Miriam Leonard

Miriam Anna Leonard is Professor of Greek Literature and its Reception at University College, London. She is known in particular for her work on the reception of Greek tragedy in modern intellectual thought.[1]

Miriam Leonard
NationalityBritish
Academic background
Alma materUniversity of Cambridge
ThesisAppropriations of antiquity in contemporary French thought
Academic work
DisciplineClassics, Classical reception studies
InstitutionsBristol University, University College, London

Career

Leonard gained her BA, MPhil, and PhD from the University of Cambridge.[2] Her PhD, Appropriations of antiquity in contemporary French thought, was awarded in 2002.[3] From 2002 to 2007, Leonard worked in the Classics Department of University of Bristol as a lecturer in Classics and Ancient History,[4] and she moved to University College London as a lecturer in Greek literature and its reception in 2007.[1] Leonard delivered her inaugural lecture on Tragedy and Modernity on 1 May 2012.[5]

Leonard's work focuses on the intellectual history of classics from the 18th century to the modern day. Her doctoral work was published as Athens in Paris: Ancient Greece and the Political in Post-War French Thought in 2005 in which she examined the Paris school of classical scholarship.[6]

Leonard has worked on the use of Greek tragedy by 19th-20th century writers such as Friedrich Nietzsche, Georg Wilhelm Friedrich Hegel, Karl Marx, and Sigmund Freud, as a key reference for their work. Reference to Greek tragedy underpinned their use of terminology and the intellectual frameworks they constructed, for example, Nietzsche's use of the Apollonian and Dionysian concept in The Birth of Tragedy or Freud's introduction of the Oedipus complex in The Interpretation of Dreams. Leonard contends that the continued use of Greek tragedy in modern intellectual concepts has both shaped contemporary culture and has affected modern views of antiquity.[7] Leonard was awarded a Leverhulme Trust grant in 2011 for her work on Tragedy and modernity: from Hegel to Heidegger.[8] In 2012 Leonard was awarded a Philip Leverhulme Prize in the field of Classics.[1][9]

Leonard lectured on The Beauty of the Ethical Life: Lacan's Antigone at the University of Michigan on 4 March 2004.[10] In 2014, Leonard delivered the opening lecture for the joint meeting of the Center for Religious and Interreligious Studies (CRIS) and the Cambridge University Project for Religions in the Humanities (CUPRiH) at Cambridge on Jews and Greeks in Nineteenth-Century European Intellectual Thinking.[11] On 14 February 2017, Leonard gave a lecture at Princeton University on Hannah Arendt’s Revolutionary Antiquity.[12] Leonard delivered the 20th Annual Classical Studies Roberts Lecture on Classics and the Birth of Modernity on 16 February 2018 at Dickinson College.[13][14]

Leonard presented her work on Tragedy and Modernity on ABC Radio National in Australia on 8 November 2012.[15]

Selected publications
  • Tragic Modernities (Harvard University Press, 2015)[16]
  • ed. with Joshua Billings Tragedy and the Idea of Modernity (Oxford University Press, 2015)
  • Socrates and the Jews: Hellenism and Hebraism from Moses Mendelssohn to Sigmund Freud (University of Chicago Press, 2012)
  • ed. Derrida and Antiquity (Oxford University Press, 2010)[17]
  • How to Read Ancient Philosophy (Granta, 2008)
  • ed. with Vanda Zajko Laughing with Medusa: Classical Myth and Feminist Thought (Oxford University Press, 2006)
  • Athens in Paris: Ancient Greece and the Political in Post-War French Thought (Oxford University Press, 2005)[6]

References
  1. "Miriam Leonard". www.ucl.ac.uk. Retrieved 20 August 2018.
  2. UCL. "miriam-leonard". Early Modern Exchanges. Retrieved 20 August 2018.
  3. Anna, Leonard, Miriam (2002). "Appropriations of antiquity in contemporary French thought". Cite journal requires |journal= (help)
  4. Zajko, Vanda; Leonard, Miriam (2006). Laughing with Medusa: Classical Myth and Feminist Thought. Oxford University Press. ISBN 9780199274383.
  5. "Professor Miriam Leonard's inaugural lecture". www.ucl.ac.uk. Retrieved 20 August 2018.
  6. Prince, Cashman Kerr (2008). "Review of: Athens in Paris: Ancient Greece and the Political in Post-War French Thought. Classical Presences series, edited by Lorna Hardwick & James I. Porter". Bryn Mawr Classical Review. ISSN 1055-7660.
  7. "Tragic Modernities — Miriam Leonard | Harvard University Press". www.hup.harvard.edu. Retrieved 20 August 2018.
  8. "Leverhulme Grants 2011" (PDF). Retrieved 20 August 2018.
  9. "Philip Leverhulme Prize 2012" (PDF). Archived from the original (PDF) on 2 April 2018. Retrieved 20 August 2018.
  10. "2004 Events | U-M LSA Contexts for Classics". lsa.umich.edu. Retrieved 20 August 2018.
  11. "Cris: Center for Religious and Inter-Religious Studies". humanities1.tau.ac.il. Retrieved 20 August 2018.
  12. "Events Archive | Princeton Classics". classics.princeton.edu. Retrieved 20 August 2018.
  13. Public. "20th Annual Classical Studies Roberts Lecture". www.dickinson.edu. Retrieved 20 August 2018.
  14. ‘20, Drew Kaplan. "Lecture Claims Societies Use Past to Guide Revolution". The Dickinsonian. Retrieved 20 August 2018.CS1 maint: numeric names: authors list (link)
  15. Tragedy and Modernity, 7 November 2012, retrieved 20 August 2018
  16. "Tragic Modernities, by Miriam Leonard". Times Higher Education (THE). 20 August 2015. Retrieved 20 August 2018.
  17. Levine, Steven Z. (2011). "Review of: Derrida and Antiquity. Classical Presences". Bryn Mawr Classical Review. ISSN 1055-7660.
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