Michael Sgan-Cohen

Michael Sgan-Cohen
Michael Sgan-Cohen
Born	Michael Sgan-Cohen; 2 March 1944; Jerusalem, Israel
Died	20 February 1999 (aged 54); Jerusalem, Israel
Nationality	Israeli
Education	Hebrew University of Jerusalem, University of California, Los Angeles (UCLA), City University of New York (CUNY)
Known for	Painting, Concept
Notable work	Moses (1977–1978) Hineni (1978) Coat of Many Colors (1981) Leviathan (1983) The Wandering Jew (1983)
Movement	Israeli art, conceptual art
Awards	Ministry of Education and Culture Prize, Israel (1998); George and Janet Jaffin Prize for Excellence in Plastic Arts, America-Israel Cultural Foundation (1997); Memorial Foundation for Jewish Culture, New York City (2001–02)(2003–04);

Michael Sgan-Cohen (2 March 1944 – 20 February 1999) was an Israeli artist, art historian, curator and critic. His oeuvre touches different realms of the Israeli experience and the Hebrew language, displaying a strong connection to the Jewish Scriptures. His works were nurtured by his extensive knowledge of Art history, philosophy, Biblical Texts, Jewish thought and Mysticism, which in turn illuminated all these pursuits. His engagement with Judaism and the Bible as a secular scholar and his vast knowledge of modern and contemporary art contributed to the development of a distinctive approach which combined Jewish and Israeli symbols and images to create a multilayered and contemporary artistic language.

Sgan-Cohen's art was anticipatory in many respects: his concept of Israeli identity as part of Jewish Identity developed long before other artists began to see things in these terms. This reflected in his profound involvement with the formative Jewish sacred texts, both intellectually and by embedding Jewish thought into the essence of his artistic practice. He was one of the pioneers in the sophisticated use of the Hebrew language as a means of expression in contemporary art.

Life

Michael Sgan-Cohen was born in Jerusalem in 1944.[1] His father, Dr. Meir Sgan-Cohen, was a well-known figure in Jerusalem and president Yitzhak Ben-Zvi's personal physician. Sgan-Cohen graduated in Art History and Philosophy from the Hebrew University of Jerusalem in 1969. In the late sixties, while still a student, Sgan-Cohen began writing short articles on art for the literary and cultural supplement of the daily newspaper Haaretz (edited by Benjamin Tammuz).

Between 1969 and 1978 Sgan-Cohen lived in Los Angeles and New York state. In 1973 he earned his MA degree in art history from the University of California (UCLA) in Los Angeles. Sgan-Cohen moved to New York in late 1973 to study with the art historian and critic Leo Steinberg. During this period, he was associated with the "New York Group" of Israeli artists including Pinchas Cohen-Gan, Benny Efrat, Michael Gitlin and Buky Swchartz. In 1976 he began to work as an artist. In 1978 Sgan-Cohen had his first solo exhibition at the Kibbutz Gallery in Tel Aviv. During his years in New York, Sgan-Cohen taught art history at the Brooklyn College and at the School of Visual Arts. He wrote for a number of art journals, such as Art in America, Art Forum and Art press, as well as for Hebrew journals like Mussag, Proza, Kav, Studio and Monitin. He wrote the catalogue articles for Motti Mizrahi (1988) and Ya'akov Dorchin (1990) for The Venice Biennale curated by Adam Baruch. In 1989 Sgan-Cohen earned his PhD from the City University of New York (CUNY). His dissertation dealt with the artist and architect Frederick Kiessler, who designed the Shrine of the Book in the Israel Museum.

Between 1977 and 1978 Sgan-Cohen returned to Israel and taught at Bezalel Academy of Arts and Design in Jerusalem as well as at the University of Haifa. In 1987 he permanently settled in Jerusalem and since 1990 served as a lecturer in several Art Institutes in Israel including Oranim Academic College in Kiryat Tivon (1990–98), Kalisher Art Academy in Tel Aviv (1990–98), The School of Visual Theatre in Jerusalem (1991–94) and Bezalel Academy of Arts and Design in Jerusalem (1992–98)

In 1993 Sgan-Cohen had a solo exhibition at the library of foyer of the Tel Aviv Museum of Art. In 1994 he had an extensive solo exhibition at the Ramat Gan Museum of Israeli Art. The following years he had two joint exhibitions—in 1995 with Haim Maor at the Museum of Jewish Art in Bar'am and in 1996 with Tsibi Geva at Julie M. Gallery in Tel Aviv.

