My Brother's Keeper (film)

My Brother's Keeper is a 1948 British crime film in the form of a convicts-on-the-run chase thriller, directed by Alfred Roome for Gainsborough Pictures. It was the first of only two films directed by Roome (the other being the following year's comedy It's Not Cricket) during a long career as a film editor. The film stars Jack Warner and George Cole and was produced by Sydney Box.

My Brother's Keeper
UK release poster
Directed byAlfred Roome
Produced bySydney Box
Written byFrank Harvey
Story byMaurice Wiltshire
StarringJack Warner
George Cole
Music byClifton Parker
CinematographyGordon Lang
Edited byEsmond Seal
Production
company
Distributed byGeneral Film Distributors
Release date
9 August 1948
Running time
96 minutes
CountryUnited Kingdom
LanguageEnglish
Budget£113,600[1] or £100,000[2]
Box office£93,600 (by Dec 1949)[1]

The title is taken from the story of Cain and Abel in the King James Bible: "am I my brother's keeper".

Plot

Handcuffed together, George Martin (Jack Warner) and Willie Stannard (George Cole) are two prisoners being transported to prison. Martin is a hardened, cynical career criminal, while Stannard is a naïve, rather dull-witted youth who has never previously been in trouble with the law, maintains his innocence of the rape for which he has been accused and is terrified by the prospect of prison. During the journey the pair manage to escape. Martin steals an army corporal's uniform and passes Stannard off as a deserter in his charge, being returned to face a military tribunal. In this manner, it cleverly explains why they are handcuffed together.

The escape location has been chosen by Martin for its proximity to a garage run by his mistress Nora Lawrence (Jane Hylton), who provides the pair with overnight shelter. The following day Martin and Stannard take refuge in a derelict isolated cottage. While trying to file their handcuffs apart they are surprised by a hunting man with a gun. A struggle ensues, during which Martin strikes and kills the man. Shortly thereafter they manage to separate the handcuffs and Martin abandons Stannard, going on the run alone while Stannard gives himself up and is promptly charged with murder.

Martin manages to contact his wife in London, asking if she can find a way to get money to him. She arranges to travel in a taxi driven by a friend of hers to the locality where he is hiding and to leave clothes and money for him at the barber's shop. Just as she arrives, the police have tracked Martin down and have him cornered, halting her progress. Rather than give himself up, Martin makes a final doomed attempt to escape through a warning-signed minefield, watched by police, reporters, his wife and mistress and a crowd of sensation-seeking gawkers.

Cast

Production

The film was originally known as Double Pursuit. It was produced by Sydney Box who had just taken over as head of production at Gainsborough Studios and was keen to develop new talent via lowered budgeted movies. The film was based on a story by journalist Maurice Wiltshire, his first for the movies; it was the first screenplay for Frank Harvey, first credit as full producer for Anthony Yarnborough, first film for Alfred Roome, first film for the editor and cinematographer, and first starring role for George Cole.[3]

Filming started in December 1947. Gainsborough had meant to make another movie that month called Roses Her Pillow, but production on that was postponed when Margaret Lockwood refused to star and Sydney Box could not find anyone he felt was suitable to replace her, so brought forward Double Pursuit on the studio's schedule. The original stars announced were Jack Warner, John McCallum and Peter Hammond.[4] McCallum and Hammond did not appear in the final movie.

The film was shot in 45 days, nine ahead of schedule and £20,000 under budget.[5]

My Brother's Keeper's exterior location sequences were filmed in the Buckinghamshire/Oxfordshire border area, including scenes shot at the now abandoned Aston Rowant railway station.

Several people who worked on the film were rewarded with long-term contracts at Gainsborough.[3]

Reception

My Brother's Keeper is a well-regarded film, with a reputation as a tight, tense and fast-moving thriller with Roome's previous editing experience being well utilised. The characterisation of the two main protagonists is praised for going deeper than the stereotypes of the tough, reckless criminal and the dim, hapless innocent. Via the 1950 film The Blue Lamp, and Dixon of Dock Green, the TV series developed from it which ran until the mid-1970s, Warner became forever engrained on the British consciousness as George "Evenin' all" Dixon, the avuncular upholder of law and order. My Brother's Keeper is often cited as an example of the dramatic range of which Warner was capable, before he became typecast. Cole's performance too is credited as one of the factors in his unusually smooth transition from child star to adult actor. The film's main weakness is cited as the interpolation of a pseudo-comic and largely irrelevant subplot involving a newspaper reporter trying to cover the story while on honeymoon in the area; although this 'framing device' could also be likened to the 'comic relief' interludes found in Shakespearian – and other – tragedies which somehow both enhance and make bearable the serious 'meat' of the drama.

Box Office

The film recorded a loss of £9,400.[1]

See also

References
  1. Andrew Spicer, Sydney Box Manchester Uni Press 2006 p 210
  2. https://archive.org/stream/kinematographyea36unse#page/152/mode/1up/search/%22box+office%22
  3. Spicer, Andrew. "'The Apple of Mr. Rank's Mercatorial Eye': Managing Director of Gainsborough Pictures". Academia.edu.au. p. 110.
  4. "Star Wins Dispute With Studio". The News. Adelaide. 5 November 1947. p. 4. Retrieved 16 June 2020 – via Trove.
  5. "June Clyde Flies Here". The Mail. Adelaide. 14 February 1948. p. 2 (SUNDAY MAGAZINE). Retrieved 16 June 2020 – via Trove.
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