Peter Peri

Peter Peri (born 1971) is an artist living and working in London.

This article is about the living artist. For Peter Peri (1899-1967), see Peter Laszlo Peri.
Portrait of Peter Peri

Peri was born in London. He studied at Chelsea College of Art, London and graduated from the MA programme in 2003. He made his debut in 2003 at Bloomberg New Contemporaries. His most recent solo show was at Almine Rech Gallery, London in 2020. He has also shown at Art Now at Tate Britain in April 2007, the Kunsthalle Basel, Switzerland in September 2006 and his work was shown at Tate Britain's "Classified" and the Arts Council Collection's How to Improve the World: 60 Years of British Art at the Hayward Gallery, London.

He is represented by Pearl Lam,[1] and Almine Rech.[2] His work is in major collections such as Tate Collection, Victoria and Albert Museum Collection, Zabludowicz Collection, UBS and The Arts Council of Great Britain Collection.

Peri's work has a personal connection to Modernism, his grandfather was Laszlo Péri,(1899–1967), a Hungarian émigré to Britain who was involved in Constructivism before turning to architecture and later in his life to Realism. After 1945 his grandfather adopted the name "Peter Peri" also.

Education
2003 Chelsea College of Art, London, MA

Solo exhibitions

2019

  • Quarters, Pearl Lam H Queens, Hong Kong
  • The Winners, Arcadia Missa, London

2016

  • Uncting, Almine Rech Gallery Savile Row, London
  • Grafografo, Kinman Gallery, London
  • The Scarlet Letter, Fundatia Culturala Intact, Cluj-Napoca, RO

2015

  • Filler, Budapest Art Factory, Budapest, Hungary

2014

  • The Reign of Quantity, Pearl Lam Galleries, Singapore
  • Cass Sculpture Foundation, West Sussex, UK

2013

  • Last Family, Almine Rech Gallery, Brussels, Belgium

2011

  • We, the Children of the Twentieth Century, Almine Rech, Paris

2010

  • Bortolami, New York

2008

2007

  • ART NOW, Tate Britain, London
  • Hole Here, Galerie Giti Nourbakhsch, Berlin

2006

  • Country 10, Kunsthalle Basel, Switzerland

2005

  • Overflow and Extinction, Carl Freedman Gallery (formerly Counter Gallery), London

2004

  • The Grey Point, Carl Freedman Gallery (formerly Counter Gallery), London

Group exhibitions

2017

  • ‘CASS Projects: The Sleeping Procession’, Cass Sculpture Foundation, Chichester, UK

2016

  • 'Labyrinth(s)', Pearl Lam Galleries, Hong Kong, CN

2015

  • ‘Drawing Biennial 2015’, London
  • 'Zero: Infinite Possibilities', The Farjam Foundation, Dubai, UAE
  • 'Thoughts around the black square', Vasarely Museum, Budapest
  • 'Dans un interieur, meubles, oeuvres murales et textiles d'artistes', Almine Rech Gallery, Bruxelles
  • 'Ayan Farah, Max Lamb, Chris Succo & Peter Peri', Almine Rech Gallery, London

2014

  • 'Dans un interieur, meubles, oeuvres murales et textiles d'artistes', Almine Rech Gallery, Paris
  • Cass Sculpture Foundation, Chichester, West Sussex, UK

2013

  • ‘Drawing Biennial 2013’, Drawing Room, London

2012

  • Contemporary Drawings, Tate Modern, Britain

2011

  • The Minimal Gesture, Timothy Taylor Gallery, London
  • Magical Consciousness, Arnolfini, Bristol

2010

  • Newspeak: British Art Now, Part I, Saatchi Gallery, London
  • Light Breaks Where No Sun Shines, The Webster, Miami
  • Le Faux Miroir, curated by Bob Nickas, Galarie Rodolphe Janssen, Brussels

2009

  • Black Hole, CCA Andatx, Mallorca
  • Classified: Contemporary British Art from the Tate Collection, Tate Britain, London
  • Modern Modern, The Chelsea Art Museum, New York

2008

  • Space Now, Space Studios, London
  • Back to Black: Black in Current Painting, Kestner Hannover
  • Beyond Measure: Conversations Across Art and Science – curated by Barry Phipps, Kettles Yard, Cambridge
  • ...same as it ever was, Painting at Chelsea 1990 – 2007 – curated by Clyde Hopkins, The Arts Gallery, London
  • How to Improve the World, 60 years of British Art - Arts Council Collection, 2006 Hayward Gallery, London
  • Motion on Paper, Ben Brown Fine Art, London
  • TOUTES COMPOSITIONS FLORALES, Counter Gallery, London
  • A Violet From Mother's Grave, curated by Matthew Weir, Emily Tsingou Gallery, London

