Paul Hoecker

Paul Hoecker (11 August 1854, Oberlangenau – 13 January 1910, Munich) was a German painter of the Munich School and founding member of the Munich Secession

Not to be confused with Paul Oskar Höcker, the German author and editor
Nino (1904)
Pierrot (c.1895)

Early life

His passion for art developed gradually, beginning at the Gymnasium in Neustadt, where he was known for his humorous drawings and caricatures of his instructors.[1]

In 1874,[2] he became a student at the Academy of Fine Arts Munich, which he attended until the spring of 1879. His most influential instructor was Wilhelm von Diez, who led him away from genre painting to a more impressionistic style[3]

In 1882, he took a long journey, which included visits to Paris, the Netherlands, Holstein, the German seaports and then back to Munich, where he became friends with Fritz von Uhde, Bruno Piglhein and Max Liebermann. The next year, he had a display at the Munich International Art Exhibition,[4] then travelled again to Paris and the Netherlands. From 1884 to 1888, he lived in Berlin, but returned to Munich and began painting in naturalistic colors with strong lighting effects.

The Munich Academy

In 1891, at the young age of 36, he was appointed to the Munich Academy, where he replaced Friedrich August von Kaulbach, who had resigned suddenly.[4] He was the first teacher at the Academy to take his students on field trips, which often lasted two weeks.[4] He was also one of the first "modern" teachers there, exposing his students to impressionism and the latest developments from the Barbizon School.[5] His studio was often referred to as the "Geniekasten" (Genius Box).

Due to the pervasive influence of Franz von Lenbach, very little exhibition space was available for any art that was considered modern. In 1892, shortly after being appointed a Professor, this problem motivated Hoecker to become one of the founding members of the Munich Secession, acting as its secretary. The Secession ultimately inspired similar movements in Berlin and other cities.

Scandal

In 1897, a scandal broke out when it was rumored that Hoecker had used a male prostitute as a model for a painting of the Madonna. Eventually, the scandal became more personal in nature, and he chose to resign from the Academy.[6]

He then travelled to Capri, where he stayed at the Villa Lysis, home of industrialist and poet Jacques d'Adelswärd-Fersen, who had left Paris in the wake of his own scandal. While there, Hoecker painted several portraits of Fersen's lover, Nino Cesarini, a professional model. Though the Jugend magazine published one of his Nino portraits in 1904 – a fully clothed version. By 1901 he returned to Oberlangenau.[7]

In 1910, he died of what was diagnosed as "Roman Malaria".[6]

Posthumous recognition

Despite his important role for the Munich art scene of the late 19th century, Paul Hoecker is hardly known today. This is probably due to the fact that he left the professorship in connection with his homosexuality. In October 2019 a research group was formed at the Forum Queeres Archiv München to investigate the life and work of the painter.[8] Part of the family owned estate of Paul Hoecker has found its way into the archive of the Forum Queeres Archiv München and was digitalized.[9]

References
  1. Paul Preis: Kunstmaler Professor Paul Hoecker. Ostdeutsche Heimat 1973.
  2. Matriculation Records
  3. Brigitte Langer: Das Münchner Künstleratelier des Historismus. Dachau 1992. ISBN 3-89251-135-7.
  4. Fritz von Ostini: Paul Hoecker und seine Schule. Velhagen & Klasings Monatshefte, Heft 6, Februar 1913.
  5. Andrea Jedelsky: Leo Putz und Die Scholle. Katalog zur Ausstellung 1999 in der Galerie Schüller.
  6. Magnus Hirschfeld: Von Einst bis Jetzt, Berlin 1986. ISBN 3-921495-61-X.
  7. "Ontdek schilder, docent aan academie Paul Höcker". rkd.nl (in Dutch). Retrieved 2020-12-18.
  8. "Research group on Paul Hoecker". Forum Queeres Archiv München e.V. Retrieved 2020-12-18.
  9. "Estate of Paul Hoecker". Forum Queeres Archiv München e.V. 2020-09-22. Retrieved 2020-12-18.

Further reading
  • Friedrich Boetticher: Malerwerke des 19. Jahrhunderts. Dresden, 1891 - 1901.
  • Bruckmanns Lexikon der bildenden Künste. Münchner Maler im 19. Jahrhundert, Munich 1982.
  • Meyers Konversationslexikon c.1910.
  • Birgit Jooss: „ … der erste Moderne in der alten Akademie“ – der Lehrer Paul Höcker, in: Die Scholle. Eine Künstlergruppe zwischen Secession und Blauer Reiter. Hrsg. von Siegfried Unterberger, Felix Billeter und Ute Strimmer. Munich 2007, S. 28-43
  • Neue Pinakothek München: Die Münchner Schule 1850 - 1914. Exhibition Catalog, Munich 1979.
  • Andreas Sternweiler (Hrsg.): Goodbye to Berlin, 100 Jahre Schwulenbewegung, Berlin 1997. ISBN 3-86149-051-X
  • Paul Hoecker und seine Schule. Von Fritz v. Ostini. In: Velhagen & Klasing´s Monatshefte, XXVII. Jahrgang 1912/1913, 6 February 1913, S. 161 ff. m. Abb.
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