Michael Sgan-Cohen curated two major retrospective exhibitions of the painter Lea Nickel (1995) and the sculptor Yehiel Shemi (1997) at the Tel Aviv Museum of Art.

In 1997 Sgan-Cohen was the recipient of the America-Israel Cultural Foundation Prize for Excellence in Plastic Arts and in 1998 he won the Minister of Education and Culture Prize.

He died of an illness in 1999.

During his life and posthumously, Sgan-Cohen's works participated in many prominent exhibitions in Israel, Europe and the U.S. Between 2004 and 2005 an extensive retrospective exhibition of his work was held at the Israel Museum in Jerusalem.[2]

In August 2014 a street was named after Michael Sgan-Cohen and his father in The German Colony neighborhood in Jerusalem.

Work

Life in America sharpened Sgan-Cohen's preoccupation with Hebrew language, Jewish thought (particularly the Bible) and Mysticism and gradually led him from the theoretical articulation of ideas to visual expression. Michael Sgan-Cohen was primarily concerned with ideas. His approach to the visual arts may, accordingly, be considered as "conceptual", but not in the standard art-historical kind of sense. The art object was for him a medium of reflection on the fundamental problems of Jewish identity, particularly of the emerging Israeli culture. Sgan-Cohen's long stay in New York City served to sharpen his awareness of the uniqueness of the Israeli perspective in the role of Jewish culture in the life of modern Jews. His recurrent treatment of the theme of Nevo, the observation of the Land of Israel from the outside in the position of Moses before he died, attests for this deep concern, and to his attempt to form an Israeli style in art without becoming provincial or parochial and without falling into the trap of nostalgia.

A major role in Michael Sgan-Cohen's conception of art is given to the word and especially the Hebrew word. This does not only reflect the artist's preoccupation with ideas and intellectual reflection, but also his recognition of the text as the fundamental medium and subject characterizing Jewish culture. Sgan-Cohen was one of the pioneers in the sophisticated use of the Hebrew language as a means of expression in contemporary visual art. Hebrew served in his view as the bridge between Jewish heritage, particularly the Bible, and the contemporary search for Israeli cultural identity. His works are replete with the complex deployment of culturally charged Hebrew phrases and with the Hebrew Alphabet as a visual theme. The drawn or painted Hebrew word served him as the way in which a generally non-visual, verbal tradition can be approached in the visual medium. The Hinneni (1978) theme is just one example of this use of words as visual images, the word becoming a powerful effect on the eye. In other paintings he portrayed the body in its basic "alphabetic" gestures, placed his self-portrait in a text, copied whole chapters from the bible and made writing itself into a painted image. In those actions Sgan-Cohen's developed a unique poetic and artistic view of the visual aspects of the Hebrew word and the Hebrew alphabet. Naturally, the Bible became a major source in his art: Moses, The Akedah, Jonah and the Leviathan, Psalms, etc. In a very ambitious and project, Sgan-Cohen made twelve large panels in which the whole text of the Twelve Minor Prophets (Trei Assar) were copied, a homage to the long tradition of the meticulous reproduction of the word of the prophet and at token of respect to the sanctity of the word. In his works he thus brought together in a highly original way the sensibilities of the critical, self-reflexive post-modern artist who understands the late and the repetitive with those of a modernist one who appreciated the archaic and the primary.

Michael Sgan-Cohen's work shifts between painting and icon, reality and myth, nostalgia and critical distance. His conceptual images capture and invigorate a whole cultural alphabet, combining iconic qualities with virtues of simplicity, depth and humour. An image of Israel's map, for example, combines the political, mythical, visual and textual languages and thereby figures the intricate and tension-ridden Israeli place as both a direct experience and an emblem branded in Zionists and Israeli minds. In another exemplary work Sgan-Cohen portrayed himself as a Kabbalist who holds in his hand the tree of spheres assembled from parts of a child's old wooden toy. Rather than dissolving into mystical trance, he foregrounds the very language game and play of the artistic-cultural act.

