Meridel Rubenstein

Meridel Rubenstein (born 1948) is an American photographer and installation artist based out of New Mexico. She is known for her large-format photographs incorporating sculptures and unusual media.

Meridel Rubenstein
Born (1948-03-26) March 26, 1948
Detroit, MI
NationalityAmerican
EducationMinor White
Alma materSarah Lawrence College
Massachusetts Insititute of Technology
University of New Mexico
Known forPhotography
Stylenarrative, mixed-media installation
Websitewww.meridelrubenstein.com

Biography
Monks in a Canoe by Meridel Rubenstein, 2000-2001, Honolulu Museum of Art

Rubenstein was born in Detroit, Michigan in 1948. In 1970, Rubenstein earned a bachelor's degree in social science, with a film-making emphasis from Sarah Lawrence College. She received an M.A. from the University of New Mexico in 1974 and an M.F.A. from the same institution in 1977, studying with Beaumont Newhall and Franck Van Deren Coke.[1] She received a Guggenheim Fellowship in 1981 and a National Endowment for the Arts Fellowship in 1983.[2] From 1985 to 1990 she was head of the photography department at San Francisco State University.[3] In 1990 she returned to New Mexico to teach at the Institute of American Indian Arts. In 2006, she received a fellowship from the Pollock-Krasner Foundation.[4] She currently lives and works in Santa Fe, New Mexico and Singapore.

Rubenstein is best known for her large-format photographs incorporating sculptures and unusual media, such as Monks in a Canoe from 2000-2001 in the collection of the Honolulu Museum of Art. This work consists of a dye transfer on glass and a found wooden dug-out canoe. Her photographic series, The Volcano Cycle, is a component of the larger project, Eden Turned on its Side.[5][6]

Collections

The Honolulu Museum of Art,[7] the Museum für Kunst und Gewerbe Hamburg (Hamburg, Germany), the New Mexico Museum of Art, the San Francisco Museum of Modern Art, and Smithsonian American Art Museum (Washington, DC) are among the public collections holding work by Meridel Rubenstein.[8][9]

References
  1. Naylor, Colin, ed., "Contemporary Photographers," St. James Press, 1988, pp. 879-881.
  2. Smithsonian American Art Museum
  3. Hansen, Anna Christine (1991). To Collect the Art of Women : The Jane Reese Williams Photography Collection Biographies and Statements of the Artists. Santa Fe, NM: Museum of New Mexico.
  4. The Pollock-Krasner Foundation, Inc. "Meridel Rubenstein". pkf-imagecollection.org. Retrieved 7 May 2017.
  5. Pardee, Hearn (October 5, 2015). "MERIDEL RUBENSTEIN The Volcano Cycle". The Brooklyn Rail. Retrieved 7 May 2017.
  6. "Heaven Turned on Its Side by Meridel Rubenstein". Fraction Magazine, Issue 49. Retrieved 7 May 2017.
  7. Honolulu Museum of Art. "Decisive Moments: Photographs from the Collection of Cherye R. and James F. Pierce". Retrieved 7 May 2017.
  8. The artist's website
  9. Arizona State University, Julie Ann Wrigley Global Institute of Sustainability. "Meridel Rubenstein". Retrieved 7 May 2017.

Further reading
  • Davis, Tim, "Beyond the Sacred and the Profane: Cultural Landscape Photography in America, 1930-1990", in Mapping American Culture, ed. Wayne Franklin and Michael Steiner, Univ. of Iowa Press, Iowa City, 1992, pp. 191–230.
  • Garner, Gretchen, Reclaiming Paradise: American Women Photograph the Land, Tweed Museum of Art, University of Minnesota, Duluth, 1987, pp. 38–39.
  • Green, Jonathan, American Photography -A Critical History, Harry Abrams, 1984, pp. 149,154, 211.
  • Jussim, Estelle, Landscape as Photograph, Yale University Press, 1985, pp. 17, 18, 128-30.
  • Rubenstein, Meridel, “Georgia O’Keefe as a Role Model”, in From the Faraway Nearby: Georgia O’Keeffe as Icon, ed. Christopher Merrill and Ellen Bradbury, Addison-Wesley, 1992, pp. 187–92.
  • Rubenstein, Meridel, La Gente De La Luz, New Mexico Museum of Fine Arts, Santa Fe, 1977.
  • Rubenstein, Meridel and Ellen Zweig, Critical Mass, New Mexico Museum of Fine Arts, Santa Fe, 1993.
  • Smith, Joshua P. and Merry A. Foresta, The Photography of Invention – American Pictures of the 1980s, National Museum of American Art, MIT Press, pp. 166–67.
  • Yates, Steve, The Essential Landscape, Univ of New Mexico Press,1985,pp. 23,132-5.
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