Michel Hausmann

Michel Hausmann is a Venezuelan-born theater director, writer, and producer. He is the co-founder and artistic director of Miami New Drama, the resident theater company and operator of the Colony Theatre in Miami Beach.[1] Under Hausmann's leadership, the company has produced over a dozen productions - nine of them world premieres.[2] Michel Hausmann also started Miami New Drama's educational program, which serves more than 8,000 students annually[3] and provides online programming for people across the United States and internationally - offering master classes on a variety of different theater topics such as acting, playwriting, directing, and theater management.[4]

Biography

Hausmann is of Jewish descent, and was born and raised in Caracas, Venezuela. After graduating from Emerson College in Boston, Massachusetts with a BA in film,[5] Hausmann returned to Caracas. Once back, he founded his first theater company, Palo de Agua, in 2003 alongside executive producer, Yair Rosemberg. Under their leadership, Palo de Agua became an award-winning theater company. Its production of Jesus Christ Superstar was seen by over 170,000 people.[6] Following an attack by the Venezuelan government during the production, Michel Hausmann left Venezuela and moved to New York City to pursue an MFA in Directing at Columbia University.[7] While at Columbia, Hausmann studied under renowned directors such as Anne Bogart and Gregory Mosher, among others.[8] His thesis play, The Golem of Havana, played at La MaMa Experimental Theatre Club in 2013[9] and went on to have its world premiere at Barrington Stage Company in 2014.[10]

In 2016, Hausmann relocated to Miami, Florida and produced The Golem of Havana at the Colony Theatre in Miami Beach; it was Miami New Drama's debut production. Miami New Drama is the second theater company founded by Michel Hausmann. He co-founded it with playwright, director, and medal of the arts winner, Moisés Kaufman.[11] In 2020, Miami New Drama produced Seven Deadly Sins: Temptation in the Magic City, a series of seven short plays around the theme of the seven deadly sins, shown in vacant Miami storefronts along Lincoln Road while the limited audience, socially distanced due to Coronavirus restrictions, watches and listens via headphones. The production was directed by Hausmann and authored by playwrights Hilary Bettis, Nilo Cruz, Moisés Kaufman, Rogelio Martinez, Dael Orlandersmith, Carmen Palaez, and Aurin Squire.[12][13]

Stage Directing & Producing Credits

Credits with Miami New Drama
  • The Golem of Havana (Book by Hausmann himself, music by Salomon Lerner, and lyrics by Len Schiff) - Director and Producer
  • A Special Day (in co-production with The Play Company) - Producer
  • Terror (Directed by Gregory Mosher) - Producer

Off-Broadway Credits

Notable Credits with Palo de Agua in Venezuela

Awards

Conflicts with the Venezuelan government

During Hausmann's 2009 production of Fiddler on the Roof, the Grand Marshal of Ayacucho Symphony Orchestra, funded in its entirety by the Venezuelan government of President Hugo Chávez, abandoned the production two weeks before the opening, citing that its participation on a "Jewish play" would threaten the funding they receive from the Venezuelan government, a vocal foe of Israel.[23] The move was condemned by the Simon Wiesenthal Center and the Anti Defamation League.[23][24] The production went forward, performed on a rooftop in Caracas with various musicians stepping up to play the score.[23]

When preparing for a 2010 production of Jesus Christ Superstar in Caracas, Hausmann secured a sponsorship deal for US$300,000 (equivalent to $351,700 in 2019) with Research in Motion (RIM), makers of BlackBerry smartphones, and its cellular phone network partner, government-owned Movilnet.[25] Official documents released by WikiLeaks revealed that, less than a month before opening night, the sponsorship pair added a clause stating that the production could not place advertising space – even with other cash – in a list of media outlets banned by RIM and Movilnet for being critical of the Chávez regime.[25] Hausmann and producer Yair Rosemberg chose instead to cancel the RIM-Movilnet sponsorship deal, and went public with this information. When the production opened at the Central University of Venezuela, it was attacked with tear gas by masked assailants. While the rector of the university stated that the attack was a continuation of incidents targeting the university, Hausmann called it an example of Chávez' intimidation against any theatre group branded enemies of the state "because they seek to maintain their autonomy".[26]