Gallery

The Ark of the Covenant, 1977, Acrylic on medicine cabinet
Moses, 1977-1978, Acrylic and oil sticks on canvas, Israel Museum Collection
Torah Prophets Writings (The Hebrew Bible), 1978
Hinnenni, 1978, Print and acrylic on paper and frame
Comfort Ye, Comfort Ye, My People, 1978, Acrylic and oil sticks on wood and street sign
Coat of Many Colors, 1981, Acrylic on canvas, Israel Museum Collection
The Wandering Jew, 1983, Acrylic and pencil on canvas
Leviathan, 1983, Acrylic on canvas, Israel Museum Collection
Symbolic Map, 1983, Acrylic on canvas
Sitting/Settlement, 1992, Acrylic on wood
Judea Galilee, 1994, Acrylic and army rangers' tent
Haor Roeh (The Light Sees), 1998, Acrylic on canvas

Education

1965–1969 BA History of Art and Philosophy, The Hebrew University of Jerusalem
1969–1973 MA History of Art, University of California, Los Angeles, US
1989 PhD City University of New York City, New York City, US

Teaching

1973–1978 – Brooklyn College, New York City
1977–1978 – Bezalel Academy of Arts and Design, Jerusalem
1977–1978 – University of Haifa, Haifa
1979 – School of Visual Arts, New York City
1990–1998 – Art Institute – Oranim Academic College, Kiryat Tivon
1990–1998 – Bezalel Academy of Arts and Design, Jerusalem
1990–1998 – Kalisher Art Academy, Tel Aviv-Yafo

Solo exhibitions

1978 Hakibbutz Gallery, Tel Aviv
1993 Library Foyar, Tel Aviv Museum of Art
1994 "Michael Sgan-Cohen, Paintings, 1978 – to date", Museum of Israeli Art, Ramat-Gan
2004 "Michael Sgan-Cohen, a Retrospective", The Israel Museum, Jerusalem

Two-artist exhibitions

1995 "Twice over", Haim Maor and Michael Sgan-Cohen, Bar-David Museum, Bar-Am
1996 "Painting a Land", Tzibi Geva and Michael Sgan-Cohen, Julie M. Gallery, Tel Aviv
2008 Idan Erez / Michael Sgan-Cohen, Hamidrasha Gallery, Tel Aviv

