Pat Courtney Gold

Pat Courtney Gold (b. 1939) is a Wasco Native fiber artist and basket weaver from the Columbia River area of Oregon.[1] She graduated with a BA in mathematics and physics from Whitman College and worked as a mathematician-computer specialist before beginning her career in basket weaving.[2] Gold harvests traditional plant fibers to use in her work—including Dogbane, cattail, sedge grass, red cedar bark and tree roots.[3] Her pieces often reflect the natural world along the Columbia River, mixing traditional motifs such as condors and sturgeon with contemporary figures like airplanes. Gold has also become an environmental and cultural educator, helping to spread knowledge of her ancestral heritage and basketry skills.[4]

Gold's art is on show in museums around the world, including the High Desert Museum,[5] Royal British Columbia Museum, Peabody Museum of Archaeology and Ethnology at Harvard University[6] and Smithsonian National Museum of the American Indian.[7][1]

She was featured in a 2009 episode of the PBS series Craft in America.[8]

Personal life

Gold grew up on the Warm Springs Reservation in central Oregon. Her mother was an accomplished beadworker, and they would visit local art museums where their ancestors' baskets were on display.[4] She graduated from Madras High School in 1957.[9]

As a child, Gold did not see anyone around her using traditional weaving techniques and had no idea that would one day become her career. She worked as a mathematician for nearly 17 years before she decided to change course and focus on reviving the culture and art of her people.[3]

In 1991, through the Oregon Traditional Arts Apprenticeship Program, Gold began to study the making of "sally bags," flexible cylindrical baskets created by Wasco-Wishram people for gathering roots and medicines, as well as nuts, seeds and mushrooms.[10] Gold diagrammed historical basket designs and learned about the stories they told, encompassing the symbolism of fishing nets, petroglyphs and other ancestral scenes.[3] She learned the full turn twining technique used to weave the bags and has since become one of the foremost experts and teachers keeping this style alive today.[10]

Awards and honors

Gold received an Oregon Governor's Arts Award in 2001.[11] She earned a Community Spirit Award in 2003 and Cultural Capital Fellowship in 2004 from the First People's Fund.[12] She is a recipient of a 2007 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts.[4]

References
  1. Kristin G. Congdon (2011). American folk art : a regional reference. Hallmark, Kara Kelley. Santa Barbara: ABC-CLIO. ISBN 9780313349379. OCLC 782906071.
  2. "Entwined with Life: Native American Basketry - Plateau Weavers - Burke Museum". www.burkemuseum.org. Retrieved October 11, 2018.
  3. "Craft in America | Pat Courtney Gold". Craft in America.
  4. "Pat Courtney Gold: Wasco sally bag weaver". www.arts.gov. National Endowment for the Arts. n.d. Retrieved January 12, 2021.
  5. "Our Collections - High Desert Museum". High Desert Museum. Retrieved October 11, 2018.
  6. "Pat Courtney Gold | Peabody Museum". www.peabody.harvard.edu. Retrieved October 11, 2018.
  7. "The Language of Native American Baskets from the Weavers' View - view_pat". americanindian.si.edu. Retrieved October 11, 2018.
  8. "CRAFT IN AMERICA | MEMORY". Craft in America. Retrieved October 11, 2018.
  9. Matheny, Susan (September 26, 2018). "MHS honors distinguished alumni". Madras Pioneer. Madras, Oregon.
  10. "Wasco-Style Sally Bags". oregonhistoryproject.org. Retrieved April 17, 2020.
  11. "Four Oregonians Recognized for Advancing Arts, Culture". The Columbian. Vancouver, Washington. March 16, 2001. p. Clark County region section, C7.
  12. "Pat Courtney Gold". First Peoples Fund. Retrieved April 17, 2020.

Published works
  • Gold, Pat Courtney (Winter 2007). "The Long Narrows: The Forgotten Geographic and Cultural Wonder". Oregon Historical Quarterly. 108 (4): 596–605. JSTOR 20615799.
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