Perham Wilhelm Nahl

Perham Wilhelm Nahl also known as Perham Nahl (January 11, 1869 – April 9, 1935) was an American printmaker, painter, illustrator and an arts educator active in Northern California.[1]

Perham Nahl
13th Labor of Hercules, 1915 at the Panama-Pacific International Exposition (PPIE)
Born
Perham Wilhelm Nahl

(1869-01-11)January 11, 1869
San Francisco, California
DiedApril 9, 1935(1935-04-09) (aged 66)
San Francisco, California
NationalityAmerican
Alma materMark Hopkins Institute

Early life

Perham Wilhelm Nahl was born to Annie (née Sweeny) and Hugo Wilhelm Arthur Nahl in San Francisco, California.[2] By the mid-1870s the extended Nahl family had moved to the nearby island town of Alameda, where Perham first studied drawing and painting with both his father and his uncle, the fine art painter Charles Christian Nahl.[3] The young Nahl became a director and president of the Alameda Olympic Club, was a competitive diver at the Pacific Swimming Club, and served on the board of the Gentlemen’s Exercise Club of Alameda.[4][5]

Work

Perham Nahl was employed as a lithographer at H. S. Crocker & Co. when in 1894 he married Nanette (“Nan”) Woods in Berkeley; the couple continued to live in Alameda.[6] In the mid-1890s he staged before large audiences several risqué tableau vivants where naked models of both sexes were covered only with a thin layer of bronze pigment. His arrest and trial in New York City, where William Merritt Chase appeared in his defense, and subsequent scandals at home ended his theatre career.[7][8][9][1] From 1899 to 1901 he was a staff illustrator at the San Francisco Examiner. Nahl became a composer of popular music and served on the committee of the Alameda Coral Society. After divorcing his wife in 1902 he opened a studio in San Francisco and established his residence there, near the home of the Nahls’ family friend, Frederick Meyer.

Perham attended the Mark Hopkins Institute from 1899 to 1905 and studied under Charles C. Judson, Arthur Frank Mathews, John Stanton, Alice Chittenden, and Frederick Meyer. He won school prizes in life class, portrait drawing, composition, design, poster art, and painting, as well as a scholarship and a teaching certificate at graduation.[1][10] From February until May 1906 he taught at U.C. Berkeley as the Instructor of Pen and Ink Drawing in the architecture department but felt he needed to learn more, so he set off to Europe to study anatomy at the Akademie Heyman in Munich, Germany.[2]

On his return in 1907, Nahl became one of the founding members of the School of the California Guild of Arts and Crafts in Berkeley, which became today’s California College of the Arts[10][11] Initially, Perham taught drawing, antique classes, and watercolor, and later added life classes for men and women, oil painting, and composition. He maintained an active teaching schedule until his death.

In May 1908 Nahl married his second wife, Berkeley socialite and musician June Connor. He played a prominent role in the formation of the Berkeley Art Association in 1907 and the Berkeley League of Fine Arts in 1923. In 1912 Perham began a parallel career teaching in the art department of U.C. Berkeley, where he became a professor in 1929.[1] He travelled frequently to Mexico, and his study of its modern muralists influenced his art. He was partly responsible for bringing an exhibition of drawings by Diego Rivera to U.C. Berkeley in 1926.[12] Perham also became a leading authority on Japanese painting and was appointed curator of the massive Armes collection of oriental art at U.C. Berkeley.[13]

He died on April 9, 1935 in San Francisco, from injuries sustained when he was hit by a car.[14]

Awards

Between 1880 and 1935 Nahl was a prolific exhibitor throughout California and his oil paintings, drawings, charcoals, prints (especially monotypes, etchings, and lithographs), sculptures, and watercolors were consistently well received. Among his many awards was the bronze medal at Seattle’s Alaska-Yukon-Pacific Exposition in 1909 for his painting The Silence.[1] In 1915 at the Panama-Pacific International Exposition (PPIE), Nahl’s 13th Labor of Hercules lithographic poster was given a first prize and selected as the official image, which was featured on maps, book covers and catalogues of the Exposition, advertised worldwide.[15] The image features a muscular male nude straddled between two bodies of land symbolizing the Culebra Cut in the Panama Canal.[15] Also at the Exposition he received a bronze medal for his “psychological study” in oil titled Despair and a silver medal for his thirteen etchings.[1] In 1926 he received a prize from the California Society of Etchers.[2]

References
  1. Edwards, Robert W. (2012). Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1. Oakland, Calif.: East Bay Heritage Project. pp. 73–74, 79, 82, 84, 537–431, 690. ISBN 9781467545679. An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website ("Archived copy". Archived from the original on 2016-04-29. Retrieved 2016-06-07.CS1 maint: archived copy as title (link)).
  2. Hailey, Gene (January 1937). "Introduction to California Art Research, Nahl Family" (PDF). Abstract from California Art Research. US W.P.A. Project 2874. Retrieved February 22, 2015.
  3. U.S. Census of 1880, ED 2, Sheet 35.
  4. Daily Alta California (San Francisco, CA), 13 October 1888, p. 7.
  5. San Francisco Call: 11 November 1890, p.8; 8 June 1892, p.8; 19 November 1894, p.10; 11 October 1896, p.13.
  6. Alameda Daily Argus, 14 May 1894, p.1.
  7. San Francisco Call: 23 February 1894, p.3; 31 March 1899, p.10.
  8. Alameda Daily Argus: 22 November 1894, p.1; 8 March 1898, p.4; 10 May 1899, p.4.
  9. New York Times, 27 March 1895, p.8.
  10. "Perham Wilhelm Nahl, Art: Berkeley". Calisphere. University of California. Retrieved February 21, 2015.
  11. "CCA History". California College of the Arts (CCA). Retrieved February 21, 2015.
  12. The Oakland Tribune, 7 November 1946, p.S-5.
  13. The Courier (Berkeley, CA), 5 February 1921, p. 14.
  14. "Obituary". New York Times. April 9, 1935.
  15. Murrin, John; Johnson, Paul (2011). Liberty, Equality, Power: A History of the American People, Volume 2: Since 1863. Boston, MA: Wadsworth, Cengage Learning. p. 613. ISBN 978-0495915881.
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