Group exhibitions

1981 "Ulam 1", Artists House, Jerusalem
1982 Dvir Gallery, Tel Aviv
1982 "Black and White", Public image, New York
1983 Dvir Gallery, Tel Aviv
1983 "Events '83, "Metaphysics", Artist House, Jerusalem
1984 "Art and Ego", Pan-Art, New York
1985 "Towards Myth Without God", Artists House, Jerusalem
1985 "In the Open", National Park, Ramat-Gan, Ramat-Gan
1987 "Israeli Art", The Israel Museum, Jerusalem
1987 "Vistas-Landscape". Einstein Gallery, New York
1987 "Second Coming", Dramatis Personae, New York
1987 "Drawings", The Eika Gallery, Jerusalem
1988 "Critics Choice". Artifact Gallery, Tel Aviv
1990 "New Acquisitions", The Israel Museum, Jerusalem
1991 "Routes of Wandering", The Israel Museum, Jerusalem
1991 "Grids", Kalisher Five Art Gallery, Tel Aviv
1991 "Drawing Now, Drawing Here", Kalisher five Art Gallery, Tel Aviv
1992 "Two Dimensions, One Dimension", Israel Festival, Jerusalem
1993 "Sham", The Israel Museum, Tel Aviv
1993 "Artists Books", Kalisher Five Gallery, Tel Aviv
1993 "International match box Art Exhibition", The Art Workshop Gallery, Yavneh
1994 "Tel-Hai", Tel-Hai
1994 "Flags", Omanut La'am
1994 "Separate Worlds", Tel Aviv Museum of Art
1994 "Anxiety", Ramat-Gan Museum of Israeli Art, Ramat-Gan
1994 "Identity, artist, Place", Artists House, Jerusalem
1995 "Critic's Choice", Artists House, Tel Aviv
1995 "My heart is in the East", Center for Contemporary Art, Haifa
1995 "Blue White", Bineth Gallery, Tel Aviv
1995 "A Place of Shelter", Municipal Art Gallery, Jerusalem
1996 "Windows", The Israel Museum, Jerusalem
1996 "Ketav-Flesh and Word in Israeli Art", Ackland Art Museum, University of North Carolina at Chapel Hill
1997 "Art and Fate", The New Workshop, Ramat-Eliahu
1998 "Where Have We Come From and Where Do We Go"? Yad Labanim Museum of Art, Petach Tikva
1998 "Flag-Nationality-Flag", Pyramid Center for Contemporary Art, Haifa
1998 "Perspectives on Israeli Art on the Seventies", Tel Aviv Museum of Art
1998 "Kol Anot", Israeli Art and the Bible", Artists House, Tel Aviv
1998 "To the Tomb of the Righteous", The Israel Museum, Jerusalem
1998 "To the East- Orientalism in the Arts in Israel", The Israel Museum, Jerusalem
1998 "Private Icons", Pyramid, Center for Contemporary Art, Haifa
1998 "Artists on the Peace Way", Givataim Theatre, Givataim
1998 "Private Icons", Library & Memorial Center, Kriat Tivon
1998 "Stains", The Israel Museum, Jerusalem
1998 "Ministry od Education and Culture Prize for Artists, in the fields of Plastic Art 1997/1998
1998 "Good Kids, Bad Kids', Children in Israeli Art, The Israel Museum, Jerusalem
1998 "In the Name of the Land. In the Name of the Lord", The Artists House, Jerusalem
1999 "Summer Harvest", The Israel Museum, Jerusalem
2000 "Art and Artists from Israel and Palestina", Palazzo delle Papesse, Siena, Centro Arte Contemporanea
2001 "Love at first sight", The Israel Museum, Jerusalem
2001 "Israeli Habitat", The Dwek Gallery, Jerusalem
2001 "Le Juif Errant, Un Temoin Du Temps, Musee d'art et d'histoire du Judaiisme
2001–02 "Hands", The Israel Museum, Jerusalem
2002 "Acquisitions from the Uzi Zucker Foundation for Contemporary Israeli Art", Tel Aviv Museum of Art
2002 "Running Words", On the writing of Prints, Jerusalem Print Workshop
2003 "Present Tense 2", The Israel Museum, Jerusalem
2003 "Self Portrait", Gordon Gallery, Tel- Aviv
2003 "The Right of the image – Jewish Perspectives in Modern Art, Museum Buchom, Germany
2004 "Dead end", Gordon Gallery, Tel-Aviv
2005 "Handwriting", a group exhibition, Gordon Gallery, Tel-Aviv
2006 "The Devine Image: Depicting God in Jewish and Israeli Art", The Israel Museum, Jerusalem
2007 "Visual Israeliness", The Open University of Israel, Raanana
2008 "Eventually We'll Die ", The Fifth Decade: Art in Israel, 1988–1998, Herzliya Museum of Contemporary Art, Herzliya
2008 "Check Post", The Fourth Decade: Art in Israel, 1978–1988, Haifa Museum of Art, Haifa
2008 "My Own Body", The Third Decade: Art in Israel, 1968–1978), Tel-Aviv Museum of Art
2008 "Typisch! Klischees von Juden und Andern, Judisches Museum, Berlin, Germany
2008 "Mr. Guskin", Art T.L.V. Balcony, Nachalat Binyamin, Tel-Aviv
2008–2009 "Hidden Traces – Jewish Diaspora Ostopography of the Avant-Garde", Felix Nussbaum-Haus, Osnabruck, Germany
2008–2009 "Van Gogh in Tel Aviv", Rubin Museum, Tel Aviv, Curators: Carmela Rubin, Edna Arda, Shira Naftali
2009 "Watermelons", Rubin Museum, Tel Aviv, Curators: Carmela Rubin, Shira Naftali
2009 "Last Edition": paper as raw material in contemporary Israeli art, Ben-Gurion University, Beer-Sheva. Curators: Haim Maor and students from the curating studies
2009 "Careful, glued!" Collages from the Museum and other collections, the Tel Aviv Museum of Art, Curator: Irit Hadar
2009 "Selection of Israeli Art from the Collection of Gaby and Ami Brown", Museum of Art, Ein Harod
2009 Typical Clichés of Jews and Others, Jewish Museum, Vienna
2011–2014 "The Museum Presents Itself" from the Museum of Israeli Art, Tel Aviv Museum
2011 Auf des Spuren Judicher Zeichen, Kultur Bahnhof Eller, Düsseldorf, Germany, Curator: Avraham Eilat
2012 "Portraits of Cain": Representations of 'others' in Contemporary Art in Israel', Ben-Gurion University, Beersheba, Curator: Haim Maor
2013 "Image of the Word" active exhibition, the Art Institute Oranim, Kriat Tivon
2013 "Now, now" Biennale of Jerusalem, The brothers adherent compound, Jerusalem, Curators: Porat Salomon, Oryan Galster
2014 "Revelations" Jerusalem Print Workshop, Jerusalem, Curators: Irena Gordon, Tamar Gispan-Greenberg, Arik Kilemnik
2015–2016 "Israeli Art", A New Permanent Exhibition, The Israel Museum, Jerusalem, Curator: Amitai Mendelsohn
2016 "Alchemy of Words: Abraham Abulafia, Dada, Lettrism", Tel Aviv Museum of Art, Curator: Dr. Batsheva Goldman-Ida
2016–2017 "Behold the Man: Jesus in Israeli Art", The Israel Museum, Jerusalem, Curator: Amitai Mendelsohn
2017 "No Place Like Home", The Israel Museum, Jerusalem, Curator: Adina Kamien-Kazhdan
2017 "Thou Shalt Not", Museum on the Seam, Jerusalem, Curator: Raphie Etgar

