 2020.
  23. "Royal College of Music" (PDF). Rcm.ac.uk. Retrieved 25 July 2020.
  24. Radio Times, issue 535, 29 December 1933, p 956
  25. Schaarwächter, Jürgen (2015), p. 373-4
  26. Songs of Praise, OUP, 1925
  27. Oxford Book of Carols, OUP 1928
  28. Six English folk-songs. Worldcat.org. 25 July 1929. OCLC 20424751. Retrieved 25 July 2020.
  29. Five English folk-songs: freely arranged for unaccompanied chorus (S.S.A.T.B.). Worldcat.org. 25 July 1931. OCLC 18180791. Retrieved 25 July 2020.
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