2005

  • We Disagree, Andrew Kreps Gallery & Wrong Gallery, New York

2004

  • Death & Magic, Keith Talent Gallery, London
  • East End Academy, Whitechapel Art Gallery, London

2003

  • Red Mansion Prize, Lethaby Galleries, London
  • Bloomberg New Contemporaries, Cornerhouse, Manchester & 14 Wharf Road, London
  • Private Property, 357 Kingsland Road, London

2002

  • Show Case 2, Lisu Gallery, John Islip Street, London

Awards

2003 Red Mansion Prize

Collections

Tate Collection, Arts Council of Great Britain Collection, Zabludowicz Collection, Farjam Foundation, Sylvie Fleming Collection, Victoria and Albert Museum Collection

Bibliography

2013

Owens, Susan. ‘The Art of Drawing: British Masters and Methods since 1600’, V&A Publishing

Harvey, John. ‘The story of black’, Reaktion Books, (Forthcoming)

2012

Stout, Katharine. ‘More to Meet the Eye’, Tate Etc., Spring

2011

Posnic, Emmanuel. ’Peter Peri : We, the children of the 20th century’ Paris-Art.com, June Blanchard, Benoit. 'Peter Peri : We, the children of the 20th century', Joe Bradley : Ducking Fantasi, Galerie Almine Rech’, Oeuvres-Revues.net, June 19

2010

Januszczak, Waldemar. 'Entering a whole new head space', Sunday Times, June Wullschlager, Jackie. ‘Charles Saatchi’s ‘Newspeak’’, Financial Times, June

Gartenfeld, Alex. ‘Peter Peri’, Art in America, May

Szymczyk, Adam. ‘Peter Peri – Country 10’, Kunsthalle Basel Editions

2009

Nickas, Bob. ‘Painting Abstraction : New Elements in Abstract Painting’, Phaidon, London, p. 274

Fox, Dan. ‘Peter Peri’, Frieze, October

2008

Volkzke, Daniel. ‘Malewitschs Enkel, Mark Grotjahn, Peter Peri and Kitty Kraus’, Monopol, February

2007

Herbert, Martin, ‘Peter Peri’ Time Out, April

Stout, Katharine. ‘Peter Peri’, tate.org.uk, April

2006

Kuni, Verena. ‘Die Nacht der Welt’, Spike Kunstmagazin, Winter

Eva Scharrer, Eva. ‘Peter Peri in der Kunsthalle Basel’, Kunst-Bulletin, November Marzahn, Alexander. ‘Der Urknall und sein Echo’, Die Basler Zeitung, October Mathonnet, Philippe. ‘L'heriter anglais du constructivisme’, Le Temps, October

Ulmann, Jana. ‘Drohende gesten im schwarzen territorium’, Regioartline, Kunstmagazin, October

Litz, Nadja. ‘Irritationen im wahrnehmungsprozess’ BZ Zeitung, October Szymczyk, Adam. ‘Peter Peri – Country 10’, Kunsthalle Basel Editions

Kovats, Tania. ‘The Drawing Book’ Black Dog Publishing

Townsend, Chris. ‘New Art from London’. Thames and Hudson

Herbert, Martin. ‘Peter Peri’, Time Out, April 25

Petrovich, Dushko, ‘True to Life’ The Boston Globe, February

2005

Fox, Dan. ‘Peter Peri, Microcosmic particulars and macrocosmic leaps’, Frieze, October Dexter, Emma. ‘Vitamin D, Themes in Contemporary Drawing’, Phaidon Press

Cutter, Holland. ‘We disagree’, New-York Times, February, 4th

2004

Sumpter, Helen. ‘Peter Peri’, Time Out, February 25

Habbard, Sue. ‘Peter Peri @ Counter Gallery’, The Independent Review, February

‘It’s got the wrong name, but the whitechapel’s new show of local artists does have street cred, says Waldemar Januszczak’, The Sunday Times Culture Magazine, August

Haq, Nav. ‘East End Academy’, Whitechapel Gallery

2003

Russell, John. ‘Bloomberg New Contemporaries’, The Times, October

References
  1. "Peter Peri". Pearl Lam Galleries. Retrieved 2019-05-08.
  2. "Peter Peri". Almine Rech Gallery. Retrieved 2019-05-08.
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