References
  1. "How Do You Build a Regional Theater From the Ground Up? Michel Hausmann Has an Answer | TheaterMania". www.theatermania.com. Retrieved 2020-09-08.
  2. "MiND Productions". colonytheatre. Retrieved 2020-09-08.
  3. "EDUCATION". colonytheatre. Retrieved 2020-09-08.
  4. Dolen, Christine (2020-03-31). "South Florida theater community plans for its next act". Miami Herald. Retrieved 2020-09-08.
  5. D. Goodwin, Jeremy (2014-07-18). "'Golem' a world premiere for Barrington Stage - The Boston Globe". BostonGlobe.com. Retrieved 2020-09-08.
  6. "INFO". palodeagua (in Spanish). Retrieved 2020-09-08.
  7. "Theater that reflects a changing America? Venezuelan Michel Hausmann is doing it in Miami". NBC News. Retrieved 2020-09-08.
  8. "Michel Hausmann". Columbia - School of the Arts. Retrieved 2020-09-08.
  9. "The Golem of Havana". Exeunt Magazine. Retrieved 2020-09-08.
  10. Admin, B. S. C. (2014-07-14). "Barrington Stage Company Musical Theatre Lab presents World Premiere "The Golem of Havana"; July 16-August 10". Barrington Stage Company. Retrieved 2020-09-08.
  11. Dolen, Christine (2015-10-29). "Miami New Drama will bring multicultural theater to a diverse region". Miami Herald. Retrieved 2020-09-08.
  12. Culwell-Block, Logan (2020-11-27). "Miami New Drama's Socially Distanced Seven Deadly Sins Begins Performances November 27". Playbill. Retrieved 2020-12-27.
  13. "Theatre alumnus Michel Hausmann '14 Brings Theater to Vacant Miami Beach Storefronts". Columbia - School of the Arts. Retrieved 2020-12-27.
  14. "MiND Productions". colonytheatre. Retrieved 2020-09-08.
  15. "The Golem of Havana". Exeunt Magazine. Retrieved 2020-09-08.
  16. "Michel Hausmann". Repertorio Español. Archived from the original on 2014-07-14. Retrieved 2020-04-17.
  17. Gans, Andrew (2012-07-19). "Black Milk Begins Limited Run at Off-Broadway's East 13th Street Theatre July 19". Playbill. Retrieved 2020-09-08.
  18. "PLAYS". palodeagua (in Spanish). Retrieved 2020-09-08.
  19. "MUSICALS". palodeagua (in Spanish). Retrieved 2020-09-08.
  20. "NYTW / 2050 Artistic Fellowship At New York Theatre Workshop". NYTW. Retrieved 2020-09-08.
  21. "THEA Alumnus Michel Hausmann Wins Knight Foundation Grant with Miami New Drama". Columbia - School of the Arts. Retrieved 2020-09-08.
  22. Loos, Ted (2017-12-05). "Knight Foundation Helps Drive Miami Art Scene". The New York Times. ISSN 0362-4331. Retrieved 2020-09-08.
  23. Samuels, Shimon; Widder, Sergio (2009-02-01). "Venezuela: Fiddler on the Roof Despite Chávez". Simon Wiesenthal Center. Buenos Aires. Archived from the original on 2012-12-16. Retrieved 2020-04-18.
  24. Staff writers (2009-02-02). "Chavez's Venezuela: The Jewish Community Under Threat". Anti-Defamation League. Archived from the original on 2009-02-07. Retrieved 2020-04-18.
  25. Terauds, John (2011-09-20). "Sponsorship deal by RIM shows perils of global business". Toronto Star. Retrieved 2020-04-18.
  26. "Forging Connections in a Fragmented Hemisphere, Controversy in Caracas". Theatre Communications Group. Archived from the original on 2010-05-07.
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