Omar Badsha

Omar Badsha (born 27 June 1945) is a South African documentary photographer, artist, political and trade union activist and an historian.[1] He is a self-taught artist.[2]He has exhibited his art in South Africa and internationally. In 2015 he won the Arts & Culture Trust (ACT) Lifetime Achievement Award for Visual Art.[3] In 2017 he received an honorary doctorate Doctor of Philosophy (DPhil), for his groundbreaking work in the field of documentary photography in South Africa.[4] He was also awarded a Presidential honor The Order of Ikhamanga in Silver for "His commitment to the preservation of our country’s history through ground-breaking and well-balanced research, and collection of profiles and events of the struggle for liberation"[5]

Early life

Badsha was born in Durban, KwaZulu-Natal on 27 June 1945. He is a third-generation South African of Indian origin and comes from a Gujarati Muslim Sunni Bohra family. His father Ebrahim Badsha was one of the South African pioneer black artists and a founding member of Bantu, Indian, Coloured Arts (BICA) organisation started by Durban artists in 1951.[3] His artistry was impacted by his father’s zest for Arabic calligraphy, the artwork of Cecil Skotnes and later, in life by the work of Dumile Feni.[6]

Contributions

In the early 1960s, Badsha produced "resistance art" and won a number of awards including Sir Basil Schonland prize in 1965 and the Oppenheimer award in 1969 after his work was featured in the Johannesburg exhibition Artists of Fame and Promise.[7] Badsha's art has featured in many exhibitions in 1970, his first solo exhibition was held at the Artists Gallery in Cape Town.[8]He became an anti-apartheid activist during his high schools days. He was one of the activists who revived the Natal Indian Congress in the 1970s and the independent left-wing trade union movement that grew out of the famous 1973 Durban strikes. Badsha established and was the first secretary of the Chemical Workers Industrial Union.[7] During this time he was detained and harassed.[9] He was denied a passport and never allowed to travel outside the country until 1990.[10]

In 1982 Badsha cofounded the multiracial organization Afrapix.[11] They took photojournalistic photographs of effects and impact of apartheid with the aim to create a picture library and "stimulate documentary photography".[12] In 1987 helped establish The University of Cape Town's Centre for documentary photography.[13] Badsha was the head of the photography unit of the Second Carnegie Commission on Poverty and Development. The study sought to revise the outcomes of the first Corporation study by commissioning more research into poverty in South Africa which would focus on both Black and White South Africans. An exhibition of the photographs included in the Second Carnegie Commission on Poverty and Development study was held at The University of Cape Town. Badsha could not attend the opening of the exhibition as he was detained. The exhibition was later held throughout the United States and it became a book entitled South Africa: The Cordoned Heart.[14] He is also the founder of South African History Online SAHO, which he founded in 1999 it is South Africa's largest history website.[3] Badsha runs SAHO and in 2009 the website won the South African NGO Coalition’s NGO Web Awards in the category of Best Use of Social Web.[15]

He is the author of a number of photographic books. His first book co-authored with Fatima Meer was A Letter to Farzanah,[3]it was published by the Institute for Black Research, at the University of Natal. The book was banned immediately after its publication in 1979. It was based on a letter to his daughter Farzanah [16] The book features 67 photographs of Black children living in apartheid South Africa along with key newspaper articles.[17]His book Imijondolo: A Photographic Essay on Forced Removals in the Inanda District of South Africa was published in 1985[18] The book was inspired by his work as a local social change agent in the Inanda informal settlement located outside of Durban, South Africa[19]


References
  1. "Narratives: Ritual and Graven Images by Omar Badsha". Absolutearts.com. 5 October 2002. Retrieved 1 August 2010.
  2. "Omar Badsha". Revisions: Expanding the Narrative of South African Art.
  3. "Omar Badsha - Award for Visual Art". artlink.co.za. 3 November 2015. Retrieved 26 November 2015.
  4. Communication, Corporate. "Thought leaders honoured for outstanding contribution to society". Stellenbosch University. Stellenbosch University.
  5. "Mr Omar Badsha". The Presidency The Republic of South Africa. The Presidency The Republic of South Africa. Retrieved 29 June 2020.
  6. "Omar Badsha". Revisions: Expanding the Narrative of South African Art.
  7. "Changing focus: The art and activism of Omar Badsha". Mail & Guardian Online. 5 June 2015. Retrieved 26 November 2015.
  8. "Omar Badsha: ACT Lifetime Achievement Award for Visual Arts". Creative Feel. Retrieved 29 June 2020.
  9. Dick, Archie L. (2013). The Hidden History of South Africa's Book and Reading Cultures. University of Toronto Press. ISBN 9781442695085.
  10. Congressional Serial Set. U.S. Government Printing Office. 1990. p. 158.
  11. Divya Dwivedi, Sanil V (2015). The Public Sphere From Outside the West. Bloomsbury Publishing. ISBN 9781472571922.
  12. Peffer, John (2009). Art and the End of Apartheid, Volume 2. U of Minnesota Press. p. 254. ISBN 9780816650019.
  13. "Between States of Emergency: Photographers in Action 1985-1990" (PDF). The Nelson Mandela Foundation. The Nelson Mandela Foundation.
  14. "Second Inquiry Into Poverty". Columbia University Libraries Oral History Research Project. Columbia University. Retrieved 29 June 2020.
  15. "Mr Omar Badsha". The Presidency Republic of South Africa. The Presidency Republic of South Africa.
  16. Kona, Bongani. "Changing focus: The art and activism of Omar Badsha". The Mail & Guardian. The Mail & Guardian. Retrieved 29 June 2020.
  17. "Omar Badsha: ACT Lifetime Achievement Award for Visual Arts". Creative feel. Retrieved 29 June 2020.
  18. Badsha, Omar; Hughes, Heather (1985). Imijondolo: A Photographic Essay on Forced Removals in the Inanda District of South Africa. Johannesburg: Afrapix. ISBN 062008314X.
  19. "Seedtime: An Omar Badsha Retrospective". Ground Up. Ground Up. Retrieved 29 June 2020.


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