Michel Fano

Michel Fano (born 9 December 1929)[1] is a French musician, composer, writer, filmmaker, and sound designer. He developed the concept of continuum sonore to describe the potential for a film's soundtrack to interact with its visual content.[2] [3]During the early 1950s, he was part of a generation of composers associated with the Darmstadt School, and was a lifelong friend of Pierre Boulez. From 1962 until 1975, he regularly collaborated with Alain Robbe-Grillet on cinematic projects, creating partitions sonores (or "sound-scores") for five of Robbe-Grillet's films.[4][5][6]

Michel Fano in Paris, 2013

Works

Compositions

The following are Fano's acknowledged compositions; numerous works of juvenilia and works-in-progress also exist.[7]

  • Sonate pour deux pianos (1952)
  • Étude pour 15 instruments (Picc.Fl.Ob.Eh.Cl[E♭].Cl.Bcl.2Hn.Ptpt.2Tpt.Sax.2Vln.2Va.2Vlc.Cb) (1954)
  • La Chambre Secréte (Electronic music with text by Alain Robbe-Grillet)
  • Fab V (piano solo, 1995)

Partitions Sonores

References
  1. https://www.cinezik.org/compositeurs/index.php?compo=fano
  2. Deleuze, Gilles (2013). Cinema II: The Time-Image. Bloomsbury. p. 240. ISBN 9781472512604.
  3. "Michel Fano". brahms.ircam.fr. Retrieved 2020-04-15.
  4. "Michel Fano - Cinémathèque française". cinema.encyclopedie.personnalites.bifi.fr. Retrieved 2020-04-15.
  5. "Michel Fano". MUBI. Retrieved 2020-04-15.
  6. "Michel Fano". IMDb. Retrieved 2020-04-15.
  7. "Michel Fano - Musiques". www.michelfano.fr. Retrieved 2018-08-12.
  8. "Michel Fano - Cinémathèque française". cinema.encyclopedie.personnalites.bifi.fr. Retrieved 2018-08-12.
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