Nancy Marie Mithlo

Nancy Marie Mithlo is a Chiricahua Apache curator, writer and professor. Her exhibitions have been shown at the Venice Biennale. Mithlo has worked as the chair of American Indian Studies at the Autry National Center Institute and as a professor of gender studies and American Indian Studies at the University of California, Los Angeles. She is the author and editor of several books about Native Americans and indigenous art.

Biography

Mithlo is Chiricahua Apache, is enrolled in the Fort Sill Apache Tribe, and has family in Apache, Oklahoma.[1] She was born in 1961 and grew up in Mississippi.[2]

Mithlo attended the Institute of American Indian Arts and earned her bachelor's degree from Appalachian State University in 1986, and her master's degree in anthropology from Stanford University in 1988. In 1993, she earned a doctorate in cultural anthropology from Stanford University.[3]

Work

Mithlo has worked as the chair of American Indian Studies at the Autry National Center Institute.[4] She has worked as a professor of gender studies and American Indian Studies at the University of California, Los Angeles.[5]

Mithlo has helped curate and create nine exhibits at the Venice Biennale.[3] Two exhibitions, "Air, Land, Seed" and "Octopus Dreams," were shown in part in the 2013 Venice Biennale.[6] In the exhibition, "The People's Home: The United American Indian Involvement Photographic Project" held at These Days Gallery in 2019, Mithlo looks into how Native Americans live in modern Los Angeles.[7]

Mithlo edited Manifestations: New Native Art Criticism in 2011.[8] Native People's Magazine wrote that Manifestations contained "an excellent cross-section of the Indigenous art community today."[8] The Wicazo Sa Review discusses how Manifestations focuses on how mentorship and continuity are important aspects of Indigenous art.[9] In 2014, Mithlo edited a book about the work of Horace Poolaw, For a Love of His People: The Photography of Horace Poolaw.[10] The Daily Beast called the book "an outstanding work of scholarship and a commanding visual document."

Selected bibliography
  • 'Our Indian Princess': Subverting the Sterotype. Santa Fe, New Mexico: School for Advanced Research. 2008. ISBN 9781930618978.
  • Manifestations: New Native Art Criticism. Santa Fe, New Mexico: Museum of Contemporary Native Arts. 2011. ISBN 9780615489049.
  • For a Love of His People: The Photography of Horace Poolaw. Washington, D.C.: National Museum of the American Indian. 2014. ISBN 9780300197457.
  • Knowing Native Arts. Lincoln: University of Nebraska Press. 2020. ISBN 9781496202123.

References
  1. Weatherford, Elizabeth (July 2010). "Nancy Marie Mithlo". Native American Film + Video Festival. Retrieved 2020-08-24.
  2. Mithlo, Nancy Marie (2020). Knowing Native Arts. Lincoln: University of Nebraska Press. p. 200. ISBN 978-1-4962-02123.
  3. "Nancy Marie Mithlo". TLAXCALA. Retrieved 2020-08-24.
  4. Weideman, Paul (15 August 2014). "A Gaze of Intelligence: The Photos of Native Visionary Horace Poolaw". Santa Fe New Mexican. Retrieved 2020-08-24.
  5. Thackara, Tess (2019-05-31). "The Hand of Native American Women, Visible at Last". The New York Times. ISSN 0362-4331. Retrieved 2020-08-24.
  6. Pulkka, Wesley (2013-08-11). "Poignant Shows at 516 Arts". Albuquerque Journal. p. 37. Retrieved 2020-08-24 – via Newspapers.com.
  7. Centeno, Jimmy (2019-02-27). "The People's Home: The United American Indian Involvement Photographic Project". Sounds and Colours. Retrieved 2020-08-24.
  8. Krol, Debra Utacia (September 2012). "Manifestations: New Native Art Criticism". Native People's Magazine: 64 – via EBSCOhost.
  9. McGeough, Michelle (2012). "Indigenous Curatorial Practices and Methodologies". Wicazo Sa Review. 27 (1): 13. doi:10.5749/wicazosareview.27.1.0013.
  10. Birnbaum, Robert (2014-12-13). "The Best Coffee Table Books of 2014". The Daily Beast. Retrieved 2020-08-24.
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