Awards and prizes

1994–1999 Artist-in-residence, The Jerusalem Foundation, Jerusalem
1998 Ministry of Education and Culture Prize
1997 George and Janet Jaffin Prize for Excellence in Plastic Arts, America-Israel Cultural Foundation
2001–02, 2002–03 Memorial Foundation for Jewish Culture, New York City

Selected art critic and writings

Michael Sgan-Cohen, "The Jewish Experience in Art, Art in America, May- June 1976, pp. 44–47
Michael Sgan-Cohen, "Kiesler on stage and off", Theatre design, Art in America, summer 1981, pp. 37–39
Michael Sgan-Cohen, "Motti Mizrahi: A New Song", The Venice Biennale, 1988, The Israeli Pavilion
Michael Sgan-Cohen, "Frederick Kiesler: Artist, Architect, Visionary, A study on his work and writing", 1989, PhD, CUNY, New York (A short summary that was compiled by Valentina Sonzogni for the Kiesler Foundation research department in order to add information to the status quo of the international research.)
Michael Sgan-Cohen, "Yaakov Dorchin: East of Eden", Dorchin, The Venice Biennale, 1990, The Israeli Pavilion
Michael Sgan-Cohen, "Le Sanctuaire du Livre et L'art de transformer le superflu en nécessaire", Collection Monographie Frederick Kiesler sous la direction de Chantai Béret, Edition du Centre Georges Pompidou, 1996, pp. 229–239
Michael Sgan-Cohen, "Ketav and Hebrew in Israeli Art" Flesh and Word in Israeli Art, Ackland Art Museum, The University of North Carolina at Chapel Hill, (Catalogue) pp. 41–51

Selected Hebrew writings

"Cain, artist, Wandering Jew", Proza, No. 43, Dec. 1980, pp. 28–30 (Hebrew)
"Assumptions Concerning the possibility of the Birth of Jewish-Israeli Art", Jerusalem, Vol. 11–12, Bezalel, Feb. 1984, pp. 79–87 (Hebrew)
"Between New York and Jerusalem" Kav, June 1984, pp. 64–76 (Hebrew)
"Tzeva" (color), Bezalel No.1, Feb. 1984, pp. 67–73 (Hebrew)
"A Cautious Touch of Sources", Studio, No. 14, Sept. 1990, p. 32 (Hebrew)
"Hur and Aharon – An Autointerview on Art, Religion and Israeliness", Studio, No. 17, Dec. 1990 (Hebrew)
"From the Horse Mouth", Studio, No. 52, April 1994, pp. 15–19 (Hebrew)

References

"Michael Sgan-Cohen". Information Center for Israeli Art. The Israel Museum.
Michael Sgan-Cohen : A Retrospective. 9 November 2004 – 21 May 2005. The Israel Museum.

External links

"Michael Sgan-Cohen". Information Center for Israeli Art. The Israel Museum
Michael Sgan-Cohen: A Retrospective. 9 November 2004 – 21 May 2005. The Israel Museum
"Michael Sgan-Cohen" at the Israel Museum Collection
"Michael Sgan-Cohen" The Bezalel Narkiss Index of Jewish Art, The Center for Jewish Art, The Hebrew University of Jerusalem

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[1] "Michael Sgan-Cohen". Information Center for Israeli Art. The Israel Museum.

[2] Michael Sgan-Cohen : A Retrospective. 9 November 2004 – 21 May 2005. The Israel Museum.